CHAPTER II

Jane Erskine was at the present time at that interesting period when

her friends and relatives, having just discovered the unexpected fact

that she was grown up, subjected her to mildly severe criticism, while

believing that to have reached womanhood at all showed a considerable

amount of talent on her part. They were, they said, under no

misapprehension about Jane; in moments of extreme candour, touched with

responsibility, they had even been known to say that in one or two

respects she was not absolutely perfect. Miss Abingdon, for instance,

who always conscientiously encouraged these moods, and censured the

General for spoiling Jane, would frequently compare her niece with

herself, as she remembered that dim figure of girlhood, and never

failed to find cause for unfavourable comparison between the two. From

the portraits which she drew it was generally believed that Miss

Abingdon must have been born rather a strait-laced spinster of thirty,

and have increased in wisdom until her hair was touched with grey; when

she would seem to have become the mellow, severe, dignified, loving,

and critical lady who at this moment was looking out of her

drawing-room window, and trying to show her impartiality for her orphan

niece by subjecting her to lawful and unbiased criticism.

'The day of the incomprehensible woman is past and gone,' said Miss

Abingdon, and she sighed a little.

Jane Erskine was painting a rabbit-hutch on the lawn. Her attitude

showed the keen workman, but disguised the woman of grace. Miss

Erskine, in fact, was lying full-length on the greensward of her aunt's

lawn absorbed in the engrossing occupation of putting the right dabs of

green paint upon a portion of the inside of the rabbit-hutch which was

awkward to get at.

'They are all alike,' sighed Miss Abingdon. She alluded to the

girlhood of the present day as it presented itself to her regretful and

disapproving eye. 'They wear shoes two sizes too large for them, they

don't require to be taken care of, they buy their own horses, and they

are never ill. They call young men by their Christian names! I don't

think they even have headaches.' Miss Abingdon sighed again over this

lost art of womanhood. 'There is my niece Jane Erskine; she might be a

graceful and elegant young woman, whereas she is sunburned, and--it is

a dreadful word of course--but I can only call her leggy. Perhaps it

is the fault of those narrow skirts. Women have never been so much

respected since crinolines went out of fashion. I believe the

independence of the modern girl is no longer assumed; it is not even a

regrettable passing fashion; the time has come when I am afraid they

really are independent. Jane would think me insane if I were to go out

and sit with her in the garden when Peter comes to call, and I don't

believe she has ever done a piece of fancy-work in her life!' said Miss

Abingdon.

She looked round her pretty drawing-room in which, with a spinster's

instinct for preserving old family treasures, she had gathered and

garnered antique pieces of furniture, ill-drawn family portraits, and

chairs covered with the worsted-work and beadwork of fifty or sixty

years ago. She looked regretfully at the piano and the old, neatly

bound folios of music with 'M. A.' upon the covers, and she wondered

how it was that no one cared to hear her 'pieces' now. She went over

to the music-stand and fingered them in a contemplative way. How

industriously she used to practise 'Woodland Warblings,' 'My Pretty

Bird,' 'La Sympathie, Valse Sentimentale pour le Piano,' and 'Quant' è

piu bella,' fingered and arranged with variations.

On Sunday afternoons when her guests 'were having a look at the mokes'

Miss Abingdon still played through her book of sacred pieces; and it

was on Sunday afternoons, too, that she always stirred the jars of

potpourri upon the cabinets, so that their pungent, faint odour might

exhale through the room. The old pieces of music and the scent of the

dried rose-leaves together always brought back to Miss Abingdon's mind

fragrant memories of long ago.

'We used to take a roll of music with us when we were asked out to

dinner,' she reflected, 'and it was all-important to us who should turn

over our leaves for us, and we generally blushed and hesitated before

we sat down to the piano at all. Last night Jane almost fought with

Peter for the larger portion of the keyboard of the piano; and they

played music without any tune in it, to my way of thinking, and there

is no seriousness at all about any of them.'

'I wonder if they'--Miss Abingdon again referred to that distressing

body of young women of the present day--'I wonder if they have ever

kissed a lover's letter, or have slept with his picture underneath

their pillows at night? Or have they ever lain sleepless for an hour

because of a loved one's absence, or because of a cold word from him?

Do they write verses, or exchange valentines, or even give each other

flowers?'

