Scene 1. Steam Shovel In Operation, Culebra Cut. H92577._Motion Pictures, 1894-1912 Identified from the Records of the United States Copyright Office

Produced by Richard Tonsing and the Online Distributed

Proofreading Team at http://www.pgdp.net (This file was

produced from images generously made available by The

Internet Archive)

Motion Pictures

1894–1912

Identified from the Records of the United States Copyright Office

Howard Lamarr Walls

[Illustration]

1953

L. C. card, 53–60033

For sale by the Register of Copyrights,

Library of Congress, Washington 25, D. C.

Price $2

------------------------------------------------------------------------

Table of Contents

_Page_

Motion Pictures, 1894–1912 1

Claimant Index 71

Foreword

_Motion Pictures, 1894–1912_, is a catalog of those copyrighted works

identified as motion pictures by Howard Lamarr Walls which were produced

during the pioneer period of the motion picture industry. Inasmuch as

this catalog includes information supplied by Mr. Walls which does not

appear in the records of the Copyright Office, it is not considered a

part of the regular _Catalog of Copyright Entries, Cumulative Series_.

It supplements, however, the two volumes in the Cumulative Series,

_Motion Pictures, 1912–1939_ and _Motion Pictures, 1940–1949_. These

three volumes, together with the current issues of the _Catalog of

Filmstrips_, comprise an unbroken record of the copyright registration

of motion pictures and, also, an extensive although incomplete record of

motion picture production in the United States through the entire

history of the industry.

The catalog lists 8,506 works, representing approximately 6,000 titles,

which were registered in the Copyright Office as photographs and

identified as motion pictures by Mr. Walls. In making this

identification, the record books in the Copyright Office were searched

for the years 1893 through 1913. The first such registration found is

the _Edison Kinetoscopic Record of a Sneeze, January 7, 1894_, copyright

date January 9, 1894, and the last is the _Feast of Belshazzar_,

registered in Class J, photographs, between August 24, 1912, the

effective date of the amendment to the copyright law establishing

classes for motion pictures, and the end of the year 1913. These

twenty-four motion pictures are listed in this catalog.

Familiarity with the individuals and organizations connected with the

production of motion pictures during the pioneer period was essential to

the identification as motion pictures of works registered as photographs

in the Copyright Office. Mr. Walls is uniquely fitted to make this

selection. He is at present Curator of the Motion Picture Collection of

the Academy of Motion Picture Arts and Sciences. Previously he was for

several years on the staff of the Copyright Office and during that

period was interested in the records of early motion pictures which

existed in the files of the Office, including the paper prints which

were deposited at the time of the registration of many of these motion

pictures. Later he became Curator of the Motion Picture Collection of

the Library of Congress and Reference Assistant in the Motion Picture

Division. He has had, therefore, long and intensive experience in

working with these early motion pictures and he is also familiar with

the organization of the records of the Copyright Office.

The preparation of the catalog for printing was principally the work of

the staff of the Cumulative Section of the Cataloging Division of the

transcribed from the record books and assisted in editing them by adding

in brackets, whenever he could do so without additional research,

explanatory information in those cases in which the titles are not fully

self-explanatory. Except for these bracketed phrases the information

appearing in the entries in the catalog is that on record in the

In the case of each entry the name of the copyright claimant is that

given in the record book. Any information relating to renewal copyrights

or to subsequent changes of ownership recorded in the Copyright Office

can be ascertained upon request and upon payment to the Register of

Copyrights of the fee specified in the law for the conduct of a search

of the records. In addition, information relating to renewal copyrights

can be secured by referring to the issue of the _Catalog of Copyright

Entries_ covering renewal registrations for the particular class of work

during the renewal period.

In the _Claimant Index_ the name of each claimant is given in the

fullest form on record in the Copyright Office with cross-references

from variant forms. Full information in regard to the content of the

entries in the main section and in the index will be found in the

section, _How To Use This Catalog_, p. X.

Preface

The first public showing of motion pictures for a fee took place at the

Holland Brothers’ Kinetoscope Parlor, 1155 Broadway, New York City,

April 14, 1894. The making of motion pictures soon became a highly

competitive business, and producers were eager to obtain some sort of

protection for their works. The copyright law at that time did not

provide for the registration of motion pictures as such, and was not

amended to do so until August 24, 1912. The only course open to pioneer

producers was to register their works as photographs and hope that the

desired protection had been obtained. This became the practice in the

new industry.

Before 1900, all items were recorded in sequence as they were received

and registered (or “entered” as the law stated prior to 1909) in the

from one another only by a descriptive word or phrase; i.e., photograph,

book, musical composition, etc. On January 1, 1900, the Copyright Office

established Classes A, B, C, and D. Class D, Graphic Arts and

Miscellaneous, included photographs. On January 1, 1901, photographs

were placed in a class of their own—Class H. On March 4, 1909,

photographs were assigned to Class J and included both published and

unpublished works. All motion pictures copyrighted as photographs from

1894 to 1912, the period covered by this catalog, fall correspondingly

into these categories. They are recorded in over five hundred official

entries. To compile the catalog it was necessary to search approximately

one million entries, and to determine—by title, or copyright claimant,

or both—which items recorded as photographs did, or did not, represent

motion pictures. The task was sizable and presented many difficulties;

but I hope that, with the margin for error customarily allotted even to

the best of compilers, I have produced an acceptable list. And, while

Dr. Luther H. Evans, Librarian of Congress, and Mr. Arthur Fisher, the

produced, it is only fair to say that the responsibility for omissions

which may later be discovered is certainly mine.

The first problem encountered, that of identifying the work, was the

biggest. Then, although the information in the record books was

acceptable in the light of requirements for copyright registration, it

was found all too frequently to be unsatisfactory from the standpoint of

a full description or a complete identification of the motion picture.

Lengths of films were seldom given; claimants had not always made it

clear as to whether numbers accompanying titles stood for parts, scenes,

reels, or production numbers; some films, copyrighted as separate

entities, were obviously only parts of a unified subject which the

claimant had failed to furnish; the articles in the titles were often

omitted; and, for the pre-1900 years, it was not always clear as to

whether certain titles referred to a Kineograph (thumb book), a

Mutoscope reel, or a 35mm film. There were numerous other deficiencies,

such as misspelling of names or words and omission of words other than

articles from titles.

A complete solution to the complexities and limitations existing in the

project would have required motion picture research, but such research

is beyond the scope or function of the Copyright Office, and of the

project for which I was employed. Hence, the record is passed along to

you precisely as it stands with minor additions and corrections.

Misspellings and similar minor errors have been dealt with by

corrections written within brackets. In several instances, where titles

of factual films are ambiguous as to persons, places, or things, it has

been possible to draw on first-hand knowledge to enhance their meaning

and significance. This information is also presented, within brackets,

with a view to increasing as much as possible the practical value of the

catalog. A general correlation of the films under supplied subject

headings was, as in the case of extensive research, considered beyond

the scope of the project. Such grouping has been left to those whose

special interest may require it. To facilitate such further research,

the _Claimant Index_ provides a chronological listing of titles by year

to bring them together in their significant time relationships.

After an examination of the record, it appears that the earliest motion

picture copyrighted was _Kinetoscopic Record of a Sneeze, January 7,

1894_. The claimant was William Kennedy Laurie Dickson, West Orange, New

Jersey. This film, popularly known in film circles as “Fred Ott’s

Sneeze,” and famous as one of the films which launched the modern motion

picture industry, now has added fame as the first to be registered for

some inexplicable reason, there is a total gap from the end of 1894 to

October 23, 1896, at which date the registrations substantially began

and continued. One highly important irregularity in this connection must

be pointed out; there is evidence that the American Mutoscope and

Biograph Company, in its 1902 and 1903 registrations, submitted, along

with current material, a considerable backlog of pictures produced from

late 1895 to 1902. An appreciable amount of research would have to be

done to clarify the wide discrepancies between the production and

claimants followed this practice.

Not all motion pictures produced from 1894 to 1912 appear in the

nearly every important advance made in the first 18 years of the medium.

The record pertaining to the newsreel type of film affords some

surprise. The entries for these are rather profuse and important from

1896 to 1907, after which there are practically no entries during the

period under consideration. It is clear that by 1908 fictional

entertainment had become an almost exclusive business with the industry.

Although the entries in the record books of the Copyright Office do not

indicate the exact physical nature of items submitted by claimants as

of this material revealed a heterogeneous collection. Claimants

submitted deposits indiscriminately and variously in the following

forms: Mutoscope reels; sample 35mm frames from every scene in a motion

picture, in the form of positive photographic paper prints or on

celluloid; photographic stills or enlargements—one each of

representative, but not all, scenes from a motion picture; photographs

of the sets used in a motion picture; Kineographs (popularly known as

thumb books or flip books); and, most important of all, complete motion

pictures printed on 35mm positive photographic paper rolls.

About half of the films listed in this catalog are represented in the

Library’s collection of paper prints. Other films are available in other

collections or are likely to be located in the future in forgotten

storage places. An ingenious way has been found to rephotograph the

paper prints on celluloid by the optical printing process in order that

they may be put to current use.

Here is a cross section of the nonfictional film titles, selected at

random from this early collection: “Street Scene, Chicago” (1897);

“Troop Ships for the Philippines” (1898); “Burial of the Maine Victims”

(1898); “Admiral Dewey Landing at Gibraltar” (1899); “Sharkey-Jeffries

Fight” (1899); “Automobile Parade” (1900); “Boers Bringing in British

Prisoners” (1900); “President McKinley Taking Oath of Office” (1901);

“President McKinley’s Funeral Cortege at Washington, D. C.” (1901);

“Anna Held” (1902); “Princeton and Yale Football Game” (1903); “Opening

Ceremonies, New York Subway” (1904); “Senator Mark Hanna” (1904);

“Inauguration of President Theodore Roosevelt” (1905); “Scenes and

Incidents, Russo-Japanese Peace Conference, Portsmouth, New Hampshire”

(1905); and hundreds of other similar films which bring back an almost

forgotten era.

These films depict the true customs, dress, and manners of the time and

place; they show general world events, Presidential inaugurations;

events of the Spanish-American War, noted political figures and other

personalities, fires and disasters, sports, popular dances, and many

other phases in the life of this period.

Changes in techniques or styles of motion picture production cannot

affect the importance of these films. Specialized students of the motion

picture and drama will derive profit and pleasure from seeing the first

attempts to tell a story on the screen, the evolution of screen syntax

by D. W. Griffith, and the first appearances of such celebrities as Mary

Pickford, and the films listed in this catalog and preserved in the

Library of Congress and elsewhere will have an even wider appeal to

general historians, sociologists, and educators who may have no interest

in the motion picture as such.

It is hoped that this catalog will serve not only those seeking

information regarding the copyright history and status of these films

but will also be of material assistance to those studying the motion

picture as an art, as an important means of communication, as a

historical record, or as an effective social force.

HOWARD LAMARR WALLS

How To Use This Catalog

This catalog consists of two parts: _Motion Pictures, 1894–1912_, which

is a list of main entries arranged alphabetically under title, and a

_Claimant Index_, which is a list of the claimants of copyright in the

motion pictures included in the main section.

Motion Pictures, 1894–1912

The items which constitute each entry are given below in the order in

which they appear. In general, the entry consists only of title, name of

the claimant of copyright, date of the beginning of the copyright term,

and registration number. Other information is included if given in the

record books. Explanatory and corrective information not available in

the records of the Copyright Office and supplied by the compiler, Mr.

Howard L. Walls, always appears in brackets.

1. _Title._ The title is given in the form in which it appears in the

record book. The main title is followed, as applicable, by subtitle,

alternate title, and translated title. Cross-references from

alternate and translated titles are included in the list.

Information which appears in the title in the record book and which

relates to the principal player or to the number of parts and scenes

is given in a brief statement following the title as described

above. Sometimes such information includes a numeral which may well

have had originally some descriptive value but which cannot now be

identified, either as a production number, a catalog number, or a

number indicating the relationship of the particular film to other

films. In many instances, the successive scenes or parts of a motion

picture were registered separately, each registration including the

main title and the title of the particular part. In such cases the

main title is given, followed by other elements in the entry

relating to the whole motion picture, and the numbers and titles of

the separate parts are listed below the main part of the entry, each

part of the title being followed by information relating to it

alone.

2. _Name of the claimant._ This name is given as it appears in the

record book and is immediately preceded by the copyright symbol ©.

3. _Date._ This date includes the day, month, and year of the

beginning of the term of copyright protection and is determined by

different requirements in the periods separated by the date July 1,

1909. Prior to July 1 of that year, the date of the recording in the

the beginning of the term of copyright protection. During this

period the law also provided for the deposit of two copies of the

work when published. Because the record of these deposits was not

consistently kept in the record books, the information has been

omitted from the entries in this catalog. Beginning with July 1,

1909, provision was made for copyright protection both of published

and of unpublished works in some classes, among which photographs

and, later, motion pictures were included. For published works, the

date of the beginning of the term of copyright was determined by the

date of publication supplied in the application; for unpublished

works, by the deposit of one copy in the Copyright Office. These

facts are indicated in the entries by the use of date alone for all

published works and by the addition of the abbreviation _1c_

immediately preceding the date for all unpublished works.

4. _Registration number._ Prior to January 1, 1900, all works were

numbered in sequence as they were registered, and a new series of

numbers was established at the beginning of each calendar year. In

citing the number for any registration made during this period, the

year date must, therefore, be given. To achieve brevity, however,

the year date is not repeated in the entry in connection with the

registration number, because the number immediately follows the full

date in each entry. Beginning with January 1, 1900, the material

received in the Copyright Office was divided for purposes of

registration into classes designated by letters of the alphabet.

Three different series of classes were used in chronological

sequence during the next 12 years; in consequence, the registration

numbers of motion pictures registered as photographs included in

this catalog are preceded by class designations as follows:

January 1–December 31, 1900 D

January 1, 1901–June 30, 1909 H

July 1, 1909–January 23, 1913 J

_Sample Entries_:

THE AWKWARD MAN; or, OH! SO CLUMSY. © The Vitagraph Co. of America;

19June1907; H95361.

CORBETT AND COURTNEY BEFORE THE KINETOGRAPH. © Wm. K. L. Dickson;

17Nov1894; 53707.

EDNA’S IMPRISONMENT, scenes 1–4. © Thomas A. Edison, Inc.

Scene 1. © 9May1911; J155327.

Scene 2. © 9May1911; J155328.

Scene 3. © 9May1911; J155329.

Scene 4. © 9May1911; J155330.

SOUVENIR STRIP OF THE EDISON KINETOSCOPE [Sandow, the modern

Hercules]. © W. K. L. Dickson; 18May1894; 10777.

OH! SO CLUMSY. SEE The Awkward Man.

WILLIAM J. BRYAN IN THE BIOGRAPH. © American Mutoscope & Biograph Co.;

10Sept1900; D17977.

Claimant Index

This index lists the names of the claimants of copyright in the motion

pictures included in the main section. Each name is given in the fullest

form on record in the Copyright Office with cross-references from

variant forms. The names are arranged alphabetically under the

distinctive part of each name. Under each name are listed the titles of

the motion pictures connected with the name, arranged, first,

chronologically by the year date, and, second, alphabetically by title.

MOTION PICTURES, 1894–1912

ERRATA AND ADDENDA

The following lists of corrections

and additions to _Motion Pictures,

1894–1912_ have been compiled by the

staff of the Copyright Office from

information gathered and generously

contributed by Miss Elizabeth

Franklin of the Academy of Motion

Picture Arts and Sciences during the

course of two summers’ work on the

paper print collection of the

Library of Congress. The corrections

cover both typographical errors and

variances between information on the

paper prints and in the record books

of the office. Mr. Howard L. Walls

was limited to the record books in

making his original selection. Most

of the additions consist of films

not readily identifiable as such

from the record book entries, since

before 1912 motion pictures were

registered simply as photographs.

ERRATA

Page

16 DISCOVERIES OF BODIES. For DISCOVERIES read DISCOVERY.

23 GIRLS SWIMMING. For SWIMMING read SWINGING.

32 LAS VEGAS [i.e., LA VIGA] CANAL, MEXICO. For LAS VEGAS read LAS

VIGAS.

32 LAS VEGAS [i.e., LA VIGA] CANAL, MEXICO CITY. For LAS VEGAS read

LAS VIGAS.

34 LITTLE LILLIAN, TOE DANSEUSE. Omit TOE.

38 MINING OPERATIONS, PENNSYLVANIA FIELDS. For PENNSYLVANIA FIELDS

read PENNSYLVANIA COAL FIELDS.

42 OLD GENTLEMAN SPRINKLES. For SPRINKLES read SPINKLES.

45 PANORAMIC VIEW OF THE CHAMPS ELYSEES. © Thomas A. Edison;

29Aug1900; D18581. Registration number should be D18582.

48 PRESIDENT MCKINLEY. Should be PRESIDENT MCKINLEY LEAVING

OBSERVATORY, MT. TOM, HOLYOKE, MASS.

50 REILY’S LIGHT BATTERY F. For REILY’S read REILLY’S.

51 REVIEW OF CADETS, WEST POINT. © American Mutoscope & Biograph Co.;

8July1903; H33283, H33387. Second registration number should be

H33287.

54 SCENE IN THE SWISS VILLAGE AT PARIS EXPOSITION. © Thomas A.

Edison; 29Aug1900; D18582. Registration number should be D18581.

60 10TH U. S. INFANTRY, 2ND BATTALION LEAVING CARS. For AND read 2ND.

64 AN UNEXPECTED FEMALE. Should be AN UNPROTECTED FEMALE, NO. 2.

ADDENDA

AN AFFAIR OF HEARTS. © Biograph Co.; 23May1910; J141593.

ATLANTIC CITY FLORAL PARADE. © Percival L. Waters; 22June1904; H47449.

THE AUTO-SOMNAMBULIST. © Winthrop Press; 18Apr1906; H75818.

BEFORE THE BALL. © Winthrop Press; 18Apr1906; H75820.

BOLD BANK ROBBERY. © Lubin Mfg. Co.; 25July1904; H48436.

CASEY AND HIS NEIGHBOR’S GOAT. © Thomas A. Edison; 3Oct1903; H36501.

THE CHARIOT RACE. © Kalem Co.; 22Nov1907; H102798.

CHEST AND NECK DEVELOPMENT. © Winthrop Press; 18Apr1906; H75807.

CLOWN JUGGLER. © Winthrop Press; 6Sept1906; H82617.

THE COLONEL’S FRIEND. © Frank Graham; 12July1905; H63157.

DAD’S A GENTLEMAN TOO. © Frank Graham; 12July1905; H63156.

DEEP BREATHING AND CHEST EXPANSION. © Winthrop Press; 18Apr1906;

H75806.

DEVELOPING MUSCLES OF BACK AND CHEST. © Winthrop Press; 18 Apr 1906;

H75812.

DEVELOPING MUSCLES OF CHEST AND ABDOMEN. © Winthrop Press; 18Apr1906;

H75808.

DIAL’S GIRLS’ BAND, LUNA PARK. © Eugene Dial; 25Oct1905; H67888.

DREAM OF THE RACE TRACK FIEND. © American Mutoscope & Biograph Co.;

6Oct1905; H67066.

EAST SIDE URCHINS BATHING IN A FOUNTAIN. © Thomas A. Edison; 3Oct1903;

H36495.

EPILEPTIC SEIZURE NO. 8. © Walter G. Chase; 13Jan1906; H71845.

EVERYBODY WORKS BUT MOTHER. © Winthrop Press; 22May1906; H78024.

THE EXTRA TURN. © Thomas A. Edison; 3Oct1903; H36496.

A FAIR EXCHANGE. © Biograph Co.; 22Sept1909; J132094.

GAME OF CHESS. © Winthrop Press; 18Apr1906; H75815.

GOLD IS NOT ALL. © Biograph Co.; 1Apr1910; J139986.

GOOD NIGHT. © Winthrop Press; 18Apr1906; H75817.

GOODBYE JOHN. 70 mm. © Winthrop Moving Picture Co.; 24May1907; H94484.

THE GREAT TORONTO FIRE, TORONTO, CANADA, APRIL 19, 1904. © George

Scott & Co.; 27May1904; H46445.

HAVE A LIGHT, SIR. © Winthrop Press; 22May1906; H78023.

HERE’S TO THE PRETTIEST. © Winthrop Press; 18Apr1906; H75811.

HIS LAST BURGLARY. © Biograph Co.; 26Feb1910; J138678.

IRISH REEL. © Winthrop Press; 6Sept1906; H82614.

IT WAS COMING TO HIM. © Winthrop Press; 18Apr1906; H75810.

KISSES SWEET. © Winthrop Press; 22May1906; H78021.

MARRIED FOR MILLIONS. © American Mutoscope & Biograph Co.; 26Dec1906;

H88152.

MR. BUTT-IN-SKY. © Winthrop Press; 18Apr1906; H75809.

NEW YEAR’S TOAST. © Winthrop Press; 22May1906; H78022.

NEW YORK CITY PUBLIC BATH. © Thomas A. Edison; 3Oct1903; H36497.

THE OATH AND THE MAN. © Biograph Co.; 26Sept1910; J145784.

PARADE, FIFTIETH ANNIVERSARY ATLANTIC CITY, N. J. © Percival L.

Waters; 22June1904; H47450.

PENNSYLVANIA MONUMENT AT FORT MAHONE NEAR PETERSBURG, VA. © Columbia

Photograph Co.; 18Dec1909; J136000.

THE PHYSICAL CULTURE GIRL. © Thomas A. Edison; 3Oct1903; H36499.

POKER IN THE WEST. © Winthrop Press; 18Apr1906; H75814.

RECEPTION OF PRESIDENT TAFT IN PETERSBURG, VIRGINIA, MAY 19TH, 1909. ©

Columbia Photograph Co.; 29July1909; J129814.

A ROMANCE OF THE RAIL. © Thomas A. Edison; 3Oct1903; H36500.

SERIOUS SIXTEEN. © Biograph Co.; 23July1910; J143502.

SHE WAS GOOD TO HIM. © Winthrop Press; 18Apr1906; H75805.

SUBSTITUTE FOR SMOKING. © Winthrop Press; 18Apr1906; H75819.

TAKING HIS MEDICINE. © Winthrop Press; 18Apr1906; H75816.

THREE OF A KIND. © Winthrop Press; 6Sept1906; H82616.

THROUGH THE BREAKERS. © Biograph Co.; 8Dec1909; J135642.

TRYING IT ON THE DOG. © Winthrop Press; 6Sept1906; H82615.

THE TWO BROTHERS. © Biograph Co.; 14May1910; J141292.

TWO CHAPPIES IN A BOX. © Thomas A. Edison; 3Oct1903; H36498.

TWO LITTLE WAIFS. © Biograph Co.; 3Nov1910; J147286.

THE TWO PATHS. © Biograph Co.; 4Jan1911; J150122.

UNEXPECTED HELP. © Biograph Co.; 30July1910; J143826.

WHITE STAR S. S. BALTIC LEAVING PIER ON FIRST EASTERN VOYAGE. © Thomas

A. Edison; 16July1904; H48202.

WILLIE’S FIRST SMOKE. © Thomas A. Edison; 4Feb1899; 10649.

YOU WON’T CUT ANY ICE WITH ME. © Winthrop Press; 18Apr1906; H75813.

------------------------------------------------------------------------

Motion Pictures

1894–1912

An alphabetical list, under title,

of copyrighted works identified by

Howard L. Walls as motion pictures

that were registered during the

period 1894–1912. For full

information relating to the contents

of the entries see _How To Use This

Catalog_, p. X.

A B C’S OF THE U. S. A. © Lubin Mfg. Co.; 16Feb1909; H122975.

THE “ABBOT” & “CRESCEUS” RACE. © Thomas A. Edison; 21Aug1901; H7988.

THE ABDUCTORS. © American Mutoscope & Biograph Co.; 24July1905;

H63799.

ABE GETS EVEN WITH FATHER. © Biograph Co.; 1c 5Dec1911; J163419.

AN ABSENT-MINDED CUPID, scenes 1–3. © Edison Mfg. Co.; 9July1909;

J129735–37.

ACADEMY OF MUSIC FIRE. © American Mutoscope & Biograph Co.; 7Dec1903;

H39143.

AN ACADIAN ELOPEMENT. © American Mutoscope & Biograph Co.; 16Sept1907;

H99704.

ACCIDENTS WILL HAPPEN. © American Mutoscope & Biograph Co.; 7Feb1903;

H27981.

ACCIDENTS WILL HAPPEN, scenes 1–2. © Edison Mfg. Co.; 13May1910;

H141613–14.

THE ACCOMODATING COW. © American Mutoscope & Biograph Co.; 11Nov1902;

H23777.

THE ACROBATIC BURGLARS. © The Vitagraph Co. of America; 19July1906;

H80934.

ACROBATIC MONKEY. © Thomas A. Edison; 15Mar1898; 17709.

ACROBATIC PILLS. © S. Lubin; 25Mar1908; H107906.

ACROSS THE SUBWAY VIADUCT, NEW YORK. © American Mutoscope & Biograph

Co.; 8Feb1905; H56521.

AN ACT OF UNSELFISHNESS. SEE Liberty for an Hour.

THE ACTOR ANNOYS THE BOARDERS. © S. Lubin; 24July1907; H97080.

THE ADJUSTABLE BED. © American Mutoscope & Biograph Co.; 19May1905;

H61112.

ADMIRAL CIGARETTE. © Thos. A. Edison; 5Aug1897; 44332.

ADMIRAL DEWEY AT STATE HOUSE, BOSTON. © Thomas A. Edison; 25Oct1899;

69558.

ADMIRAL DEWEY LANDING AT GIBRALTAR [Spanish-American War]. © Thomas A.

Edison; 27Sept1899; 62823.

ADMIRAL DEWEY LEADING LAND PARADE [Spanish-American War; Dewey

Homecoming, New York City]. © Thomas A. Edison; 5Oct1899; 64681.

ADMIRAL DEWEY LEADING LAND PARADE, no. 2. [Spanish-American War; Dewey

Homecoming, New York City]. © Thomas A. Edison; 7Oct1899; 65369.

ADMIRAL DEWEY PASSING CATHOLIC CLUB STAND [Spanish-American War; Dewey

Homecoming, New York City]. © Thomas A. Edison; 5Oct1899; 64680.

ADMIRAL DEWEY RECEIVING THE WASHINGTON AND NEW YORK COMMITTEES

[Spanish-American War; Dewey Homecoming, New York City]. © Thomas A.

Edison; 2Oct1899; 63830.

ADMIRAL DEWEY TAKING LEAVE OF WASHINGTON COMMITTEE ON THE U. S.

CRUISER “OLYMPIA” [Spanish-American War; Dewey Homecoming, New York

City]. © Thomas A. Edison; 2Oct1899; 63831.

ADMIRAL SAMPSON ON BOARD THE FLAGSHIP [Spanish-American War; New York

City Welcome to Admiral Sampson’s Fleet after Battle of Santiago

Bay]. © Thomas A. Edison; 3Sept1898; 52057.

THE ADOPTION, scenes 1–4. © Edison Mfg. Co.; 11Nov1910; J148065–68.

ADRIFT. © Universal Film Mfg. Co.; 1Aug1912; J171841.

ADVANCE GUARD, RETURN OF N. J. TROOPS [Spanish-American War]. © Thomas

A. Edison; 7Oct1898; 59211.

ADVANCE OF KANSAS VOLUNTEERS AT CALOOCAN [Spanish-American War]. ©

Thomas A. Edison; 5June1899; 37443.

THE ADVENTURES OF A BABY, scenes 1–4. © Thos. A. Edison, Inc.;

9Aug1911; J158325–28.

ADVENTURES OF A DRUMMER BOY. © The Vitagraph Co. of America;

26Feb1909; H123374.

THE ADVENTURES OF AN OLD FLIRT, scenes 1–5. © Edison Mfg. Co.;

6Feb1909; H122674–78.

THE ADVENTURES OF BILLY. © Biograph Co.; 1c 21Oct1911; J161914.

ADVENTURES OF DOLLIE. © American Mutoscope & Biograph Co.; 10July1908;

H113248.

THE ADVENTURES OF FIFINE. © The Vitagraph Co. of America; 20July1909;

J129600.

ADVENTURES OF MR. TROUBLES. © S. Lubin; 13June1908: H111808.

THE ADVENTURES OF PERCY WHITE AND PAULINE WELLS. SEE The Two Traveling

Boys.

THE ADVENTURES OF SHERLOCK HOLMES; or, HELD FOR A RANSOM. © The

Vitagraph Co. of America; 6Sept1905; H65145.

THE ADVENTURES OF ULYSSES. SEE The Homer’s Odyssey.

THE AEROPLANE INVENTOR, parts 1–2. © Ingvald C. Oes; 1c 20Apr1912;

J168388–89.

THE AFFAIR OF AN EGG. © Biograph Co.; 1c 6Sept1910; J144968.

AN AFFAIR OF ART, scenes 1–3. © Edison Mfg. Co.; 24June1909;

H128783–785.

AN AFFAIR OF HEARTS. © Biograph Co.; 23May1910; J141593.

AN AFFAIR OF HONOR. © American Mutoscope & Biograph Co.; 11Nov1902;

H23803.

AN AFFAIR OF HONOR. © S. Lubin; 13May1901; H4282.

“AFRICANDER” WINNING THE SUBURBAN HANDICAP, 1903. © Thomas A. Edison;

27June1903; H33004.

AFTER LAUNCHING. © Thomas A. Edison; 10Mar1898; 16426.

AFTER MANY DAYS, scenes 1–4. © Thomas A. Edison, Inc.; 9July1912;

J171198–201.

AFTER MANY YEARS. © American Mutoscope & Biograph Co.; 28Oct1908;

H117541.

AFTER MANY YEARS. © Imp Films Co.; 18Jan1912; J164578.

AFTER MIDNIGHT; or, A BURGLAR’S DAUGHTER. © The Vitagraph Co. of

America; 1Apr1908; H108126.

AFTER THE BACHELORS’ BALL. © Lubin Mfg. Co.; 20Mar1909; H124439.

AFTER THE BALL. © Biograph Co.; 1c 3Jan1911; J150107.

AFTER THE EXPLOSION. © American Mutoscope & Biograph Co.; 9June1904;

H46948.

AFTER THE FIRST SNOW. © American Mutoscope & Biograph Co.; 13July1903;

H33408.

AFTER THE RACE—YACHTS RETURNING TO ANCHORAGE [America’s Cup Races;

Columbia and Shamrock I]. © Thomas A. Edison; 20Oct1899; 68177.

AFTERNOON TEA ON BOARD S. S. “DORIC.” © Thomas A. Edison; 22June1898;

38227.

THE AGGRESSOR. © Independent Moving Picture Co.; 19Oct1911; J161543.

AGUINALDO’S NAVY [Spanish-American War]. © American Mutoscope &

Biograph Co.; 18Apr1902; H16737.

AÏDA, scenes 1–4. © Thomas A. Edison. Inc.; 5May1911; J155335–38.

THE AIRSHIP; or, 100 YEARS HENCE. © The Vitagraph Co. of America;

2Apr1908; H108161.

AIRY FAIRY LILLIAN TRIES ON HER NEW CORSETS. © American Mutoscope &

Biograph Co.; 3Nov1905; H68182.

AL TRELOAR IN MUSCLE EXERCISES. © American Mutoscope & Biograph Co.;

3May1905; H60288.

ALADDIN UP-TO-DATE, scenes 1–4. © Thomas A. Edison, Inc.; 4Sept1912;

J176523–26.

ALCOHOL, THE POISON OF HUMANITY. © Eclair Film Co.; 1c 22Jan1912;

J165361.

