CHAPTER V

It was Sunday; and it was in May. To Whitewater Farms floated the

sound of bells from three village churches, pealing alternately. With

a final three strokes from each bell, Odell and Lister drove out of

the horse-barn in the family carry-all. In God’s honour, Odell wore a

celluloid collar. Lister’s reverence was expressed in a new scarlet

bandanna.

Mazie, big, symmetrical, handsome in her trim summer clothes, appeared

from the house, herding her loitering, loutish offspring--Gene, 18; Si,

17; Willis, 16; Buddy, 15; all habited in the dark, ready-made clothing

and dark felt hats of rural ceremony, the gloomy similarity relieved

only by ready-made satin neck-scarfs of different but primitive hues.

“Where’s Eris?” inquired Odell.

Mazie laughed: “She ain’t ready, what with her curling and her manicure

set--busy ’s’a bee from fingers to toes--”

“Eris!” shouted her father, looking up at the open window, where dotted

muslin curtains were blowing.

Eris peeped out, her chestnut hair dishevelled.

“Don’t wait,” she said. “I’ll walk.”

Odell gathered the reins: “G’lang!” he grunted.

* * * * *

For twenty minutes or more there was no sound in the House of Odell

except the flutter of muslin curtains.

Under the window a lilac bush was vibrant with bumble-bees; robins ran

through the grass; blue-birds drifted along the fence from post to post

in soft, moth-like flight.

It was quite a while after the kitchen clock struck that light, hurried

steps sounded on the stairs.

Eris stepped out on the porch, radiant and in her best.

At twenty she had the slender immaturity of a girl of sixteen. Her slim

figure made her seem taller than she was.

Her hat was one of those sagging straw affairs. It tied under the chin

with lilac ribbon. Her thin white gown had lilac ribbons on it, too. So

did her sun-shade.

She was very late. She walked to the gate, keeping to the brick path on

account of her white shoes and stockings.

Here she consulted her wrist-watch. There was no use hurrying now. She

glanced up and down the road--possibility of a belated neighbour giving

her a lift to the village.

No, it was too late to hurry. Almost too late to go at all.

She looked up at the gate lilacs, broke off a heavy, mauve cluster,

inhaled the fragrance.

For a little while, still, she lingered on the chance of a passing

vehicle. Finally she returned to her room, took a book from her pillow,

took “the key to the fields,” and sauntered off through the hillside

orchard, now a wilderness of pink and white bloom.

Everywhere the azure wings of blue-birds; the peach-red of a robin’s

breast; the broad golden glint of a flicker flashing through high white

bloom.

The breeze which had fluttered her muslin curtains was busy up here,

too, blowing white butterflies out of their courses and spreading

silvery streaks across tall grasses.

On the hill-top she paused, looking out over the world of May.

Below her lay Whitewater Farms, neat as a group of newly-painted

toys, house, barns with their hip-gables, silos, poultry-runs, sheds,

out-buildings, whitewashed fences.

A mile south, buried among elms and maples, lay White Hills Village,

the spires of its three churches piercing the foliage.

All around, east, west, south, rose low hills, patched with woods,

a barn or two in silhouette on some grassy ridge. Ploughed fields,

pastures, squares of vivid winter wheat checkered the panorama, the

tender green of hard-wood groves alternating with the dark beauty of

hemlock and white pine.

Overhead a blue sky, quite cloudless; over all, May sunshine; the young

world melodious with the songs of birds. And Eris, twenty, with the

heart and experience of sixteen.

Sweet, thrilling came the meadow lark’s calling from the crests of tall

elms. It seemed to pierce her heart.

To the breezy stillness of the hill came faintly out of the valley the

distant barking of a dog, a cock-crow, answered, answered again from

some remoter farm.

Eris turned and looked into the north, where bluish hills spread away

into the unknown.