Miss Abingdon recalled in her own mind the days when she and her sister

used to walk together in the park, with mamma leaning upon papa's arm

and pacing sedately behind; and how, when they used to sit down on one

of the lawns, it had always been in a group of four. Ah! those were

the days when one went home and wept because the dear one--the handsome

hero who filled half a girl's thoughts and was the object of more than

half her worship--had not seen, one across the crowd; or he had seen,

perhaps, but girlish modest eyes were forbidden to give the signal of

approach. It was more maidenly then to be oblivious of a young man's

presence. 'Now,' said, Miss Abingdon, 'when they see a young man whom

they know--a pal I believe they call him--girls will wave their

parasols or even shout. I have known them rise from their own chairs

and go and speak to a man. The whole thing is extraordinary to me.'

It was a relief to Miss Abingdon's sombre reflections when her friend,

the vicar's wife, came in for a morning call. She thought that Mrs.

Wrottesley's brown merino dress and bonnet, and constraining mantle

which rendered all movements of the arms impossible, looked very

decorous and womanly compared with the soles of a pair of brown leather

shoes, and the foreshortened figure of five feet eight of slender young

womanhood stretched in strenuous devotion to her strange occupation on

the lawn.

When Mrs. Wrottesley seated herself opposite the window Miss Abingdon

resisted an impulse to pull down the blind.

'Yesterday,' said Miss Abingdon, glancing at her niece, 'she was trying

to copy a feat which she had seen at the hippodrome, and was riding one

pony and driving another tandem in front of her over some hurdles in

the field.'

Mrs. Wrottesley smiled with the rather provoking indulgence with which

our friends regard the follies of our relations.

'She is so young,' said Mrs. Wrottesley, 'and she is very beautiful.'

'No,' said Miss Abingdon, with inward pride at her own unwavering

impartiality, 'I honestly believe that if we were to consider Jane

without prejudice we should find that she is simply healthy.'

'It is a great charm,' said Mrs. Wrottesley.

'No, no,' corrected Miss Abingdon quickly, 'the charm of womanhood

consists in its mysteriousness. Now, the girl of to-day is simply a

good fellow. She doesn't require to be understood, and she doesn't

drive men crazy; she shoves her own bicycle up hills and fights for the

larger half of the keyboard of the piano.' She sighed again.

'She is a moral influence,' said Mrs. Wrottesley. Mrs. Wrottesley also

alluded to the girl of the period; and Miss Abingdon thought that to

refer to her as 'she' or a type, instead of 'they,' had a flavour of

culture about it, but she did not mean to give in.

'Yes, yes,' she said impatiently, her love of contradicting Mrs.

Wrottesley and at the same time holding her own in the discussion

inclining her to undue severity, 'she is as straight as any other good

fellow, and she pays up if she has lost at bridge, and would as soon

think of picking a pocket as of cheating at croquet; but she is not

mysterious--she is absolutely comprehensible.'

'Probably,' said Mrs. Wrottesley, 'Jane's shortcomings in this respect

are due to the fact that she is lamentably unaffected. Affectation, in

the case of girls who ride straight and don't know what it is to have a

headache, very often takes the form of boyishness. Let us console

ourselves with the fact that, being perfectly natural, Jane has escaped

masculinity.'

'Jane is a lady,' said Miss Abingdon severely, and with the faint

suggestion of administering a snub. 'But,' she added, with that touch

of superiority in her manner which obtruded itself in most of her

conversation with the vicar's wife, 'there are certain accepted

traditions of womanhood such as conventionality approves, and it was

not called artificial to conform to them when I was a girl.'

'I remember,' said Mrs. Wrottesley, 'that we honestly thought that we

were interesting when we ate very little, and I myself often used to

aspire to an attractive display of timidity when inwardly I had no

sensation of fear.'

As the wife of the vicar of the parish Mrs. Wrottesley wore brown

merino and a mantle, but these hid a great soul securely held in check

and narrowed down by a strict adherence to the small conventions and

paralysing rules which society seems to have prescribed for vicars and

their wives in the rural parishes of England. She prayed every morning

of her life for more faith, and meant by that a narrower creed. Mrs.

Wrottesley was an inarticulate woman, and had gained for herself the

character of being reserved.