ALGY, THE WATCHMAN. © Biograph Co.; 1c 8June1912; J170133.

ALGY’S GLORIOUS FOURTH OF JULY. © American Mutoscope & Biograph Co.;

7June1902; H18744.

ALICE’S ADVENTURES IN WONDERLAND, scenes 1–4. © Edison Mfg. Co.;

9Sept1910; J145542–45.

ALL A MISTAKE. © Imp Films Co.; 27Jan1912; J165053.

On same reel with A Day on a Buffalo Ranch.

ALL ABOARD! or, FUNNY EPISODES IN A STREET CAR. © The Vitagraph Co. of

America; 18June1906; H79499.

ALL FOR HER. © Imp Films Co.; 2May1912; J168880.

ALL FOR THE LOVE OF A LADY, scenes 1–4. © Thomas A. Edison, Inc.;

14Mar1911, J153379–82.

ALL ON ACCOUNT OF A BUTTERFLY. © S. Lubin; 3Oct1908; H116473.

ALL ON ACCOUNT OF A LAUNDRY, scenes 1–3. © Edison Mfg. Co.; 24May1910;

J141785–87.

ALL ON ACCOUNT OF THE MILK. © Biograph Co.; 1c 15Jan1910; J137280.

ALL THAT GLITTERS IS NOT GOLD. SEE Plain Mame.

ALLABAD; the Arabian wizard. © American Mutoscope & Biograph Co.;

11Nov1902; H23812.

ALL’S FAIR IN LOVE, scenes 1–3. © Edison Mfg. Co.; 29Oct1909;

J134001–003.

ALL’S FAIR IN LOVE AND WAR. (First and last scenes). © Capital Film

Co.; 8Oct1910; J146805.

ALL’S WELL THAT ENDS WELL. SEE A Case of Spirits.

ALMOST A HERO, scenes 1–4. © Edison Mfg. Co.; 23Sept1910; J145940–43.

ALMOST A KING. © American Mutoscope & Biograph Co.; 23Dec1903; H39906.

ALONE. © American Mutoscope & Biograph Co.; 28July1904; H48624.

ALONE IN NEW YORK, scenes 1–4. © Thomas A. Edison, Inc.; 27Aug1912;

J176439–42.

ALPHONSE & GASTON. © American Mutoscope & Biograph Co.; 11Nov1902;

H23787.

ALPHONSE AND GASTON. © American Mutoscope & Biograph Co.

1–2. © 31Oct1903; H37437–38.

3. © 27Oct1903; H37366.

ALPHONSE & GASTON HELPING AN IRISHMAN. © American Mutoscope & Biograph

Co.; 11Nov1902; H23785.

AN ALPINE ECHO; or, THE SYMPHONY OF A SWISS MUSIC BOX. © The Vitagraph

Co. of America; 11Sept1909; J131598.

ALWAYS ROOM FOR ONE MORE. © American Mutoscope & Biograph Co.;

11Sept1905; H65316.

THE AMATEUR CHAMPION. © S. Lubin; 21Aug1907; H98644.

THE AMATEUR HYPNOTIST. © S. Lubin; 28Jan1908; H105598.

AMATEUR NIGHT; or, GET THE HOOK. © The Vitagraph Co. of America;

15Apr1907; H92666.

AMATEUR NIGHT, scenes 1–4. © Edison Mfg. Co.; 7Dec1910; J148700–03.

THE AMATEUR WILLIAM TELL, scenes 1–3. © Edison Mfg. Co.; 10Sept1909;

J131581–83.

AMBULANCE AT THE ACCIDENT. © Thomas A. Edison; 25Oct1897; 60592.

AMBULANCE CALL. © Thomas A. Edison; 25Oct1897; 60591.

AMERICAN AND CUBAN FLAG. © Thomas A. Edison; 5Mar1897; 15442.

AMERICAN FALLS FROM ABOVE, AMERICAN SIDE [Niagara Falls]. © Thomas A.

Edison; 12Dec1896; 67877.

AMERICAN FALLS—FROM BOTTOM, CANADIAN SHORE [Niagara Falls]. © Thomas

A. Edison; 24Dec1896; 70074.

AMERICAN FALLS—FROM INCLINE R. R. [Niagara Falls]. © Thomas A. Edison;

24Dec1896; 70073.

AMERICAN FALLS, GOAT ISLAND [Niagara Falls]. © American Mutoscope &

Biograph Co.; 24Apr1903; H30733.

AMERICAN FALLS, GOAT ISLAND [Niagara Falls]. © American Mutoscope Co.;

7Jan1897; 3560.

AMERICAN FALLS, LUNA ISLAND [Niagara Falls]. © American Mutoscope &

Biograph Co.; 24Apr1903; H30732.

AMERICAN FALLS, LUNA ISLAND [Niagara Falls]. © American Mutoscope Co.;

7Jan1897; 3553.

AMERICAN FLAG. © Thomas A. Edison.

THE AMERICAN FLEET IN HAMPTON ROADS, 1909, AFTER GIRDLING THE GLOBE. ©

Edward Daniel Macfee, Jr.; 26Mar1909; H124864.

THE AMERICAN SOLDIER IN LOVE AND WAR, no. 1–3. © American Mutoscope &

Biograph Co.; 21July1903; H33641–43.

AMERICAN SOLDIERS DEFEATING FILIPINOS NEAR MANILLA [i.e. MANILA]

[Spanish-American War]. © Siegmund Lubin; 11Aug1899; 51687.

AMETA. © American Mutoscope & Biograph Co.; 24Apr1903; H30752.

THE AMOROUS MILITIAMAN. © American Mutoscope & Biograph Co.;

10Dec1904; H54666.

AMOSKEAG VETERANS, NEW HAMPSHIRE [McKinley Inaugural Parade]. © Thomas

A. Edison; 8May1897; 28514.

ANCIENT AND HONORABLE ARTILLERY OF LONDON ON PARADE. © Thomas A.

Edison; 20Oct1903; H36946.

THE ANCIENT AND HONORABLES HOMEWARD BOUND. © Thomas A. Edison;

20Oct1903; H36947.

AND A LITTLE CHILD SHALL LEAD THEM. © American Mutoscope & Biograph

Co.; 13Mar1909; H123958.

AND A LITTLE CHILD SHALL LEAD THEM. © S. Lubin; 15Feb1908; H106260.

AND HIS COAT CAME BACK. © The Vitagraph Co. of America; 28Jan1909;

H122212.

AND PAT TOOK HIM AT HIS WORD. © American Mutoscope & Biograph Co.;

12Jan1904; H40816.

AND THE DOG CAME BACK. © S. Lubin; 25Mar1907; H91920.

AND THE VILLAIN STILL PURSUED HER; or, THE AUTHOR’S DREAM. © The

Vitagraph Co. of America; 23Nov1906; H85585.

THE ANGEL AND THE STRANDED TROUPE, scenes 1–4. © Thomas A. Edison,

Inc.; 12June1912; J170311–14.

THE ANGEL CHILD, scenes 1–4. © Edison Mfg. Co.; 14Dec1908; H119660–63.

AN ANGELIC SERVANT. © Geo. Méliès; 13Dec1907; H103575.

ANGLER’S NIGHTMARE. © Geo. Méliès; 13Sept1905; H65360.

THE ANIMATED COSTUMES. © Geo. Méliès; 29Sept1904; H50961.

AN ANIMATED DUMMY. © S. Lubin; 9Dec1907; H103459.

THE ANIMATED DUMMY. © S. Lubin; 28Jan1908; H105596.

AN ANIMATED LUNCHEON. © Thomas A. Edison; 28Feb1900; D4731.

ANIMATED PAINTING. © Thomas A. Edison; 16Feb1904; H42209.

ANIMATED PICTURE STUDIO. © American Mutoscope & Biograph Co.;

20Nov1903, H38401.

THE ANIMATED POSTER. © Thomas A. Edison; 28Oct1903; H37395.

ANIMATED SNOWBALLS, scenes 1–5. © Edison Mfg. Co.; 12Mar1908;

H107645–49.

ANNA HELD. © American Mutoscope & Biograph Co.

ANNA HELD, no. 10. © American Mutoscope & Biograph Co.; 11July1901;

H5921.

ANNABELLE IN FLAG DANCE. © American Mutoscope Co.; 18Dec1896; 68818.

ANNUAL BABY PARADE, 1904, ASBURY PARK, N. J. © Thomas A. Edison;

12Sept1904; H50382.

ANNUAL CELEBRATION OF SCHOOL CHILDREN, scenes 1–4. © Edison Mfg. Co.;

26Nov1909; J135652–55.

ANNUAL PARADE, NEW YORK FIRE DEPARTMENT. © Thomas A. Edison;

17May1904; H46128.

ANOTHER JOB FOR THE UNDERTAKER. © Thomas A. Edison; 15May1901; H4369.

ANOTHER NAME WAS MAUDE. © American Mutoscope & Biograph Co.; 2May1906,

H76575.

ANTI-RACE SUICIDE. SEE The Strenuous Life.

ANTONY AND CLEOPATRA; the love story of the noblest Roman and the most

beautiful Egyptian. © The Vitagraph Co. of America; 26Oct1908;

H117451.

THE APPARITION. © George Méliès; 12Oct1903; H36705.

LES APPARITIONS FUGITIVES. © George Méliès; 23Feb1904; H42523.

APPLE PIE, scenes 1–3. © Thomas A. Edison, Inc.; 19June1912;

J170527–29.

APPOINTMENT BY TELEPHONE. © Thomas A. Edison; 15May1902; H17675.

APPRENTICE BOYS AT NEWPORT [R. I.] NAVAL TRAINING STATION, scenes 1–3.

APRIL FOOL, scenes 1–4. © Thomas A. Edison, Inc.; 29Mar1911;

J153735–38.

AN APRIL FOOL JOKE. © American Mutoscope & Biograph Co.; 11June1903;

H32494.

AQUARIUM. © American Mutoscope Co.; 7Jan1897; 3536.

ARAB ACT, LUNA PARK [Coney Island]. © American Mutoscope & Biograph

Co.; 6Oct1903; H36553.

ARABIAN GUN TWIRLER. © Thomas A. Edison; 20Mar1899; 20770.

ARABIAN JEWISH DANCE. © Thomas A. Edison; 17June1903; H32802.

THE ARBITRATOR. © American Mutoscope & Biograph Co.; 8Jan1904; H40724.

AN ARCADIAN MAID. © Biograph Co.; 1c 3Aug1910; J143884.

ARCHIBALD CHUBBS AND THE WIDOW, scenes 1–4. © Thomas A. Edison, Inc.;

27Mar1912; J167602–05.

AN ARDENT WOOER. SEE The Perpetual Proposal.

ARE YOU THE MAN? © Lubin Mfg. Co.; 18May1909; H127182.

THE ARMENIAN ARCHBISHOP, ROME. © American Mutoscope & Biograph Co.;

12Sept1903; H35646.

ARMOUR’S ELECTRIC TROLLEY [Chicago]. © Thomas A. Edison; 31July1897;

43409.

ARMS AND THE WOMAN, scenes 1–4. © Edison Mfg. Co.; 30Nov1910;

J148450–53.

THE ARMY OF TWO, scenes 1–6. © Edison Mfg. Co.; 30Oct1908; H117654–59.

AROUND NEW YORK IN 15 MINUTES. © Paley & Steiner; 31Jan1905; H56326.

AROUND THE FLIP-FLAP RAILROAD. © American Mutoscope & Biograph Co.;

18Apr1902; H16733.

AROUND THE MULBERRY BUSH. © American Mutoscope & Biograph Co.;

5Sept1902; H21503.

AN ARREST AT NEW HAVEN, CONN., no. 93. © American Mutoscope Co.;

4Feb1897; 9241.

ARREST IN CHINATOWN, SAN FRANCISCO, CAL. © Thomas A. Edison;

25Oct1897, 60596.

ARREST OF A SHOPLIFTER. © American Mutoscope & Biograph Co.;

12Sept1903; H35649.

ARRIVAL MAHUKONA EXPRESS, KOHALA, HAWAII. © Thomas A. Edison;

11Aug1906; H81956.

ARRIVAL OF EMIGRANTS [i.e. IMMIGRANTS], ELLIS ISLAND. © American

Mutoscope & Biograph Co.; 9May1906; H77049.

ARRIVAL OF MCKINLEY’S FUNERAL TRAIN AT CANTON, OHIO. © Thomas A.

Edison; 26Sept1901; H9082.

ARRIVAL OF PRINCE HENRY [OF PRUSSIA] AND PRESIDENT ROOSEVELT AT

SHOOTER’S ISLAND. © Thomas A. Edison; 1Mar1902; H14607.

ARRIVAL OF THE GOVERNOR GENERAL, LORD MINTO, AT QUEBEC. © Thomas A.

Edison; 17Feb1902; H14291.

ARRIVAL OF TOKYO TRAIN. © Thomas A. Edison; 22June1898; 38208.

ARRIVAL OF TRAIN AT MUSKOKA WHARF. © American Mutoscope & Biograph

Co.; 6Mar1903; H29004.

ARRIVAL OF TRAIN, CHEYENNE. © American Mutoscope & Biograph Co.;

29May1903; H32294.

ARRIVAL OF TRAIN, TIENTSIN. © American Mutoscope & Biograph Co.;

23May1902; H18044.

ARRIVAL OF TRAIN, TOKIO, JAPAN. © American Mutoscope & Biograph Co.;

19Oct1903; H36867.

THE ART OF MAKING SILVER PLATE. © Imp Films Co.; 1June1912; J169857.

THE ART OF MAKING UP. © American Mutoscope & Biograph Co.; 18Apr1902;

H16726.

ART STUDIES. © American Mutoscope & Biograph Co.; 6Mar1903; H29003.

THE ARTIST AND THE BRAIN SPECIALIST, scenes 1–3. © Thomas A. Edison,

Inc.; 22May1912; J169667–69.

THE ARTIST’S DILEMMA. © Thomas A. Edison; 14Dec1901; H11475.

THE ARTIST’S DREAM. © American Mutoscope & Biograph Co.; 24Feb1903;

H28555.

AN ARTIST’S DREAM. © Thomas A. Edison; 21Mar1900; D6369.

THE ARTIST’S JOKE, scenes 1–4. © Thomas A. Edison, Inc.; 10July1912;

J171202–05.

AN ARTIST’S MODEL WANTED. © S. Lubin; 1Aug1908; H114115.

ARTIST’S POINT. © American Mutoscope & Biograph Co.; 11May1903;

H31668.

THE ARTIST’S REVENGE. © The Vitagraph Co. of America; 31July1909;

J130047.

THE ARTIST’S STUDIO. © American Mutoscope & Biograph Co.; 29May1903;

H32295.

AS A BOY DREAMS. © Independent Moving Picture Co.; 24Aug1911; J159098.

AS IN A LOOKING GLASS. © American Mutoscope & Biograph Co.; 29May1903;

H32297.

AS IN A LOOKING GLASS. © Biograph Co.; 1c 20Dec1911; J163801.

AS IT IS IN LIFE. © Biograph Co.; 1c 6Apr1910; J140186.

AS SEEN ON THE CURTAIN. © American Mutoscope & Biograph Co.;

20Jan1904; H41044.

AS THE BELLS RANG OUT. © Biograph Co.; 1c 23July1910; J143501.

ASAKUSA TEMPLE, TOKIO, JAPAN. © American Mutoscope & Biograph Co.;

19Oct1903; H36868.

ASHES, scenes 1–4. © Edison Mfg. Co.; 7Jan1910; J137021–24.

ASIA IN AMERICA, ST. LOUIS EXPOSITION. © American Mutoscope & Biograph

Co.; 28May1904; H46575.

ASSEMBLING A GENERATOR, WESTINGHOUSE WORKS. © American Mutoscope &

Biograph Co.; 10May1904; H45598.

ASSEMBLING AND TESTING TURBINES. WESTINGHOUSE CO. WORKS. © American

Mutoscope & Biograph Co.; 23July1904; H48412.

THE ASTONISHING FRAME. © Geo. Méliès; 12Oct1904; H51561.

ASTOR BATTERY ON PARADE [Spanish-American War]. © Thomas A. Edison;

27Jan1899; 8651.

THE ASTOR TRAMP. © Thomas A. Edison; 27Nov1899; 77520.

AT JONES’ FERRY, scenes 1–4. © Thomas A. Edison, Inc.; 8Sept1911;

J159984–87.

AT THE ALTAR. © American Mutoscope & Biograph Co.; 26Feb1909; H123389.

AT THE COTTAGE DOOR. © American Mutoscope & Biograph Co.; 9June1904;

H46942.

AT THE DENTIST. © Lubin Mfg. Co.; 16Feb1909; H122976.

AT THE DRESSMAKER’S. © American Mutoscope & Biograph Co.; 6Oct1903;

H36557.

AT THE FOOT OF THE FLATIRON. © American Mutoscope & Biograph Co.;

2Nov1903; H37499.

AT THE FOUNTAIN. © American Mutoscope & Biograph Co.; 27Sept1902;

H22093.

AT THE FRENCH BALL. © American Mutoscope & Biograph Co.; 20June1908;

H112127.

AT THE HOTEL MIX-UP. © Geo. Méliès; 26Aug1908; H115114.

AT THE POINT OF THE SWORD, scenes 1–4. © Thomas A. Edison, Inc.;

16Feb1912; J166543–46.

AT THE STAGE DOOR; or, BRIDGET’S ROMANCE. © The Vitagraph Co. of

America; 19Feb1908; H106451.

AT THE THRESHOLD OF LIFE, scenes 1–4. © Thomas A. Edison, Inc.;

13Oct1911; J161649–52.

AT THE WESER (SONG). © Lubin Mfg. Co.; 5Feb1909; H122571.

ATHLETIC AMERICAN GIRLS. © The Vitagraph Co. of America; 16July1907;

H96627.

THE ATHLETIC GIRL AND THE BURGLAR, no. 1–2. © American Mutoscope &

Biograph Co.; 3May1905; H60295–96.

ATLANTA AUTOMOBILE SPEEDWAY RACES, scenes 1–4. © Edison Mfg. Co.;

29Nov1909; J135825–28.

ATLANTIC CITY BATHERS. © American Mutoscope Co.; 18Dec1896; 68826.

ATLANTIC CITY BOARDWALK. © American Mutoscope Co.; 18Dec1896; 68820.

ATLANTIC CITY BOARDWALK, no. 102. © American Mutoscope Co.; 4Feb1897;

9243.

ATLANTIC CITY FIRE DEPARTMENT. © American Mutoscope & Biograph Co.;

26Apr1902; H17043.

ATLANTIC CITY FLORAL PARADE. © Percival L. Waters; 22June1904; H47449.

AN ATTACK BY TORPEDO BOATS. © American Mutoscope & Biograph Co.;

4Apr1903; H30184.

ATTACK ON FORT BOONESBORO. © American Mutoscope & Biograph Co.;

23June1906; H79819.

THE ATTACK ON PORT ARTHUR [Russo-Japanese War]. © William N. Selig;

12Mar1904; H43183.

THE ATTACK ON THE MILL, scenes 1–4. © Edison Mfg. Co.; 12Aug1910;

J145115–18.

ATTEMPT TO ESCAPE THAT LED TO MISFORTUNE. © American Mutoscope &

Biograph Co.; 13July1903; H33418.

AU CLAIR DE LA LUNE. © Geo. Méliès; 15Jan1904; H40879.

AUNT EMMY’S SCRAP BOOK. © S. Lubin; 16Dec1908; H119725.

AUNT JANE AND THE TOBASCO SAUCE. © American Mutoscope & Biograph Co.;

7June1902; H18747.

AUNT JANE’S EXPERIENCE WITH TOBASCO SAUCE. © American Mutoscope &

Biograph Co.; 30Jan1903; H27772.

AUNT MIRANDA’S CAT, scenes 1–4. © Thomas A. Edison, Inc.; 8May1912;

J169302–05.

AUNT SALLIE’S WONDERFUL BUSTLE. © Thomas A. Edison; 14Aug1901; H7640.

AUNTIE TAKES THE CHILDREN TO THE COUNTRY. © S. Lubin; 10Oct1908;

H116792.

THE AUTHOR’S DREAM. SEE And the Villain Still Pursued Her.

AUTO BANDITS OF PARIS, 2 parts. © Société Francaise des Films et

Cinematographes Eclair; 1c 6July1912; J170857.

AUTO BOAT RACE ON THE HUDSON. © American Mutoscope & Biograph Co.;

18June1904; H47332.

AN AUTO HEROINE; or, THE RACE FOR THE VITAGRAPH CUP AND HOW IT WAS

WON. © The Vitagraph Co. of America; 10Oct1908; H116781.

THE AUTO MANIAC. © The Vitagraph Co. of America; 27Mar1909; H124899.

THE AUTOMATIC LAUNDRY. © S. Lubin; 9Mar1908; H107120.

THE AUTOMATIC WEATHER PROPHET. © Thomas A. Edison; 21Mar1901; H2475.

AN AUTOMOBILE CHASE. © Geo. Méliès.

1. In the Mountains. © 20June1905; H62442.

2. The Town—Due at Dijon. © 20June1905; H62443.

3. The Garage. © 11July1905; H63096.

4. In the Country. © 11July1905; H63097.

5. Monte Carlo. © 11July1905; H63098.

AUTOMOBILE PARADE. © Thomas A. Edison; 6Feb1900; D3293.

AUTOMOBILE PARADE ON THE CONEY ISLAND BOULEVARD. © Thomas A. Edison;

29Nov1901; H10870.

AUTOMOBILE RACE FOR THE VANDERBILT CUP [Long Island, N. Y.]. ©

American Mutoscope & Biograph Co.; 17Oct1904; H51702.

THE AUTOMOBILE THIEVES. © The Vitagraph Co. of America; 22Sept1906;

H82958.

AUTOMOBILING AMONG THE CLOUDS. © American Mutoscope & Biograph Co.;

1Oct1904; H51121.

THE AUTO-SOMNAMBULIST. © Winthrop Press; 18Apr1906; H75818.

AVENGED; or, THE TWO SISTERS. © The Vitagraph Co. of America;

16June1908; H111879.

AVENGING A CRIME; or, BURNED AT THE STAKE. © Paley and Steiner;

19Nov1904; H53418.

THE AVIATOR AND THE JOURNALIST’S WIFE, parts 1–3. © Ingvald C. Oes; 1c

26Aug1911; J159432–34.

THE AVIATOR’S GENEROSITY, parts 1–2. © Ingvald C. Oes; 1c 10Apr1912;

J168002–03.

THE AWAKENING. © Biograph Co.; 1c 2Oct1909; J132453.

THE AWAKENING OF JOHN BOND, scenes 1–4. © Thomas A. Edison, Inc.;

5Dec1911; J164290–93.

THE AWAKENING OF MR. COON. © Lubin Mfg. Co.; 17June1909; H128494.

AWAKENING OF RIP. © American Mutoscope & Biograph Co.; 29Dec1902;

H25400.

AWAKENING OF RIP, no. 51. © American Mutoscope Co.; 4Feb1897; 9237.

AN AWFUL MOMENT. © American Mutoscope & Biograph Co.; 10Dec1908;

H119490.

THE AWKWARD MAN; or, OH! SO CLUMSY. © The Vitagraph Co. of America;

19June1907; H95361.

THE AWKWARD WAITER: WAITER WAITING. © American Mutoscope & Biograph

Co.; 16Dec1904; H54342.

B.P.O.E.—THE BENEVOLENT PROTECTIVE ORDER OF ELKS CONVENTION AT

ATLANTIC CITY, JULY 10 TO 15, 1911, scenes 1–4. © Thos. A. Edison,

Inc.; 27July1911; J158539–42.

BABE AND PUPPIES. © Thomas A. Edison; 21Apr1904; H44669.

BABES IN THE WOOD. © S. Lubin; 1May1903; H31302.

THE BABIES’ QUARREL. © American Mutoscope & Biograph Co.; 10Apr1902;

H16350.

BABIES ROLLING EGGS. © Thomas A. Edison; 7Apr1902; H16124.

THE BABY. © American Mutoscope & Biograph Co.

THE BABY, scenes 1–4. © Thomas A. Edison, Inc.; 12Mar1912; J167310–13.

THE BABY AND THE PUPPIES. © American Mutoscope & Biograph Co.;

9Aug1904; H48985.

THE BABY AND THE STORK. © Biograph Co.; 1c 8Jan1912; J164467.

BABY CLASS AT LUNCH. © Thomas A. Edison; 3Sept1903; H35376.

THE BABY ELEPHANT. © The Vitagraph Co. of America; 20Aug1907; H98481.

BABY IN A RAGE. © American Mutoscope & Biograph Co.; 5Sept1902;

H21510.

BABY LUND AND HER PETS. © American Mutoscope & Biograph Co.

BABY MERRY-GO-ROUND. © American Mutoscope & Biograph Co.; 18July1903;

H33540.

THE BABY OF THE BOARDING HOUSE, scenes 1–4. © Thomas A. Edison, Inc.;

10May1911; J155339–42.

BABY PLAYING IN GUTTER. © American Mutoscope & Biograph Co.;

5Sept1902; H21509.

THE BABY REVIEW. © Thomas A. Edison, Inc.; 1Sept1903; H35328.

BABY’S DAY. © American Mutoscope & Biograph Co.; 18Jan1905; H56068.

BABY’S FALL, scenes 1–4. © Thomas A. Edison, Inc.; 15Mar1911;

J153371–74.

A BABY’S SHOE. © American Mutoscope & Biograph Co.; 10May1909;

H126827.

BABY’S TOOTH. © American Mutoscope & Biograph Co.; 2July1902; H19657.

A BACHELOR’S BABY; or, A GENERAL MISUNDERSTANDING. © The Vitagraph Co.

of America; 16June1908; H111878.

A BACHELOR’S SUPPER, scenes 1–4. © Edison Mfg. Co.; 10Feb1909;

H122813–16.

THE BACHELOR’S WATERLOO, scenes 1–4. © Thomas A. Edison, Inc.;

17Jan1912; J165023–26.

BACHELOR’S WEDDING BELLS. © S. Lubin; 11Jan1908; H105054.

BACK TO HIS OWN HOME TOWN. © Independent Moving Picture Co.; 6Jan1912;

J164088.

On same reel with Playing The Game.

BACKWARD, TURN BACKWARD, O TIME, IN YOUR FLIGHT, scenes 1–4. © Edison

Mfg. Co.; 3Sept1909; J131480–83.

THE BAD BOY AND THE GROCERY MAN. © American Mutoscope & Biograph Co.;

23Jan1905; H56152.

THE BAD BOYS’ JOKE ON THE NURSE. © Thomas A. Edison; 14Aug1901; H7636.

BAD BOY’S JOKE ON THE NURSE. © Thomas A. Edison; 9Dec1904; H54487.

A BAD (K)NIGHT. © American Mutoscope & Biograph Co.; 11Nov1902;

H23800.

THE BAD MAN: A TALE OF THE WEST. © The Vitagraph Co. of America;

17Jan1907; H89461.

THE BAD MAN FROM RILEY’S GULCH, scenes 1–2. © Edison Mfg. Co.;

4Feb1910; J138041–42.

THE BADGER GAME. © American Mutoscope & Biograph Co.; 9May1905;

H60656.

BAKE THAT CHICKEN PIE. © Lubin Mfg. Co.; 16Feb1909; H122977.

BAKERS IN TROUBLE. © Geo. Méliès; 20Nov1907; H102684.

BALKED AT THE ALTAR. © American Mutoscope & Biograph Co.; 15Aug1908;

H114598.

THE BALL GAME. © Thomas A. Edison; 20May1898; 31442.

A BALL OF YARN: MOTHER & DAUGHTER. © American Mutoscope & Biograph

Co.; 16Dec1904; H54339.

THE BALLET DANCER, parts 1–3. © Ingvald C. Oes; 1c 1Dec1911;

J163336–38.

THE BALLET MASTER’S DREAM. © George Méliès; 4Dec1903; H38792.

THE BALLET REHEARSAL. © American Mutoscope & Biograph Co.; 5Dec1903;

H38860.

BALLOON ASCENSION, MARIONETTES. © Thomas A. Edison; 7Oct1898; 59206.

BALLOON RACE. © American Mutoscope & Biograph Co.; 22Aug1903; H34980.

A BALLROOM TRAGEDY. © American Mutoscope & Biograph Co.; 22June1905;

H62508.

BALLY-HOO CAKE WALK. © American Mutoscope & Biograph Co.; 21May1903;

H32078.

THE BAMBOO SLIDE. © American Mutoscope & Biograph Co.; 4June1904;

H32384.

THE BANDIT KING. © William N. Selig; 11Apr1907; H92502.

THE BANDITS; or, A STORY OF SUNNY ITALY. © The Vitagraph Co. of

America; 25June1907; H95537.

THE BANDIT’S WATERLOO. © American Mutoscope & Biograph Co.;

28July1908; H113969.

THE BANK DEFAULTER. © S. Lubin; 11Oct1906; H83690.

THE BANK MESSENGER. © S. Lubin; 10Dec1908; H119479.

THE BANK PRESIDENT’S SON, scenes 1–4. © Thomas A. Edison, Inc.;

14May1912; J169446–49.

THE BANK ROBBERY. © Oklahoma Natural Mutoscene Co.; 28Dec1908;

H120453.

THE BANKER’S DAUGHTERS. © Biograph Co.; 1c 22Oct1910; J146849.

BARBARA FRITCHIE, the story of a patriotic American woman. © The

Vitagraph Co. of America; 29Oct1908; H117587.

THE BARBARIAN INGOMAR. © American Mutoscope & Biograph Co.; 1Oct1908;

H116387.

BARBER OF SEVILLA. © Geo. Méliès; 19July1904.

The Entrance to the Church. H48336.

The Square. H48337.

The Drawing Room. H48338.

The Kitchen. H48339.

THE BARBER’S DEE-LIGHT. © American Mutoscope & Biograph Co.; 3May1905;

H60292.

THE BARBER’S PRETTY PATIENT. © American Mutoscope & Biograph Co.;

19May1905; H61111.

THE BARBER’S QUEER CUSTOMER. © American Mutoscope & Biograph Co.;

14June1902; H19018.

BAREBACK HURDLE JUMPING. © Thos. A. Edison; 21Apr1897; 24885.

BARGAIN DAY. © American Mutoscope & Biograph Co.; 7Feb1903; H27979.

BARGAIN DAY, 14th STREET, NEW YORK. © American Mutoscope & Biograph

Co.; 20Apr1905; H59778.

THE BARGAIN FIEND; or, SHOPPING A LA MODE. © The Vitagraph Co. of

America; 16July1907; H96628.

BARGAIN SALES. © S. Lubin; 23Oct1907; H101548.

THE BARNSTORMERS. © American Mutoscope & Biograph Co.; 16Nov1905;

H68796.

THE BARON. © Biograph Co.; 1c 5Sept1911; J159734.

BASKET BALL, MISSOURI VALLEY COLLEGE. © American Mutoscope & Biograph

Co.; 10May1904; H45596.

BASS FISHING. © American Mutoscope & Biograph Co.; 9Jan1903; H26843.

BATHERS AND LIFEBOAT, ATLANTIC CITY. © American Mutoscope Co.;

7Jan1897; 3542.

BATHING; or, CHARLIE AND MARY IN THE COUNTRY. © The Vitagraph Co. of

America; 15Sept1908; H115620.

BATHING AT ATLANTIC CITY. © Thomas A. Edison; 21Aug1901; H7984.

BATHING GIRLS HURDLE RACE. © American Mutoscope & Biograph Co.;

2July1903; H33209.

BATHING IN SAMOA. © American Mutoscope & Biograph Co.; 12Sept1903;

H35641.

