CHAPTER XIII.

HEGEL.

Georg Wilhelm Friedrich Hegel was born at Stuttgart on August 27, 1770. He

attended the gymnasium of his native city, and, from 1788, the Tübingen

seminary as a student of theology; while in 1793-1800 he resided as a

private tutor in Berne and Frankfort-on-the-Main. In the latter city the

plan of his future system was already maturing. A manuscript outline

divides philosophy, following the ancient division, logic, physics, and

ethics, into three parts, the first of which (the fundamental science, the

doctrine of the categories and of method, combining logic and metaphysics)

considers the absolute as pure Idea, while the second considers it as

nature, and the third as real (ethical) spirit. Hegel habilitated in 1801

at Jena, with a Latin dissertation _On the Orbits of the Planets_, in

which, ignorant of the discovery of Ceres, he maintained that on rational

grounds--assuming that the number-series given in Plato's _Timaeus_ is the

true order of nature--no additional planet could exist between Mars and

Jupiter. This dissertation gives, further, a deduction of Kepler's laws.

The essay on the _Difference between the Systems of Fichte and Schelling_

had appeared even previous to this. In company with Schelling he edited in

1802-03 the _Kritisches Journal der Philosophie_. The article on "Faith and

Knowledge" published in this journal characterizes the standpoint of Kant,

Jacobi, and Fichte as that of reflection, for which finite and infinite,

being and thought form an antithesis, while true _speculation_ grasps these

in their identity. In the night before the battle of Jena Hegel finished

the revision of his _Phenomenology of Spirit_, which was published in 1807.

The extraordinary professorship given him in 1805 he was forced to resign

on account of financial considerations; then he was for a year a newspaper

editor in Bamberg, and in 1808 went as a gymnasial rector to Nuremberg,

where he instructed the higher classes in philosophy. His lectures there

are printed in the eighteenth volume of his works, under the title

_Propaedeutic_. In the Nuremberg period fell his marriage and the

publication of the _Logic_ (vol. i. 1812, vol. ii. 1816). In 1816 he was

called as professor of philosophy to Heidelberg (where the _Encyclopedia_

appeared, 1817), and two years later to Berlin. The _Outlines of the

Philosophy of Right_, 1821, is the only major work which was written in

Berlin. The _Jahrbücher für wissenschaftliche Kritik_, founded in 1827 as

an organ of the school, contained a few critiques, but for the rest he

devoted his whole strength to his lectures. He fell a victim to the cholera

on November 14, 1831. The collected edition of his works in eighteen

volumes (1832-45) contains in vols. ii.-viii. the four major works which

had been published by Hegel himself (the _Encyclopaedia_ with additions

from the Lectures); in vols. i., xvi., and xvii. the minor treatises; in

vols. ix.-xv. the Lectures, edited by Cans, Hotho, Marheineke, and

Michelet. The Letters from and to Hegel have been added as a nineteenth

volume, under the editorship of Karl Hegel, 1887.[1]

[Footnote 1: Hegel's Life has been written by Karl Rosenkranz (1844), who

has also defended the master (_Apologie Hegels_, 1858) against R.

Haym _(Hegel und seine Zeit,_ 1857), and extolled him as the national

philosopher of Germany (1870; English by G.S. Hall). Cf., further, the

neat popular exposition by Karl Köstlin, 1870, and the essays by Ed. von

Hartmann, _Ueber die dialektische Methode_, 1868, and _Hegels Panlogismus_

(1870, incorporated in the _Gesammelte Studien und Aufsätze_, 1876). [The

English reader may consult E. Caird's _Hegel_ in Blackwood's Philosophical

Classics, 1883; Harris's _Hegel's Logic_, Morris's _Hegel's Philosophy of

the State and of History_, and Kedney's _Hegel's Aesthetics_ in Griggs's

Philosophical Classics; and Wallace's translation of the "Logic"--from

the _Encyclopaedia_--with Prolegomena, 1874, 2d. ed., Translation, 1892,

Prolegomena to follow. Stirling's _Secret of Hegel, 2_ vols., London, 1865,

includes a translation of a part of the _Logic_, and numerous translations

from different works of the master are to be found in the _Journal of

Speculative Philosophy_. The _Lectures on the Philosophy of History_ have

been translated by J. Sibree, M.A., in Bohn's Library, 1860, and E.S.