Below her were the Home Woods, where Whitewater Brook ran over silver

gravel, under mossy logs, pouring into deep, spreading pools, gliding

swiftly amid a camouflage of ferns, gushing out over limestone beds to

clatter and sparkle and fling rainbow spray across every sunny glade.

Eris looked down at the woods. To venture down there was not very good

for her low-heeled, white sport shoes.... Of course she could clean

them after noon dinner and they’d be dry in time for--anything.... But

for _what_?

She paused at the wood’s edge, her mind on her shoes.

“In time for what?” she repeated aloud.

She stood, abstracted, grey eyes brooding the question.

What was there to dress for--to clean her white shoes for? Evening

service. A slow stroll with some neighbour’s daughter along the village

street. Gossip with other young people encountered in the lamp-lit

dark. Banter with boys--passing the usual group clustered on fence or

wall--jests born of rural wit, empty laughter, emptier retort--the

slow stroll homeward.... This was what she dressed for.... Or for a

party ... where the deadly familiarity of every face and voice had

long since dulled her interest.... Where there was never any mental

outlook; no aspiration, no stimulation--no response to her restless

curiosity--where nobody could tell her “why.”

Standing there on the wood’s edge, she wondered why she was at pains to

dress becomingly for the sake of such things as these.

She wondered why she cared for her person so scrupulously in a family

where a bath a week was the rule--in a community where the drug-store

carried neither orange-stick nor depilatory.

It is true, however, that with the advent of short skirts and

prohibition it was now possible to purchase lipstick and powder-puff in

White Hills. And State Troopers had been there twice looking for hootch.

There was a rumour in local ecclesiastical circles that the youth of

White Hills was headed hellward.

* * * * *

As yet the sweet-fern was only in tassel; Eris could pick her way,

without danger to her stockings, through the strip of rough clearing.

She entered the woods, pensively, amid the dappled shadows of new

leaves.

Everywhere her eyes discovered young ferns and wild blossoms. Trillium

and bunch-berry were still in bloom; viburnum, too; violets, blue,

yellow and white; and a few pink moccasin flowers and late anemones.

Birds, too, sang everywhere; crows were noisy in the taller pines;

glimpses of wood-thrush and Veery in moist thickets; clear little

ecstasies of bird-song from high branches, the strident chirring of red

squirrels, the mysterious, muffled drumming of a cock-grouse far in

woodland depths.

Where a mossy limestone ledge hung low over Whitewater Brook, Eris

spread her handkerchief and sat down on it carefully, laying her book

beside her.

Here the stillness was melodious with golden harmonies from a little

waterfall.

There were no black flies or midges yet,--no exasperating deer-flies

either. Only gilded ephemera dancing over the water, where, at

intervals, some burly trout broke with a splash.

Green-clouded swallow-tail butterflies in floppy, erratic flight,

sped through sunny glades. Overhead sailed the great yellow

swallow-tail,--in aërial battle, sometimes with the Beauty of

Camberwell, the latter rather ragged and faded from last summer’s

gaiety, but with plenty of spirit left in her shabby wings.

Sun-spots glowed and waned; shadows flickered; water poured and glided

between green banks, aglint with bubbles. The beauty of all things

filled the young heart of Eris, reddened her lips, tormented her,

almost hurt her with the desire for utterance.

If inexperience really has anything to express, it has no notion how to

go about it.

Like vast, tinted, unreal clouds, her formless thoughts crowded her

mind--guileless desire, innocent aspiration toward ineffable heights,

ambition as chaste as immature.

And when in dreaming preoccupation the clouds took vague form, her

unformed mind merely mirrored an unreal shape resembling herself--a

magic dancing shape, ethereal, triumphant amid Olympian thunders of

applause--a glittering shape, like hers, lovelier, facing the world

from the jewelled splendour of the stage--a shadow-shape, gliding

across the screen, worshipped in silence by a breathless multitude.

She opened her book. It was entitled: “How to Break into the Movies.”

She read for a few moments, gave it up.