BATHING UNDER DIFFICULTIES. © The Vitagraph Co. of America; 13Aug1907;

H98137.

BATTERY A, LIGHT ARTILLERY, U. S. ARMY [McKinley Inaugural Parade]. ©

Thomas A. Edison; 15Mar1897; 17403.

BATTERY B ARRIVING AT CAMP [Spanish-American War]. © Thomas A. Edison;

20May1898; 31435.

BATTERY B, GOVERNOR’S TROOP, PENNA. [McKinley Inaugural Parade]. ©

Thomas A. Edison; 8May1897; 28522.

BATTERY B PITCHING CAMP. [Spanish-American War]. © Thomas A. Edison;

20May1898; 31437.

BATTERY K SIEGE GUNS [Spanish-American War; Dewey Homecoming, New York

City]. © Thos. A. Edison; 7Oct1899; 65371.

BATTERY PARK. © American Mutoscope & Biograph Co.; 24Apr1903; H30725.

THE BATTLE. © Biograph Co.; 1c 7Nov1911; J162613.

BATTLE FLAG OF THE 10TH PENNA. VOLS, CARRIED IN THE PHILIPPINES. © S.

Lubin; 28Nov1899; 77601.

BATTLE FLAGS OF THE 9TH U. S. INFANTRY. © American Mutoscope &

Biograph Co.; 28July1903; H33881.

THE BATTLE OF BUNKER HILL, scenes 1–4. © Thomas A. Edison, Inc.;

8Aug1911; J158928–31.

BATTLE OF CHEMULPO BAY [Russo-Japanese War]. © Thomas A. Edison;

12Apr1904; H44434.

BATTLE OF CONFETTI AT THE NICE CARNIVAL. © Thomas A. Edison; 8Apr1903;

H30407.

BATTLE OF FLOWERS AT THE NICE CARNIVAL. © Thomas A. Edison; 8Apr1903;

H30410.

THE BATTLE OF JEFFRIES AND SHARKEY FOR CHAMPIONSHIP OF THE WORLD. ©

James H. White; 4Nov1899; 72364.

BATTLE OF MAFEKING [Boer War]. © Thomas A. Edison; 28Apr1900; D9117.

THE BATTLE OF MT. ARIAT. © American Mutoscope & Biograph Co.;

3Aug1903; H34100.

THE BATTLE OF SAN JUAN [Spanish-American War]. © S. Lubin; 27Feb1899;

15420.

THE BATTLE OF THE RED MEN, parts 1–2. © New York Motion Picture Co.;

8Mar1912; J167052.

THE BATTLE OF THE WILLS. © Independent Moving Picture Co.; 21Aug1911;

J159003. On same reel with Love in a Tepee.

THE BATTLE OF THE YALU [Russo-Japanese War]. © American Mutoscope &

Biograph Co.

1. © 29Mar1904; H44025.

2. © 23Mar1904; H43619.

3. © 23Mar1904; H43620.

4. © 23Mar1904; H43618.

THE BATTLE OF TRAFALGAR, scenes 1–4. © Thomas A. Edison, Inc.;

22Sept1911; J160020–23.

THE BATTLE OF TWO PALMS—ACTION OF MARCH 12, 1912, AT BENGHASI,

TRIPOLI, BETWEEN THE ITALIAN AND TURKISH ARMIES, parts 1–2. © Crown

Feature Film Co.; 1c 25June1912; J170522–23.

THE BATTLE OFF CHEMULPO [Russo-Japanese War]. © William N. Selig;

12Mar1904; H43182.

THE BATTLEGROUND. © American Film Mfg. Co.; 24July1912; J172127.

BATTLESHIP “INDIANA” IN ACTION. © American Mutoscope & Biograph Co.;

3Jan1905; H55395.

BATTLESHIP “ODIN.” © American Mutoscope & Biograph Co.; 4Apr1903;

H30183.

BATTLESHIPS IN ACTION. © American Mutoscope & Biograph Co.; 3Oct1902;

H22207.

BATTLESHIPS “IOWA” AND “MASSACHUSETTS.” © American Mutoscope &

Biograph Co.; 31Dec1902; H25965.

BAXTER’S BRAIN STORM. © S. Lubin; 20Sept1907; H99882.

BAYONET EXERCISES. © American Mutoscope & Biograph Co.; 28Jul1903;

H33883.

BE GOOD. © American Mutoscope & Biograph Co.

BEACH APPARATUS—PRACTICE. © Thomas A. Edison; 25Oct1897; 60573.

THE BEACH AT CONEY ISLAND. © American Mutoscope & Biograph Co.;

28July1904; H48623.

BEAR HUNT IN THE ROCKIES, scenes 1–4. © Edison Mfg. Co.; 11Jan1910;

J137181–84.

BEARDED YOUTH. © Biograph Co.; 1c 21June1911; J156841.

A BEAST AT BAY. © Biograph Co.; 1c 29May1912; J169785.

BEAT AT HIS OWN GAME. © Imp Films Co.; 2Mar1912; J166891.

THE BEAUTIFUL VOICE. © Biograph Co.; 1c 3Aug1911; J158429.

BEAUTY AND THE BEAST. © Siegmund Lubin; 1May1903; H31311.

BEFORE THE BALL. © Winthrop Press; 18Apr1906; H75820.

BEG PARDON. © S. Lubin; 9Mar1908; H107119.

BEGINNING OF A SKYSCRAPER. © American Mutoscope & Biograph Co.;

18Apr1902; H16723.

BEHIND THE SCENES. © American Mutoscope & Biograph Co.; 29Aug1908;

H115211.

BEHIND THE SCREEN. © American Mutoscope & Biograph Co.; 22Mar1904;

H43571.

BEHIND THE TIMES. © Independent Moving Picture Co.; 17Aug1911;

J158748.

A BELATED MEAL. © The Vitagraph Co. of America; 21Apr1909; H126016.

BELIEVE ME. © Lubin Mfg. Co.; 16Feb1909; H122978.

BELIEVE ME IF ALL THOSE ENDEARING YOUNG CHARMS, scenes 1–4. © Thomas

A. Edison, Inc.; 6Sept1912; J176471–74.

THE BELLE OF THE BALL. © The Vitagraph Co. of America; 23Mar1907;

H91885.

BELLES OF THE BEACH. © American Mutoscope & Biograph Co.; 3Oct1902;

H22203.

THE BELLRINGER’S DAUGHTER, scenes 1–4. © Edison Mfg. Co.; 10June1910;

J142276–79.

BENARES AND AGRA, INDIA, scenes 1–4. © Thomas A. Edison, Inc.;

23Sept1912; J176550–53.

THE BENCH IN THE PARK. © American Mutoscope & Biograph Co.; 12Jan1904;

H40808.

THE BENGAL LANCERS. © American Mutoscope & Biograph Co.; 13Aug1903;

H34519.

BERTHA CLAICHE. © American Mutoscope & Biograph Co.; 1Sept1905;

H65077.

THE BESSEMER STEEL CONVERTER IN OPERATION. © Thomas A. Edison;

7Apr1902; H16123.

BETRAYED BY HAND PRINTS. © American Mutoscope & Biograph Co.;

27Aug1908; H115136.

BETSY ROSS DANCE. © American Mutoscope & Biograph Co.; 25June1903;

H32944.

THE BETTER WAY. © Biograph Co.; 1c 13Aug1909; J130564.

THE BETTER WAY. © Independent Moving Picture Co.; 12Oct1911; J161181.

BETTY’S BUTTONS, scenes 1–4. © Thomas A. Edison, Inc.; 30Aug1911;

J159410–13.

BETTY’S CHOICE. © The Vitagraph Co. of America; 5Oct1909; J132844.

BETWEEN THE DANCES. © American Mutoscope & Biograph Co.; 20June1905;

H62450.

BETWEEN TWO FIRES, scenes 1–4. © Thos. A. Edison, Inc.; 31Mar1911;

J153935–38.

BEULAH BINFORD’S OWN STORY. © Special Feature Film Co.; 18Sept1911;

J160248.

THE BEWILDERING CABINET. © Geo. Méliès; 6Aug1907; H97725.

THE BEWITCHED TRAVELLER. © American Mutoscope & Biograph Co.;

12Aug1904; H49049.

THE BIBULOUS CLOTHIER. © Thomas A. Edison; 23June1899; 41137.

BI-CENTENNIAL CELEBRATION AT MOBILE. © Independent Moving Picture Co.;

31July1911; J158307.

On same reel with The Skating Bug.

THE BICYCLE BUG’S DREAM. © Independent Moving Picture Co.; 18Sept1911;

J160857.

On same reel with Charlestown Hurricane and Flood.

BICYCLE PACED RACE. © Thomas A. Edison; 14Aug1901; H7635.

BICYCLE TRICK RIDING, no. 2. © Thomas A. Edison; 20Mar1899; 20771.

BIDDY. © American Mutoscope & Biograph Co.; 16Dec1904; H54354.

EIN BIER. © American Mutoscope & Biograph Co.; 8May1902; H17489.

THE BIG DAM, scenes 1–4. © Thomas A. Edison, Inc.; 23Sept1911;

J160001–03.

BIG-HEARTED JIM, scene 1. © Universal Film Mfg. Co.; 12Aug1912;

J172199.

THE BIG SCOOP, scenes 1–4. © Edison Mfg. Co.; 6Sept1910; J145155–58.

THE BIGAMIST. © Paley & Steiner; 25Apr1905; H60030.

THE BIGAMIST’S TRIAL. © American Mutoscope & Biograph Co.; 3May1905;

H60291.

BILL TAFT. © Independent Moving Picture Co.; 2Dec1911; J163160.

On same reel with Percy The Masher.

BILL, THE BILL POSTER, 1–3. © Edison Mfg. Co.; 5Nov1909; J134993–95.

BILL, THE BILL POSTER, AND PETE, THE PAPERHANGER. © The Vitagraph Co.

of America; 16May1908; H110578.

BILLIE, scenes 1–4. © Thomas A. Edison, Inc.; 7May1912; J169290–93.

BILLY SEANCE. © Independent Moving Picture Co.; 16Dec1911; J163499.

On same reel with Bungalow Burglars.

BILLY’S STRATAGEM. © Biograph Co.; 1c 12Feb1912; J166224.

BIOGRAPH’S IMPROVED INCUBATOR. © American Mutoscope & Biograph Co.;

11Nov1902; H23788.

A BIRD IN A GILDED CAGE, scenes 1–6. © Edison Mfg. Co.; 8Mar1909;

H123769–74.

BIRD’S-EYE VIEW OF DOCK FRONT, GALVESTON [Galveston, Texas, Hurricane

and Tidal Wave]. © Thomas A. Edison; 24Sept1900; D18561.

BIRD’S-EYE VIEW OF SAN FRANCISCO, CAL., FROM A BALLOON. © Thomas A.

Edison; 11Jan1902; H13040.

THE BIRTH AND ADVENTURES OF A FOUNTAIN PEN. © The Vitagraph Co. of

America; 17July1909; J129604.

BIRTH OF THE PEARL. © American Mutoscope & Biograph Co.; 30Jan1903;

H27773.

A BITING BUSINESS. © Independent Moving Picture Co.; 23Oct1911;

J161834.

A BITTER LESSON. © S. Lubin; 9Nov1908; H118062.

BLACK AND WHITE; or, THE MYSTERY OF A BROOKLYN BABY CARRIAGE. © The

Vitagraph Co. of America; 19Sept1905; H65778.

THE BLACK ARROW, scenes 1–4. © Thomas A. Edison, Inc.; 10Nov1911;

J162465–68.

THE BLACK BORDERED LETTER, scenes 1–4. © Edison Mfg. Co.; 27Jan1911;

J151471–74.

THE BLACK CHANCELLOR, parts 1–3. © Ingvald C. Oes; 1c 23Aug1912;

J172425.

BLACK DIAMOND EXPRESS. © Thomas A. Edison; 12Dec1896; 67875.

BLACK DIAMOND EXPRESS, no. 1–2. © Thomas A. Edison; 27Apr1897;

26109–10.

THE BLACK HAND. © American Mutoscope & Biograph Co.; 24Mar1906;

H74805.

THE BLACK IMP. © Geo. Méliès; 21Mar1905; H58073.

BLACK SHEEP. © Biograph Co.; 1c 1Aug1912; J171872.

A BLACK STORM. © American Mutoscope & Biograph Co.; 4Apr1903; H30180.

THE BLACK VIPER. © American Mutoscope & Biograph Co.; 16July1908;

H113479.

BLACKMAIL. © American Mutoscope & Biograph Co.; 30Aug1905; H65052.

THE BLACKSMITH’S DAUGHTER. © S. Lubin; 10Aug1907; H97965.

A BLANK CHECK. © Lubin Mfg. Co.; 18May1909; H127183.

BLANKET-TOSSING A NEW RECRUIT. [Spanish-American War]. © Thomas A.

Edison; 22June1898; 38240.

BLAZING THE TRAIL, parts 1–2. © New York Motion Picture Co.;

15Apr1912; J168435.

BLESSED IS THE PEACEMAKER. © American Mutoscope & Biograph Co.;

10Oct1903; H36677.

A BLESSING FROM ABOVE. © American Mutoscope & Biograph Co.; 5Feb1904;

H41859.

THE BLIND BOY. © S. Lubin; 22Jan1908; H105388.

BLIND MAN’S BUFF. © American Mutoscope & Biograph Co.; 11Feb1904;

H42042.

THE BLIND MUSICIAN. © S. Lubin; 19Jan1909; H121761.

THE BLIND PRINCESS AND THE POET. © Biograph Co.; 1c 19Aug1911;

J159032.

BLINKS AND JINKS, ATTORNEYS AT LAW, scenes 1–4. © Thomas A. Edison,

Inc.; 1May1912; J168977–80.

THE BLIZZARD. © American Mutoscope & Biograph Co.; 31Dec1902; H25966.

BLOOD IS THICKER THAN WATER. © Universal Film Mfg. Co.; 8Aug1912;

J171890.

THE BLOODSTONE. © S. Lubin; 25Sept1908; H116148.

A BLOT IN THE SCUTCHEON. © Biograph Co; 1c 29Jan1912; J165263.

THE BLUE AND THE GRAY; or, THE DAYS OF ’61, scenes 1–6. © Edison Mfg.

Co.; 11June1908; H111675–80.

BLUEBEARD, scenes 1–4. © Edison Mfg. Co.; 26Nov1909; J135659–62.

A BLUFF FROM A TENDERFOOT. © American Mutoscope & Biograph Co.;

9Jan1903; H26846.

THE BOARDING HOUSE BATHROOM. © American Mutoscope & Biograph Co.;

3May1905; H60287.

BOARDING SCHOOL GIRLS. © Thomas A. Edison; 1Sept1905; H65085.

A BOARDING SCHOOL PRANK. © American Mutoscope & Biograph Co.;

21July1903; H33649.

BOAT RACE. © American Mutoscope & Biograph Co.; 3Jan1905; H55396.

BOAT WAGON AND BEACH CART. © Thomas A. Edison; 25Oct1897; 60574.

BOATING CARNIVAL, PALM BEACH. © American Mutoscope & Biograph Co.;

13Feb1905; H56665.

BOATING ON THE LAKE. © Thomas A. Edison; 5June1897; 34229.

BOATS UNDER OARS. © American Mutoscope & Biograph Co.; 7June1902;

H18742.

BOB AND ROWDY, scenes 1–4. © Thomas A. Edison, Inc.; 28July1911;

J158317–20.

BOB KICK, L’ENFANT TERRIBLE. © George Méliès; 6Nov1903; H37665.

BOB KICK, THE MISCHIEVOUS KID. © Geo. Méliès; 6Nov1903; H37667.

BOBBY THE COWARD. © Biograph Co.; 1c 15July1911; J157652.

BOBBY’S KODAK. © American Mutoscope & Biograph Co.; 7Feb1908; H105983.

BOER COMMISSARY TRAIN TREKING. © Thomas A. Edison; 28Apr1900; D9118.

THE BOER WAR. © American Mutoscope & Biograph Co.; 15Sept1905; H65560.

BOERS BRINGING IN BRITISH PRISONERS. © Thomas A. Edison; 14Apr1900;

D7810.

THE BOGUS LORD. © S. Lubin; 23July1907; H97037.

THE BOHEMIAN CAFÉ. © American Mutoscope & Biograph Co.; 9June1904.

H46945.

BOLD BANK ROBBERY. © Lubin Mfg. Co.; 25July1904; H48436.

THE BOLD SOGER BOY. © American Mutoscope & Biograph Co.; 18Feb1904;

H42242.

BOMBARDMENT OF TAKU FORTS, BY THE ALLIED FLEETS [Boxer Uprising,

China]. © Thomas A. Edison; 16Aug1900; D16704.

UNE BONNE FARCE AVEC MA TÊTE. SEE Un Prêté pour un rendu.

THE BOOK WORM. © The Selig Polyscope; 21June1907; H95424.

A BOOMERANG. © American Mutoscope & Biograph Co.; 19Aug1903; H34814.

BOTTLES’ BABY, scenes 1–4. © Edison Mfg. Co.; 21June1910; J143133–36.

THE BOOTS HE COULDN’T LOSE, scenes 1–4. © Edison Mfg. Co.; 9June1909;

H128164–67.

BORROWED CLOTHES; or, FINE FEATHERS MAKE FINE BIRDS. © The Vitagraph

Co. of America; 24Aug1909; J130878.

THE BORROWING GIRL. © American Mutoscope & Biograph Co.; 16Jan1904;

H40942.

THE BORROWING GIRL AND THE ATOMIZER. © American Mutoscope & Biograph

Co.; 5Feb1904; H41860.

THE BOSS OF LUMBER CAMP NO. 4, scenes 1–4. © Thomas A. Edison, Inc.;

19Apr1912; J168497–500.

THE BOSTON HORSELESS FIRE DEPARTMENT. © Thomas A. Edison; 15Sept1899;

59372.

BOSTON SCHOOL CADETS, 3RD REGIMENT. © American Mutoscope & Biograph

Co.; 22Apr1902; H16925.

THE BOSTON TEA PARTY, scenes 1–5. © Edison Mfg. Co.; 11July1908;

H113297–301.

THE BO’SUN’S WATCH, scenes 1–4. © Thomas A. Edison, Inc.; 22Nov1911;

J162737–40.

A BOWERY CAFE. © American Mutoscope & Biograph Co.; 20June1903;

H32871.

THE BOWERY KISS. © American Mutoscope & Biograph Co.; 9Dec1902;

H24883.

BOWERY WALTZ. © Thomas A. Edison; 24Sept1897; 53736.

BOXING FOR POINTS. © Thomas A. Edison; 25Oct1897; 80588.

BOXING HORSES, LUNA PARK, CONEY ISLAND. © Thomas A. Edison;

25July1904; H48519.

THE BOY AND THE GIRL, scenes 1–4. © Thomas A. Edison, Inc.; 30Aug1912;

J176459–62.

THE BOY DETECTIVE. © American Mutoscope & Biograph Co.; 7Mar1908;

H107074.

THE BOY DETECTIVE. SEE Stolen Plans.

THE BOY IN THE BARREL. © American Mutoscope & Biograph Co.;

13July1903; H33414.

BOY SCOUTS OF AMERICA IN CAMP AT SILVER BAY, LAKE GEORGE, N. Y.,

scenes 1–4. © Edison Mfg. Co.; 1Nov1910; J147335–38.

THE BOY, THE BUST AND THE BATH. © The Vitagraph Co. of America;

24July1907; H97044.

THE BOY UNDER THE TABLE. © American Mutoscope & Biograph Co.;

11Jan1904; H40752.

BOYHOOD DREAMS, scenes 1–4. © Edison Mfg. Co.; 3Mar1909; H123627–30.

BOYS BATHING; LEAPFROG—ATLANTIC CITY, N. J. © American Mutoscope Co.;

7Jan1897; 3555.

A BOY’S BEST FRIEND. © Independent Moving Picture Co.; 14Aug1911;

J158749.

BOYS DIVING, HONOLULU. © American Mutoscope & Biograph Co.; 10Apr1902;

H16361.

THE BOYS HELP THEMSELVES TO FOXY GRANDPA’S CIGARS. © American

Mutoscope & Biograph Co.; 23May1902; H18038.

THE BOYS, STILL DETERMINED, TRY IT AGAIN ON FOXY GRANDPA, WITH THE

SAME RESULT. © American Mutoscope & Biograph Co.; 23May1902; H18037.

THE BOYS THINK THEY HAVE ONE ON FOXY GRANDPA, BUT HE FOOLS THEM. ©

American Mutoscope & Biograph Co.; 23May1902; H18036.

THE BOYS TRY TO PUT ONE UP ON FOXY GRANDPA. © American Mutoscope &

Biograph Co.; 23May1902; H18035.

BOYS WILL BE BOYS. © Lubin Mfg. Co.; 26Apr1909; H126161.

BOYS WILL BE BOYS—HAT TRICK, no. 112. © American Mutoscope Co.;

4Feb1897; 9250.

BOYVILLE FIRE BRIGADE. © American Mutoscope & Biograph Co.; 4June1903;

H32388.

BRADFORD’S CLAIM, scenes 1–4. © Edison Mfg. Co.; 29Mar1910;

J140172–75.

BRADHURST FIELD CLUB 4 MILE RUN. © Imp Films Co.; 8Apr1912; J168429.

THE BRAGGART; or, WHAT HE SAID HE WOULD DO AND WHAT HE REALLY DID. ©

The Vitagraph Co. of America; 29May1908; H111179.

THE BRAHMA DIAMOND. © American Mutoscope & Biograph Co.; 3Feb1909;

H122508.

BRAIN-SERUM. © Lubin Mfg. Co.; 18May1909; H127184.

THE BRAND OF CAIN. SEE Retribution.

BRANDING CATTLE. © Thomas A. Edison; 24Feb1898; 13529.

BRANNIGAN SETS OFF THE BLAST. © American Mutoscope & Biograph Co.;

27Sept1906; H83102.

BRAVE AND BOLD. © Biograph Co.; 1c 15Jan1912; J164602.

THE BRAVE HUNTER. © Biograph Co.; 1c 22Apr1912; J168476.

A BRAVE IRISH LASS; the story of an eviction in Ireland. © The

Vitagraph Co. of America; 13Mar1909; H123953.

THE BREACH OF DISCIPLINE, scenes 1–4. © Edison Mfg. Co.; 2Oct1910;

J147207–10.

BREACH OF PROMISE. © Imp Films Co.; 4May1912; J168955.

A BREAK FOR FREEDOM. © American Mutoscope & Biograph Co.; 15Dec1905;

H70058.

THE BREAKDOWN. © Imp Films Co.; 3June1912; J169879.

BREAKING OF THE CROWD AT MILITARY REVIEW AT LONGCHAMPS. © Thomas A.

Edison; 29Aug1900 D18580.

BREAKING THE SEVENTH COMMANDMENT. © Independent Moving Picture Co.;

20Nov1911; J162533.

A BREEZE FROM THE WEST. © S. Lubin; 23Oct1907; H101545.

THE BRIDAL CHAMBER. © American Mutoscope & Biograph Co.; 24July1905;

H63798.

BRIDAL COUPLE DODGING CAMERAS, scenes 1–6. © Edison Mfg. Co.;

6May1908; H110243–48.

BRIDAL VEIL FALLS. © American Mutoscope & Biograph Co.; 8May1902;

H17492.

A BRIDE AND GROOM’S VISIT TO THE ZOOLOGICAL GARDENS, scenes 1–4. ©

Edison Mfg. Co.; 9Nov1909; J134989–92.

THE BRIDE OF LAMMERMOOR; a tragedy of Bonnie Scotland. © The Vitagraph

Co. of America; 19Dec1908; H120078.

THE BRIDE OF TABAIVA. © The Vitagraph Co. of America; 29Dec1908;

H120476.

A BRIDE WON BY BRAVERY. © Lubin Mfg. Co.; 3May1909; H126439.

THE BRIDEGROOM’S DILEMMA, scenes 1–4. © Edison Mfg. Co.; 23July1909;

J129794–97.

THE BRIDE’S DREAM. © S. Lubin; 16Mar1908; H107536.

THE BRIDGE OF SIGHS, scenes 1–6. © Edison Mfg. Co.; 12Oct1908;

H116915–20.

BRIDGE TRAFFIC, MANILA. © American Mutoscope & Biograph Co.;

23May1902; H18043.

BRIDGET ON STRIKE. © The Vitagraph Co. of America; 10May1909; H126776.

BRIDGET’S ROMANCE. SEE At the Stage Door.

BRIDGET’S SUDDEN WEALTH, scenes 1–4. © Thomas A. Edison, Inc.;

7Sept1912; J176463–66.

BRIDGET’S TROUBLES. © Paley & Steiner; 20Jan1905; H56271.

BRINGING UP A GIRL IN THE WAY SHE SHOULD GO, no. 1–2. © American

Mutoscope & Biograph Co.; 30Oct1905; H68122–23.

BRITISH LIGHT ARTILLERY. © American Mutoscope & Biograph Co.;

3Aug1903; H34101.

BRITT-NELSON FIGHT. SEE Impersonation of Britt-Nelson Fight.

BROADWAY & PARK ROW, FRONT OF U. S. POST OFFICE, N. Y., no. 105. ©

American Mutoscope Co.; 4Feb1897; 9244.

BROADWAY & UNION SQUARE, NEW YORK. © American Mutoscope & Biograph

Co.; 8July1903; H33290.

THE BROADWAY MASSAGE PARLOR. © American Mutoscope & Biograph Co.;

30Aug1905; H65054.

BROADWAY, NEW YORK, AT MADISON SQUARE, no. 113. © American Mutoscope

Co.; 4Feb1897; 9251.

BROCKTON FAIR AND HORSE SHOW, scenes 1–4. © Thomas A. Edison, Inc.;

15Dec1911; J164282–85.

BROKE; or, HOW TIMOTHY ESCAPED. © Independent Moving Picture Co.;

30Dec1911; J163923.

On same reel with Lessons to Husbands.

THE BROKEN CROSS. © Biograph Co.; 1c 10Apr1911; J153942.

THE BROKEN DOLL. © Biograph Co.; 1c 19Oct1910; J146623.

A BROKEN HEART. © S. Lubin; 27Nov1908; H118910.

BROKEN LEASE. © Imp Films Co.; 23Feb1912; J166790.

THE BROKEN LOCKET. © Biograph Co.; 1c 17Sept1909; J131862.

THE BROKEN VIOLIN. © Geo. Méliès; 2June1908; H111272.

THE BROKER’S ATHLETIC TYPEWRITER. © American Mutoscope & Biograph Co.;

9May1905; H60654.

BRONCHO BUSTING SCENES, CHAMPIONSHIP OF THE WORLD. © Thomas A. Edison;

26Nov1902; H24359.

BROOK TROUT FISHING. © American Mutoscope & Biograph Co.; 16Apr1902;

H16650.

THE BROOKLYN HANDICAP, 1904. © American Mutoscope & Biograph Co.;

3June1904; H46715.

THE BROTHERS. © Independent Moving Picture Co.; 14Sept1911; J159917.

BROTHERS IN ARMS, scenes 1–4. © Edison Mfg. Co.; 25May1909;

H127588–91.

BROTHERS OF THE MISERICORDIA, ROME. © American Mutoscope & Biograph

Co.; 12Sept1903; H35647.

BROWN MOVES TO TOWN. © Imp Films Co.; 3Feb1912; J165547.

On same reel with O’Brien’s Busy Day.

BRUSH BETWEEN COWBOYS AND INDIANS. © Thomas A. Edison; 16May1904;

H46138.

BRYAN’S RECEPTION IN NEW YORK. © The Vitagraph Co. of America;

4Sept1906; H82518.

BUBBLES. © American Mutoscope & Biograph Co.; 2Feb1904; H41757.

BUCK DANCE. © Thomas A. Edison; 24Feb1898; 13556.

A BUCKET OF CREAM ALE. © American Mutoscope & Biograph Co.; 10Feb1904;

H42001.

A BUCKING BRONCHO. © American Mutoscope & Biograph Co.; 6Mar1903;

H29002.

BUCKING BRONCOS. © Thomas A. Edison; 18May1904; H46139.

BUCKING THE BUZZARD. © American Mutoscope & Biograph Co.; 31Dec1902;

H25960.

BUCKSKIN JACK, THE EARL OF GLENMORE, scenes 1–4. © Thomas A. Edison,

Inc.; 12Dec1911; J164350–53.

BUFFALO BILL AND ESCORT [McKinley Inaugural Parade]. © Thomas A.

Edison; 8May1897; 28517.

BUFFALO BILL’S WILD WEST AND PAWNEE BILL’S FAR EAST, parts 1–3. ©

Buffalo Bill & Pawnee Bill Film Co.; 1c 7Nov1910; J147545–47.

BUFFALO BILL’S WILD WEST PARADE. © American Mutoscope & Biograph Co.;

2July1902; H19660.

BUFFALO BULL FIGHT. © Charles J. Jones; 16Nov1905; H68780.

BUFFALO FIRE DEPARTMENT. © American Mutoscope & Biograph Co.;

26Apr1902; H17038.

BUFFALO FIRE DEPARTMENT IN ACTION. © Thomas A. Edison; 31July1897;

43411.

BUFFALO HORSE MARKET. © Thomas A. Edison; 24Dec1896; 70076.

BUFFALO POLICE ON PARADE. © Thomas A. Edison; 31July1897; 43417.

BUFFALO STOCKYARDS. © Thomas A. Edison; 31July1897; 43408.

BUILDING A HARBOR AT SAN PEDRO. © Thomas A. Edison; 19Dec1901; H11749.

BUILDING THE GREATEST DAM IN THE WORLD. © Imp Films Co.; 22Jan1912;

J164817.

THE BULL AND THE PICNICKERS. © Thomas A. Edison; 29Oct1902; H23243.

BULL FIGHT, no. 1–3. © Thomas A. Edison; 10Mar1898; 16431–33.

BULL FIGHT IN NUEVA. © Universal Film Mfg. Co.; 15June1912; J170269.

BUMPTIOUS AS A FIREMAN, scenes 1–4. © Edison Mfg. Co.; 16Sept1910;

J145681–84.

BUMPTIOUS AS AN AVIATOR, scenes 1–4. © Edison Mfg. Co.; 29July1910;

J143946–49.

BUMPTIOUS AS ROMEO, scenes 1–4. © Edison Mfg. Co.; 1Feb1911;

J151537–40.

BUMPTIOUS PLAYS BASEBALL, scenes 1–4. © Edison Mfg. Co.; 7Oct1910;

J146436–39.

BUMPTIOUS TAKES UP AUTOMOBILING, scenes 1–4. © Edison Mfg. Co.;

19Aug1910; J145151–54.

A BUNCH OF FOUR THOUSAND ELK. © W. J. Stroud; 1c 9Apr1912; J167991.

A BUNCH OF ONE THOUSAND ELK. © W. J. Stroud; 1c 9Apr1912; J167990.

THE BUNCO STEERERS, AND, HOW THEY WERE CAUGHT. © The Vitagraph Co. of

America; 21May1907; H94273.

BUNCOED STAGE JOHNNIE. © Geo. Méliès; 10Sept1908; H115491.

BUNGALOW BURGLARS. © Independent Moving Picture Co.; 16Dec1911;

J163499.

On same reel with Billy Seance.

THE BURD [i.e. BUND], SHANGHAI. © American Mutoscope & Biograph Co.;

19Aug1903; H34806.

THE BURGLAR. © American Mutoscope & Biograph Co.; 27Aug1903; H35073.

THE BURGLAR. © Thomas A. Edison.

THE BURGLAR; or, A MIDNIGHT SURPRISE. © The Vitagraph Co. of America;

13Sept1907; H99455.