Her own view of things differed in all essentials from the opinions

which were held by those about her, and were even inwardly opposed to

theories which her husband, with such gentlemanly eloquence, expounded

every Sunday morning. People thought themselves charitable when they

merely said that they did not understand Mrs. Wrottesley.

'The modern girl has a good effect upon society,' she continued; 'and

she is not a cat.'

'Ah, yes,' allowed Miss Abingdon, conceding a point, but prepared with

unanswerable argument; 'but will she ever be loved as the old eternal

feminine was loved?'

'Many people believe,' said Mrs. Wrottesley, 'that you can't be a man's

divinity and surround yourself with a golden halo, and be his pal at

the same time.'

'I remember,' said Miss Abingdon reminiscently, and feeling that she

was still scoring heavily against her friend--'I remember we used to

come down to breakfast in light gloves to match our gowns, and we drew

them on when the meal was over and only removed them in the

morning-room when we had taken out our embroidery to work at it.'

'And when embroidery bored us,' said Mrs. Wrottesley, 'we thought we

were in love.'

'A Miss Sherard stayed here last summer,' said Miss Abingdon, 'a friend

of Jane's, and she smoked cigarettes in her bedroom. I know that, for

I saw the ashes in her pin-tray.'

Miss Abingdon rather enjoyed making little excursions through her

guest's bedrooms of an afternoon, when she had the house to herself;

and, without deigning to touch or disturb anything, she knew pretty

well, for instance, whose complexion was real and whose was false, who

wore powder and who did not.

Mrs. Wrottesley glanced at her own figure in the drawing-room mirror;

her mantle disguised the fact that she had either a waist or a pair of

arms, and she gave a little dry smile as she reflected that she had

accepted a dolman cloak with all the other outward conventions of

orthodoxy as understood by society in rural England.

'My cousin, Peter Ogilvie, comes here every day,' said Miss Abingdon;

'he is crossing the lawn now. In former days these two young people

would have been talked about. (Peter is my cousin, you know, on my

father's side of the house--he is not related to Jane.) But neither

will probably mind in the least what is said about them, and for my own

part I am positively unable to say whether they care for each other or

not. Had I been Jane I would have sat in the arbour this morning, with

a pretty, cool white dress on, reading poetry or some light romance, or

working at my embroidery till my lover came, instead of being found

covered with paint and with the footman's baize apron on.'

The two ladies moved closer to the window and watched the young man

crossing the lawn. He was well-built and not many inches above Jane's

own height; and perhaps when one has said that he was fair with that

Saxon fairness which suggests an almost immaculate cleanliness, and

looked like a gentleman, there is not much more to be stated about his

external appearance.

Jane rose from her recumbent position on the turf and shook off some

blades of short grass from her apron, and waved a brush filled with

green paint in the air.

'Don't touch it, Peter!' she cried. 'Isn't it lovely?'

'Good morning, Jane,' said Peter, lifting his cap. Whatever else might

be said of them, it would have to be admitted that there was a

fundamental sense of courtesy and good-breeding underlying the

regrettably frank manner of these young people. 'If you wave your

brush about in that triumphant way you 'll splash me with green paint.'

'I have sacrificed two dresses already,' answered Jane; 'but real Art

is worth that!'

'The hutch looks ripping,' said Peter; 'but I should feel safer if you

would put down that brush.'

'I couldn't resist painting the inside,' said Jane, surveying her work

ecstatically. 'Do you think the rabbits will lick on the paint and be

sick, Peter?'

'Probably,' said Peter.

'Of course we don't know,' said Jane gravely, 'that it isn't their

favourite food. Rabbits may flourish on green paint just as we

flourish on roast mutton.'

'It would be beastly to have a green inside!' said Peter.

'I wonder what they are talking about,' said Miss Abingdon, glancing

with an apprehensive eye from the drawing-room window. 'Perhaps, after

all, they are making love to each other; and if they are, I certainly

ought to go out and sit with them.'

Miss Abingdon had antiquated notions of a chaperon's duties.

'I suppose there would be no objection to the match if they do care for

each other,' said Mrs. Wrottesley, in a manner that was often called

brusque and had served to make her unpopular. 'Jane is rich----'

'Jane has money,' corrected Miss Abingdon, who saw a well-defined

difference between the two statements. 'She is a ward in Chancery, you

know, and she will not come of age until she is twenty-five. Peter, of

course, has a very large fortune. Still, one would not like to be

responsible for a marriage, even if it is suitable, and I should not

like the Erskines to think I had not looked after Jane properly.'