* * * * *

It was May in the world; and, in the heart of Eris, April. And a

strange, ardent, restlessness in the heart of all youth the whole

world over--the renaissance, perhaps, of a primitive, lawless

irresponsibility curbed into discipline æons ago. And, after ages, let

loose again since the Twilight of the World fell over Armageddon.

* * * * *

Sooner or later she felt she must free mind, heart, body of whatever

hampered, and go--go on about her business in life--whatever it might

be--seek it throughout the world--ask the way--ask all things unknown

to her--learn all things, understand, choose, achieve.

Twenty, in the April just ended! Her time was short. The time to be

about her business in life was very near.... The time was here.... It

was already here ... if she only knew the way.... The way out.... The

door that opened outward....

* * * * *

Lifting her grey eyes she saw a man across the brook. He saw her at the

same moment.

He was fat. He wore short rubber boots and no coat. Creel, bait-box,

and fishing rod explained his presence on Whitewater. But as to his

having any business there, he himself seemed in doubt.

“Hello, sister!” he said jauntily.

“Hello,” said Eris, politely.

“Is it all right for me to fish here?” he inquired. “I’m not

trespassing, am I?”

“People fish through our woods,” replied Eris.

“Oh, are they _your_ woods?” He looked around him at the trees as

though to see what kind of sylvan property this girl possessed.

“A pretty spot,” he said with condescension, preparing to bait his

hook. “I like pretty spots. It’s my business to hunt for them, too.

Yes, and sometimes I hunt for dreary spots. Not that I like them, but

it’s in my line----” He shoved a squirming worm onto the hook and wiped

his hands on his trousers. “Yes, that’s my line--I’m in all kinds of

lines--even fish-lines----” He dropped his hook into the pool and stood

intent, evidently indifferent to any potential applause as tribute to

his wit.

He was sunburnt, fat, smooth-shaven. Thin hair partly covered his head

in damp ringlets.

Presently he glanced across at Eris out of little bluish, puffy eyes

which sagged at the corners. He winked at her, not offensively:

“Yes, that’s my best line, sister.... Spots! All kinds. Pretty, gloomy,

lovely, dreary--oasis or desert, it doesn’t matter; I’m always in the

market for spots.”

“Are you looking for a farm?” inquired Eris.

“Farm? Well, that’s in my line, too,--farms, mills, nice old stone

bridges,--all that stuff is in my line,--in fact, everything is in my

line,--and nothing _on_ my line----” He lifted a dripping bait, lowered

it again, winked at Eris.

“I suppose,” he said, “there isn’t a single thing in all the world that

isn’t in my line. Why, even _you_ are!” he added, laughing fatly. “What

do you think of that, now?”

“What is your line?” she inquired, inclined to smile.

“Can’t you guess, girlie?”

“No, I can’t.”

“Well, I come out this way on location. The bunch is over at Summit.

I’m just scouting out the lay over here. To-day’s Sunday, so I’m

fishing. I can’t hunt spots every minute.”

“I don’t know what you mean,” said Eris.

“Why, we’re shooting the sanitarium over at Summit,” he explained,

gently testing his line. As there was nothing on it he looked over at

Eris.

“You don’t get me, sister,” he said. “It’s pictures. See?”

“Moving pictures?”

“Yeh, the Crystal Film outfit. We’re shooting the ‘Wild Girl.’ It’s all

outside stuff now. We’re going to shoot ‘The Piker’ next. Nature stuff.

That’s why.”

Once more he drew out and examined his bait. “Say,” he demanded, “are

there any fish in this stream?”

“Trout.”

“Well, they seem to be darned scarce----”

“I want to ask you something,” interrupted the girl, breathlessly.

“Shoot, sister.”

“I want to know how people--how a girl----”

“Sure. I get you. I’m glad you asked me. They all ask that. You want to

know how to get into pictures.”

“Yes----”

“Of course. So does every living female in the United States. That’s

what sixty million women, young and old, want to know----”

He looked up, prepared to wink, but something in her flushed expression

modified his jocose intention:

“Say, sister,” he drawled, “_you_ don’t want to go into pictures.”