THE BURGLAR AND THE BABY. © The Vitagraph Co. of America; 22Nov1907;

H102762.

THE BURGLAR AND THE BUNDLE. © American Mutoscope & Biograph Co.;

11Mar1903; H29158.

BURGLAR BILL. © The Vitagraph Co. of America; 9Nov1905; H68378.

A BURGLAR CUPID, scenes 1–5. © Edison Mfg. Co.; 21Jan1909; H121827–31.

THE BURGLAR IN THE BED CHAMBER. © Thomas A. Edison; 16Dec1898; 73461.

THE BURGLAR ON THE ROOF. © Thomas A. Edison; 12Dec1898; 72468.

THE BURGLAR-PROOF BED. © American Mutoscope & Biograph Co.; 10Apr1902;

H16340.

THE BURGLAR’S BALL. © S. Lubin; 3Oct1908; H116477.

THE BURGLAR’S CHILD. © S. Lubin; 17Mar1908; H107631.

A BURGLAR’S DAUGHTER. SEE After Midnight.

A BURGLAR’S MISTAKE. © American Mutoscope & Biograph Co.; 25Mar1909;

H124687.

THE BURGLAR’S SLIDE FOR LIFE. © Thomas A. Edison; 28Apr1905; H60117.

BURIAL OF THE “MAINE” VICTIMS [Spanish-American War]. © Thomas A.

Edison; 21Apr1898; 25325.

BURIED ALIVE; or, FROLICS ON THE BEACH AT CONEY ISLAND. © The

Vitagraph Co. of America; 6Aug1908; H114322.

A BURIED PAST, scenes 1–4. © Thomas A. Edison, Inc.; 14Apr1911;

J154574–77.

BURLESQUE SUICIDE. © Thomas A. Edison; 7Apr1902; H16121.

BURLESQUE TRAMP BURGLARS. © Paley & Steiner; 20Jan1905; H56275.

BURNED AT THE STAKE. SEE Avenging a Crime.

THE BURNING OF DURLAND’S RIDING ACADEMY. © Thomas A. Edison;

24Feb1902; H14437.

BURNING OF ST. PIERRE [Martinique]. © Thomas A. Edison; 31May1902;

H18371.

BURNING OF THE STANDARD OIL CO’S TANKS, BAYONNE, N. J. © Thomas A.

Edison; 12July1900; D14428–29.

THE BURNING STABLE. © Thomas A. Edison; 31Oct1896; 60143.

BURNS-PALMER FIGHT. SEE Reproduction of Burns-Palmer Fight, London

[England], February 10th, 1908.

BUSSES LEAVING R. R. DEPOT, ATLANTIC CITY. © American Mutoscope Co.;

19Dec1896; 69093.

BUSTER AND HIS DOG: BE A GOOD BOY. © American Mutoscope & Biograph

Co.; 16Dec1904; H54348.

BUSTER AND HIS DOG: BUSTER QUIET. © American Mutoscope & Biograph Co.;

16Dec1904; H54350.

BUSTER AND HIS DOG: GOOD DOG. © American Mutoscope & Biograph Co.;

16Dec1904; H54346.

BUSTER AND HIS DOG: THE INSTRUCTIONS. © American Mutoscope & Biograph

Co.; 16Dec1904; H54345.

BUSTER BROWN SERIES. © Thomas A. Edison; 9Mar1904; H43074.

BUSTER’S JOKE ON PAPA. © Thomas A. Edison.

A BUSY DAY FOR THE CORSET MODELS. © American Mutoscope & Biograph Co.;

11Feb1904; H42037.

THE BUTLER AND THE MAID, scenes 1–4. © Thomas A. Edison, Inc.;

27Apr1912; J168796–99.

BUTTON, BUTTON, WHERE IS THE BUTTON? © S. Lubin; 14Nov1908; H118284.

BUTT’S MANUAL, ST. JOHN’S SCHOOL. © American Mutoscope & Biograph Co.;

29Mar1904; H44026.

BUY MATCHES, PLEASE. © Lubin Mfg. Co.; 20Mar1909; H124440.

BUYING A TITLE, scenes 1–12. © Edison Mfg. Co.; 22Sept1908;

H116022–33.

BUYING MANHATTAN, scenes 1–2. © Edison Mfg. Co.; 11July1909;

J129729–30.

BUYING STAMPS FROM RURAL WAGON. U.S.P.O. © American Mutoscope &

Biograph Co.; 22Aug1903; H34985.

BY A WOMAN’S WIT. © The Vitagraph Co. of America; 3Sept1908; H115274.

BY REGISTERED MAIL. © Independent Moving Picture Co.; 21Sept1911;

J160196.

BY RIGHT OF SWORD. SEE Duel Scene.

BY THE HOUSE THAT JACK BUILT. © Independent Moving Picture Co.;

11Sept1911; J159887.

CALF BRANDING. © Thomas A. Edison; 24Feb1898; 13531.

CALIFORNIA LIMITED, A.T. & S.F.R.R. © Thomas A. Edison; 24Feb1898;

13553.

CALIFORNIA OIL WELLS IN OPERATION. © Thomas A. Edison; 19Dec1901;

H11750.

CALIFORNIA ORANGE GROVES, PANORAMIC VIEW. © Thomas A. Edison;

24Feb1898; 13552.

CALIFORNIA VOLUNTEERS MARCHING TO EMBARK [Spanish-American War]. ©

Thomas A. Edison; 22June1898; 38249.

CALISTHENIC DRILL, MISSOURI COMMISSION. © American Mutoscope &

Biograph Co.; 3June1904; H46818.

THE CALL. © Biograph Co.; 1c 22Jan1910; J137557.

THE CALL OF A WOMAN, part 1–3. © Ingvald C. Oes; 1c 16Jan1912;

J164799–801.

CALL OF THE DRUM. © Imp Films Co.; 7Mar1912; J167082.

THE CALL OF THE HEART. © Lubin Mfg. Co.; 6Sept1909; J132448.

THE CALL OF THE SONG. © Independent Moving Picture Co.; 3Aug1911;

J158243.

THE CALL OF THE WILD. © American Mutoscope & Biograph Co.; 19Oct1908;

H117205.

THE CALL TO ARMS. © Biograph Co.; 1c 28July1910; J143780.

CALUMET “K,” scenes 1–4. © Thomas A. Edison, Inc.; 30Sept1912;

J176569–72.

THE CAMEL AT LUNA PARK [Coney Island]. © American Mutoscope & Biograph

Co.; 4June1903; H32385.

THE CAMERA FIEND. © American Mutoscope & Biograph Co.

1. © 21Sept1903; H35875.

2. © 6Oct1903; H36561.

CANADIAN FALLS, FROM AMERICAN SIDE [Niagara Falls]. © American

Mutoscope Co.; 19Dec1896; 69094.

CANADIAN FALLS—PANORAMIC [VIEW] FROM MICHIGAN CENTRAL R. R. [Niagara

Falls]. © American Mutoscope Co.; 7Jan1897; 3552.

CANADIAN FALLS—TABLE ROCK [Niagara Falls]. © American Mutoscope Co.

A CANADIAN WINTER CARNIVAL, scenes 1–6. © Edison Mfg. Co.; 15Mar1909;

H124046–51.

CANCELLING MACHINE, U.S.P.O. © American Mutoscope & Biograph Co.;

22Aug1903; H34974.

CANOEING AT RIVERSIDE. © American Mutoscope & Biograph Co.; 26Feb1903;

H28677.

CANOEING ON THE CHARLES RIVER, BOSTON, MASS. © Thomas A. Edison;

21July1904; H48348.

CANOEING SCENE. © Thomas A. Edison; 16Aug1901; H7712.

CAÑON OF THE RIO GRANDE. © Thomas A. Edison; 24Feb1898; 13570.

CANTON RIVER SCENE [China]. © Thomas A. Edison; 22June1898; 38253.

CANTON STEAMBOAT LANDING CHINESE PASSENGERS. © Thomas A. Edison;

22June1898; 38251.

THE CAP OF FORTUNE, scenes 1–4. © Edison Mfg. Co.; 28Dec1909;

J136747–50.

A CAPITAL JOKE, BUT WHY DIDN’T HE LAUGH? © S. Lubin; 20Nov1907;

H102691.

CAPSIZE OF LIFEBOAT. © Thomas A. Edison; 25Oct1897; 60571.

CAPSIZED BOAT. © Thomas A. Edison; 28May1904; H46580.

CAPT. BOYNTON FEEDING HIS PETS. © American Mutoscope & Biograph Co.;

22Apr1902; H16927.

CAPTAIN MOLLY. © S. Lubin; 15June1908; H111856.

CAPTAIN NELL, scenes 1–4. © Thomas A. Edison, Inc.; 23May1911;

J155832–35.

CAPTAIN NISSEN GOING THROUGH WHIRLPOOL RAPIDS, NIAGARA FALLS. © Thomas

A. Edison; 22Oct1901; H9961.

THE CAPTAIN’S BRIDE, scenes 1–4. © Edison Mfg. Co.; 9Dec1910;

J148708–11.

CAPTURE OF BOER BATTERY. © Thomas A. Edison; 16Apr1900; D7876.

CAPTURE OF BOER BATTERY BY BRITISH. © Thomas A. Edison; 14Apr1900;

D7811.

THE CAPTURE OF FORT TICONDEROGA, scenes 1–4. © Thos. A. Edison, Inc.;

21July1911; J158349–52.

CAPTURE OF THE BIDDLE BROTHERS. © Thomas A. Edison; 24Feb1902; H14434.

THE CAPTURE OF THE BURGLAR, scenes 1–2. © Edison Mfg. Co.; 29Mar1910;

J140166–67.

CAPTURE OF TRENCHES AT CANDABA [Spanish-American War]. © Thomas A.

Edison; 10June1899; 38515.

CAPTURE OF YEGG BANK BURGLARS. © Thomas A. Edison; 28Sept1904.

Capture and death. H50924.

Cellar scene. H50925.

Tracked. H50926.

Dive scene. H50927.

CAPTURED BY TELEPHONE. © The Vitagraph Co. of America; 27July1908;

H113911.

CAPUCHIN MONKS, ROME. © American Mutoscope & Biograph Co.; 12Sept1903;

H35634.

A CARD OF INTRODUCTION, scenes 1–4. © Thomas A. Edison, Inc.;

12Apr1911; J154256–59.

CARDINAL GIBBONS. © American Mutoscope & Biograph Co.; 22Jan1903;

H27387.

CARDINAL GIBBONS, no. 84. © American Mutoscope Co.; 29Nov1898; 69607.

THE CARDINAL’S CONSPIRACY. © Biograph Co.; 1c 12July1909; J129525.

THE CARDINAL’S EDICT, scenes 1–4. © Thomas A. Edison. Inc.; 6June1911;

J156538–41.

A CAREER OF CRIME, no. 1–5. © American Mutoscope & Biograph Co.;

11Nov1902; H23795–99.

CARMEN. © Feature Films Sales Co., Ltd.; 28May1912; J169531.

“CARMEN” (BIZET). SEE Torero Song “Carmen” (Bizet).

CARMINELLA, scenes 1–4. © Edison Mfg. Co.; 13May1910; J141605–08.

CARNEGIE MUSEUM EXPEDITION, 1911. (Kleinschmidt & Lane, Alaska,

Siberia Motion Pictures) © Kleinschmidt & Lane; 1c each 2July1912.

Diving Polar Bear. J170750.

Scenes on the Inside Passage. J170751.

Mountain Sheep and Moose Hunt. J171873.

Eskimo Life. J171874.

On the Trail of the Polar Bear. J171875.

Walrus Hunt. J171876.

THE CARNIVAL OF VENICE. © S. Lubin; 5Feb1909; H122570.

CARRIE DE MAR, scenes 1–4. © Edison Mfg. Co.; 3Aug1910; J145131–34.

CARRIE NATION SMASHING A SALOON. © American Mutoscope & Biograph Co.;

11Nov1902; H23802.

CARRIERS AT WORK, U.S.P.O. © American Mutoscope & Biograph Co.;

22Aug1903; H34978.

CARRIERS LEAVING BUILDING, U.S.P.O. © American Mutoscope & Biograph

Co.; 22Aug1903; H34973, 34989.

CARRYING OUT THE SNAKES [Walpapi Indians; Snake Dance]. © Thomas A.

Edison; 12Dec1901; H11270.

CASCADE NEAR WAWONA, CAL. © American Mutoscope & Biograph Co.;

11Mar1903; H29156.

A CASE OF DYNAMITE. © Universal Film Mfg. Co.; 27July1912; J171837.

A CASE OF HIGH TREASON, scenes 1–4. © Thomas A. Edison, Inc.;

19May1911; J155840–43.

A CASE OF IDENTITY, scenes 1–4. © Edison Mfg. Co.; 19Apr1910;

J140680–83.

A CASE OF MISTAKEN IDENTITY. SEE The Professor’s Trip to the Country.

A CASE OF SPIRITS; or, ALL’S WELL THAT ENDS WELL. © The Vitagraph Co.

of America; 18Mar1908; H107530.

CASEY AND HIS NEIGHBOR’S GOAT. © Thomas A. Edison; 3Oct1903; H36501.

CASEY AT THE BAT. © Thomas A. Edison; 22Apr1899; 27968.

CASEY’S CHRISTENING. © American Mutoscope & Biograph Co.; 20Nov1905;

H68878.

CASEY’S FRIGHTFUL DREAM. © Thomas A. Edison; 16Feb1904; H42203.

CASEY’S JUMPING TOOTHACHE. © Edison Mfg. Co.; 23July1909; J129734.

CASHMERE, scenes 1–4. © Thomas A. Edison, Inc.; 5Oct1912; J176581–84.

CAST UP BY THE SEA. © The Vitagraph Co. of America; 4Sept1907; H99036.

THE CASTAWAYS. © The Vitagraph Co. of America; 28Dec1908; H120413.

CASTING A GUIDE BOX, WESTINGHOUSE WORKS. © American Mutoscope &

Biograph Co.; 23July1904; H48415.

A CATASTROPHE IN HESTER ST. © American Mutoscope & Biograph Co.;

12Jan1904; H40814.

CATCH-AS-CATCH-CAN WRESTLING. © American Mutoscope & Biograph Co.;

21July1903; H33648.

A CATCH OF HARD SHELL CRABS. © American Mutoscope & Biograph Co.;

6Oct1903.

Part 1. H36564.

Part 2. H36565.

CATCHING AN EARLY TRAIN. © Thomas A. Edison; 9Nov1901; H10604.

CATHOLIC CENTENNIAL CELEBRATION. © Geo. Méliès; 9May1908; H110315.

CAT’S CRADLE. © American Mutoscope & Biograph Co.; 6Oct1903; H36556.

CATTLE DRIVEN TO SLAUGHTER [Chicago Stockyards]. © Thomas A. Edison;

31July1897; 43405.

CATTLE FORDING STREAM. © Thomas A. Edison; 24Feb1898; 13549.

CATTLE LEAVING THE CORRAL. © Thomas A. Edison; 24Feb1898; 13542.

CAUGHT; a detective story. © The Vitagraph Co. of America; 23Dec1907;

H104011.

CAUGHT AT LAST. © The Vitagraph Co. of America; 22May1909; H127353.

CAUGHT BY THE COUPON CRAZE, 1–3. © Edison Mfg. Co.; 16July1909;

J129731–33.

CAUGHT BY WIRELESS. © American Mutoscope & Biograph Co.; 18Mar1908;

H107672.

CAUGHT IN A FLASH. © Universal Film Mfg. Co.; 11July1912; J170755.

CAUGHT IN THE ACT: IS ANYONE LOOKING? © American Mutoscope & Biograph

Co.; 16Dec1904; H54359.

CAUGHT IN THE UNDERTOW. © American Mutoscope & Biograph Co.;

11Nov1902; H23783.

CAUGHT WITH THE GOODS. © Biograph Co.; 1c 26Dec1911; J163911.

CAUGHT WITH THE GOODS. © S. Lubin; 26June1907; H95574.

THE CAUSE OF ALL THE TROUBLE. © S. Lubin; 25Mar1908; H107908.

THE CAVALIER’S DREAM. © Thomas A. Edison; 16Dec1898; 73464.

A CAVALRY CHARGE. © American Mutoscope & Biograph Co.; 11Nov1902;

H23774.

CAVALRY PASSING IN REVIEW [McKinley Inaugural Parade]. © Thos. A.

Edison; 21Apr1897; 24887.

A CAVE MAN’S WOOING. © Imp Films Co.; 20May1912; J169924.

THE CELL NO. 13, parts 1–2. © New York Motion Picture Co.; 1c

4Mar1912; J166886–87.

A CENTRAL AMERICAN ROMANCE, scenes 1–6. © Edison Mfg. Co.; 17June1910;

J142416–21.

CENTRAL HIGH SCHOOL, GYMNASTIC DRILL. © American Mutoscope & Biograph

Co.; 2May1904; H45154.

CENTRAL PARK AFTER DARK. © American Mutoscope & Biograph Co.;

12Sept1903; H35648.

A CHAMPION BEER DRINKER. © American Mutoscope & Biograph Co.;

24Apr1903; H30737.

CHAMPION PONY “MIDGET.” © American Mutoscope & Biograph Co.;

17June1903; H32786.

CHAMPION ROLLA O. HEIKES, BREAKING THE RECORD AT FLYING TARGETS WITH

WINCHESTER SHOTGUN, no. 129. © American Mutoscope Co.; 4Feb1897;

9266.

CHAMPS DE MARS. © Thomas A. Edison; 9Aug1900; D16382.

CHAMPS ELYSEES. © Thomas A. Edison; 9Aug1900 D16384.

A CHANGE OF HEART. © Biograph Co.; 1c 14Oct1909; J133141.

A CHANGE OF STRIPES. © Imp Films Co.; 6Apr1912; J168430.

CHANGING HORSES AT GLEN. © American Mutoscope & Biograph Co.;

5May1903; H31689.

CHANGING HORSES AT LINDEN. © American Mutoscope & Biograph Co.;

5May1903; H31688.

CHAPPIE AND BEN BOLT. © American Mutoscope & Biograph Co.; 18Apr1902;

H16732.

CHARGE BY 1ST BENGAL LANCERS. © American Mutoscope & Biograph Co.;

30Jan1903; H27774.

CHARGE OF BOER CAVALRY. © Thomas A. Edison.

CHARGE OF THE LIGHT BRIGADE. © American Mutoscope & Biograph Co.;

11June1903; H32499.

CHARGE OF WEST POINT CADETS. © Thomas A. Edison; 27Nov1896 64786.

CHARITY BALL. © Thomas A. Edison; 24Sept1897; 53737.

CHARITY BEGINS AT HOME; a story of the South during the Civil War. ©

The Vitagraph Co. of America; 11Nov1908; H118281.

CHAS. WERTS, ACROBAT. © Thomas A. Edison; 27Apr1897; 26108.

THE CHARIOT RACE. © Kalem Co.; 22Nov1907; H102798.

CHARLESTON CHAIN-GANG [South Carolina]. © Thomas A. Edison; 18Apr1902;

H16714.

CHARLESTOWN HURRICANE AND FLOOD. © Independent Moving Picture Co.;

18Sept1911; J160857.

On same reel with The Bicycle Bug’s Dream.

CHARLEY’S MA-IN-LAW. © S. Lubin; 3Oct1908; H116475.

CHARLIE AND MARY IN THE COUNTRY. SEE Bathing.

CHARLIE’S REFORM, scenes 1–4. © Thomas A. Edison, Inc.; 5Apr1912;

J168024–27.

CHASMS; or, WOMAN ALWAYS PAYS. © Independent Moving Picture Co.;

1Nov1911; J162090.

LE CHAULDRON [i.e. CHAUDRON] INFERNAL. © George Méliès; 12Oct1903;

H37508.

CHAUNCEY EXPLAINS. © American Mutoscope & Biograph Co.; 11Sept1905;

H65320.

THE CHEF’S DOWNFALL. © Imp Films Co.; 6Apr1912; J168385.

CHEST AND NECK DEVELOPMENT. © Winthrop Press; 18Apr1906; H75807.

CHICAGO AND BUFFALO EXPRESS. © Thomas A. Edison; 12Dec1896; 67878.

CHICKEN THIEVES. © Thomas A. Edison; 6June1897; 34231, 34232.

CHICKS TO ORDER. © American Mutoscope & Biograph Co.; 2July1903;

H33207.

THE CHIEF’S DAUGHTER. © Biograph Co.; 1c 11Apr1911; J154077.

THE CHIEFTAIN’S REVENGE; a tragedy in the Highlands of Scotland. © The

Vitagraph Co. of America; 9July1908; H113231.

THE CH-IEN-MEN GATE, PEKIN. © American Mutoscope & Biograph Co.;

16Apr1902; H16647.

THE CHILD AND THE TRAMP, scenes 1–4. © Thomas A. Edison, Inc.;

28Apr1911; J155331–34.

A CHILD OF THE FOREST, scenes 1–3. © Edison Mfg. Co.; 24Aug1909;

J131135–37.

THE CHILD OF THE GHETTO. © Biograph Co.; 1c 8June1910; J142132.

THE CHILD STEALERS. © American Mutoscope & Biograph Co.; 9June1904;

H46917.

CHILDREN BATHING. © Thomas A. Edison; 16Dec1901; H11494.

CHILDREN FEEDING DUCKLINGS. © American Mutoscope & Biograph Co.;

31Dec1902; H25962.

CHILDREN IN THE SURF, CONEY ISLAND. © American Mutoscope & Biograph

Co.; 12Aug1904; H49062.

CHILDREN OF THE PLAINS; an episode of pioneer days. © The Vitagraph

Co. of America; 17Mar1909; H124224.

CHILDREN OF THE SEA. © Lubin Mfg. Co.; 3May1909; H126440.

CHILDREN PLAYING WITH FISHES. © American Mutoscope Co.; 7Jan1897;

3561.

CHILDREN ROLLING DOWN HILL. © American Mutoscope & Biograph Co.;

4Oct1904; H51258.

CHILDREN WHO LABOR, scenes 1–4. © Thomas A. Edison, Inc.; 23Feb1912;

J166654–57.

THE CHILDREN’S FRIEND. © Biograph Co.; 1c 14Sept1909; J131611.

CHILDREN’S HOUR ON THE FARM. © American Mutoscope & Biograph Co.;

7Apr1905; H58985.

CHILDREN’S TOILET. © Thomas A. Edison; 5June1897; 34228.

A CHILD’S FAITH. © Biograph Co.; 1c 16July1910; J143291.

A CHILD’S IMPULSE. © Biograph Co.; 1c 30June1910; J142715.

A CHILD’S INFLUENCE. © Universal Film Mfg. Co.; 27June1912; J170426.

A CHILD’S PRAYER; or, THE GOOD SAMARITANS. © The Vitagraph Co. of

America; 3Mar1908; H106916.

THE CHILD’S PRAYER, scenes 1–3. © Edison Mfg. Co.; 29May1909;

H127788–90.

A CHILD’S REMORSE. © Biograph Co.; 1c 17Aug1912; J172322.

A CHILD’S STRATAGEM. © Biograph Co.; 1c 9Dec1910; J148630.

CHIMMIE HICKS AT THE RACES. © American Mutoscope & Biograph Co.;

18Apr1902; H16734.

CHIMNEY SWEEP. © Geo. Méliès; 17Feb1906; H73542.

THE CHIMNEY SWEEP AND THE MILLER. © American Mutoscope & Biograph Co.;

10Apr1902; H16334.

CHINESE CRUISER “HAI CHI.” © Independent Moving Picture Co.;

18Dec1911; J163638.

On same reel with The Girl and The Half Back.

THE CHINESE LAUNDRY: AT WORK. © American Mutoscope & Biograph Co.;

16Dec1904; H54341.

CHINESE PROCESSION, no. 12. © Thomas A. Edison; 24Feb1898; 13534.

THE CHINESE REVOLUTION. © Oriental Film Co.; 1c 12Apr1912; J168209.

THE CHINESE RUBBERNECKS. © American Mutoscope & Biograph Co.;

19Aug1903; H34813.

CHINESE SHAVING SCENE. © Thomas A. Edison; 11Jan1902; H13037.

CHING LING FOO OUTDONE. © Thomas A. Edison; 28Feb1900; D4735.

C. Q. D.; or, SAVED BY WIRELESS. A true story of “The wreck of the

Republic.” © The Vitagraph Co. of America; 13Feb1909; H122901.

A CABLE ROAD IN SAN FRANCISCO, CAL. © Thomas A. Edison; 11Jan1902;

H13038.

CAKE WALK. © American Mutoscope & Biograph Co.; 11May1903; H31674.

A CAKE WALK ON THE BEACH AT CONEY ISLAND. © American Mutoscope &

Biograph Co.; 13Aug1904; H49072.

A CALAMITOUS ELOPEMENT. © American Mutoscope & Biograph Co.;

28July1908; H113967.

THE CHLOROFORM FIENDS. © George Méliès; 11May1905; H60800.

CHOOSING A HUSBAND. © Biograph Co.; 1c 3Jan1909; J136613.

CHOPIN’S FUNERAL MARCH. © Geo. Méliès; 23Aug1907; H98714.

THE CHORUS GIRL. © The Vitagraph Co. of America; 30June1908; H112554.

THE CHORUS GIRL AND THE SALVATION ARMY LASSIE. © American Mutoscope &

Biograph Co.; 12Sept1903; H35630.

CHRISTENING AND LAUNCHING KAISER WILHELM’S YACHT “METEOR.” © Thomas A.

Edison; 28Feb1902; H14548.

CHRISTIAN AND MOOR, scenes 1–4. © Thos. A. Edison, Inc.; 1Aug1911;

J158535–38.

CHRISTMAS ANGEL. © Geo. Méliès; 29Dec1904.

1st part. The [wretched] garret. H55060.

2d part. The porch of the church. H55061.

3d part. The cook-shop. H55062.

4th part. Upon the bridges. H55063.

THE CHRISTMAS BURGLARS. © American Mutoscope & Biograph Co.;

17Dec1908; H120042.

A CHRISTMAS CAROL, scenes 1–4. © Edison Mfg. Co.; 23Dec1910;

J149819–22.

CHRISTMAS IN PARADISE ALLEY. © The Vitagraph Co. of America; 2Dec1908;

H119040.

CHRISTMAS MORNING. © American Mutoscope & Biograph Co.; 15Dec1902;

H25018.

THE CHRISTMAS PARTY. © American Mutoscope & Biograph Co.; 15Dec1902;

H25019.

CHRISTY MATHEWSON, N. Y. NATIONAL LEAGUE BASEBALL TEAM. © The Winthrop

Moving Picture Co.; 24May1907; H94486.

CHUMS. © American Mutoscope & Biograph Co.; 9Jan1903; H26844.

THE CHUNCHO INDIANS OF THE AMAZON RIVER, PERU, scenes 1–4. © Edison

Mfg. Co.; 14Oct1910; J146842–45.

CHURCH AND COUNTRY, scenes 1–4. © Thomas A. Edison, Inc.; 12Apr1912;

J168272–75.

CHURCH, “OUR LADY OF GRACE,” HOBOKEN. © American Mutoscope & Biograph

Co.; 8July1903; H33289.

THE CIGARETTE MAKER OF SEVILLE, scenes 1–5. © Edison Mfg. Co.;

3May1910; J141208–12.

CIGARETTE MAKING: FROM PLANTATION TO CONSUMER. © The Vitagraph Co. of

America; 29Apr1909; H126311.

CINDERELLA UP-TO-DATE. © Geo. Méliès; 27Oct1909; J133255.

CIRCLE DANCE. © Thomas A. Edison; 24Feb1898; 13566.

CIRCULAR PANORAMA OF ELECTRIC TOWER [Pan American Exposition,

Buffalo]. © Thomas A. Edison; 14Aug1901; H7633.

CIRCULAR PANORAMA OF HOUSING THE ICE [Groton Ice Fields]. © Thomas A.

Edison; 24Feb1902; H14440.

CIRCULAR PANORAMA OF SUSPENSION BRIDGE AND AMERICAN FALLS [Niagara

Falls]. © Thomas A. Edison; 13Aug1901; H7627.

CIRCULAR PANORAMA OF THE HORSE SHOE FALLS IN WINTER [Niagara Falls]. ©

Thomas A. Edison; 15Jan1904; H40909.

CIRCULAR PANORAMIC VIEW OF JONES & LAUGHLIN’S STEEL WORKS YARD. ©

Thomas A. Edison; 7Apr1902; H16118.

CIRCULAR PANORAMIC VIEW OF WHIRLPOOL RAPIDS [Niagara Falls]. © Thomas

A. Edison; 13Aug1901; H7626.

CIRCUMSTANTIAL EVIDENCE; or, AN INNOCENT VICTIM. © The Vitagraph Co.

of America; 8June1908; H111509.

THE CIRCUS BOY. © S. Lubin; 6May1908; H110240.

CITY HALL TO HARLEM IN 15 SECONDS, VIA THE SUBWAY ROUTE. © Thomas A.

Edison; 22Oct1904; H51950.

THE CITY OF DENVER, THE QUEEN OF THE PLAINS, scenes 1–4. © Thomas A.

Edison, Inc.; 10Feb1912; J166393–96.

THE CITY OF WASHINGTON, scenes 1–4. © Thomas A. Edison, Inc.;

10Aug1912; J172449–52.

CLARENCE THE COP. © American Mutoscope & Biograph Co.; 23Dec1903;

H39905.

CLARENCE, THE COP, ON THE FEED STORE BEAT. © American Mutoscope &

Biograph Co.; 5Feb1904; H41858.

CLARK’S THREAD MILL. © Thomas A. Edison; 31Oct1896; 60144.

CLASSICAL DANCES BY COUNTESS DE SWIRSKY. © Imp Films Co.; 23Mar1912;

J167456.

On same reel with Tankville Constable 1.

CLASSICAL DANCES BY COUNTESS DE SWIRSKY. © Imp Films Co.; 23Mar1912;

J167457.

On same reel with Tankville Constable 2.

CLASSMATES. © American Mutoscope & Biograph Co.; 27Jan1908; H105590.

CLEOPATRA’S LOVER; or, A NIGHT OF ENCHANTMENT. © The Vitagraph Co. of

America; 22Jan1909; H121846.

THE CLEPTOMANIAC [i.e. KLEPTOMANIAC]. © S. Lubin; 23Oct1907; H101546.

CLERKS CASING MAIL FOR BAGS, U.S.P.O. © American Mutoscope & Biograph

Co.; 22Aug1903; H34972.

CLERKS TYING BAGS, U.S.P.O. © American Mutoscope & Biograph Co.;

22Aug1903; H34975.

CLERKS TYING UP FOR BAGS, U.S.P.O. © American Mutoscope & Biograph

Co.; 22Aug1903; H34977.

CLEVELAND FIRE DEPARTMENT. © American Mutoscope & Biograph Co.;

17June1903; H32791.

CLEVER HORSEMANSHIP. © American Mutoscope & Biograph Co.; 4Apr1903;

H30178.

A CLEVER TRICK. © The Vitagraph Co. of America; 29Jan1909; H122210.

A CLEVER UNDERTAKING. SEE The Mourners.

CLIMBING THE AMERICAN ALPS. © American Mutoscope & Biograph Co.;

6Dec1905; H69545.

THE CLOCK MAKER’S DREAM. © George Méliès; 23Feb1904; H42528.

THE CLOISTER’S TOUCH. © Biograph Co.; 1c 2Feb1910; J137957.

A CLOSE CALL. © Biograph Co.; 1c 22May1912; J169460.

THE CLOSE OF THE AMERICAN REVOLUTION, scenes 1–3. © Thomas A. Edison,

Inc.; 2July1912; J170934–36.