That nothing should happen always seemed to Miss Abingdon the height of

safety and of peace. She mistrusted events of any kind, and had

probably remained single owing to her inability to make up her mind to

such a momentous decision as is necessarily involved by matrimony. She

had never been out of England, and now could seldom be got to leave

home; whenever she quitted her own house something was sure to happen,

and Miss Abingdon disapproved of happenings. She believed in the

essential respectability of monotony, and loved routine. But alas for

routine and respectability and a peaceful and serene existence! Even

elderly ladies, who dress in black satin and pay their bills weekly,

and whose most stimulating and exciting morning is the one spent in

scolding the gardener, may be touched with sorrows for which they are

not responsible, and shaken by tragedies such as they never dreamed

would come near them.

The young couple on the lawn left the unfinished rabbit-hutch and

paint-pots and strolled towards a garden-seat. All the gates and seats

on Miss Abingdon's small property were painted white once a year, and

their trim spotlessness gave an air of homely opulence to the place.

The bench which her young relatives sought was placed beneath a

beneficent cedar tree that stretched out long, kindly branches, and

looked as though it were wrought of stitch-work in deep blue satin.

Jane wiped her fingers upon the baize apron, and Peter lighted a

cigarette.

'Have you seen Toffy's new motor-car yet?' he asked.

Had any one demanded of Peter or Jane what they meant by the art of

conversation, they would probably have replied that it had something to

do with Ollendorf's method.

'How 's Toffy going to afford a motor?' said Jane, with interest. 'Is

it going to be "the cheapest thing in the end," like all Toffy's

extravagances?'

Finance, one of the forbidden topics of 1850, was discussed to-day with

a frankness which Miss Abingdon thought positively indelicate.

'He says he 'll save railway fares,' said Peter, 'and as they are the

only thing for which Toffy has paid ready money for years, I suppose

there is something to be said for the motor.'

'Is he going to drive it himself?'

'He says so, and the motor is to be run on the strictest lines of

economy. I am not sure that he is not going to water the petrol to

make it go farther.'

'I don't quite see Toffy steering anything,' said Jane, laughing with

great enjoyment at the recollection of Toffy's mad riding; 'he can

never take his horse through a gate without scraping his leg against

it.'

'So Toffy generally goes over the gates,' said Peter, laughing also;

'and probably he 'll try the same sort of thing with the motor-car.'

'Toffy _is_ an ass!' said Jane affectionately.

'I am sure it is time I should go and mount guard,' said Miss Abingdon

anxiously, from her post by the window. 'Why should they sit together

under the cedar tree like that unless they are making love?' She

stepped out on to the lawn with a garden-hat placed above her cap and a

sun-umbrella held over her head.

'Aunt Mary,' said Jane, 'Toffy's got a new motor! Isn't it fearfully

exciting! We are going for a serpentine run with him, and our

next-of-kin are going to divide Peter's and my insurance between them

if we never come back again. Be sure you claim all you can get if I

depart in pieces!'

Miss Abingdon laughed. She knew she was weak even where she

disapproved of her niece. Jane never kept anything from her, and she

would tell her aunt ridiculous items of sporting intelligence which

were as Greek to that excellent lady, and would talk to her as to any

other really good friend. Miss Abingdon was conscious of the charm of

this treatment, but the disciplining of youth was important, and Jane

required both training and guidance.

'I can't think why,' she said severely, 'you should call a young man

Toffy. It is a name I should hardly liked to have called a dog when I

was a girl.'

Peter raised his fair eyebrows and looked distressed. 'I don't see

what else you could call a man named Christopherson,' he said. 'You

couldn't call him Nigel--that's Toffy's front name--and I 'm afraid he

hasn't got any other. I believe fathers and mothers think you must be

going to die young when they give you a name like that, and that it

will look well on a tombstone.'

'You shouldn't joke about death, Peter,' said Miss Abingdon. She felt

almost as though she saw an ally approaching when she perceived the

Reverend Canon Wrottesley come up the drive to call for his wife on the

way to the vicarage. Miss Abingdon had long ago accepted with

thankfulness St. Paul's recommendation to use the Church as a final

court of appeal.