“Yes, I do.”

“What for?”

“Why are _you_ in pictures?” she asked.

“God knows----”

“Will you please tell me why?”

“I like the job, I guess.”

“So do I.”

“Oh, very well,” he said, laughing, “go to it, girlie.”

“How?”

“Why, _I_ can’t tell you----”

“You _can_!”

He lifted his bait and flopped it into another place.

“Now, listen,” he said, “some men would take notice of your pretty

face and kid you along. That ain’t me. If you break loose and go into

pictures it’s a one to a million shot you make carfare.”

“I want to try.”

“_I_ can’t give you a job, sister----”

“Would the Crystal Film management let me try?”

“Nobody would let you try unless they needed an extra.”

“What is an extra?”

“A day’s jobber. Maybe several days. Then it’s hoofing it after the

next job.”

“Couldn’t they let me try a small part?”

“We’re cast. You got to begin as an extra, anyhow. There’s nothing else

to it, girlie----”

Something jerked his line; gingerly he lifted the rod, not “striking”;

a plump trout fell from the hook into the water.

“Lost him, by jinx!” he exclaimed. “What the devil did I do that I

hadn’t oughto I dunno?”

“You should jerk when a trout bites. You just lifted him out. You can’t

hook a trout that way.... I hope you will be kind enough to give me

your name and address, and help me to get into pictures.”

For a while he stood silent, re-baiting his hook. When he was ready he

cast the line into the water, laid the rod on the bank, drew out and

lighted a large, pallid cigar.

“Of course,” he remarked, “your parents are against your going into

pictures.”

“My mother is dead. My stepmother only laughs at me.”

“How about papa?”

“He wouldn’t like it.”

“Same old scenario,” he said. “And I’ll give you the same old advice:

if you got a good home, stay put. Have you?”

“Yes.”

“But you don’t want to stay put?”

“No.”

“You want to run away and-be-a-great-actress?”

“I’m going to try.”

“Try to do what?”

“Find out what I can do and do it!” she replied hotly, almost on the

verge of tears.

He looked up at the delicate, flushed beauty of her face.

It wasn’t a question of talent. Most women have the actress in them.

With or lacking intelligence it can be developed enough for Broadway

use.

“You young girls,” he said, “expect to travel everywhere on your looks.

And some of you do. And they last as long as their looks last. But men

get nowhere without brains.”

“I have brains,” she retorted unsteadily.

“Let it go at that. But where’s your experience?”

“How can I have it unless I--I try?”

“You think acting is your vocation, sister?”

“I intend to find out.”

“You better listen to me and stick to a good home while the sticking’s

good!”

“I’m going into pictures,” she said slowly. “And that’s _that_!”

Wearying of bad luck the fat man started to move down stream toward

another pool.

The girl rose straight up on her mossy rock, joining both hands in

classic appeal, quite unconscious of her dramatic attitude.

“Please--_please_ tell me who you are and where you live!” she

beseeched him.

He was inclined to laugh; then her naïveté touched him.

“Well, sister,” he said, “if you put it that way--my name is

Quiss--Harry B. Quiss. I live in New York--Hotel Huron. You can find me

there when I’m not on location or at the studio.... The Crystal Films

Corporation. We’re in the telephone book.”

Mr. Quiss might have added that the Crystal Films Corporation was also

on its beam-ends. But he couldn’t quite do that. All he could say was:

“Better stick to papa while the sticking’s good, girlie. There’s no

money in pictures. They all bust sooner or later. Take it from one

who’s been blown sky-high more’n twice. And expects to go up more’n

twice more.”

He went slowly toward the pool below, gesticulating with his rod for

emphasis:

“There’s no money in pictures--not even for stars. I don’t know where

it all goes to. Don’t ask me who gets it. I don’t, anyway.”

Eris · 第 5 / 35 章