A CLOSE SHAVE. © American Mutoscope & Biograph Co.; 9Dec1902; H24892.

CLOSE VIEW OF THE “BROOKLYN,” NAVAL PARADE [Spanish-American War; New

York City Welcome to Admiral Sampson’s Fleet after Battle of

Santiago Bay]. © Thomas A. Edison; 3Sept1898; 52054.

CLOSED SUNDAY, scenes 1–4. © Edison Mfg. Co.; 16June1909; H128434–37.

THE CLOWN. © S. Lubin; 15June1908; H111857.

THE CLOWN AND THE ALCHEMIST. © Thomas A. Edison; 16Nov1900; D21657.

CLOWN JUGGLER. © Winthrop Press; 6Sept1906; H82617.

CLOWNLAND. © Universal Film Mfg. Co.; 22June1912; J170428.

THE CLOWN’S ADVENTURES. © S. Lubin; 31Mar1906; H75203.

THE CLOWN’S CHRISTMAS EVE. © The Vitagraph Co. of America; 28Aug1908;

H115153.

A CLOWN’S LOVE STORY. © The Vitagraph Co. of America; 9Dec1907;

H103456.

CLOWN’S TRIUMPHS. © Imp Films Co.; 23May1912; J169923.

CLUB SWINGING, CARLISLE INDIAN SCHOOL. © American Mutoscope & Biograph

Co.; 14June1902; H19019.

THE CLUBMAN AND TRAMP. © American Mutoscope & Biograph Co.; 21Nov1908;

H118716.

COACH AT RURAL POST OFFICE, U.S.P.O. © American Mutoscope & Biograph

Co.; 22Aug1903; H34991.

COACHES ARRIVING AT MAMMOTH HOT SPRINGS [Yellowstone Park]. © Thomas

A. Edison; 4Jan1899; 2468.

COACHES GOING TO CINNABAR FROM YELLOWSTONE PARK. © Thomas A. Edison;

4Jan1899; 2466.

COACHING FOR A RECORD. © American Mutoscope & Biograph Co.; 10May1902;

H17626.

COACHING PARTY. © American Mutoscope & Biograph Co.; 8July1903;

H33288.

COACHING PARTY, YOSEMITE VALLEY. © American Mutoscope & Biograph Co.;

24Apr1903; H30734.

COAL HEAVERS. © American Mutoscope & Biograph Co.; 28Oct1904; H52230.

THE COAL STRIKE. © American Mutoscope & Biograph Co.; 12Dec1905;

H69963.

COALING A STEAMER, NAGASKI [i.e. NAGASAKI] BAY, JAPAN. © American

Mutoscope & Biograph Co.; 16Apr1902; H16648.

COASTING. © Thomas A. Edison; 17Feb1898; 12175.

COASTING SCENE AT MONTMORENCY FALLS, CANADA. © Thomas A. Edison;

17Feb1902; H14292.

THE COBBLER AND THE CALIPH. © The Vitagraph Co. of America;

13July1909; J129601.

COCK FIGHT. © Thomas A. Edison; 24Dec1896; 70082.

COCOA INDUSTRY, TRINIDAD, BRITISH WEST INDIES, scenes 1–5. © Edison

Mfg. Co.; 17Dec1908; H120046–50.

CODFISH INDUSTRY, NEWFOUNDLAND, scenes 1–4. © Thomas A. Edison, Inc.;

5Jan1912; J165015–18.

THE CO-ED PROFESSOR. © Independent Moving Picture Co.; 25Sept1911;

J160310.

On same reel with Through the Dells of Wisconsin.

THE COFFIN SHIP. SEE The Wreck of the Aurora.

COFFYN HYDROAEROPLANE ALIGHTING IN EAST RIVER, N. Y. © Vitagraph Co.

of America; 20Mar1912; J167411.

COHEN AT CONEY ISLAND. © The Vitagraph Co. of America; 17Mar1909;

H124227.

COHEN’S ADVERTISING SCHEME. © Thomas A. Edison; 16Feb1904; H42210.

COHEN’S DREAM OF CONEY ISLAND. © The Vitagraph Co. of America;

13Mar1909; H123952.

COHEN’S FIRE SALE, scenes 1–12. © Thomas A. Edison; 14June1907;

H95238–49.

COIL WINDING MACHINES, WESTINGHOUSE WORKS. © American Mutoscope &

Biograph Co.; 6May1904; H45401.

COIL WINDING SECTION E, WESTINGHOUSE WORKS. © American Mutoscope &

Biograph Co.; 6May1904; H45402.

A COLD SUPPER WITH A HOT FINISH. © American Mutoscope & Biograph Co.;

20June1903; H33024.

COLLECTING MAIL, U.S.P.O. © American Mutoscope & Biograph Co.;

22Aug1903; H34968.

COLLEGE CHUMS, scenes 1–8. © Edison Mfg. Co.; 25Nov1907; H102945–52.

A COLLEGE GIRL’S AFFAIR OF HONOR. © American Mutoscope & Biograph Co.;

19June1906; H79737.

THE COLLINWOOD [OHIO] SCHOOL FIRE. © William Bullock; 23Mar1908;

H107814.

THE COLLINWOOD [OHIO] SCHOOL FIRE FUNERAL. © William Bullock;

23Mar1908; H107815.

COLONEL FUNSTAN [i.e. FUNSTON] SWIMMING THE BAGLAG RIVER. © Thos. A.

Edison; 23Sept1899; 61838.

THE COLONEL’S FRIEND. © Frank Graham; 12July1905; H63157.

A COLONIAL ROMANCE. © The Vitagraph Co. of America; 11Jan1909;

H121461.

COLONIAL VIRGINIA, scenes 1–5. © Edison Mfg. Co.; 19Nov1908;

H118492–96.

THE COLORED STENOGRAPHER, scenes 1–5. © Edison Mfg. Co.; 9Mar1909;

H123788–92.

COLORED TROOPS DISEMBARKING [Spanish-American War]. © Thomas A.

Edison; 20May1898; 31436.

“COLUMBIA” AND “DEFENDER” ROUNDING STAKE-BOAT. © American Mutoscope &

Biograph Co.; 8May1902; H17487.

“COLUMBIA” AND “SHAMROCK II” [America’s Cup Races]. © Thomas A.

Edison.

Jockeying and starting. © 7Oct1901; H9408.

Finishing second race. © 7Oct1901; H9409.

Start of second race. © 7Oct1901; H9410.

Turning the outer stake boat. © 9Oct1901; H9496.

Starting in the third race. © 9Oct1901; H9497.

“COLUMBIA” CLOSE TO THE WIND. © American Mutoscope & Biograph Co.;

14Jan1903; H26955.

“COLUMBIA” vs. “DEFENDER.” © American Mutoscope & Biograph Co.;

24Apr1903; H30746.

“COLUMBIA” WINNING THE CUP [America’s Cup Races: Columbia and Shamrock

I]. © Thomas A. Edison; 24Oct1899; 69350.

“COLUMBIA” WINNING THE CUP [America’s Cup Races: Columbia and Shamrock

II]. © Thomas A. Edison; 9Oct1901; H9495.

COMATA, THE SIOUX. © Biograph Co.; 1c 13Sept1909; J131568.

COMEDY AND TRAGEDY, scenes 1–5. © Edison Mfg. Co.; 2Nov1909;

J134484–88.

COMEDY CAKE WALK. © American Mutoscope & Biograph Co.; 11May1903;

H31675.

A COMEDY IN BLACK AND WHITE, scenes 1–2. © Edison Mfg. Co.; 4Sept1908;

H115348–49.

A COMEDY OF ERRORS. © The Vitagraph Co. of America; 1Feb1908; H105775.

A COMEDY OF UNDERSTANDING, scenes 1–4. © Thomas A. Edison, Inc.;

21June1911; J156880–83.

COMEDY SET-TO. © Thomas A. Edison; 20May1898; 31430.

COMING OF COLUMBUS. © Selig Polyscope Co.

Scenes 1–10. © 1c 8Apr1912; J167883–92.

Scenes 11–26. © 1c 13Apr1912; J168122–37.

COMMITTEE ON ART. © American Mutoscope & Biograph Co.; 27Feb1904;

H42804.

THE COMMUTER’S WIFE, scenes 1–4. © Thomas A. Edison, Inc.; 7Feb1912;

J166381–84.

COMPANY DRILL, ST. JOHN’S MILITARY ACADEMY. © American Mutoscope &

Biograph Co.; 17Mar1904; H43410.

COMRADES. © Biograph Co.; 1c 14Mar1911; J153151.

CONCEALING A BURGLAR. © American Mutoscope & Biograph Co.; 22Oct1908;

H117340.

THE CONDEMNATION OF FAUST. © S. Lubin; 15Jan1904; H40888.

CONDENSED MILK. © American Mutoscope & Biograph Co.; 20June1903;

H32872.

CONEY ISLAND AT NIGHT. © Thomas A. Edison; 29June1905; H62761.

THE CONEY ISLAND BEACH PATROL. © American Mutoscope & Biograph Co.;

13Aug1904; H49071.

THE CONEY ISLAND BIKERS. © American Mutoscope & Biograph Co.;

24Feb1903; H28550.

CONEY ISLAND POLICE COURT. © American Mutoscope & Biograph Co.;

25Aug1908; H115087.

CONFIDENCE. © American Mutoscope & Biograph Co.; 8Apr1909; H125501.

CONGRESS OF NATIONS. © Thomas A. Edison; 16Nov1900; D21659.

THE CONJUROR’S OUTING. © Lubin Mfg. Co.; 3May1909; H126441.

THE CONQUERING HERO. © Lubin Mfg. Co.; 20Mar1909; H124441.

CONSCIENCE. © Biograph Co.; 1c 10Mar1911; J153060.

A CONSPIRACY AGAINST THE KING, scenes 1–4. © Thomas A. Edison, Inc.;

20Oct1911; J161706–09.

CONTRARY WIND. © American Mutoscope & Biograph Co.; 24Feb1903; H28559.

A CONVENIENT BURGLAR. © Biograph Co.; 1c 25Sept1911; J160416.

CONVERTED BY A BILLIKEN. SEE Grin and Win.

THE CONVERTS. © Biograph Co.; 1c 16Mar1910; J139195.

CONVICT LIFE IN THE OHIO PENITENTIARY. © America’s Feature Film Co.;

1c 18May1912; J169358.

CONVICTED BY HYPNOTISM; or, A DOUBLE LIFE, 2 pts. © Société Francaise

des Films & Cinematographes Eclair; 1c 5Aug1912; J171903.

THE CONVICT’S BRIDE. © American Mutoscope & Biograph Co.; 9Aug1906;

H81754.

THE CONVICT’S ESCAPE. © American Mutoscope & Biograph Co.; 10Sept1904;

H50327.

CONVICTS NO. 10 AND NO. 13, parts 1–3. © Ingvald C. Oes; 1c 1Mar1912;

J166791–93.

THE CONVICT’S PAROLE, scenes 1–4. © Thomas A. Edison, Inc.; 17May1912;

J169450–53.

A CONVICT’S PUNISHMENT. © American Mutoscope & Biograph Co.; 7Feb1903;

H27980.

THE COOK IN THE PARLOR. © American Mutoscope & Biograph Co.;

23June1903; H32908.

THE COOK IN TROUBLE. © Geo. Méliès; 9May1904; H45466.

THE COOK’S REVENGE. © S. Lubin; 7Mar1901; H1774.

COON TOWN PARADE. © Lubin Mfg. Co.; 5Feb1909; H122572.

THE COP AND THE NURSE GIRL. © Thomas A. Edison; 12Dec1898; 72467.

THE COP FOOLS THE SERGEANT. © Thomas A. Edison; 29Apr1904; H45037.

THE COQUETTE, scenes 1–4. © Edison Mfg. Co.; 21Jan1910; J137658–61.

CORBETT AND COURTNEY BEFORE THE KINETOGRAPH. © Wm. K. L. Dickson;

17Nov1894; 53707.

CORBETT AND JEFFRIES FIGHT. SEE Reproduction of the Corbett and

Jeffries Fight.

CORBETT AND MCCOY FIGHT. SEE Reproduction of the Corbett and McCoy

Fight.

CORBETT-MCGOVERN FIGHT. SEE Reproduction of Corbett-McGovern Fight.

CORCORAN CADETS, WASHINGTON [McKinley Inaugural Parade]. © Thomas A.

Edison; 8May1897; 28515.

THE CORD OF LIFE. © American Mutoscope & Biograph Co.; 22Jan1909;

H121877.

CORK LEG LEGACY. © Lubin Mfg. Co.; 3May1909; H126442.

CORNELL-COLUMBIA-UNIVERSITY OF PENNSYLVANIA BOAT RACE AT ITHACA, N.

Y., SHOWING LEHIGH VALLEY OBSERVATION TRAIN. © Thomas A. Edison;

6June1901; H4935.

A CORNER IN THE PLAY ROOM. © American Mutoscope & Biograph Co.;

8July1903; H33291.

A CORNER IN WHEAT. © Biograph Co.; 1c 15Dec1909; J135969.

CORNER MADISON AND STATE STREETS, CHICAGO. © Thomas A. Edison;

31July1897; 43410.

CORPUS CHRISTI PROCESSION, ORVIETO. © American Mutoscope & Biograph

Co.; 12Sept1903; H35635.

“CORSAIR” IN WAKE OF TUGBOAT. © American Mutoscope & Biograph Co.;

14Jan1903; H26952.

THE CORSET MODEL. © American Mutoscope & Biograph Co.; 20June1903;

H32866.

THE CORSICAN BROTHERS, scenes 1–4. © Thomas A. Edison, Inc.; 9Feb1912;

J166377–80.

COSSACK CAVALRY. © American Mutoscope & Biograph Co.; 3Aug1903;

H34102.

COSY CORNER DANCE. © American Mutoscope & Biograph Co.; 25June1903;

H32943.

COTTON INDUSTRY. © Imp Films Co.; 15Jan1912; J164477.

On same reel with How She Married.

THE COTTON INDUSTRY OF THE SOUTH. © S. Lubin; 3Oct1908; H116478.

COTTON SPINNING. © American Mutoscope & Biograph Co.; 6Mar1903;

H29001.

COUNCIL BLUFFS BRIDGE STATION. © American Mutoscope & Biograph Co.;

11Mar1903; H29152.

THE COUNT OF NO ACCOUNT. © S. Lubin; 28Jan1908; H105595.

THE COUNTERFEITERS. © S. Lubin; 24Jan1905; H56167.

A COUNTRY COURTSHIP. © American Mutoscope & Biograph Co.; 25Oct1905;

H67887.

A COUNTRY CUPID. © Biograph Co.; 1c 29July1911; J158240.

THE COUNTRY DOCTOR. © Biograph Co.; 1c 9July1909; J129513.

A COUNTRY GIRL IN PHILADELPHIA. © S. Lubin; 16Mar1908; H107537.

A COUNTRY GIRL’S SEMINARY LIFE AND EXPERIENCES, scenes 1–6. © Edison

Mfg. Co.; 25Mar1908; H107917–22.

THE COUNTRY SCHOOLMASTER. © American Mutoscope & Biograph Co.;

6Oct1906; H83541.

THE COUNT’S WOOING. © Geo. Méliès; 17Nov1909; J134442.

A COUPLE OF LIGHTWEIGHTS AT CONEY ISLAND. © American Mutoscope &

Biograph Co.; 28July1904; H48620.

THE COURSE OF TRUE LOVE. © American Mutoscope & Biograph Co.;

26Sept1905; H66191.

THE COURSE OF TRUE LOVE. © Biograph Co.; 1c 8Feb1910; J138088.

A COWARD, scenes 1–4. © Edison Mfg. Co.; 10Aug1909; J130719–22.

THE COWBOY AND THE LADY. © American Mutoscope & Biograph Co.;

1Oct1903; H36402.

THE COWBOY AND THE SCHOOLMARM, scenes 1–6. © Edison Mfg. Co.;

1Apr1908; H108151–56.

A COWBOY ELOPEMENT. © The Vitagraph Co. of America; 17Jan1908;

H105166.

COWBOY JUSTICE. © American Mutoscope & Biograph Co.; 11Jan1904;

H40754.

COWBOYS AND INDIANS FORDING RIVER IN A WAGON. © Thomas A. Edison;

18May1904; H46141.

A COWBOY’S ROMANCE. © Centaur Film Co.; 26June1909; H128972.

A COWBOY’S STRATAGEM, scenes 1–4. © Thomas A. Edison, Inc.; 2Mar1912;

J167023–26.

A COWBOY’S SWEETHEART. © Centaur Film Co., Inc.; 23Apr1909; H126067.

THE COWPUNCHER’S GLOVE, scenes 1–4. © Edison Mfg. Co.; 2Dec1910;

J148712–15.

A CRAZY COMPOSER. © George Méliès; 3June1905; H61532.

A CRAZY QUILT. © The Vitagraph Co. of America; 12Nov1907; H102390.

THE CREATORS OF FOXY GRANDPA. © American Mutoscope & Biograph Co.;

23May1902; H18032.

THE CRICKET ON THE HEARTH. © Biograph Co.; 26May1909; H127599.

THE CRIMINAL HYPNOTIST. © American Mutoscope & Biograph Co.;

12Jan1909; H121531.

THE CRIMINAL’S DAUGHTER. © S. Lubin; 25Aug1908; H115089.

CRIPPLE CREEK BAR-ROOM SCENE. © Thomas A. Edison; 10May1899; 31770.

CRIPPLE CREEK FLOATS. © Thomas A. Edison; 24Feb1898; 13539.

THE CRISIS. © New York Motion Picture Co., Inc.; 15May1912; J169703.

CRISSIE SHERIDAN. © Thomas A. Edison; 25Oct1897; 60590.

THE CRITIC. © American Mutoscope & Biograph Co.; 22Jan1906; H72184.

THE CROOKED ROAD. © Biograph Co.; 1c 25May1911; J155829.

CROSS COUNTRY RUNNING ON SNOW SHOES. © Thomas A. Edison; 17Feb1902;

H14293.

THE CROSS ROAD. © S. Lubin; 25Sept1908; H116150.

CROSSING ICE BRIDGE AT NIAGARA FALLS. © Thomas A. Edison; 15Jan1904;

H40910.

CROSSING THE ATLANTIC. © Thomas A. Edison; 17June1903; H32796.

CROSSROADS OF LIFE. © American Mutoscope & Biograph Co.; 20June1908;

H112128.

CROWD ENTERING, FUTURITY DAY. © American Mutoscope & Biograph Co.;

17Sept1902; H21775.

CROWDS RETURNING FROM THE GAMES, WAIKIKI, H. I. © Thomas A. Edison;

13Nov1906; H85056.

THE CRUCIAL TEST, scenes 1–4. © Thomas A. Edison, Inc.; 7July1911;

J157537–40.

CRUELTY TO HORSES. © American Mutoscope & Biograph Co.; 1Oct1904;

H51117.

THE CRUISE OF THE “GLADYS.” © American Mutoscope & Biograph Co.;

25Aug1906; H82299.

CRUISER “CINCINNATI” [Spanish-American War]. © Thomas A. Edison;

21Apr1898; 25327.

CRUISER “DETROIT” [Spanish-American War]. © Thomas A. Edison;

21Apr1898; 25326.

CRUISER “MARBLEHEAD” [Spanish-American War]. © Thomas A. Edison;

22Apr1898; 25564.

THE CRUSADER, scenes 1–4. © Thomas A. Edison, Inc.; 30June1911;

J157084–87.

THE CRUSADERS; or, JERUSALEM DELIVERED. © World’s Best Film Co.;

4July1911; J157263.

THE CRUSHED HAT. © American Mutoscope & Biograph Co.; 29Mar1904;

H44030.

THE CRUSHED TRAGEDIAN. © S. Lubin; 21July1908; H113740.

A CRY FROM THE WILDERNESS, scenes 1–4. © Edison Mfg. Co.; 22Mar1909;

H124583–86.

THE CRYSTAL CASKET. © Geo. Méliès; 21Mar1905; H58074.

THE CRYSTAL CASKET. SEE Glass Coffin.

THE CUB REPORTER, scenes 1–4. © Thomas A. Edison, Inc.; 23Aug1912;

J176455–58.

CUBAN AMBUSH [Spanish-American War]. © Thomas A. Edison; 5Aug1898;

46695.

CUBAN REFUGEES WAITING FOR RATIONS [Spanish-American War]. © Thomas A.

Edison; 20May1898; 31439.

CUBAN VOLUNTEERS EMBARKING [Spanish-American War]. © Thomas A. Edison;

22June1898; 38246.

CUBAN VOLUNTEERS MARCHING FOR RATIONS [Spanish-American War]. © Thomas

A. Edison; 20May1898; 31434.

A CUP OF TEA AND SHE, scenes 1–4. © Edison Mfg. Co.; 8Apr1909;

H125513–16.

CUPID AND PSYCHE. © Thomas A. Edison; 25Oct1897; 60560.

CUPID’S JOKE. © Biograph Co.; 1c 8May1911; J155076.

CUPID’S PRANKS, scenes 1–7. © Edison Mfg. Co.; 19Feb1908; H106508–14.

CUPID’S REALM; or, A GAME OF HEARTS. © The Vitagraph Co. of America;

19Feb1908; H106452.

CURE FOR BASHFULNESS. © The Vitagraph Co. of America; 19Dec1908;

H120077.

A CURE FOR CRIME, scenes 1–4. © Thomas A. Edison, Inc.; 27Sept1911;

J160329–32.

A CURE FOR DYSPEPSIA, scenes 1–4. © Thomas A. Edison, Inc.;

21June1911; J156910–13.

A CURE FOR RHEUMATISM. © The Vitagraph Co. of America; 11Mar1909;

H123858.

THE CURE THAT FAILED. © Universal Film Mfg. Co.; 3Aug1912; J171838.

CURED. © Biograph Co.; 1c 28Mar1911; J153534.

THE CURFEW BELL, scenes 1–4. © Edison Mfg. Co.; 3June1909; H127992–95.

CURING A JEALOUS HUSBAND. © Lubin Mfg. Co.; 5June1909; H128024.

CURING THE OFFICE BOY, scenes 1–4. © Thomas A. Edison, Inc.;

17Feb1912; J166531–34.

CURIOSITY. © Biograph Co.; 1c 3June1911; J156203.

CURIOSITY PUNISHED. © Geo. Méliès; 20Apr1908; H109548.

A CURIOUS DREAM. © The Vitagraph Co. of America; 18Mar1907; H91549.

CURIOUS MR. CURIO, scenes 1–5. © Edison Mfg. Co.; 21May1908;

H110844–48.

THE CURSE OF GOLD. © Lubin Mfg. Co.; 13Mar1909; H123955.

THE CURSE OF GOLD. © S. Lubin; 6Apr1908; H108430.

THE CURTAIN POLE. © American Mutoscope & Biograph Co.; 2Jan1909;

H120977.

A CUSTOMER DROPS IN. © American Mutoscope & Biograph Co.; 24Apr1903;

H30749.

CUTTING AND CANALING ICE [Groton Ice Fields]. © Thomas A. Edison;

24Feb1902; H14436.

CUTTING SUGAR CANE. © American Mutoscope & Biograph Co.; 23May1902;

H18040.

CYNTHIA’S AGREEMENT, scenes 1–4. © Thomas A. Edison, Inc.; 25Sept1912;

J176558–61.

DAD’S A GENTLEMAN TOO. © Frank Graham; 12July1905; H63156.

THE DAIRY MAID’S REVENGE. © American Mutoscope & Biograph Co.;

25Aug1902; H21311.

THE DAISY COWBOYS, scenes 1–4. © Thomas A. Edison, Inc.; 9Dec1911;

J164286–89.

DALY OF WEST POINT WINNING HURDLE RACE. © American Mutoscope &

Biograph Co.; 9Dec1902; H24881.

THE DAM BUILDER, scenes 1–4. © Thomas A. Edison, Inc.; 13Sept1912;

J176503–06.

LA DAME AUX CAMELIAS. With Mme. Sarah Bernhardt. © French-American

Film Co.; 1c 24Feb1912; J166636.

THE DAMNATION OF FAUST. © George Méliès; 11Dec1903; H39290.

DAN, THE DANDY. © Biograph Co.; 1c 20Sept1911; J160241.

DANCE, FRANCHONETTI SISTERS. © American Mutoscope & Biograph Co.;

24Apr1903; H30723.

A DANCE IN PAJAMAS. © American Mutoscope & Biograph Co.; 7Dec1903;

H39142.

THE DANCE OF THE SEVEN VEILS. SEE Salome.

A DANCE ON THE PIKE. © American Mutoscope & Biograph Co.; 22Mar1904;

H43560.

THE DANCER AND THE KING; a romantic story of Spain. © The Vitagraph

Co. of America; 8Dec1908; H119406.

DANCING BOXING MATCH, MONTGOMERY AND STONE. © The Winthrop Moving

Picture Co.; 7May1907; H93358.

DANCING CHINAMAN, MARIONETTES. © Thomas A. Edison; 7Oct1898; 59208.

DANCING DARKEY BOY. © Thomas A. Edison; 25Oct1897; 60568.

DANCING DARKIES. © American Mutoscope Co.; 7Jan1897; 3540.

THE DANCING FIEND. © S. Lubin; 5Aug1908; H114298.

THE DANCING GIRL OF BUTTE. © Biograph Co.; 1c 8Jan1910; J136851.

THE DANCING LEGS. © The Vitagraph Co. of America; 1Apr1908; H108127.

A DANCING LESSON: A LITTLE PRACTICE. © American Mutoscope & Biograph

Co.; 23Dec1904; H54690.

THE DANDY FIFTH. © American Mutoscope & Biograph Co.; 5Sept1902;

H21512.

DANGER OF DINING IN PRIVATE DINING ROOMS. © American Mutoscope &

Biograph Co.; 5June1903; H32408.

A DANGEROUS LESSON, scenes 1–4. © Thomas A. Edison, Inc.; 13Aug1912;

J172453–56.

A DANGEROUS PAIR, scenes 1–4. © Edison Mfg. Co.; 7Sept1909;

J131476–79.

A DANGEROUS PLAY, parts 1–2. © Ingvald C. Oes; 1c 19Apr1912;

J168439–40.

DANIEL BOONE, scenes 1–13. © Thomas A. Edison; 3Jan1907; H88545–57.

DANTE’S INFERNO. © Monopol Film Co.

Pt. 1. © 1c 27June1911; J157014.

Pt. 2. © 1c 12July1911; J157495.

Pt. 3. © 1c 12July1911; J157496.

Pt. 4. © 1c 12July1911; J157497.

DANTE’S PROGRESS AND EXPERIENCES THROUGH PARADISE. © National Film

Distributing Co.; 1c 29Apr1912; J168785.

DANTE’S PROGRESS AND EXPERIENCES THROUGH PURGATORY. © National Film

Distributing Co.; 1c 29Apr1912; J168784.

THE DARLING OF THE GALLERY GODS. © American Mutoscope & Biograph Co.;

15July1905; H63379.

A DASH THROUGH THE CLOUDS. © Biograph Co.; 1c 28June1912; J170666.

A DASH TO DEATH, scenes 1–4. © Edison Mfg. Co.; 27Aug1909; J131252–55.

A DAUGHTER OF THE MINES, scenes 1–4. © Edison Mfg. Co.; 25Nov1910;

J148424–27.

A DAUGHTER OF THE SUN, scenes 1–6. © Edison Mfg. Co.; 17Feb1909;

H123010–15.

DAVE’S LOVE AFFAIR. © Biograph Co.; 1c 10June1911; J156469.

DAVEY JONES’ LOCKER. © American Mutoscope & Biograph Co.; 24Apr1903;

H30728.

THE DAY AFTER. © Biograph Co.; 1c 3Jan1909; J136612.

A DAY AT THE CIRCUS. © Thomas A. Edison; 17May1901; H4418.

A DAY AT WEST POINT MILITARY ACADEMY, NEW YORK, scenes 1–4. © Thomas

A. Edison, Inc.; 24Oct1911; J161698–701.

A DAY IN WASHINGTON; the Capital of the United States, showing many

points of interest. © The Vitagraph Co. of America; 26Feb1909;

H123375.

THE DAY OF THE DOG. © S. Lubin; 1Feb1909; H122288.

A DAY ON A BUFFALO RANCH. © Imp Films Co.; 27Jan1912; J165053.

On same reel with All A Mistake.

A DAY ON A BUFFALO RANCH. © Imp Films Co.; 27Jan1912; J165409.

THE DAYS OF ’61. SEE The Blue and the Gray.

THE DEACON’S LOVE LETTER. © The Vitagraph Co. of America; 22Jan1909;

H121845.

A DEAD MAN’S CHILD, no. 1–2. © Ingvald C. Oes; 1c 7Dec1911;

J163442–43.

THE DEADWOOD SLEEPER. © American Mutoscope & Biograph Co.; 26May1905;

H61361.

DEAF MUTE GIRL RECITING “STAR SPANGLED BANNER.” © American Mutoscope &

Biograph Co.; 7June1902; H18743.

DEAR OLD STARS AND STRIPES, GOODBYE. © S. Lubin; 2Oct1903; H36488.

A DEARLY PAID FOR KISS. © The Vitagraph Co. of America; 17Oct1908;

H117107.

THE DEATH DISC. © Biograph Co.; 1c 3Dec1909; J135518.

THE DEATH OF NATHAN HALE, scenes 1–4. © Thomas A. Edison, Inc.;

29Sept1911. J160333–36.

THE DECEIVED SLUMMING PARTY. © American Mutoscope & Biograph Co.;

28July1908; H113968.

THE DECEIVER. © The Vitagraph Co. of America; 23Dec1907; H104010.

THE DECEPTION. © American Mutoscope & Biograph Co.; 13Mar1909;

H123959.

THE DECLARATION OF INDEPENDENCE, scenes 1–4. © Thomas A. Edison, Inc.;

1Sept1911; J159414–17.

DECORATED CARRIAGES, no. 11. © Thomas A. Edison; 24Feb1898; 13535.

DECOYED. © American Mutoscope & Biograph Co.; 28Oct1904; H52231.

A DECREE OF DESTINY. © Biograph Co.; 1c 7Mar1911; J152949.

DEEP BREATHING AND CHEST EXPANSION. © Winthrop Press; 18Apr1906;

H75806.

DEER STALKING WITH CAMERA. © American Mutoscope & Biograph Co.;

3Jan1906; H71527.

THE DELAYED PROPOSAL. © Biograph Co.; 1c 21June1911; J156842.

DELIRIUM IN A STUDIO. © Geo. Méliès; 7Dec1907; H103393.

DELIVERING MAIL FROM SUB-STATION [U.S.P.O.]. © American Mutoscope &

Biograph Co.; 1Oct1903; H36398.

DELIVERING NEWSPAPERS. © American Mutoscope & Biograph Co.; 24Apr1903;

H30745.

A DELUSION. © American Mutoscope & Biograph Co.; 27Sept1902; H22088.

DEMOCRATIC NATIONAL COMMITTEE AT ESOPUS [N. Y.]. © American Mutoscope

& Biograph Co.; 4Aug1904; H48851.

DENVER FIRE BRIGADE. © Thomas A. Edison; 24Feb1898; 13532.

THE DEPARTMENT STORE, scenes 1–4. © Thomas A. Edison, Inc.; 15Mar1911;

J153383–86.

DEPARTURE OF PEARY [AND] ROOSEVELT FROM NEW YORK. © American Mutoscope

& Biograph Co.; 28July1905; H63906.

DESDEMONA, part 1–2. © Ingvald C. Oes; 1c 16Apr1912; J168207–08.