Haldane is issuing a translation of those on the _History of Philosophy_,

vol. i., 1892.--TR.]]

We may preface our exposition of the parts of the system by some remarks on

Hegel's standpoint in general and his scientific method.

%1. Hegel's View of the World and his Method.%

In Hegel there revives in full vigor the intellectualism which from the

first had lain in the blood of German philosophy, and which Kant's moralism

had only temporarily restrained. The primary of practical reason is

discarded, and theory is extolled as the ground, center, and aim of human,

nay, of all existence.

Leibnitz and Hegel are the classical representatives of the

intellectualistic view of the world. In the former the subjective

psychological point of view is dominant, in the latter, the objective

cosmical position: Leibnitz argues from the representative nature of the

soul to an analogous constitution of all elements of the universe; from the

general mission of all that is real, to be a manifestation of reason, Hegel

deduces that of the individual spirit, to realize a determinate series of

stages of thought. The true reality is reason; all being is the embodiment

of a pregnant thought, all becoming a movement of the concept, the world a

development of thought. The absolute or the logical Idea exists first as

a system of antemundane concepts, then it descends into the unconscious

sphere of nature, awakens to self-consciousness in man, realizes its

content in social institutions, in order, finally, in art, religion, and

science to return to itself enriched and completed, _i.e._, to attain a

higher absoluteness than that of the beginning. Philosophy is the

highest product and the goal of the world-process. As will, intuition,

representation, and feeling are lower forms of thought, so ethics, art, and

religion are preliminary stages in philosophy; for it first succeeds in

that which these vainly attempt, in presenting the concept adequately, in

conceptual form.

If we develop that which is contained as a constituent factor or by

implication in the intellectualistic thesis, "All being is thought

realized, all becoming a development of thought," we reach the following

definitions: (i) The object of philosophy is formed by the Ideas of things.

Its aim is to search out the concept, the purpose, the significance of

phenomena, and to assign to these their corresponding positions in

the world and in the system of knowledge. It is chiefly interested in

discovering where in the scale of values a thing belongs according to

its meaning and its destination; the procedure is teleological, valuing,

aesthetic. Instead of a causal explanation of phenomena we are given an

ideal interpretation of them. (So Lotze accurately describes the character

of German idealism.) (2) If all that is real is a manifestation of reason

and each thing a stage, a modification of thought, then thought and being

are identical. (3) If the world is thought in becoming, and philosophy has

to set forth this process, philosophy is a theory of development. If each

thing realizes a thought, then all that is real is rational; and if the

world-process attains its highest stadium in philosophy, and this in

turn its completion in the system of absolute idealism, then all that is

rational is real. Reason or the Idea is not merely a demand, a longed for

ideal, but a world-power which accomplishes its own realization. "The

rational is real and the real is rational" (Preface to the _Philosophy of

Right_). Or to sum it up--Hegel's philosophy is _idealism, a system

of identity, and an optimistic doctrine of development_. What, then,

distinguishes Hegel from other idealists, philosophers of identity, and

teachers of development? What in particular distinguishes him from his

predecessor Schelling?

In Schelling nature is the subject and art the conclusion of the

development; his idealism has a physical and aesthetical character, as

Fichte's an ethical character. In Hegel, however, the concept is the

subject and goal of the development, his philosophy is, in the words of

Haym, a "_Logisierung_" of the world, a _logical idealism_.

The theory of identity is that system which looks upon nature and spirit as

one in essence and as phenomenal modes of an absolute which is above them

both. But while Schelling treats the real and the ideal as having equal

rights, Hegel restores the Fichtean subordination of nature to spirit,

without, however, sharing Fichte's contempt for nature. Nature is neither

co-ordinate with spirit nor a mere instrument for spirit, but a transition

stage in the development of the absolute, viz., the Idea in its other-being

_(Anderssein)_. It is spirit itself that becomes nature in order to become

actual, conscious spirit; before the absolute became nature it was already

spirit, not, indeed, "for itself" _(für sich)_, yet "in itself" _(an

sich)_, it was Idea or reason. The ideal is not merely the morning which

follows the night of reality, but also the evening which precedes it.