'How-do-you-do, Peter, how-do-you-do?' said the canon cordially, as

Peter went across the lawn to meet him. 'Got leave again, have you? I

don't believe you know what hard work is!' The vicar had pottered

about a small parish for thirty years and had given his five sons an

excellent education on the handsome fortune which his wife had brought

him. This helped to convince him that he had borne the burden and heat

of the day, and very naturally he regarded idleness as the root of all

evil.

'Mrs. Wrottesley is looking over the guild work in the morning-room,'

said Miss Abingdon conscientiously. She loved a chat with the vicar,

and thought him more genial and charming when his wife was not present.

'Shall I tell her you are here?'

'She likes taking a look at the things the girls have made,' said the

canon indulgently.

The Vicar of Culversham and Honorary Canon of Sedgwick-in-the-Marsh was

a genial and delightful man. He always spoke kindly of his wife's

work, and he could even pardon fussing on the part of a woman. He was

a universal favourite and was no doubt aware of the fact, which gave

him a very legitimate and wholly pardonable sense of pleasure. It is

doubtful if any man was ever more happily placed than was Canon

Wrottesley in the considerable village of which he was the esteemed

vicar. In a larger place he might have been overlooked, in spite of

his many excellent qualities; and in a smaller one he would not have

had so many social advantages nor so many opportunities for usefulness.

His vicarage was large and well-furnished, his sons were well-grown and

well-educated, and he himself had many friends. The part of the

country where he found himself was known to house-agents as being a

good neighbourhood; and it was not so far away from London that the

canon felt himself cut off from the intellectual life of his day.

Canon Wrottesley belonged to the London Library and liked to converse

on books, even when he had read only a portion of the volumes which he

discussed. He often fingered them with true scholarly affection as

they lay on his library table, and he discussed erudite points of

learning with a light touch which his hearers, in a parish not renowned

for its culture, found truly impressive. Even his vanity was of the

refined and dignified order of things, and seemed to accord pleasantly

with his handsome, clean-shaven, aristocratic features. Perhaps his

one weakness was to be the centre of every group which he adorned. And

he held this position skilfully, not only by a well-bred display of

tact, such as he showed upon all occasions, but by a certain gift which

he possessed of appearing in different roles at different times,

according to his mood. Still, in spite of a tendency to a

self-convincing form of masquerading, one is fain to admit that the

village of Culversham would have lacked one of its most pleasing

figures had Canon Wrottesley been removed from it. He bore an

untarnished name, he had always a pleasant, if pompous greeting for

every one, and he preached and lived like a gentleman. He was

well-dressed and amiable, and his only display of temper or touchiness

took the rather curious form of adopting some impersonation not in

accordance with the circumstances in which for the moment he found

himself.

Mrs. Wrottesley appeared from the house, still clad in her black mantle

which had evidently not been removed while she looked over the guild

work, for it bore traces thereof upon it in morsels of cotton and the

fluff of unbleached calico.

'Come and sit beside me, love,' said her husband, indicating one of

Miss Abingdon's garden-seats in close proximity to his own cushioned

chair, 'and I will take care of you.'

Miss Abingdon smiled and looked admiringly at him. Conscience

frequently protested against her giving way to the thought, but in her

heart Miss Abingdon was convinced that Mrs. Wrottesley was not quite

worthy of her husband.

'I think I must go back to the house and finish the guild work,' said

Mrs. Wrottesley. 'I have been very slow over it this morning, but I

have got a little headache, and I have been counting up everything

wrong, which is very stupid of me.'

'How often have I told you not to work when you are tired?' said the

canon, shaking his finger reprovingly at her.

'I 'll finish the guild work,' exclaimed Jane, 'and I 'll make Peter

come and help me.'

Miss Erskine, who had been sitting upon one of her feet and swinging

the other, rose impulsively from the garden-seat and covered the lawn

in a series of hops, until her shoe, which had become hopelessly

entangled in the laces of her petticoat, released itself with a rending

sound. Then she removed her hand from Peter's shoulder, upon which she

had been supporting herself, and together they went into the house.

'And this,' thought Miss Abingdon ruefully, 'is courtship as it is

understood in the present day!'

Peter and Jane; Or, The Missing Heir · 第 2 / 17 章