THE DESERTED SHAFT. © Imp Films Co.; 15Jan1912; J164478.

THE DESERTER, parts 1–2. © New York Motion Picture Co.; 15Mar1912;

J167154.

THE DESPATCH BEARER. © The Vitagraph Co. of America; 6Aug1907; H97722.

A DESPERATE CRIME. © George Méliès; 27Apr1906; H76259.

THE DETERMINED LOVER; or, WHERE THERE’S A WILL, THERE’S A WAY. © The

Vitagraph Co. of America; 12June1908; H111706.

“DEUTSCHLAND” LEAVING NEW YORK AT FULL SPEED [With Prince Henry of

Prussia]. © Thomas A. Edison; 15Mar1902; H15199.

DEVELOPING MUSCLES OF BACK AND CHEST. © Winthrop Press; 18 Apr 1906;

H75812.

DEVELOPING MUSCLES OF CHEST AND ABDOMEN. © Winthrop Press; 18Apr1906;

H75808.

THE DEVIL. © American Mutoscope & Biograph Co.; 25Sept1908; H116154.

THE DEVIL, scenes 1–12. © Edison Mfg. Co.; 10Sept1908; H115507–18.

THE DEVIL AND THE GAMBLER. © The Vitagraph Co. of America; 23Sept1908;

H116064.

DEVIL’S SLIDE. © American Mutoscope & Biograph Co.; 23May1902; H18046.

THE DEWEY ARCH [Spanish-American War; Dewey Homecoming, New York

City]. © American Mutoscope & Biograph Co.; 18June1903; H32835.

DEWEY ARCH—TROOPS PASSING UNDER ARCH [Spanish-American War; Dewey

Homecoming, New York City]. © Thomas A. Edison; 5Oct1899; 64682.

DEWEY PARADE, 10TH PENNSYLVANIA VOLUNTEERS [Spanish-American War;

Dewey Homecoming, New York City]. © Thomas A. Edison; 7Oct1899;

65373.

DEYO. © American Mutoscope & Biograph Co.; 22Apr1907; H92889.

DIAL’S GIRLS’ BAND, LUNA PARK. © Eugene Dial; 25Oct1905; H67888.

THE DIAMOND MAKER; or, FORTUNE AND MISFORTUNE. © The Vitagraph Co. of

America; 12June1909; H128245.

THE DIAMOND SMUGGLERS. SEE Secret Service.

THE DIAMOND STAR. © Biograph Co.; 1c 21Feb1911; J152473.

DICK CROKER LEAVING TAMMANY HALL. © Thomas A Edison; 9Feb1900; D3543.

DICK’S SISTER. © S. Lubin; 18June1908; H112074.

DID MOTHER GET HER WISH? © Biograph Co.; 1c 15Jan1912; J164603.

DID NOT FINISH THE STORY. © American Mutoscope & Biograph Co.;

18July1903; H33546.

DIME NOVEL DAN. © The Vitagraph Co. of America; 29Apr1909; H126310.

A DIME NOVEL DETECTIVE. © S. Lubin; 5Feb1909; H122569.

DINAH’S DEFEAT. © American Mutoscope & Biograph Co.; 10Feb1904;

H42000.

A DIP IN THE MEDITERRANEAN. © American Mutoscope & Biograph Co.;

16Apr1902, H16642.

THE DISAPPOINTED OLD MAID. © American Mutoscope & Biograph Co.;

13June1903; H32632.

DISCHARGING A WHITEHEAD TORPEDO. © Thomas A. Edison; 12May1900;

D10160.

A DISCORDANT NOTE. © American Mutoscope & Biograph Co.; 6July1903;

H33397.

THE DISCOVERERS; a grand historical pageant picturing the discovery

and founding of New France, Canada. © The Vitagraph Co. of America;

15Aug1908; H114573.

DISCOVERY OF BODIES. © American Mutoscope & Biograph Co.; 21Sept1903;

H35879.

THE DISINTEGRATED CONVICT. © The Vitagraph Co. of America; 4Sept1907;

H99034.

THE DISREPUTABLE MR. RAEGEN, scenes 1–4. © Thomas A. Edison, Inc.;

24Mar1911; J153739–42.

THE DIVIDING LINE. © Universal Film Mfg. Co.; 24June1912; J170425.

THE DIVING GIRL. © Biograph Co.; 1c 23Aug1911; J159204.

THE DIVING HORSE. © Thomas A. Edison; 23Sept1899; 61839.

DIVING THROUGH HOOPS. © American Mutoscope & Biograph Co.; 12Apr1902;

H16383.

THE DIVORCE. © American Mutoscope & Biograph Co.; 13June1903.

Detected. H33410.

On the trail. H33411.

The evidence secured. H33412.

10 FEMMES DANS UN PARAPLUIE. © George Méliès; 26Oct1903; H37511.

DIXON-CHESTER LEON CONTEST. © American Mutoscope & Biograph Co.;

6Mar1906; H74312.

DO IT NOW. © S. Lubin; 16Mar1908; H107538.

DO YOU SPEAK FRENCH. SEE Parlez Vous Francais?

THE DOCTOR, scenes 1–3. © Edison Mfg. Co.; 7Feb1911; J152135–37.

DR. BROMPTON-WATTS’ ADJUSTER, scenes 1–4. © Thomas A. Edison, Inc.;

6Apr1912; J168020–23.

DR. BUNION AND THE MISCHIEVOUS BOYS. © American Mutoscope & Biograph

Co.; 18Apr1902; H16736.

DR. CUREM’S PATIENTS. © S. Lubin; 28Apr1908; H109925.

DR. DIPPY’S SANITARIUM. © American Mutoscope & Biograph Co.;

27Oct1906; H84235.

DOCTOR PHANTOM, THE SCIENTIFIC SLEUTH, no. 1–6. © Walter Lannoy Brind;

1c 5Aug1912; J171902.

THE DOCTORED DINNER PAIL, scene 1. © Edison Mfg. Co.; 5May1909;

H126608.

THE DOCTOR’S BRIDE. © Lubin Mfg. Co.; 30Aug1909; J132442.

THE DOCTOR’S FAVORITE PATIENT. © American Mutoscope & Biograph Co.;

12June1903; H32560.

DOG FACTORY. © Thomas A. Edison; 21Apr1904; H44668.

A DOG FIGHT. © American Mutoscope & Biograph Co.; 24Feb1903; H28562.

A DOG LOST, STRAYED OR STOLEN, $25.00 REWARD. APPLY TO MRS. BROWN, 711

PARK AVE. © S. Lubin; 23May1905; H61274.

DOGS PLAYING IN THE SURF. © Thomas A. Edison; 17Feb1898; 12172.

A DOMESTIC REUNION. SEE Two Affinities.

A DONKEY PARTY. © American Mutoscope & Biograph Co.; 17June1903;

H32788.

THE DONKEY PARTY. © Thomas A. Edison; 16Mar1901; H2342.

DOOLEY’S SCHEME. © Biograph Co.; 1c 15Nov1911; J162974.

THE DOOMED SHIP, scenes 1–4. © Thos. A. Edison, Inc.; 28July1911;

J158321–24.

DORA: A RUSTIC IDYLL. © The Vitagraph Co. of America; 1Apr1908;

H108128.

DOROTHY’S FAMILY. © Independent Moving Picture Co.; 10Aug1911;

J158554.

A DOUBLE-BARRELED SUICIDE. © The Vitagraph Co. of America; 31July1907;

H97473.

A DOUBLE LIFE. © New York Motion Picture Co.; 20July1912; J171458.

A DOUBLE LIFE. SEE Convicted by Hypnotism.

DOUBLE RING ACT, LUNA PARK [Coney Island]. © American Mutoscope &

Biograph Co.; 6Oct1903; H36555.

THE DOVE AND THE SERPENT. © Imp Films Co.; 4Apr1912; J167839.

DOWN ON THE FARM, scenes 1–6. © Thomas A. Edison; 26Oct1905;

H67910–67915.

DOWN THE HOTEL CORRIDOR. © American Mutoscope & Biograph Co.;

28July1903; H33887.

DOWN THE HUDSON. © American Mutoscope & Biograph Co.; 6Oct1903;

H36559.

DOWN WESTERN SLOPE. © American Mutoscope & Biograph Co.; 14Jan1903;

H26946.

DOWN WHERE THE WURZBURGER FLOWS. © Thomas A. Edison; 26Aug1903;

H35062.

THE DOWNWARD PATH. © American Mutoscope & Biograph Co.; 11Nov1902.

The new soubrette. H23806.

The fresh book agent. H23807.

The girl who went astray. H23808.

The suicide. H23809.

She ran away. H23810.

THE DRAMATIST’S DREAM. © The Vitagraph Co. of America; 6July1909;

J129521.

THE DRAPED MODEL. © American Mutoscope & Biograph Co.; 27Sept1902;

H22089.

DRAWING A LOBSTER POT. © American Mutoscope & Biograph Co.; 31Dec1902;

H25970.

THE DRAWING LESSON; or, THE LIVING STATUE. © George Méliès; 6July1903;

H33237.

DRAWING THE COLOR LINE, scenes 1–3. © Edison Mfg. Co.; 13Jan1909;

H121564–66.

DREAM DANCES, scenes 1–4. © Thomas A. Edison, Inc.; 20Apr1912;

J168489–92.

DREAM OF A RAREBIT FIEND, scenes 1–9. © Thomas A. Edison; 24Feb1906;

H73985–93.

THE DREAM OF AN OPIUM FIEND. © Geo. Méliès; 14Mar1908; H107381.

A DREAM OF ROSES. © American Mutoscope & Biograph Co.; 9June1904;

H46939.

DREAM OF THE RACE TRACK FIEND. © American Mutoscope & Biograph Co.;

6Oct1905; H67066.

A DREAM OF WEALTH; a tale of the gold seekers of ’49. © The Vitagraph

Co. of America; 9Dec1908; H119443.

DREAMS OF A POLICEMAN. © The Vitagraph Co. of America; 20July1908;

H113633.

DRESS PARADE OF SCOUTS. ST. LOUIS EXPOSITION [Louisiana Purchase

Exposition]. © American Mutoscope & Biograph Co.; 17June1904;

H47293.

DRESS PARADE, ST. JOHN’S ACADEMY. © American Mutoscope & Biograph Co.;

23Mar1904; H43621.

DRESS SUITS IN PAWN, scenes 1–4. © Thomas A. Edison, Inc.; 20Mar1912;

J167598–601.

THE DRESSMAKER’S ACCIDENT. © American Mutoscope & Biograph Co.;

7Dec1903; H39141.

THE DRESSMAKER’S LOYAL SON. SEE The Little Father.

DRILL, AMBULANCE CORPS. © American Mutoscope & Biograph Co.;

17June1903; H32790.

DRILL BY NAVAL MILITIA. © American Mutoscope & Biograph Co.;

26Apr1902; H17044.

DRILL BY PROVIDENCE POLICE. © American Mutoscope & Biograph Co.;

5Dec1903; H38866.

DRILL, YE TARRIERS, DRILL. © American Mutoscope & Biograph Co.;

5Apr1902; H16091.

DRILLING AN AWKWARD SQUAD. © American Mutoscope & Biograph Co.;

3Jan1905; H55398.

DRILLS AND EXERCISES, SCHOOLSHIP “ST. MARY’S.” © Thomas A. Edison;

17June1905; H62108.

A DRINK! A great temperance story. © Geo. Méliès; 6Aug1907; H97724.

THE DRINK CURE. © S. Lubin; 28Apr1908; H109926.

DRIVE FOR A LIFE. © American Mutoscope & Biograph Co.; 14Apr1909;

H125726.

DRIVEN FROM HOME. © Lubin Mfg. Co.; 17June1909; H128495.

DRIVEN FROM HOME. © S. Lubin; 29July1908; H113994.

DRIVING CATTLE TO PASTURE. © Thomas A. Edison; 18May1904; H46137.

A DROP OF INK. © American Mutoscope & Biograph Co.; 12Jan1904; H40815.

DROWSY DICK, OFFICER NO. 73, scenes 1–2. © Edison Mfg. Co.; 29Apr1910;

J141049–50.

DRUM CORPS AND MILITIA [McKinley Inaugural Parade]. © Thomas A.

Edison; 15Mar1897; 17406.

THE DRUMMER’S DAY OFF. © The Vitagraph Co. of America; 7Apr1908;

H108472.

DRUNKARD’S CHILD. © Lubin Mfg. Co.; 9Aug1909; J132443.

THE DRUNKARD’S REFORMATION. © American Mutoscope & Biograph Co.;

31Mar1909; H125114.

THE DRUNKEN ACROBAT—O’BRIEN AND HAVEL. © American Mutoscope Co.;

7Jan1897; 3559.

THE DUDE AND THE BATHING GIRLS. © American Mutoscope & Biograph Co.;

13July1903; H33417.

THE DUDE AND THE BURGLARS. © American Mutoscope & Biograph Co.;

13Aug1903; H34510.

A DUEL IN MID-AIR, scenes 1–4. © Edison Mfg. Co.; 5Nov1909;

J134480–83.

DUEL SCENE, “BY RIGHT OF SWORD.” © American Mutoscope & Biograph Co.;

16Jan1904; H40943.

DUEL SCENE FROM “MACBETH.” © American Mutoscope & Biograph Co.;

24July1905; H63805.

DUET FROM “MARTHA” (FLOTOW). © Lubin Mfg. Co.; 5Feb1909; H122573.

DUKE AND DUCHESS OF CORNWALL AND YORK LANDING AT QUEENSTOWN, ONTARIO.

DUKE OF YORK AT MONTREAL AND QUEBEC. © Thomas A. Edison; 4Oct1901;

H9310.

THE DUKE’S JESTER; or, A FOOL’S REVENGE. © The Vitagraph Co. of

America; 12June1909; H128250.

THE DUKE’S PLAN. © Biograph Co.; 1c 12Feb1910; J138229.

A DULL RAZOR. © Thomas A. Edison; 28Feb1900; D4732.

A DUMB HERO, scenes 1–5. © Edison Mfg. Co.; 24July1908; H113885–89.

THE DUMB MESSENGER. © Independent Moving Picture Co.; 4Dec1911;

J163273.

THE DUMB WITNESS. © The Vitagraph Co. of America; 28Aug1908; H115156.

THE DUMB WOOING, scenes 1–4. © Thomas A. Edison, Inc.; 17Apr1912;

J168501–04.

DUMPING IRON ORE. © American Mutoscope & Biograph Co.; 5Dec1903;

H38859.

A DUTCH GOLD MINE. © Biograph Co.; 1c 3June1911; J156204.

THE DUTCH KIDDIES: MONTGOMERY AND STONE. © The Winthrop Moving Picture

Co.; 24May1907; H94485.

DUTY. © Independent Moving Picture Co.; 7Sept1911; J159748.

DUTY VERSUS REVENGE. © The Vitagraph Co. of America; 19Sept1908;

H115857.

THE DYNAMITE WAISTCOAT. © The Vitagraph Co. of America; 10Apr1909;

H125539.

THE DYNAMITER. © The World Film Mfg. Co.; 10Mar1908; H107213.

DYNAMITING RUINS AND PULLING DOWN WALLS IN SAN FRANCISCO [San

Francisco Earthquake]. © The Vitagraph Co. of America; 14May1906;

H77297.

EAGLE DANCE, PUEBLO INDIANS. © Thomas A. Edison; 24Feb1898; 13541.

THE EARLY MORNING ATTACK [Spanish-American War]. © Thomas A. Edison;

22Sept1899; 61216.

EAST LYNNE; or, LED ASTRAY. © The Vitagraph Co. of America; 1June1908;

H111203.

AN EAST RIVER NOVELTY. © Thomas A. Edison; 22Oct1903; H37247.

EAST SIDE DRIVE, no. 1–2. © Thomas A. Edison; 31Oct1896; 60140–41.

EAST SIDE URCHINS BATHING IN A FOUNTAIN. © Thomas A. Edison; 3Oct1903;

H36495.

THE EASTERNER; a tale of the West. © The Vitagraph Co. of America;

31July1907; H97474.

THE EASY CHAIR. © American Mutoscope & Biograph Co.; 8Jan1904; H40723.

EASY MONEY. © S. Lubin; 3Aug1907; H97638.

EATING FORCE. © American Mutoscope & Biograph Co.; 22May1903; H32107.

EATING MACARONI IN THE STREETS OF NAPLES. © Thomas A. Edison;

8June1903; H32452.

THE EAVESDROPPER. © American Mutoscope & Biograph Co.; 28Apr1909;

H126278.

ECCENTRICITIES OF AN ADIRONDACK CANOE. © American Mutoscope & Biograph

Co.; 10Apr1902; H16337.

THE ECLIPSE. © Geo. Méliès; 23Aug1907; H98713.

ECLIPSE CAR FENDER TEST, no. 1–2. © American Mutoscope & Biograph Co.;

12Sept1903; H35652.

EDDIE’S EXPLOIT, scenes 1–4. © Thomas A. Edison, Inc.; 1June1912;

J170191–94.

EDGAR ALLEN [i.e. ALLAN] POE. © American Mutoscope & Biograph Co.;

3Feb1909; H122509.

EDISON KINETOSCOPIC RECORD OF A SNEEZE, JANUARY 7, 1894. © W. K. L.

Dickson; 9Jan1894; 2887.

EDISON KINETOSCOPIC RECORDS. © W. K. L. Dickson; 9Apr1894; 10776.

EDNA’S IMPRISONMENT. © Thomas A. Edison, Inc.

Scene 1. © 9May1911; J155327.

Scene 2. © 19May1911; J155328.

Scene 3. © 9May1911; J155329.

Scene 4. © 9May1911; J155330.

THE EDUCATED CHIMPANZEE. © Thomas A. Edison; 31July1901; H7331.

EELING THROUGH ICE. © American Mutoscope & Biograph Co.; 18Apr1902;

H16724.

EFFECTING A CURE. © Biograph Co.; 1c 2Dec1910; J148460.

EGGS HATCHING. © American Mutoscope & Biograph Co.; 22Apr1902; H16922.

EGYPTIAN BOYS IN SWIMMING RACE. © Thomas A. Edison; 10June1903;

H32486.

EGYPTIAN FAKIR WITH DANCING MONKEY. © Thomas A. Edison; 8June1903;

H32453.

EGYPTIAN MARKET SCENE. © Thomas A. Edison; 17June1903; H32804.

THE EGYPTIAN MYSTERY, scenes 1–2. © Edison Mfg. Co.; 16July1909;

J129727–28.

EIFFEL TOWER FROM TROCADERO PALACE [Paris Exposition]. © Thomas A.

Edison; 9Aug1900; D16387.

18TH PENNSYLVANIA VOLUNTEERS [Spanish-American War]. © American

Mutoscope & Biograph Co.; 11June1903; H32495.

THE ELDER MISS SIMPKINS CALLS. © American Mutoscope & Biograph Co.;

9June1904; H46952.

ELDORA, THE FRUIT GIRL, scenes 1–4. © Edison Mfg. Co.; 27Dec1910;

J149815–18.

ELEANORE CUYLER, scenes 1–4. © Thomas A. Edison, Inc.; 2Jan1912;

J164572–75.

ELECTRIC LOCOMOTIVE TESTS, SCHENECTADY. © American Mutoscope &

Biograph Co.; 23Nov1904; H53668.

THE ELECTRIC MULE. © Thomas A. Edison; 29Aug1905; H64996.

ELECTRIC TOWER [Pan American Exposition, Buffalo]. © American

Mutoscope & Biograph Co.; 18Mar1903; H29469.

ELECTROCUTING AN ELEPHANT. © Thomas A. Edison; 12Jan1903; H26890.

THE ELEPHANT’S BATH. © American Mutoscope & Biograph Co.; 4Apr1903;

H30179.

ELEPHANTS SHOOTING THE CHUTES AT LUNA PARK [Coney Island]. © Thomas A.

Edison; 8June1904; H46916.

ELEPHANTS SHOOTING THE CHUTES, LUNA PARK, CONEY ISLAND, no. 2. ©

Thomas A. Edison; 30July1904; H48780.

ELEVATED RAILROAD, NEW YORK. © American Mutoscope & Biograph Co.;

24Feb1903; H28548.

THE ELEVENTH HOUR, scenes 1–3. © Edison Mfg. Co.; 4Mar1910;

J138956–58.

THE ELF KING; a Norwegian fairy tale. © The Vitagraph Co. of America;

9Nov1908; H118038.

ELK. © Charles J. Jones; 15Jan1906; H71990.

ELKS’ PARADE. © S. Lubin; 23July1907; H97039.

ELLA LOLA, A LA TRILBY [Dance]. © Thomas A. Edison; 7Oct1898; 59209.

THE ELOPEMENT. © American Mutoscope & Biograph Co.

THE ELOPEMENT. © Thos. A. Edison; 21Apr1897; 24884.

ELOPEMENT ON HORSEBACK. © Thomas A. Edison; 26Nov1898; 69081.

THE ELOPERS WHO DIDN’T ELOPE. © American Mutoscope & Biograph Co.;

23Mar1904; H43622.

ELOPING WITH AUNTY. © Biograph Co.; 22May1909; H127383.

EMERSON SCHOOL, CALISTHENICS. © American Mutoscope & Biograph Co.;

2May1904; H45151.

EMIGRANTS [i.e. IMMIGRANTS] LANDING AT ELLIS ISLAND. © Thomas A.

Edison; 24July1903; H33775.

EMPIRE STATE EXPRESS. © American Mutoscope & Biograph Co.; 25July1902;

H20217.

EMPIRE STATE EXPRESS, N. Y. CENTRAL R. R. © American Mutoscope Co.;

18Dec1896; 68807.

EMPIRE STATE EXPRESS, THE SECOND, TAKING WATER ON THE FLY. © Thomas A.

Edison; 17June1905; H62109.

THE EMPTY SLEEVE; or, MEMORIES OF BY-GONE DAYS. © The Vitagraph Co. of

America; 22May1909; H127350.

THE ENCHANTED DRAWING. © Thomas A. Edison; 16Nov1900; D21656.

THE ENCHANTED MATTRESS. © S. Lubin; 15Jan1907; H89402.

THE ENCHANTED SEDAN-CHAIR. © Geo. Méliès; 14July1905; H63325.

THE ENCHANTED WELL. © George Méliès; 25June1903; H32937.

L’ENCHANTEUR ALCROFRISBAS. © George Méliès; 19Nov1903; H38292.

END OF CAMERA FIEND. © Paley & Steiner; 2Dec1904; H53978.

THE ENGAGEMENT RING. © Biograph Co.; 1c 11Mar1912; J167110.

ENGINE AND PUMP. © American Mutoscope Co.; 7Jan1897; 3537.

THE ENGINEER. © S. Lubin; 16Sept1908; H115777.

THE ENGINEER’S ROMANCE, scenes 1–4. © Edison Mfg. Co.; 7Jan1910;

J137017–20.

ENGLISH LANCERS CHARGING [Boer War]. © Thomas A. Edison; 28Apr1900;

D9116.

ENGLISH STAG HUNT. © Imp Films Co.; 18May1912; J169377.

THE ENGLISHMAN AND THE GIRL. © Biograph Co.; 1c 21Feb1910; J138587.

AN ENGLISHMAN’S TRIP TO PARIS FROM LONDON. © American Mutoscope &

Biograph Co.; 28Oct1904; H52229.

ENOCH ARDEN, part 2. © Biograph Co.; 1c 17June1911; J156633.

ENOCH ARDEN, parts 1–3. © Biograph Co.; 1c 13June1911; J156550.

EPILEPTIC SEIZURE. © Walter G. Chase.

1–6. © 10Nov1905; H68449–54.

7. © 16Nov1905; H68797.

EPILEPTIC SEIZURE, no. 8. © Walter G. Chase; 13Jan1906; H71845.

EPILEPTIC SEIZURE, no. 9. © American Mutoscope & Biograph Co.;

14Apr1906; H75692.

EQUAL TO THE EMERGENCY, scenes 1–4. © Edison Mfg. Co.; 5July1910;

J143141–44.

AN EQUINE HERO, scenes 1–4. © Edison Mfg. Co.; 11Feb1910; J138277–80.

ERADICATING AUNTY. © Biograph Co.; 28May1909; H127700.

ERUPTION OF MT. VESUVIUS. © American Mutoscope & Biograph Co.;

2May1906; H76577.

THE ESCALTA, MANILA. © American Mutoscope & Biograph Co.; 19Aug1903;

H34817.

THE ESCAPE FROM BONDAGE, scenes 1–4. © Thomas A. Edison, Inc.;

26July1912; J171941–44.

ESCAPE FROM SING SING. © American Mutoscope & Biograph Co.; 7Feb1903;

H27977.

THE ESCAPE FROM SING SING. © The Vitagraph Co. of America; 30Sept1905;

H66725.

AN ESCAPE FROM THE FLAMES. © American Mutoscope & Biograph Co.;

6Apr1904; H44208.

THE ESCAPED LUNATIC. © American Mutoscope & Biograph Co.; 12Jan1904;

H40805.

THE ESCAPED LUNATIC, scenes 1–4. © Thomas A. Edison, Inc.; 13Sept1911;

J159988–91.

THE ESCAPED MELODY. © Lubin Mfg. Co.; 5Mar1909; H123654.

ESKIMOS IN LABRADOR, scenes 1–4. © Thomas A. Edison, Inc.; 13Dec1911;

J164278–81.

ESPLANADE DES INVALIDES [Paris Exposition]. © Thomas A. Edison;

9Aug1900; D16379.

ESQUIMAUX GAME OF SNAP-THE-WHIP [Pan American Exposition, Buffalo]. ©

Thomas A. Edison; 9Aug1901; H7499.

ESQUIMAUX LEAP-FROG [Pan American Exposition, Buffalo]. © Thomas A.

Edison; 9Aug1901; H7500.

ESQUIMAUX VILLAGE [Pan American Exposition, Buffalo]. © S. Lubin;

10July1901; H5886.

THE ESQUIMAUX VILLAGE [Pan American Exposition, Buffalo]. © Thomas A.

Edison; 31July1901; H7327.

THE ETERNAL MOTHER. © Biograph Co.; 1c 13Jan1912; J164577.

ETHEL’S LUNCHEON, scenes 1–3. © Edison Mfg. Co.; 3Sept1909;

J131484–86.

EUGENE WRAYBURN, scenes 1–4. © Thomas A. Edison, Inc.; 3Oct1911;

J160724–27.

EUROPEAN REST CURE. © Thomas A. Edison; 1Sept1904; H49807.

AN EVENTFUL EVENING, scenes 1–4. © Edison Mfg. Co.; 24Jan1911;

J151479–82.

EVERY DAY IS SUNSHINE WHEN THE HEART BEATS TRUE. © S. Lubin; 2Oct1903;

H36486.

EVERY ROSE HAS ITS STEM, scenes 1–4. © Thomas A. Edison, Inc.;

11May1912; J169294–97.

EVERYBODY WORKS BUT FATHER, scenes 1–5. © Thomas A. Edison; 22Nov1905;

H68947–51.

EVERYBODY WORKS BUT FATHER (BLACKFACE). © American Mutoscope &

Biograph Co.; 1Nov1905; H68149.

EVERYBODY WORKS BUT FATHER (WHITEFACE). © American Mutoscope &

Biograph Co.; 13Oct1905; H68124.

EVERYBODY WORKS BUT MOTHER. © American Mutoscope & Biograph Co.;

30Dec1905; H71424.

EVERYBODY WORKS BUT MOTHER. © Winthrop Press; 22May1906; H78024.

EVERYTHING COMES TO HIM WHO WAITS, scenes 1–4. © Thomas A. Edison,

Inc.; 21Feb1912; J166650–53.

THE EVICTION. © American Mutoscope & Biograph Co.; 23June1904; H47465.

THE EVIDENCE WAS AGAINST HIM. © American Mutoscope & Biograph Co.;

10Apr1902; H16343.

THE EVIL ART; or, GAMBLING EXPOSED, parts 1–3. © Eureka Feature Film

Co.; 1c 7Aug1912; J172399.

THE EVIL THAT MEN DO. © The Vitagraph Co. of America; 28Aug1909;

J131117.

THE EVOLUTION OF MAN—AN EDUCATED CHIMPANZEE. © S. Lubin; 10July1901;

H5887.

EVOLUTION OF THE JAPANESE; from a curio-box to a world power in 50

years. © S. Lubin; 7Apr1905; H58984.

THE EX-CONVICT. © Thomas A. Edison; 19Nov1904.

Leaving home. H53489.

The burglary. H53490.

Discharged. H53491.

Looking for employment. H53492.

Discouraged. H53493.

Desperation. H53494.

A friend at last. H53495.

The rescue. H53496.

EX-CONVICT NO. 900, scenes 1–7. © Edison Mfg. Co.; 16Oct1908;

H117094–100.

EXAMINATION DAY AT SCHOOL. © Biograph Co.; 1c 30Sept1910; J145990.

EXCAVATING FOR A NEW YORK FOUNDATION. © American Mutoscope & Biograph

Co.; 25Nov1903; H38561.

EXCAVATING SCENE AT THE PYRAMIDS OF SAKKARAH. © Thomas A. Edison;

17June1903; H32799.

EXCAVATION FOR SUBWAY. © American Mutoscope & Biograph Co.; 11Mar1903;

H29161.

EXCHANGE OF MAIL AT RURAL P. O., U.S.P.O. © American Mutoscope &

Biograph Co.; 22Aug1903; H34982.

EXCURSION BOATS, NAVAL PARADE [Spanish-American War; New York City

Welcome to Admiral Sampson’s Fleet after Battle of Santiago Bay]. ©

Thomas A. Edison; 3Sept1898; 52052.

AN EXECUTION BY HANGING. © American Mutoscope & Biograph Co.;

12Dec1905; H69962.

EXECUTION OF A SPY. © American Mutoscope & Biograph Co.; 9Dec1902;

H24896.

EXECUTION OF CZOLGOSZ, WITH PANORAMA OF AUBURN PRISON [Leon Czolgosz,

President McKinley’s Assassin]. © Thomas A. Edison; 9Nov1901;

H10605.

EXECUTIVE CLEMENCY. © Independent Moving Picture Co.; 23Nov1911;

J162975.

“EXEMPT” OF BROOKLYN, N. Y. © American Mutoscope & Biograph Co.;

24Apr1903; H30747.

EXHIBITION DRILL, NEW YORK FIREMEN, UNION SQUARE. © American Mutoscope

& Biograph Co.; 17June1904; H47294.

EXHIBITION OF PRIZE WINNERS. © Thomas A. Edison; 25Oct1897; 60595.

EXPELLED FROM THE CLUB: THE LADIES OF THE CLUB. © American Mutoscope &

Biograph Co.; 16Dec1904; H54332.

EXPERT BAG PUNCHING. © American Mutoscope & Biograph Co.; 28July1903;

H33886.

EXPERT GLASS BLOWING, scenes 1–3. © Edison Mfg. Co.; 8Oct1909;

J133000–02.

THE EXPIATION. © Biograph Co.; 1c 23Oct1909; J133582.

EXPLODING A WHITEHEAD TORPEDO. © Thomas A. Edison; 12May1900; D10161.

THE EXTENSION WARDROBE. © S. Lubin; 1July1901; H5693.

THE EXTRA TURN. © Thomas A. Edison; 3Oct1903; H36496.

EXTRAORDINARY ILLUSIONS. © George Méliès; 6Nov1903; H37666.

EYES THAT SAW. © Gaumont Co.; 29July1912; J171761.

THE FACE AT THE WINDOW. © Biograph Co.; 1c 18June1910; J142395.

THE FACE AT THE WINDOW. © S. Lubin; 25Sept1908; H116151.