The absolute (the concept) develops from in-itself _(Ansich)_ through

out-of-self _(Aussersich)_ or other-being to for-itself _(Fürsich)_; it

exists first as reason (system of logical concepts), then as nature,

finally as living spirit. Thus Hegel's philosophy of identity is

distinguished from Schelling's by two factors: it subordinates nature to

spirit, and conceives the absolute of the beginning not as the indifference

of the real and ideal, but as ideal, as a realm of eternal thoughts.

The assertion that Hegel represents a synthesis of Fichte and Schelling is

therefore justified. This is true, further, for the character of Hegel's

thought as a whole, in so far as it follows a middle course between the

world-estranged, rigid abstractness of Fichte's thinking and Schelling's

artistico-fanciful intuition, sharing with the former its logical

stringency as well as its dominant interest in the philosophy of spirit,

and with the latter its wide outlook and its sense for the worth and the

richness of that which is individual.

We have characterized Hegel's system, thirdly, as a philosophy of

development. The point of distinction here is that Hegel carries out with

logical consecutiveness and up to the point of obstinacy the principle

of development which Fichte had discovered, and which Schelling also

had occasionally employed,--the threefold rhythm _thesis, antithesis,

synthesis_. Here we come to Hegel's _dialectic method_. He reached this as

the true method of speculation through a comparison of the two forms of

philosophy which he found dominant at the beginning of his career--the

Illumination culminating in Kant, on the one hand, and, on the other, the

doctrine of identity defended by Schelling and his circle--neither of which

entirely satisfied him.

In regard to the main question he feels himself one with Schelling:

philosophy is to be metaphysics, the science of the absolute and its

immanence in the world, the doctrine of the identity of opposites, of the,

_per se_ of things, not merely of their phenomenon. But the form which

Schelling had given it seems to him unscientific, unsystematic, for

Schelling had based philosophical knowledge on the intuition of genius--and

science from intuition is impossible. The philosophy of the Illumination

impresses him, on the other hand, by the formal strictness of its inquiry;

he agrees with it that philosophy must be science from concepts. Only not

from abstract concepts. Kant and the Illumination stand on the platform

of reflection, for which the antithesis of thought and being, finite and

infinite remains insoluble, and, consequently, the absolute transcendent,

and the true essence of things unknowable. Hegel wishes to combine the

advantages of both sides, the depth of content of the one, and the

scientific form of the other.

The intuition with which Schelling works is immediate cognition, directed

to the concrete and particular. The concept of the philosophy of reflection

is mediate cognition, moving in the sphere of the abstract and universal.

Is it not feasible to do away with the (unscientific) immediateness of the

one, and the (non-intuitive, content-lacking) abstractness of the other,

to combine the concrete with the mediate or conceptual, and in this way

to realize the Kantian ideal of an intuitive understanding? _A concrete

concept_ would be one which sought the universal not without the

particular, but in it; which should not find the infinite beyond the

finite, nor the absolute at an unattainable distance above the world, nor

the essence hidden behind the phenomenon, but manifesting itself therein.

If the philosophy of reflection, in the abstract lifelessness of its

concepts, looked on opposites as incapable of sublation, and Schelling

regarded them as immediately identical, if the former denied the identity

of opposites, and the latter maintained it primordially given (in the

absolute indifference which is to be grasped by intuition), the concrete

concept secures the identity of _opposites through self-mediation_, their

passing over into it; it teaches us to know the identity as the result of a

process. First immediate unity, then divergence of opposites, and, finally,

reconciliation of opposites--this is the universal law of all development.

The conflict between the philosophy of reflection and the philosophy of

intuition, which Hegel endeavors to terminate by a speculation at once

conceptual and concrete, concerns (1) the organ of thought, (2) the object

of thought, (3) the nature and logical dignity of the contradiction.