THE FACE ON THE BARROOM FLOOR, scenes 1–4. © Edison Mfg. Co.;

18July1908; H113619–22.

FACIAL EXPRESSION. © Thomas A. Edison; 27Jan1902; H13362.

FADED FLOWERS. © Lubin Mfg. Co.; 8Apr1909; H125493.

FADED LILIES. © Biograph Co.; 12June1909; H128253.

THE FAILURE. © Biograph Co.; 1c 8Dec1911; J163469.

FAINT HEART NEVER WON FAIR LADY. SEE A Noble Jester.

A FAIR EXCHANGE. © Biograph Co.; 22Sept1909; J132094.

A FAIR EXCHANGE IS NO ROBBERY. © Thomas A. Edison; 28June1899; 42265.

THE FAIRIE’S BANQUET, scenes 1–4. © Thomas A. Edison, Inc.; 25Oct1911;

J161694–97.

THE FAIRYLAND. © George Méliès; 3Sept1903.

The Prince. H35344.

The Lords. H35345.

The Boudoir of Princess Azurine. H35346.

The Armory of the Castle. H35347.

The Vision. H35348.

The Royal Galley. H35349.

The Bottom of the Sea. H35350.

The Submarine Cave. H35351.

The Entrance of the Cavern. H35352.

The Neptune’s Empire. H35353.

The Devil’s Castle. H35354.

The Palace of the King. H35355.

THE FAIRYLAND; or, THE KINGDOM OF THE FAIRIES. © George Méliès;

4Sept1903; H35378.

THE FAIRYLAND; or, THE KINGDOM OF THE FAIRIES. (LE ROYAUME DES FÉES.)

FAITHFUL. © Biograph Co.; 1c 28Mar1910; J139617.

A FAITHFUL FOOL. © The Vitagraph Co. of America; 10Apr1909; H125543.

THE FAITHFUL HUSBAND: A LOVING COUPLE. © American Mutoscope & Biograph

Co.; 16Dec1904; H54331.

A FAITHFUL WIFE. © S. Lubin; 16Mar1908; H107539.

FAKE BEGGAR. © Thomas A. Edison; 5Aug1898; 46697.

THE FAKE BLIND MAN. © S. Lubin; 27May1905; H61367.

A FAKE DIAMOND SWINDLER. © Geo. Méliès; 20Apr1908; H109547.

THE FAKE WINDSTORM. © S. Lubin; 28Apr1908; H109923.

FALL OF BLACK HAWK. © American Film Mfg. Co.; 20June1912; J170709.

THE FALLEN IDOL, scenes 1–3. © Edison Mfg. Co.; 28Dec1909; J136744–46.

THE FALLING ARROW. © Lubin Mfg. Co.; 8Apr1909; H125494.

THE FALLING OUT. © Independent Moving Picture Co.; 13Nov1911; J162532.

FALLS OF MINNEHAHA. © Thomas A. Edison; 31July1897; 43416.

A FALSE ACCUSATION; a story of paternal devotion. © The Vitagraph Co.

of America; 29Apr1909; H126307.

A FALSE ALARM IN THE DRESSING ROOM. © American Mutoscope & Biograph

Co.; 12Sept1903; H35627.

FALSE TO BOTH. © Imp Films Co.; 11Apr1912; J168198.

FALSELY ACCUSED. © S. Lubin; 16Sept1908; H115778.

A FAMILY OF VEGETARIANS, scenes 1–4. © Edison Mfg. Co.; 28Dec1910;

J150731–34.

A FAMILY OUTING. © S. Lubin; 6Apr1907; H92385.

FAMILY TROUBLES. © American Mutoscope & Biograph Co.; 24Apr1903;

H30719.

A FAMOUS DUEL, scenes 1–4. © Thos. A. Edison, Inc.; 19July1911;

J158337–40.

A FAMOUS ESCAPE. © American Mutoscope & Biograph Co.; 3Apr1908;

H108356.

FANCHON THE CRICKET. © Universal Film Mfg. Co.; 17June1912; J170266.

FANCY DRIVING. © American Mutoscope & Biograph Co.

FANTINE; or, A MOTHER’S LOVE. © The Vitagraph Co. of America;

25Sept1909; J132298.

FAR FROM THE BEATEN TRACK. © Imp Films Co.; 4Mar1912; J166914.

FAR FROM THE MADDING CROWD, scenes 1–3. © Edison Mfg. Co.; 17Aug1909;

J130831–33.

THE FARMER AND THE BAD BOYS. © Thomas A. Edison; 22Aug1901; H8014.

FARMER KISSING THE LEAN GIRL. © Thomas A. Edison; 3Sept1898; 52061.

FARMER OATCAKE HAS HIS TROUBLES. © American Mutoscope & Biograph Co.;

10Apr1902; H16356.

THE FARMER’S DAUGHTER, scenes 1–4. © Edison Mfg. Co.; 7Oct1910;

J146428–31.

THE FARMER’S DAUGHTER; or, THE WAGES OF SIN. © The Vitagraph Co. of

America; 30Jan1908; H105647.

A FARMER’S IMITATION OF CHING LING FOO. © American Mutoscope &

Biograph Co.; 9Dec1902; H24894.

THE FARMER’S TROUBLES. © Thomas A. Edison; 8Jan1897; 3845.

THE FASCINATING MRS. FRANCIS. © American Mutoscope & Biograph Co.;

22Jan1909; H121876.

FAST MAIL, NORTHERN PACIFIC R. R. © Thomas A. Edison; 6Dec1897; 68009.

FASTEST WRECKING CREW IN THE WORLD. © American Mutoscope & Biograph

Co.; 11June1903; H32498.

THE FAT AND LEAN WRESTLING MATCH. © Thomas A. Edison; 14Dec1901;

H11474.

FAT BATHER AND TREACHEROUS SPRINGBOARD. © American Mutoscope &

Biograph Co.; 18July1903; H33545.

THE FAT GIRL’S LOVE AFFAIR. © American Mutoscope & Biograph Co.;

3Nov1905; H68184.

THE FATAL BALL. © Geo. Méliès; 8Dec1909; J135202.

THE FATAL CARD. © S. Lubin; 6Apr1908; H108431.

THE FATAL CHOCOLATE. © Biograph Co.; 1c 20Feb1912; J166565.

A FATAL FLIRTATION. © Lubin Mfg. Co.; 20Mar1909; H124442.

THE FATAL HOUR. © American Mutoscope & Biograph Co.; 8Aug1908;

H114372.

A FATAL LIE, parts 1–3. © Ingvald C. Oes; 1c 26Feb1912; J166646–48.

THE FATAL LIKENESS. © S. Lubin; 6July1908; H112819.

A FATAL PRACTICAL JOKE. SEE The Price She Paid.

A FATAL TEMPTATION. © S. Lubin; 16Sept1908; H115781.

FATALITY, parts 1–2. © Société Francaise des Films & Cinematographes

“Eclair”, Paris, France; 1c 22July1912; J171408.

THE FATE OF A GOSSIP. © American Mutoscope & Biograph Co.; 21July1903;

H33647.

THE FATE OF THE ARTIST’S MODEL. © American Mutoscope & Biograph Co.;

26Oct1903.

No. 1. H37317.

No. 2. H37316.

No. 3. H37319.

No. 4. H37315.

No. 5. H37318.

FATE’S INTERCEPTION. © Biograph Co.; 1c 8Apr1912; J167954.

FATE’S TURNING. © Biograph Co.; 1c 25Jan1911; J151150.

THE FATHER, scenes 1–4. © Thomas A. Edison, Inc.; 1July1912;

J170770–73.

FATHER AND SON. SEE Forgiven.

FATHER GETS IN THE GAME. © American Mutoscope & Biograph Co.;

1Oct1908; H116386.

FATHER’S BLUFF, scenes 1–4. © Thomas A. Edison, Inc.; 24Jan1912;

J165381–84.

FATHER’S DRESS SUIT, scenes 1–4. © Thomas A. Edison, Inc.; 7June1911;

J156534–37.

FATHER’S FIRST HALF-HOLIDAY, scenes 1–3. © Edison Mfg. Co.; 3Apr1909;

H125278–80.

FATHER’S GLUE. © Lubin Mfg. Co.; 18May1909; H127185.

FATHER’S QUIET SUNDAY. © The Vitagraph Co. of America; 10July1907;

H96441.

FAUST, scenes 1–5. © Edison Mfg. Co.; 24Dec1909; J136439–43.

FAUST AND MARGUERITE. © Thomas A. Edison; 28Feb1900; D4734.

FAUST AUX ENFERS. © George Méliès; 11Dec1903; H39289.

FAUST ET MARGUERITE. © Geo. Méliès; 31Mar1904.

562–574–1 & 1 bis.; H44097.

562–574–2 & 2 bis.; H44096.

FAUST FAMILY OF ACROBATS. © Thomas A. Edison; 16Sept1901; H8690.

THE FEAST OF BELSHAZZAR. © I. Bernstein; 1c 23Jan1913; J177701.

FEEDING GEESE AT NEWMAN’S POULTRY FARM. © Thomas A. Edison; 27Jan1902;

H13360.

FEEDING PIGEONS IN FRONT OF ST. MARK’S CATHEDRAL, VENICE, ITALY. ©

Thomas A. Edison; 8June1903; H32451.

FEEDING SEA GULLS. © Thomas A. Edison; 10Mar1898; 16429.

FEEDING THE BEAR AT THE MENAGERIE. © Thomas A. Edison; 16Apr1902;

H16655.

FEEDING THE DOVES. © Thomas A. Edison; 23Oct1896; 58470.

FEEDING THE RUSSIAN BEAR. © American Mutoscope & Biograph Co.;

2Nov1903; H37497.

FEMALE CROOK AND HER EASY VICTIM. © American Mutoscope & Biograph Co.;

1Sept1905; H65078.

A FEMALE FIRE DEPARTMENT. © S. Lubin; 16Dec1908; H119726.

THE FEMALE OF THE SPECIES. © Biograph Co.; 1c 13Apr1912; J168165.

THE FEMALE POLITICIAN, MRS. BELL, IS NOMINATED FOR MAYOR. © The

Vitagraph Co. of America; 21July1908; H113729.

FENCING CLASS, MISSOURI VALLEY COLLEGE. © American Mutoscope &

Biograph Co.; 10May1904; H45595.

FENTON OF THE 42ND, scenes 1–4. © Edison Mfg. Co.; 14Dec1909;

J136005–8.

FERRYBOAT AND TUG PASSING GOVERNORS ISLAND, NEW YORK HARBOR, no. 128.

FERRYBOAT ENTERING SLIP. © American Mutoscope & Biograph Co.;

9Dec1902; H24887.

THE FEUD AND THE TURKEY. © American Mutoscope & Biograph Co.;

3Dec1908; H119109.

A FEW MINUTES WITH STEEPLEJACK LINDHOLM. © Independent Moving Picture

Co.; 30Oct1911; J162088.

On same reel with His Dress Shirt.

THE FICKLE SPANIARD. © Biograph Co.; 1c 3May1912; J168889.

15TH INFANTRY. © American Mutoscope & Biograph Co.; 21May1902; H17970.

FIFTH AVENUE, NEW YORK. © Thomas A. Edison; 5Mar1897; 15443.

A FIFTY MILE RAMBLE THROUGH THE THOUSAND ISLANDS, ST. LAWRENCE RIVER,

scenes 1–4. © Thomas A. Edison, Inc.; 17Jan1912; J165003–06.

A FIGHT FOR A BRIDE. © American Mutoscope & Biograph Co.; 7Dec1905;

H69579.

THE FIGHT FOR FREEDOM. © American Mutoscope & Biograph Co.;

16July1908; H113480.

A FIGHT FOR LOVE. SEE The Other Fellow.

FIGHT IN THE DORMITORY. © American Mutoscope & Biograph Co.;

27Feb1904; H42805.

FIGHTING BLOOD. © Biograph Co.; 1c 1July1911; J157258.

THE FIGHTING CIGAR. © Lubin Mfg. Co.; 17June1909; H128496.

THE FIGHTING PARSON. © S. Lubin; 9Nov1908; H118063.

FIGHTING THE FIRE. © Thomas A. Edison; 27Nov1896; 64785.

FIGHTING THE FLAMES [An Attraction at Coney Island]. © American

Mutoscope & Biograph Co.; 28July1904; H48619.

FIGHTING THE FLAMES, DREAMLAND [An Attraction at Coney Island]. ©

American Mutoscope & Biograph Co.; 12Aug1904; H49061.

FIGHTS OF NATIONS. © American Mutoscope & Biograph Co.; 18Feb1907;

H90564.

A FILIPINO COCK FIGHT. © American Mutoscope & Biograph Co.; 21May1902;

H17972.

FILIPINO SCOUTS, MUSICAL DRILL, ST. LOUIS [Louisiana Purchase

Exposition]. © American Mutoscope & Biograph Co.; 17June1904;

H47292.

FILIPINOS RETREAT FROM TRENCHES [Spanish-American War]. © Thomas A.

Edison; 5June1899; 37444.

THE FINAL SETTLEMENT. © Biograph Co.; 1c 3Mar1910; J138843.

FINE FEATHERS MAKE FINE BIRDS. © American Mutoscope & Biograph Co.;

25Aug1905; H64926.

FINE FEATHERS MAKE FINE BIRDS. SEE Borrowed Clothes.

THE FINISH OF BRIDGET MCKEEN. © Thomas A. Edison; 1Mar1901; H1493.

FINISH OF FUTURITY, 1901. © American Mutoscope & Biograph Co.;

21May1902; H17971.

FINISH OF THE FIRST RACE, AUG. 22 [America’s Cup Races: Reliance and

Shamrock III]. © American Mutoscope & Biograph Co.; 27Aug1903;

H35070.

FINISH OF YACHT RACE, AUG. 25TH [America’s Cup Races: Reliance and

Shamrock III]. © American Mutoscope & Biograph Co.; 4Sept1903;

H35397.

FINISHING TOUCHES. © American Mutoscope & Biograph Co.; 14June1902;

H19017.

FIRE, ADAMS EXPRESS OFFICE. © American Mutoscope & Biograph Co.;

6Apr1904; H44210.

FIRE AND FLAMES AT LUNA PARK, CONEY ISLAND [An Attraction at Coney

Island]. © Thomas A. Edison; 15Aug1904; H49193.

THE FIRE-BUG. © American Mutoscope & Biograph Co.; 5Aug1905; H64038.

FIRE DEPARTMENT, FALL RIVER, MASS. © American Mutoscope & Biograph

Co.; 11June1903; H32501.

FIRE DEPARTMENT, NEW HAVEN, CONN. © American Mutoscope Co.; 7Jan1897;

3535.

FIRE DEPARTMENT, N. Y. CITY, 1ST AND 2ND ALARMS. © American Mutoscope

Co.; 11Nov1896; 61794.

THE FIRE DEPARTMENT OF NEW YORK CITY, scenes 1–3. © Edison Mfg. Co.;

6Jan1911; J150735–37.

A FIRE IN A BURLESQUE THEATRE. © American Mutoscope & Biograph Co.;

22Mar1904; H43565.

FIRE IN NEW YORK’S BOWERY. © S. Lubin; 4Oct1905; H66871.

THE FIRE OF LIFE, parts 1–2. © Ingvald C. Oes; 1c 23Apr1912;

J168484–85.

FIRE RUN, COLON FIRE DEPARTMENT UNDER COCOANUT TREE. © Thomas A.

Edison; 12Apr1907; H92570.

FIREBOAT “NEW YORKER” ANSWERING AN ALARM. © Thomas A. Edison;

20May1903; H32036.

FIREBOAT “NEW YORKER” IN ACTION. © Thomas A. Edison; 20May1903;

H32035.

THE FIREFALL. © Geo. Méliès; 29Dec1904; H55064.

FIRESIDE REMINISCENCES, scenes 1–5. © Edison Mfg. Co.; 23Jan1908;

H105415–19.

FIRING BY SQUAD, GATLING GUN. © Thomas A. Edison; 20Dec1897; 71220.

FIRING 10 INCH GUN. © American Mutoscope & Biograph Co.; 24Apr1903;

H30721.

FIRING THE CABIN. © American Mutoscope & Biograph Co.; 21Sept1903;

H35880.

FIRING THE COOK. © American Mutoscope & Biograph Co.; 2Nov1903;

H37500.

FIRST AVENUE, SEATTLE, WASHINGTON, no. 8. © Thomas A. Edison;

25Oct1897; 60554.

THE FIRST BABY. © American Mutoscope & Biograph Co.; 28July1904;

H48626.

THE FIRST QUARREL. © S. Lubin; 3Aug1907; H97637.

THE FIRST SLEIGH-RIDE. © Thomas A. Edison; 8Jan1897; 3846.

A FISH STORY. © The Vitagraph Co. of America; 12Nov1907; H102386.

FISHER FOLKS. © Biograph Co.; 1c 18Feb1911; J152253.

THE FISHERMAN; or, MEN MUST WORK AND WOMEN MUST WEEP. © The Vitagraph

Co. of America; 7Sept1909; J131469.

THE FISHERMAN AND HIS SWEETHEART, parts 1–3. © Ingvald C. Oes; 1c

22Mar1912; J167403–05.

FISHERMAN, EELS OR SNAKES. © Paley & Steiner; 20Jan1905; H56277.

FISHERMAN’S LUCK. © Thomas A. Edison; 20Sept1897; 52618.

FISHERMAN’S WHARF. © Thomas A. Edison; 25Oct1897; 60562.

FISHING AT FARALONE ISLAND. © Thomas A. Edison; 6Jan1902; H12584.

FISHING INDUSTRY AT GLOUCESTER, MASS., scenes 1–4. © Edison Mfg. Co.;

31Dec1909; J136740–43.

FISHING SMACKS. © Thomas A. Edison; 25Oct1897; 60563.

FITZSIMMONS AND RUHLIN FIGHT. SEE Life Motion Photographs of the

FitzSimmons and Ruhlin Fight.

FITZSIMMONS AND SHARKEY FIGHT. SEE Reproduction of the FitzSimmons and

Sharkey Fight.

FITZSIMMONS-JEFFRIES FIGHT. SEE Reproduction of the

FitzSimmons-Jeffries Fight in Eleven Rounds Showing the Knock Out.

FITZSIMMONS-O’BRIEN FIGHT. SEE Impersonation of the

FitzSimmons-O’Brien Fight.

A FIVE CENT TROLLEY RIDE. SEE On a Good Old Five Cent Trolley Ride.

FIVE HUNDRED DOLLARS REWARD. © Biograph Co.; 1c 23Aug1911; J159203.

FIVE MINUTES TO TRAIN TIME. © American Mutoscope & Biograph Co.;

12Apr1902; H16388.

THE FLAG. © American Mutoscope & Biograph Co.; 25June1903; H32942.

FLAG DANCE. © American Mutoscope & Biograph Co.; 21May1903; H32079.

FLAG OF DISTRESS. © Imp Films Co.; 20Jan1912; J164579.

On same reel with I Wish I Had A Girl.

FLAGS AND FACES OF ALL RACES. © The Vitagraph Co. of America;

22Dec1905; H70570.

FLAGSHIP “NEW YORK” [Spanish-American War]. © Thomas A. Edison;

22Apr1898; 25562.

A FLASH OF LIGHT. © Biograph Co.; 1c 20July1910; J143387.

THE FLAT DWELLERS. © The Vitagraph Co. of America; 2Feb1906; H72723.

THE FLAT DWELLERS; or, THE HOUSE OF TOO MUCH TROUBLE. © The Vitagraph

Co. of America; 20Apr1907; H92837.

THE FLEET STEAMING UP NORTH RIVER [Spanish-American War; New York City

Welcome to Admiral Sampson’s Fleet after Battle of Santiago Bay]. ©

Thomas A. Edison; 3Sept1898; 52047.

A FLIRTATION. © American Mutoscope & Biograph Co.; 10Apr1902; H16336.

A FLIRTATION: TABLE D’HOTE. © American Mutoscope & Biograph Co.;

16Dec1904; H54360.

FLIRTING BY THE SEA SIDE. © George Méliès; 2Oct1906; H83353.

THE “FLOAT,” WAIKIKI, HONOLULU, HAWAIIAN ISLANDS. © Thomas A. Edison;

13Nov1906; H85055.

THE FLOATING OF THE BATTLESHIP “MAINE.” © Raising the Maine Film Co.;

1c 8Mar1912; J167063.

A FLOCK OF EXPORT SHEEP. © American Mutoscope & Biograph Co.;

11May1903; H31669.

FLOCK OF SHEEP. © American Mutoscope & Biograph Co.; 14June1902;

H19016.

FLOOD SCENE IN PATERSON, N. J. © Thomas A. Edison; 16Oct1903; H36824.

FLOSSIE’S NEW PEACH-BASKET HAT. © Lubin Mfg. Co.; 18May1909; H127186.

FLOUR AND FEED. © American Mutoscope & Biograph Co.; 5Feb1904; H41857.

THE FLOWER GIRL. © The Vitagraph Co. of America; 21Apr1908; H109581.

THE FLOWER GIRL OF PARIS. © The Vitagraph Co. of America; 9Dec1908;

H119444.

FLUFFY RUFFLES. © S. Lubin; 5Aug1908; H114299.

FLY PAPER, scenes 1–3. © Edison Mfg. Co.; 18July1908; H113616–113618.

THE FLYING CIRCUS, parts 1–4. © Nordisk Films Co.; 1c 4May1912;

J168891–94.

FLYING TRAIN. © American Mutoscope & Biograph Co.; 24Apr1903; H30736.

A FLYING WEDGE. © American Mutoscope & Biograph Co.; 4Apr1903; H30177.

FOLLOW THE LEADER. © Thomas A. Edison; 23Feb1901; H1403.

A FOOL AND HIS MONEY. © S. Lubin; 16Mar1908; H107540.

A FOOL AND HIS MONEY ARE SOON PARTED; or, THE PRODIGAL SON UP-TO-DATE.

A FOOL FOR LUCK, scenes 1–4. © Edison Mfg. Co.; 26Oct1908; H117482–85.

FOOLS OF FATE. © Biograph Co.; 1c 7Oct1909; J132811.

A FOOL’S REVENGE. © American Mutoscope & Biograph Co.; 8Mar1909;

H123743.

A FOOL’S REVENGE. SEE The Duke’s Jester.

FOOTBALL GAME: WEST POINT VS. ANNAPOLIS. © American Mutoscope &

Biograph Co.; 26May1902; H18125.

A FOOTBALL WARRIOR, scenes 1–6. © Edison Mfg. Co.; 30Oct1908;

H117660–65.

THE FOOTLIGHTS ON THE FARM, scenes 1–4. © Edison Mfg. Co.; 27Sept1910;

J146039–42.

FOR A WIFE’S HONOR. © American Mutoscope & Biograph Co.; 19Aug1908;

H114858.

FOR HER COUNTRY’S SAKE. © The Vitagraph Co. of America; 29Apr1909;

H126309.

FOR HER SAKE; or, TWO SAILORS AND A GIRL. © The Vitagraph Co. of

America; 9Oct1909; J133022.

FOR HER SISTER’S SAKE, scenes 1–4. © Edison Mfg. Co.; 12Apr1910;

J140534–37.

FOR HER SWEETHEART’S SAKE. © The Vitagraph Co. of America; 10Aug1909;

J130637.

FOR HE’S A JOLLY GOOD FELLOW. © The Vitagraph Co. of America;

3Mar1908; H106921.

FOR HIS SISTER’S SIN. © S. Lubin; 18Sept1908; H115822.

FOR HIS SON. © Biograph Co.; 1c 22Jan1912; J165127.

FOR LOVE OF GOLD. © American Mutoscope & Biograph Co.; 11Aug1908;

H114479.

FOR SALE—A BABY. © Geo. Méliès; 3Nov1909; J133581.

FOR THE CAUSE OF SUFFRAGE. © Geo. Méliès; 13Oct1909; J133027.

FOR THE CAUSE OF THE SOUTH, scenes 1–4. © Thomas A. Edison, Inc.;

26Jan1912; J165373–76.

FOR THE COMMONWEALTH, scenes 1–4. © Thomas A. Edison, Inc.; 15Mar1912;

J167302–05.

FOR THE QUEEN, scenes 1–4. © Thomas A. Edison, Inc.; 13Sept1911;

J159992–95.

FOR VALOUR, scenes 1–4. © Thomas A. Edison, Inc.; 12July1912;

J171206–09.

THE FORBIDDEN CITY, PEKIN. © American Mutoscope & Biograph Co.;

19Aug1903; H34805.

FORDING THE RIVER NILE ON DONKEYS. © Thomas A. Edison; 11June1903;

H32506.

THE FORECASTLE OF THE “KEARSARGE” IN A HEAVY SEA. © American Mutoscope

& Biograph Co.; 3Jan1905; H55393.

FORECASTLE TOM. © Lubin Mfg. Co.; 5Feb1909; H122574.

A FORESTER MADE KING. © Geo. Méliès; 20Nov1907; H102683.

THE FORESTER’S REMEDY. © Geo. Méliès; 29July1908; H113976.

THE FORGED WILL. © S. Lubin; 5Aug1908; H114303.

FORGIVEN; or, FATHER AND SON. © The Vitagraph Co. of America;

10Apr1909; H125544.

FORGIVEN: A YOUNG LADY. © American Mutoscope & Biograph Co.;

16Dec1904; H54333.

FORGOTTEN UMBRELLA: I MUST HURRY TO THE OFFICE. © American Mutoscope &

Biograph Co.; 16Dec1904; H54347.

THE FORGOTTEN WATCH. © S. Lubin; 18Nov1908; H118458.

FORTUNE AND MISFORTUNE. SEE The Diamond Maker.

THE FORTUNE FAVORS THE BRAVE. © Geo. Méliès; 1Dec1909; J135016.

THE FORTUNE TELLER. © S. Lubin; 26June1907; H95576.

FORTUNE’S FOOL, scenes 1–3. © Edison Mfg. Co.; 24May1910; J141777–79.

48TH HIGHLANDERS REGIMENT. © American Mutoscope & Biograph Co.;

13July1903; H33406.

FORTY WINKS; or, A STRENUOUS DREAM. © The Vitagraph Co. of America;

22May1907; H94339.

THE FOSTER MOTHER. © American Mutoscope & Biograph Co.; 12Apr1902;

H16385.

FOUGERE. © American Mutoscope & Biograph Co.; 7June1902; H18745.

FOUL PLAY. © The Vitagraph Co. of America; 15Dec1906; H86514.

FOUL PLAY. © Thomas A. Edison, Inc.; 6Oct1911.

Part 1. Scenes 1–4. J160732–35.

Part 2. Scenes 1–4. J160736–39.

Part 3. Scenes 1–4. J160740–43.

THE FOUNDLING. © S. Lubin; 23Oct1907; H101549.

THE FOUNDLING—A DRESSING ROOM WAIF. © The Vitagraph Co. of America;

26May1909; H127598.

THE FOUNTAIN OF YOUTH. © The Vitagraph Co. of America; 20Aug1907;

H98480.

FOUR BEAUTIFUL PAIRS. © American Mutoscope & Biograph Co.; 11Feb1904;

H42043.

THE FOUR SEASONS. © American Mutoscope & Biograph Co.; 2Feb1904;

H41758.

THE 14TH SIKHS. © American Mutoscope & Biograph Co.; 18Apr1902;

H16740.

14TH U. S. INFANTRY DRILLING AT THE PRESIDIO [Spanish-American War]. ©

Thomas A. Edison; 22June1898; 38217.

THE FOURTH GHORKHAS. © American Mutoscope & Biograph Co.; 13Aug1903;

H34520.

THE FOX HUNT. © American Mutoscope & Biograph Co.; 16Oct1906; H83896.

THE FOX HUNT, scenes 1–2. © Edison Mfg. Co.; 16Nov1909; J135208–9.

FOXY GRANDPA AND POLLY IN A LITTLE HILARITY. © American Mutoscope &

Biograph Co.; 23May1902; H18034.

FOXY GRANDPA SHOWS THE BOYS A TRICK OR TWO WITH THE TRAMP. © American

Mutoscope & Biograph Co.; 23May1902; H18033.

FOXY GRANDPA TELLS THE BOYS A FUNNY STORY. © American Mutoscope &

Biograph Co.; 23May1902; H18039.

FOXY GRANDPA THUMB BOOK. © American Mutoscope & Biograph Co.;

19Oct1903; H36862.

FRANCESCA DI RIMINI; or, THE TWO BROTHERS. © The Vitagraph Co. of

America; 4Sept1907; H99035.

FRANK J. GOULD’S DOGS. © American Mutoscope & Biograph Co.; 24Feb1903;

H28547.

FRANKENSTEIN, scenes 1–4. © Edison Mfg. Co.; 18Mar1910; J139349–52.

FRANKENSTEIN’S TRESTLE. © American Mutoscope & Biograph Co.;

21May1902; H17964.

FRAZER CAÑON. © American Mutoscope & Biograph Co.; 21May1902; H17966.

FREE ARM MOVEMENT, ALL SCHOOLS, MISSOURI COMMISSION. © American

Mutoscope & Biograph Co.; 7May1904; H45456.

FREE-FOR-ALL RACE AT CHARTER OAK PARK. © Thomas A. Edison; 31July1897;

43418.

FREE SHOW ON THE BEACH. © American Mutoscope & Biograph Co.;

1June1906; H78530.

FREEZING AUNTIE, scenes 1–4. © Thomas A. Edison, Inc.; 5Jan1912;

J164564–67.

FREIGHT TRAIN. © Thomas A. Edison; 10Mar1898; 16428.

FRENCH ACROBATIC DANCE. © American Mutoscope & Biograph Co.;

30Jan1903; H27771.

FRENCH COPS LEARNING ENGLISH. © Geo. Méliès; 26Aug1908; H115113.

THE FRENCH DUEL. © Biograph Co.; 18May1909; H127177.

THE FRESH AIR FIEND; or, HOW HE WAS CURED. © The Vitagraph Co. of

America; 26Mar1908; H107926.

THE FRESH LOVER. © American Mutoscope & Biograph Co.; 8May1902;

H17490.

FRIDAY, THE 13TH; or, JUST LIKE THE GAYTONS, scenes 1–5. © Thomas A.

Edison, Inc.; 12Aug1911; J158936–40.

A FRIEND IN NEED IS A FRIEND INDEED. © American Mutoscope & Biograph

Co.; 9Feb1906; H73108.

A FRIEND IN NEED IS A FRIEND INDEED. © The Vitagraph Co. of America;

10May1909; H126780.

A FRIEND IN THE ENEMY’S CAMP. © The Vitagraph Co. of America;

13Mar1909; H123951.

THE FRIEND OF THE FAMILY. © Biograph Co.; 1c 16July1909; J129548.

FROLICS ON THE BEACH AT CONEY ISLAND. SEE Buried Alive.

FROM SHOW GIRL TO BURLESQUE QUEEN. © American Mutoscope & Biograph

Co.; 12Sept1903; H35629.

FROM THE ARCTICS TO THE TROPICS, scenes 1–4. © Edison Mfg. Co.;

16Sept1910; J145673–76.

FROM THE BOTTOM OF THE SEA. © Independent Moving Picture Co.;

20Nov1911; J162656.

FROM TYRANNY TO LIBERTY, scenes 1–4. © Edison Mfg. Co.; 30Aug1910;

J145143–46.

A FRONTIER FLIRTATION. © American Mutoscope & Biograph Co.; 1Oct1903;

H36403.

A FRONTIER HERO, scenes 1–4. © Edison Mfg. Co.; 22July1910;

J143683–86.

FRUIT GROWING, GRAND VALLEY, COLORADO, scenes 1–5. © Edison Mfg. Co.;

15Mar1910; J139292–96.