The organ of the true philosophy is neither the abstract reflective

understanding, which finds itself shut up within the limits of the

phenomenal, nor mystical intuition, which expects by a quick leap to gain

the summit of knowledge concerning the absolute, but reason as the faculty

of concrete concepts. That concept is concrete which does not assume an

attitude of cold repulsion toward its contrary, but seeks self-mediation

with the latter, and moves from thesis through antithesis, and with it, to

synthesis. Reason neither fixes the opposites nor denies them, but has them

become identical. The unity of opposites is neither impossible nor present

from the first, but the result of a development.

The object of philosophy is not the phenomenal world or the relative, but

the absolute, and this not as passive substance, but as living subject,

which divides into distinctions, and returns from them to identity, which

develops through the opposites. The absolute is a process, and all that

is real the manifestation of this process. If science is to correspond

to reality, it also must be a process. Philosophy is thought-movement

(dialectic); it is a system of concepts, each of which passes over into

its successor, puts its successor forth from itself, just as it has been

generated by its predecessor.

All reality is development, and the motive force in this development (of

the world as well as of science) is opposition, _contradiction_. Without

this there would be no movement and no life. Thus all reality is full of

contradiction, and yet rational. The contradiction is not that which is

entirely alogical, but it is a spur to further thinking. It must not

be annulled, but "sublated" _(aufgehoben), _i.e._, at once negated and

conserved. This is effected by thinking the contradictory concepts together

in a third higher, more comprehensive, and richer concept, whose moments

they then form. As sublated moments they contradict each other no longer;

the opposition or contradiction is overcome. But the synthesis is still

not a final one; the play begins anew; again an opposition makes its

appearance, which in turn seeks to be overcome, etc. Each separate concept

is one-sided, defective, represents only a part of the truth, needs to be

supplemented by its contrary, and, by its union with this, its complement,

yields a higher concept, which comes nearer to the whole truth, but still

does not quite reach it. Even the last and richest concept--the absolute

Idea--is by itself alone not the full truth; the result implies the whole

development through which it has been attained. It is only at the end

of such a dialectic of concepts that philosophy reaches complete

correspondence with the living reality, which it has to comprehend; and the

speculative progress of thought is no capricious sporting with concepts

on the part of the thinking subject, but the adequate expression of

the movement of the matter itself. Since the world and its ground is

development, it can only be known through a development of concepts. The

law which this follows, in little as in great, is the advance from position

to opposition, and thence to combination. The most comprehensive example

of this triad--Idea, Nature, Spirit--gives the division of the system; the

second--Subjective, Objective, Absolute Spirit--determines the articulation

of the third part.

%2. The System.%

Hegel began with a _Phenomenology_ by way of introduction, in which (not

to start, like the school of Schelling, with absolute knowledge "as though

shot from a pistol") he describes the genesis of philosophical cognition

with an attractive mingling of psychological and philosophico-historical

points of view. He makes spirit--the universal world-spirit as well as

the individual consciousness, which repeats in brief the stages in the

development of humanity--pass through six stadia, of which the first three

(consciousness, self-consciousness, reason) correspond to the progress

of the intermediate part of the Doctrine of Subjective Spirit, which is

entitled _Phänomenologie_, and the others (ethical spirit, religion, and

absolute knowledge) give an abbreviated presentation of that which the

Doctrine of Objective and Absolute Spirit develops in richer articulation.

%(a) Logic% considers the Idea in the abstract element of thought, only as

it is thought, and not yet as it is intuited, nor as it thinks itself; its

content is the truth as it is without a veil in and for itself, or God in

his eternal essence before the creation of the world. Unlike common logic,

which is merely formal, separating form and content, speculative logic,

which is at the same time ontology or metaphysics, treats the categories as

real relations, the forms of thought as forms of reality: as thought and

thing are the same, so logic is the theory of thought and of being in one.

Its three principal divisions are entitled _Being, Essence, the Concept_.

The first of these discusses quality, quantity, and measure or qualitative

quantum. The second considers essence as such, appearance, and (essence

appearing or) actuality, and this last, in turn, in the moments,

substantiality, causality, and reciprocity. The third part is divided into

the sections, subjectivity (concept, judgment, syllogism), objectivity

(mechanism, chemism, teleology), and the Idea (life, cognition, the

absolute Idea).

As a specimen of the way in which Hegel makes the concept pass over into

its opposite and unite with this in a synthesis, it will be sufficient to

cite the famous beginning of the _Logic_. How must the absolute first be

thought, how first defined? Evidently as that which is absolutely without

presupposition. The most general concept which remains after abstracting

from every determinate content of thought, and from which no further

abstraction is possible, the most indeterminate and immediate concept, is

pure _being_. As without quality and content it is equivalent to _nothing_.

In thinking pure being we have rather cogitated nothing; but this in turn

cannot be retained as final, but passes back into being, for in being

thought it exists as a something thought. Pure being and pure nothing are

the same, although we mean different things by them; both are absolute

indeterminateness. The transition from being to nothing and from nothing to

being is _becoming_. Becoming is the unity, and hence the truth of both.

When the boy is "becoming" a youth he is, and at the same time is not, a

youth. Being and not-being are so mediated and sublated in becoming that

they are no longer contradictory. In a similar way it is further shown

that quality and quantity are reciprocally dependent and united in measure

(which may be popularly illustrated thus: progressively diminishing heat

becomes cold, distances cannot be measured in bushels); that essence and

phenomenon are mutually inseparable, inasmuch as the latter is always the

appearance of an essence, and the former is essence only as it manifests

itself in the phenomenon, etc.

The significance of the Hegelian logic depends less on its ingenious and

valuable explanations of particulars than on the fundamental idea, that the

categories do not form an unordered heap, but a great organically connected

whole, in which each member occupies its determinate position, and is

related to every other by gradations of kinship and subordination. This

purpose to construct a _globus_ of the pure concepts was itself a

mighty feat, which is assured of the continued admiration of posterity

notwithstanding the failure in execution. He who shall one day take it up

again will draw many a lesson from Hegel's unsuccessful attempt. Before

all, the connections between the concepts are too manifold and complex

for the monotonous transitions of this dialectic method (which Chalybaeus

wittily called articular disease) to be capable of doing them justice.

Again, the productive force of thought must not be neglected, and to it,

rather than to the mobility of the categories themselves, the matter of the

transition from one to the other must be transferred.

%(b) The Philosophy of Nature% shows the Idea in its other-being. Out of

the realm of logical shades, wherein the souls of all reality dwell,

we move into the sphere of external, sensuous existence, in which the

concepts take on material form. Why does the Idea externalize itself? In

order to become actual. But the actuality of nature is imperfect, unsuited

to the Idea, and only the precondition of a better actuality, the actuality

of spirit, which has been the aim from the beginning: reason becomes

nature in order to become spirit; the Idea goes forth from itself in

order--enriched--to return to itself again. Only the man who once has been

in a foreign land knows his home aright.

The relation of natural objects to one another and their action upon one

another is an external one: they are governed by mechanical necessity,

and the contingency of influences from without arrests and disturbs their

development, so that while reason is everywhere discernible in nature,

it is not reason alone; and much that is illogical, contrary to purpose,

lawless, painful, and unhealthy, points to the fact that the essence of

nature consists in externality. This inadequacy in the realization of the

Idea, however, is gradually removed by development, until, in "life," the

way is prepared for the birth of spirit.

As Hegel in his philosophy of nature--which falls into three parts,

mechanics, physics, and organics--follows Schelling pretty closely, and,

moreover, does not show his power, it does not seem necessary to dwell

longer upon it. In the next section, also, in view of the fact that its

models, the constructive psychologies of Fichte and Schelling, have already

been discussed in detail, a statement of the divisions and connections must

suffice.

%(c) The Doctrine of Subjective Spirit% makes freedom (being with or in

self) the essence and destination of spirit, and shows how spirit realizes

this predisposition in increasing independence of nature. The subject of

anthropology is spirit as the (natural, sensitive, and actual) "soul" of

a body; here are discussed the distinctions of race, nation, sex, age,

sleeping and waking, disposition and temperament, together with talents and

mental diseases, in short, whatever belongs to spirit in its union with a

body. Phenomenology is the science of the "ego," i.e., of spirit, in so

far as it opposes itself to nature as the non-ego, and passes through the

stages of (mere) consciousness, self-consciousness, and (the synthesis of

the two) reason. Psychology (better pneumatology) considers "spirit" in its

reconciliation with objectivity under the following divisions: Theoretical

Intelligence as intuition (sensation, attention, intuition), as

representation (passive memory, phantasy, memory), and (as conceiving,

judging, reasoning) thought; Practical Intelligence as feeling, impulse

(passion and caprice), and happiness; finally, the unity of the knowing and

willing spirit, free spirit or rational will, which in turn realizes itself

in right, ethics, and history.

%(d) The Doctrine of Objective Spirit%, comprehending ethics, the

philosophy of right, of the state, and of history, is Hegel's most

brilliant achievement. It divides as follows: (1) Right (property,

contract, punishment); (2) Morality (purpose, intention and welfare, good

and evil); (3) Social Morality: (a) the family; (b) civil society; (c) the

state (internal and external polity, and the history of the world). In

right the will or freedom attains to outer actuality, in morality it

attains to inner actuality, in social morality to objective and subjective

actuality at once, hence to complete actuality.

Right, as it were a second, higher nature, because a necessity posited and

acknowledged by spirit, is originally a sum of prohibitions; wherever it

seems to command the negative has only received a positive expression.

Private right contains two things--the warrant to be a person, and the

injunction to respect other persons as such. Property is the external

sphere which the will gives to itself; without property no personality.

Through punishment (retaliation) right is restored against un-right

(_Unrecht_), and the latter shown to be a nullity. The criminal is treated

according to the same maxim as that of his action--that coercion is

allowable.

In the stadium of morality the good exists in the form of a requirement

which can never be perfectly fulfilled, as a mere imperative; there remains

an irrepressible opposition between the moral law and the individual will,

between intention and execution. Here the judge of good and evil is the

conscience, which is not secure against error. That which is objectively

evil may seem good and a duty to subjective conviction. (According to

Fichte this was impossible).

On account of the conflict between duty and will, which is at this stage

irrepressible, Hegel is unable to consider morality, the sphere of the

subjective disposition, supreme. He thinks he knows a higher sphere,

wherein legality and morality become one: "social morality"

(_Sittlichkeit_). This sphere takes its name from _Sitte_, that custom

ruling in the community which is felt by the individual not as a command

from without, but as his own nature. Here the good appears as the spirit

of the family and of the people, pervading individuals as its substance.

Marriage is neither a merely legal nor a merely sentimental relation, but

an "ethical" (_sittliches_) institution. While love rules in the family, in

civil society each aims at the satisfaction of his private wants, and yet,

in working for himself, subserves the good of the whole. Class distinctions

are based on the division of labor demanded by the variant needs of men

(the agricultural, industrial, and thinking classes). Class and party honor

is, in Hegel's view, among the most essential supports of general morality.

Strange to say, he brings the administration of justice and the police into

the same sphere.

The state, the unity of the family and civil society, is the completed

actualization of freedom. Its organs are the political powers (which are

to be divided, but not to be made independent): the legislative power

determines the universal, the executive subsumes the particular thereunder,

the power of the prince combines both into personal unity. In the will of

the prince the state becomes subject. The perfect form of the state is

constitutional monarchy, its establishment the goal of history, which

Hegel, like Kant, considers chiefly from the political standpoint.

History is the development of the rational state; the world-spirit the

guiding force in this development; its instruments the spirits of the

nations and great men. A particular people is the expression of but one

determinate moment of the universal spirit; and when it has fulfilled

its commission it loses its legal warrant, and yields up its dominion to

another, now the only authorized one: the history of the world is the

judgment of the world, which is held over the nations. The world-historical

characters, also, are only the instruments of a higher power, the purposes

of which they execute while imagining that they are acting in their own

interests--their own deed is hidden from them, and is neither their purpose

nor their object. This should be called the cunning of reason, that it

makes the passions work in its service.

History is progress in the consciousness of freedom. At first one only

knows himself free, then several, finally all. This gives three chief

periods, or rather four world-kingdoms,--Oriental despotism, the Greek

(democratic) and the Roman (aristocratic) republic, and the Germanic

monarchy,--in which humanity passes through its several ages. Like the sun,

history moves from east to west. China and India have not advanced beyond

the preliminary stages of the state; the Chinese kingdom is a family state,

India a society of classes stiffened into castes. The Persian despotism is

the first true state, and this in the form of a conquering military state.

In the youth and manhood of humanity the sovereignty of the people replaces

the sovereignty of one; but not all have yet the consciousness of freedom,

the slaves have no share in the government. The principle of the Greek

world, with its fresh life and delight in beauty, is individuality; hence

the plurality of small states, in which Sparta is an anticipation of

the Roman spirit. The Roman Republic is internally characterized by the

constitutional struggle between the patricians and the plebeians, and

externally by the policy of world conquest. Out of the repellent relations

between the universal and the individual, which oppose one another as

the abstract state and abstract personality, the unhappy imperial period

develops. In the Roman Empire and Judaism the conditions were given for the

appearance of Christianity. This brings with it the idea of humanity: every

man is free as man, as a rational being. In the beginning this emancipation

was religious; through the Germans it became political as well. The

remaining divisions cannot here be detailed. Their captions run: The

Elements of the Germanic Spirit (the Migrations; Mohammedanism; the

Frankish Empire of Charlemagne); the Middle Ages (the Feudal System and the

Hierarchy; the Crusades; the Transition from Feudal Rule to Monarchy,

or the Cities); Modern Times (the Reformation; its Effect on Political

Development; Illumination and Revolution).

The philosophy of history[1] is Hegel's most brilliant and most lasting

achievement. His view of the state as the absolute end, the complete

realization of the good, is dominated, no doubt, by the antique ideal,

which cannot take root again in the humanity of modern times. But his

splendid endeavor to "comprehend" history, to bring to light the laws of

historical development and the interaction between the different spheres of

national life, will remain an example for all time. The leading ideas of

his philosophy of history have so rapidly found their way into the general

scientific consciousness that the view of history which obtained in

the period of the Illumination is well nigh incomprehensible to the

investigator of to-day.

[Footnote 1: A well-chosen collection of aphorisms from the philosophy of

history is given by M. Schasler under the title _Hegel: Populäre Gedanken

aus seinen Werken_, 2d. ed., 1873.]

%(e) Absolute Spirit% is the unity of subjective and objective spirit.

As such, spirit becomes perfectly free (from all contradictions)

and reconciled with itself. The break between subject and object,

representation and thing, thought and being, infinite and finite is done

away with, and the infinite recognized as the essence of the finite. The

knowledge of the reconciliation of the highest opposites or of the infinite

_in_ the finite presents itself in three forms: in the form of intuition

(art), of feeling and representation (religion), of thought (philosophy).

(1) _Aesthetics_.--The beautiful is the absolute (the infinite in the

finite) in sensuous existence, the Idea in limited manifestation. According

to the relation of these moments, according as the outer form or the inner

content predominates, or a balance of the two occurs, we have the symbolic

form of art, in which the phenomenon predominates and the Idea is merely

suggested; or the classical form, in which Idea and intuition, or spiritual

content and sensuous form, completely balance and pervade each other, in

which the former of them is ceaselessly taken up into the latter; or

the romantic form, in which the phenomenon retires, and the Idea, the

inwardness of the spirit predominates. Classical art, in which form and

content are perfectly conformed to each other, is the most beautiful, but

romantic art is, nevertheless, higher and more significant.

Oriental, including Egyptian and Hebrew, art was symbolic; Greek art,

classical; Christian art is romantic, bringing into art entirely new

sentiments of a knightly and a religious sort--love, loyalty and honor,

grief and repentance--and understanding how by careful treatment to ennoble

even the petty and contingent. The sublime belongs to symbolic art; the

Roman satire is the dissolution of the classical, and humor the dissolution

of the romantic, ideal.

Architecture is predominantly symbolic; sculpture permits the purest

expression of the classical ideal; painting, music, and poetry bear a

romantic character. This does not exclude the recurrence of these three

stages within each art--in architecture, for example, as monumental

(the obelisk), useful (house and temple), and Gothic (the cathedral)

architecture. As the plastic arts reached their culmination among the

Hellenes, so the romantic arts culminate among the Christian nations. In

poetry, as the most perfect and universal (or the totality of) art, uniting

in itself the two contraries, the symbolic and the classical, the lyric

is a repetition of the architectonic-musical, the epic, of the

plastic-pictorial, the drama, the union of the lyric and the epic.

(2) _Philosophy of Religion_.--The withdrawal from outer sensibility into

the inner spirit, begun in romantic art, especially in poetry, is completed

in religion. In religion the nations have recorded the way in which they

represent the substance of the world; in it the unity of the infinite and

the finite is felt, and represented through imagination. Religion is not

merely a feeling of piety, but a thought of the absolute, only not in the

form of thinking. Religion and philosophy are materially the same, both

have God or the truth for their object, they differ only in form--religion

contains in an empirical, symbolic form the same speculative content which

philosophy presents in the adequate form of the concept. Religion is

developing knowledge as it gradually conquers imperfection. It appears

first as definite religion in two stadia, natural religion and the religion

of spiritual individuality, and finally attains the complete realization of

its concept in the absolute religion of Christianity.

Natural religion, in its lowest stage magic, develops in three forms--as

the religion of measure (Chinese), of phantasy (Indian or Brahmanical), and

of being in self (Buddhistic). In the Persian (Zoroastrian) religion of

light, the Syrian religion of pain, and the Egyptian religion of enigma, is

prepared the way for the transformation into the religion of freedom. The

Greek solves the riddle of the Sphinx by apprehending himself as subject,

as man.

The religion of spiritual individuality or free subjectivity passes through

three stadia: the Jewish religion of sublimity (unity), the Greek religion

of beauty (necessity), the Roman religion of purposiveness (of the

understanding). In contrast to the Jewish religion of slavish obedience,

which by miracle makes known the power of the one God and the nullity of

nature, which has been "created" by his will, and the prosaic severity of

the Roman, which, in Jupiter and Fortuna, worships only the world-dominion

of the Roman people, the more cheerful art-religion of the Hellenes

reverences in the beautiful forms of the gods, the powers which man is

aware of in himself--wisdom, bravery, and beauty.

The Christian or revealed religion is the religion of truth, of freedom, of

spirit. Its content is the unity of the divine nature and the human, God

as knowing himself in being known of man+; the knowledge of God is God's

self-knowledge. Its fundamental truths are the Trinity (signifying that God

differentiates and sublates the difference in love), the incarnation (as a

figure of the essential unity of the infinite and finite spirit), the fall,

and Christ's atoning death (this signifies that the realization of the

unity between man and God presupposes the overcoming of naturality and

selfishness).

(3) _Philosophy_.--Finally the task remains of clothing the absolute

content given in religion in the form adequate to it, in the form of the

concept. In philosophy absolute spirit attains the highest stage, its

perfect self-knowledge. It is the self-thinking Idea.

Here we must not look for further detailed explanations: philosophy is

just the course which has been traversed. Its systematic exposition is

encyclopaedia; the consideration of its own actualization, the history

of philosophy, which, as a "philosophical" discipline, has to show the

conformity to law and the rationality of this historical development, to

show the more than mere succession, the genetic succession, of systems,

as well as their connection with the history of culture. Each system

is the product and expression of its time, and as the self-reflection

of each successive stage in culture cannot appear before this has reached

its maturity and is about to be overcome. Not until the approach of the

twilight does the owl of Minerva begin its flight.

History of Modern Philosophy From Nicolas of Cusa to the Present Time · 第 16 / 20 章