THE FUGITIVE. © Biograph Co.; 1c 14Nov1910; J147671.

THE FUGITIVE APPARITIONS. © George Méliès; 23Feb1904; H42525.

FULL RIGGED SHIP AT SEA. © American Mutoscope & Biograph Co.;

14Jan1903; H26953.

FUN IN A BAKERY SHOP. © Thomas A. Edison; 3Apr1902; H15916.

FUN IN A BUTCHER SHOP. © Thomas A. Edison; 6May1901; H4089.

FUN IN A CHINESE LAUNDRY. © S. Lubin; 11Mar1901; H1860.

FUN IN A FOTOGRAF GALLERY. © The Vitagraph Co. of America; 1Feb1907;

H89980.

FUN IN CAMP. © Thomas A. Edison; 27Nov1899; 77518.

FUN IN PHOTOGRAPH GALLERY. © American Mutoscope & Biograph Co.;

5Sept1902; H21497.

FUN ON A SAND HILL. © American Mutoscope & Biograph Co.; 4Apr1903;

H30181.

FUN ON THE FARM. © S. Lubin; 28Oct1905; H67999.

FUN ON THE JOY LINE. © American Mutoscope & Biograph Co.; 28Sept1905;

H66271.

FUN WITH THE BRIDAL PARTY. © Geo. Méliès; 10Sept1908; H115493.

FUNERAL LEAVING THE PRESIDENT’S HOUSE AND CHURCH AT CANTON, OHIO

[President William McKinley]. © Thomas A. Edison; 25Sept1901; H9015.

FUNERAL OF HIRAM CRONK. © American Mutoscope & Biograph Co.;

25May1905; H61323.

A FUNERAL THAT FLASHED IN THE PAN, scenes 1–4. © Thomas A. Edison,

Inc.; 30Mar1912; J168028–31.

FUNNY EPISODES IN A STREET CAR. SEE All Aboard!

THE FURNISHED ROOM HOUSE. © American Mutoscope & Biograph Co.;

12Jan1904; H40818.

FURNISHED ROOMS TO LET, scenes 1–3. © Edison Mfg. Co.; 13Aug1909;

J130771–73.

THE FURS. © Biograph Co.; 1c 13May1912; J169193.

FUSS AND FEATHERS, scenes 1–2. © Edison Mfg. Co.; 5May1909;

H126613–14.

FUTURITY. © American Mutoscope & Biograph Co.; 17Sept1902; H21776.

A GALLANT KNIGHT. © S. Lubin; 7May1908; H110272.

GALLEGHER, scenes 1–5. © Edison Mfg. Co.; 28Apr1910; J141051–055.

THE GALLEY SLAVE; from Victor Hugo’s famous novel, Les Miserables. ©

The Vitagraph Co. of America; 4Sept1909; J131320.

GALVANIC FLUID; or, MORE FUN WITH LIQUID ELECTRICITY. © The Vitagraph

Co. of America; 30Jan1908; H105646.

THE GAMBLER. © The Vitagraph Co. of America; 12May1908; H110465.

THE GAMBLER’S LIFE AND END. © S. Lubin; 28Dec1904; H54969.

GAMBLING EXPOSED. SEE The Evil Art.

GAME OF CHESS. © Winthrop Press; 18Apr1906; H75815.

A GAME OF CHESS. © S. Lubin; 1Feb1909; H122287.

A GAME OF GRAFT. SEE Please Help the Blind.

A GAME OF HEARTS. SEE Cupid’s Realm.

GAME OF SHOVEL BOARD ON BOARD S. S. “DORIC.” © Thomas A. Edison;

22June1898; 38225.

GANS-NELSON CONTEST, GOLDFIELD, NEVADA, SEPTEMBER 3RD, 1906. © Miles

Bros.; 4Oct1906; H83436.

GANS-NELSON FIGHT. SEE Impersonation of Gans-Nelson Fight.

GAP ENTRANCE TO ROCKY MOUNTAINS. © American Mutoscope & Biograph Co.;

18Apr1902; H16728.

THE GARDENER’S LADDER, scenes 1–4. © Edison Mfg. Co.; 11Jan1911;

J151313–16.

THE ’GATER AND THE PICKANINNY. © American Mutoscope & Biograph Co.;

18Mar1903; H29473.

THE GATEWAY TO THE CATSKILLS. © American Mutoscope & Biograph Co.;

12Apr1906; H75638.

GATLING GUN CREW IN ACTION. © Thomas A. Edison; 18Dec1897; 71218.

A GAY OLD BOY. © American Mutoscope & Biograph Co.; 22Jan1903; H27380.

A GAY OLD BOY. © S. Lubin; 21Aug1907; H98646.

THE GAY SHOE CLERK. © Thomas A. Edison; 12Aug1903; H34389.

GEISHA GIRLS. © American Mutoscope & Biograph Co.; 11Mar1903; H29164.

GENERAL CHAFFEE IN PEKIN. © American Mutoscope & Biograph Co.;

19Aug1903; H34811.

GENERAL CRONJE & MYSTIC SHRINERS. © American Mutoscope & Biograph Co.;

15Sept1905; H65559.

GENERAL LEE’S PROCESSION, HAVANA [Spanish-American War]. © Thomas A.

Edison; 20Jan1899; 7259.

A GENERAL MISUNDERSTANDING. SEE A Bachelor’s Baby.

GENERAL PORTER’S ORATION. © Thomas A. Edison; 8May1897; 28524.

GEN’L SIR HERBERT KITCHENER, no. 85–88. © American Mutoscope Co.;

5Dec1898; 70837–70840.

GENERAL WHEELER AND SECRETARY ALGER. © American Mutoscope & Biograph

Co.; 24Feb1903; H28551.

GENEROSITY REWARDED. SEE The Kind-Hearted Bootblack.

THE GENII OF FIRE. © Geo. Méliès; 18Feb1908; H106318.

THE GENTLEMAN BURGLAR, scenes 1–6. © Edison Mfg. Co.; 15May1908;

H110565–70.

THE GENTLEMEN HIGHWAYMEN. © American Mutoscope & Biograph Co.;

18Jan1905; H56069.

THE GEORGETOWN LOOP [Railroad from Georgetown to Silver Plume,

Colorado]. © American Mutoscope & Biograph Co.; 4June1903; H32383.

A GEORGIA POSSUM HUNT. © Edison Mfg. Co.; 28Jan1910; J137952.

A GEORGIA WEDDING. © The Vitagraph Co. of America; 31July1909;

J130046.

GERMAN AND AMERICAN TABLEAU [The Visit of Prince Henry of Prussia to

America]. © Thomas A. Edison; 14Mar1902; H14870.

GERMAN RAILWAY SERVICE. © American Mutoscope & Biograph Co.;

10Apr1903; H30436.

GERMAN TORPEDO BOAT IN ACTION. © American Mutoscope & Biograph Co.;

4Apr1903; H30176.

THE GERRY SOCIETY’S MISTAKE. © American Mutoscope & Biograph Co.;

23Dec1903; H39907.

A GESTURE FIGHT IN HESTER STREET. © American Mutoscope & Biograph Co.;

19Aug1903; H34815.

GET ME A STEPLADDER. © The Vitagraph Co. of America; 9July1908;

H113232.

GET THE HOOK. SEE Amateur Night.

GETTING EVEN. © Biograph Co.; 1c 14Sept1909; J131612.

GETTING EVIDENCE, scenes 1–12. © Thomas A. Edison; 8Oct1906;

H83561–72.

GETTING OFF TROLLEY AT ATLANTIC CITY. © American Mutoscope Co.;

18Dec1896; 68822.

GETTING READY TO ENTERTAIN HARVESTERS. © American Mutoscope & Biograph

Co.; 9Jan1903; H26845.

GETTING STRONG. © American Mutoscope & Biograph Co.; 2Feb1904; H41750.

GETTING UP IN THE WORLD. © American Mutoscope & Biograph Co.;

18June1903; H32834.

THE GHOST. © Biograph Co.; 1c 24July1911; J158071.

THE GHOST STORY. © The Vitagraph Co. of America; 7Sept1907; H99154.

THE GHOST TRAIN. © American Mutoscope & Biograph Co.; 7Feb1903;

H27984.

THE GHOST’S WARNING, scenes 1–4. © Thomas A. Edison, Inc.; 17Nov1911;

J162733–36.

GIANT COAL DUMPER. © Thomas A. Edison; 31July1897; 43407.

THE GIBSON GODDESS. © Biograph Co.; 1c 1Nov1909; J134044.

THE GIDDY DANCING MASTER. © American Mutoscope & Biograph Co.;

11June1903; H32503.

A GIFT FROM SANTA CLAUS, scenes 1–4. © Edison Mfg. Co.; 17Dec1909;

J136266–69.

THE GIFT OF YOUTH; a fairy story. © The Vitagraph Co. of America;

14Aug1909; J130683.

THE GIRL ACROSS THE WAY. © S. Lubin; 9Mar1908; H107126.

THE GIRL AND HER TRUST. © Biograph Co.; 1c 28Mar1912; J167566.

THE GIRL AND THE CAT. © American Mutoscope & Biograph Co.; 11Feb1904;

H42040.

THE GIRL AND THE HALF BACK. © Independent Moving Picture Co.;

18Dec1911; J163638.

On same reel with Chinese Cruiser Hai Chi.

THE GIRL AND THE MOTOR BOAT, scenes 1–4. © Thomas A. Edison, Inc.;

3Nov1911; J162453–56.

THE GIRL AND THE OUTLAW. © American Mutoscope & Biograph Co.;

29Aug1908; H115212.

THE GIRL AT THE KEY, scene 1–4. © Thomas A. Edison, Inc.; 22June1912;

J170538–41.

THE GIRL AT THE WINDOW. © American Mutoscope & Biograph Co.;

19Aug1903; H34810.

THE GIRL BEHIND THE COUNTER, no. 1–3. © Ingvald C. Oes; 1c 27Oct1911;

J162194–96.

THE GIRL FROM MONTANA. © William N. Selig; 14Mar1907; H91440.

THE GIRL FROM THE COUNTRY, scenes 1–4. © Thomas A. Edison, Inc.;

1Oct1912; J176577–80.

GIRLS’ ACROBATIC FEATS. © American Mutoscope & Biograph Co.;

14Oct1902; H22557.

THE GIRLS AND DADDY. © American Mutoscope & Biograph Co.; 3Feb1909;

H122510.

THE GIRLS AND THE BURGLAR. © American Mutoscope & Biograph Co.;

22Mar1904; H43564.

THE GIRLS BEHIND THE SCENES. © American Mutoscope & Biograph Co.;

9June1904; H46933.

GIRLS DANCING CAN-CAN. © American Mutoscope & Biograph Co.; 11Nov1902;

H23791.

GIRLS JUMPING THE ROPE. © American Mutoscope & Biograph Co.;

12Jan1904; H40809.

GIRLS PLAYING SEE-SAW. © American Mutoscope & Biograph Co.; 11Nov1902;

H23790.

GIRLS SWINGING. © American Mutoscope & Biograph Co.; 11Nov1902;

H23804.

GIRLS TAKING TIME CHECKS, WESTINGHOUSE WORKS. © American Mutoscope &

Biograph Co.; 6May1904; H45400.

THE GIRLS, THE BURGLAR, AND THE RAT. © American Mutoscope & Biograph

Co.; 3May1905; H60290.

GIRLS WINDING ARMATURES [Westinghouse Works]. © American Mutoscope &

Biograph Co.; 28Apr1904; H45003.

GLACIER POINT. © American Mutoscope & Biograph Co.; 24Feb1903; H28546.

GLASS COFFIN; or, THE CRYSTAL CASKET. © Eclair Film Co.; 1c 20Mar1912;

J167297.

THE “GLEN ISLAND,” ACCOMPANYING PARADE [Spanish-American War; New York

City Welcome to Admiral Sampson’s Fleet after Battle of Santiago

Bay]. © Thomas A. Edison; 3Sept1898; 52056.

GLIMPSES OF YELLOWSTONE PARK. © Lubin Mfg. Co.; 9Sept1909; J132440.

GLOOMY GUS GETS THE BEST OF IT. © American Mutoscope & Biograph Co.;

17June1903; H32783.

GOD SAVE THE KING [King Edward VII, England]. © American Mutoscope &

Biograph Co.; 5Feb1901; H1056.

THE GODDESS OF SAGEBRUSH GULCH. © Biograph Co.; 1c 23Mar1912; J167455.

THE GOEBEL TRAGEDY. © S. Lubin; 11Jan1908; H105055.

GOING THROUGH THE TUNNEL. © Thomas A. Edison; 24Feb1898; 13533.

GOING TO MARKET, LUXOR, EGYPT. © Thomas A. Edison; 17June1903; H32807.

GOING TO THE HUNT, MEADOWBROOK. © American Mutoscope & Biograph Co.;

25Aug1902; H21310.

GOING TO THE YOKOHAMA RACES. © Thomas A. Edison; 22June1898; 38223.

THE GOLD DUST TWINS. © American Mutoscope & Biograph Co.; 4June1903;

H32367.

GOLD IS NOT ALL. © Biograph Co.; 1Apr1910; J139986.

A GOLD NECKLACE. © Biograph Co.; 1c 8Oct1910; J146227.

THE GOLD SEEKERS. © Biograph Co.; 1c 5May1910; J141120.

THE GOLDEN CHARIOTS. © Thomas A. Edison; 18Apr1902; H16716.

A GOLDEN LIE. © Lubin Mfg. Co.; 8Apr1909; H125495.

GOLDEN LOUIS. © American Mutoscope & Biograph Co.; 17Feb1909; H123059.

THE GOLDEN SUPPER. © Biograph Co.; 1c 15Dec1910; J148744.

THE GONDOLIER’S DAUGHTER. © S. Lubin; 10Oct1908; H116790.

GOO GOO EYES. © Thomas A. Edison; 12Jan1903; H26889.

A GOOD BOY. © The Vitagraph Co. of America; 4May1908; H110103.

GOOD GLUE STICKS. © George Méliès; 25Oct1907; H102222.

A GOOD JOKE. © S. Lubin; 1July1901; H5692.

A GOOD JOKE WITH MY HEAD. SEE Tit for Tat.

THE GOOD LUCK OF A SOUSE. © George Méliès; 15Jan1908; H105105.

GOOD NIGHT. © Winthrop Press; 18Apr1906; H75817.

THE GOOD SAMARITANS. SEE A Child’s Prayer.

A GOOD SHOT. © American Mutoscope & Biograph Co.; 12Apr1902; H16380.

A GOOD SHOT: THE KIDS. © American Mutoscope & Biograph Co.; 16Dec1904;

H54353.

A GOOD TIME WITH THE ORGAN GRINDER. © American Mutoscope & Biograph

Co.; 26Feb1903; H28674.

GOODBYE JOHN. 70 mm. © Winthrop Moving Picture Co.; 24May1907; H94484.

THE GOODFELLOW’S CHRISTMAS EVE, A-H. © Essanay Film Mfg. Co.;

27Feb1911; J152541–48.

GOODY, GOODY TWO SHOES. © S. Lubin; 1May1903; H31301.

GORDON SISTERS BOXING. © Thomas A. Edison; 6May1901; H4083.

THE GOSSIPERS. © American Mutoscope & Biograph Co.; 3Jan1906; H71529.

GOT A MATCH? © Biograph Co.; 1c 20Feb1912; J166564.

GOVERNMENT HOUSE AT HONG KONG. © Thomas A. Edison; 22June1898; 38233.

THE GOVERNOR, scenes 1–3. © Thomas A. Edison, Inc.; 17Sept1912;

J176535–37.

GOVERNOR COOK AND STAFF, CONNECTICUT [McKinley Inaugural Parade]. ©

Thomas A. Edison; 8May1897; 28516.

GOVERNOR OF OHIO AND STAFF [McKinley Inaugural Parade]. © Thomas A.

Edison; 8May1897; 28519.

GOVERNOR ROOSEVELT AND STAFF. © American Mutoscope & Biograph Co.;

21May1902; H17968.

GOVERNOR ROOSEVELT AND STAFF [Spanish-American War; Dewey Homecoming,

New York City]. © Thos. A. Edison; 7Oct1899; 65370.

GOVERNOR’S FOOT GUARDS, CONN. © American Mutoscope & Biograph Co.;

21May1902; H17969.

GRACE CHURCH, NEW YORK. © Thos. A. Edison; 21Apr1897; 24891.

GRAND HOTEL TO BIG INDIAN. © American Mutoscope & Biograph Co.;

12Apr1906; H75637.

THE GRANDFATHER, scenes 1–4. © Thomas A. Edison, Inc.; 21Sept1912;

J176527–30.

GRANDFATHER AS A SPOOK. © American Mutoscope & Biograph Co.;

17Mar1904; H43406.

GRANDMA AND THE BAD BOYS. © Thomas A. Edison; 21Dec1900; D23260.

A GRANDMOTHER’S STORY. © Geo. Méliès; 10Sept1908; H115492.

GRANDPA’S READING GLASS. © American Mutoscope & Biograph Co.;

3Oct1902; H22204.

“GRANDREPUBLIC” PASSING “COLUMBIA.” © American Mutoscope & Biograph

Co.; 11May1903; H31672.

GRANT VETERANS—G. A. R. [McKinley Inaugural Parade]. © Thomas A.

Edison; 8May1897; 28518.

GRANT’S TOMB. © The Winthrop Moving Picture Co.; 3June1907; H94781.

GRATITUDE. © The Vitagraph Co. of America; 9June1908; H111581.

GREASER’S GAUNTLET. © American Mutoscope & Biograph Co.; 6Aug1908;

H114338.

THE GREAT BALL GAME BETWEEN THE EAST AND WEST, scenes 1–3. © Edison

Mfg. Co.; 18July1910; J145937–39.

GREAT BALTIMORE FIRE. © American Mutoscope & Biograph Co.; 15Feb1904;

H42176.

GREAT BULL FIGHT. © Thomas A. Edison; 2Apr1902; H15912.

THE GREAT FIRE RUINS, CONEY ISLAND. © Thomas A. Edison; 10Nov1903;

H37834.

A GREAT GAME, scenes 1–3. © Edison Mfg. Co.; 22Oct1909; J133986–88.

THE GREAT JEWEL MYSTERY. © American Mutoscope & Biograph Co.;

23Oct1905; H67834.

THE GREAT JEWEL ROBBERY. © S. Lubin; 17Mar1908; H107630.

THE GREAT MAIL ROBBERY. © S. Lubin; 3July1906; H80177.

THE GREAT MINE DISASTER. SEE The Land of Darkness.

THE GREAT SECRET, scenes 1–4. © Edison Mfg. Co.; 13Sept1910;

J145677–80.

THE GREAT TORONTO FIRE, TORONTO, CANADA, APRIL 19, 1904. © George

Scott & Co.; 27May1904; H46445.

GREAT TRAIN ROBBERY. © S. Lubin; 27June1904; H47533.

THE GREAT TRAIN ROBBERY. © Thomas A. Edison; 1Dec1903; H38748.

A GREAT WRONG RIGHTED. © Lubin Mfg. Co.; 17June1909; H128497.

THE GREATER LOVE, scenes 1–4. © Edison Mfg. Co.; 29Nov1910;

J148454–57.

THE GREEN-EYED MONSTER, scenes 1–3. © Thomas A. Edison, Inc.;

2Oct1912; J176562–64.

THE GREEN GOODS MAN. © The Vitagraph Co. of America; 4Dec1905; H69349.

GRIN AND WIN; or, CONVERTED BY A BILLIKEN. © The Vitagraph Co. of

America; 21Apr1909; H126015.

THE GROTTO OF SURPRISES. © Geo. Méliès; 29Dec1904; H55065.

THE GROUCH, scenes 1–4. © Thomas A. Edison, Inc.; 24July1912;

J171945–48.

GUARD MOUNT, FT. MYER [Va.]. © Thomas A. Edison; 11Feb1897; 10693.

A GUARDIAN OF THE PEACE. © American Mutoscope & Biograph Co.;

12Nov1903; H38015.

THE GUARDING ANGEL. © Lubin Mfg. Co.; 16Feb1909; H122979.

THE GUERRILLA. © American Mutoscope & Biograph Co.; 11Nov1908;

H118186.

A GUILTY CONSCIENCE. © The Vitagraph Co. of America; 30June1908;

H112555.

THE GUILTY PARTY, scenes 1–3. © Thomas A. Edison, Inc.; 4May1912;

J168970–72.

GULLIVER’S TRAVELS. © Siegmund Lubin; 28Apr1903; H31234.

GUN DRILL BY NAVAL CADETS AT NEWPORT [R. I., NAVAL] TRAINING SCHOOL. ©

Thomas A. Edison; 22Nov1900; D22021.

GYMNASIUM EXERCISES AND DRILL AT NEWPORT [R. I., NAVAL] TRAINING

SCHOOL. © Thomas A. Edison; 22Nov1900; D22022.

A GYPSY DUEL. © American Mutoscope & Biograph Co.; 3Aug1903; H34098.

GYPSY’S REVENGE. © S. Lubin; 26June1907; H95575.

THE GYPSY’S REVENGE. © The Vitagraph Co. of America; 11Aug1908;

H114475.

THE GYPSY’S WARNING. © The Vitagraph Co. of America; 27Sept1907;

H100289.

THE HAIR RESTORER AND THE INDIANS, scenes 1–4. © Thos. A. Edison,

Inc.; 26July1911; J158341–44.

THE HAIRDRESSER. © American Mutoscope & Biograph Co.; 22May1903;

H32106.

HALLOWEEN. © American Mutoscope & Biograph Co.; 30Oct1905; H68125.

HALLOWEEN NIGHT AT THE SEMINARY. © Thomas A. Edison; 16Feb1904;

H42204.

HAMLET. © Geo. Méliès; 15Oct1907; H101151.

HAMMOCK OVER WATER. © American Mutoscope & Biograph Co.; 21Sept1903;

H35874.

THE HAND OF FATE. © S. Lubin; 7May1908; H110271.

HANGING STOCKINGS CHRISTMAS EVE. © American Mutoscope & Biograph Co.;

15Dec1902; H25016.

HANK AND LANK. © Essanay Film Mfg. Co.; 20Aug1910; J144664.

HANSEL AND GRETEL, scenes 1–3. © Edison Mfg. Co.; 15Oct1909;

J133431–33.

A HAPPY ACCIDENT, scenes 1–4. © Edison Mfg. Co.; 21Dec1909;

J136262–65.

HAPPY FAMILY, no. 99. © American Mutoscope Co.; 4Feb1897; 9242.

HAPPY HOOLIGAN. © American Mutoscope & Biograph Co.; 20June1903;

H33025.

HAPPY HOOLIGAN AND HIS AIRSHIP. SEE The Twentieth Century Tramp.

HAPPY HOOLIGAN APRIL-FOOLED. © Thomas A. Edison; 6Apr1901; H3107.

HAPPY HOOLIGAN IN A TRAP. © American Mutoscope & Biograph Co.;

6July1903; H33399.

HAPPY HOOLIGAN SURPRISED. © Thomas A. Edison; 6Apr1901; H3108.

HAPPY HOOLIGAN TURNS BURGLAR. © Thomas A. Edison; 16Jan1902; H13157.

HAPPY HOOLIGAN’S INTERRUPTED LUNCH. © American Mutoscope & Biograph

Co.; 8Oct1903; H36631.

HAPPY JACK, A HERO. © Biograph Co.; 1c 10Dec1910; J148649.

THE HARBINGER OF PEACE, scenes 1–4. © Thomas A. Edison, Inc.;

16Aug1912; J172457–60.

HARD TO BEAT, scenes 1–5. © Edison Mfg. Co.; 25Mar1909; H124847–51.

A HARD WASH. © American Mutoscope & Biograph Co.; 14Jan1903; H26945.

A HARD WASH. © American Mutoscope Co.; 18Dec1896; 68803.

HARLEM FLATS. © S. Lubin; 18June1908; H112075.

HARRY THOMPSON’S IMMITATIONS [i.e. IMITATIONS] OF SOUSA. © Thomas A.

Edison; 16Dec1901; H11491.

HARVARD-PENNSYLVANIA FOOTBALL GAME. © American Mutoscope & Biograph

Co.; 16Nov1903; H38239.

THE HAT OF FORTUNE. © S. Lubin; 3Sept1908; H115288.

HAULING A SHAD NET. © American Mutoscope & Biograph Co.; 14June1902;

H19020.

HAULING SUGAR CANE, KOHALA PLANTATION, HAWAII. © Thomas A. Edison;

11Aug1906; H81961.

HAUNTED HAT. © Lubin Mfg. Co.; 29July1909; J131733.

THE HAUNTED HOTEL. © The Vitagraph Co. of America; 21Feb1907; H90641.

THE HAUNTED HOUSE. © Independent Moving Picture Co.; 4Sept1911;

J159662.

THE HAUNTED HOUSE. © Siegmund Lubin; 15Aug1899; 52379.

THE HAUNTED SENTINEL TOWER, scenes 1–4. © Thomas A. Edison, Inc.;

18Apr1911; J154566–69.

HAVE A LIGHT, SIR. © Winthrop Press; 22May1906; H78023.

HAVE YOU SEEN MY WIFE? © S. Lubin; 11Jan1908; H105053.

HAVERSTRAW TUNNEL. © American Mutoscope & Biograph Co.; 24Apr1903;

H30724.

HAWAIIANS ARRIVING TO ATTEND A LUAU OR NATIVE FEAST. © Thomas A.

Edison; 11Aug1906; H81954.

Edison; 11Aug1906; H81955.

13Aug1903; H34508.

22May1909; H127351.

HE COULDN’T GO HOME UNTIL MORNING. SEE A Night Out.

10Apr1902; H16347.

15July1905; H63382.

H110737.

19Aug1903; H34821.

J131470.

9June1904; H46935.

28Dec1908; H120412.

2July1909; J129738–39.

Miles Bros.; 14Aug1906; H82213.

H115350–53.

J135648–51.

J164346–49.

H115483.

J140229–32.

J176531–34.

J156351–54.

Mutoscope & Biograph Co.; 8Jan1904; H40721.

J167224–27.

HELD FOR RANSOM. SEE The Adventures of Sherlock Holmes.

H120043.

J176451–54.

On same reel with Interscholastic Run.

13June1911; J156609–12.

H107372.

J140618–23.

H27378.

J152127–30.

H23775.

H39140.

H115621.

J167298–301.

J161661–64.

H18896.

17June1903; H32808.

H46937.

22Sept1904; H50675.

J156601–04.

H120415.

THE HESSIAN RENEGADES. SEE 1776.

4June1912; J170195–98.

& Biograph Co.; 7May1904; H45455.

H123060.

29June1905; H62762.

J166535–38.

H110428.

On same reel with A Few Minutes With Steeplejack Lindholm.

J159672–75.

J139174–77.

HIS HOLINESS, LEO XIII IN THE GARDENS OF THE VATICAN, BEING

Co.; 24Dec1898; 75821.

12Sept1903; H35645.

H28679.

J157072–75.

J148140–43.

H27978.

J159429.

On same reel with Views of Hot Springs, Ark.

H.R.H. THE PRINCE OF WALES DECORATING THE MONUMENT OF CHAMPLAIN AND

RECEIVING ADDRESSES OF WELCOME FROM THE MAYOR OF QUEBEC, THE

GOVERNOR GENERAL OF CANADA AND VICE-PRESIDENT FAIRBANKS,

3Aug1908; H114183.

H.R.H. THE PRINCE OF WALES VIEWING THE GRAND MILITARY REVIEW ON THE

H114184.

J165916–19.

H122930.

H105292.

H123539.

9June1904; H46932.

H16738.

H141274–76.

J166539–42.

H128129–30.

H45036.

Biograph Co.; 12Apr1906; H75633.

J176519–22.

18July1904; H48223.

J170795–96.

14Jan1904; H40867.

J151329–32.

Monopol Film Co.; 1c 9Nov1911; J162641–43.

H112093–97.

16Oct1906; H83903–13.

H122902.

H120976.

Biograph Co.; 8Oct1903; H36632.

THE HOODOO AUTOMOBILE. SEE License No. 13.

10Oct1903; H36676.

H36551.

H36550.

1Dec1903; H38687.

19Oct1903; H36863.

Biograph Co.; 10Nov1903; H37833.

22Mar1904; H43575.

Co.; 29Mar1904; H44031.

THE HORRORS OF WAR. SEE The Patriot.

H33279.

H93881.

26Oct1901; H10087.

H65361.

22Aug1903; H34988.

22Aug1903; H34986.

Edison; 25Oct1897; 60558.

24Dec1896; 70080.

24Dec1896; 70081.

Biograph Co.; 16Dec1904; H54349.

14Jan1903; H26947.

H21513.

H41749.

America; 21Oct1908; H117311.

THE HOUSE NEXT DOOR. SEE The Treasure.

18Oct1910; J146834–37.

THE HOUSE OF TOO MUCH TROUBLE. SEE The Flat Dwellers.

J142385–88.

1Feb1908; H105774.

22Mar1912; J167606–09.

HOW A FRENCH NOBLEMAN GOT A WIFE THROUGH THE NEW YORK HERALD PERSONAL

H115286.

J153238–41.

23Sept1912; J176554–57.

10Apr1902; H16339.

15July1910; J143372–75.

Co.

18Mar1903; H29470.

11May1903; H31676.

Inc.; 15June1912; J170303–06.

HOW HE WAS CURED. SEE The Fresh Air Fiend.

Jones Meets Skinflint. H58567.

Skinflint treats Jones. H58568.

Skinflint’s cheap wine. H58569.

Invitation to dinner. H58570.

Game of cards. H58571.

Jones loses. H58572.

Jones goes home in barrel. H58573.

H118651.

Biograph Co.; 12Apr1902; H16379.

Mutoscope & Biograph Co.; 9Oct1905; H67107.

27May1905; H61363.

Edison, Inc.; 10Oct1911; J160716–19.

Edison, Inc.; 27Feb1912; J167039–42.

20Apr1912; J168493–96.

On same reel with Cotton Industry.

America; 22Aug1908; H114988.

22Dec1911; J164322–25.

19Apr1911; J154570–73.

Biograph Co.; 18July1903; H33541.

6July1912; J170926–29.

17Mar1904; H43407.

17May1911; J155844–47.

H122900.

17Sept1909; J132026–28.

10July1906; H80456–64.

Co.; 19Dec1903; H39710.

J145119–22.

25Oct1911; J161702–05.

16June1909; H128438–39.

Biograph Co.; 18July1903; H33538.

H23280.

13June1903; H32627.

10Apr1902; H16335.

HOW TIMOTHY ESCAPED. SEE Broke.

HOW TOM PAID OFF THE MORTGAGE. SEE The Marathon Race.

Inc.; 29Mar1912; J168016–19.

HOW WILLIE FIXED HIS DAD. SEE The Truant.

28June1911; J157088–157091.

Co.; 4May1907; H93237.

10Apr1902; H16357.

Biograph Co.; 16Dec1904; H54358.

9June1904; H46944.

H109471.

9May1906; H77050.

6Apr1906; H75272.

J167992.

24888.

America; 22May1908; H110860.

H42239.

Co.; 2May1904; H45150.

2May1904; H45149.

3Aug1907; H97644.

H123871.

Co.; 24Apr1903; H30729.

On same reel with Flag Of Distress.

Edison; 16Feb1904; H42208.

H42801.

H40944.

H16360.

Inc.; 11Nov1911; J162461–64.

IF YOU WANT TO CATCH A BIRD, PUT SALT ON IT’S TAIL. SEE The Salt Did

It.

H46936.

J134985–88.

H37498.

H68363.

19Dec1905; H70260.

22Mar1904; H43569.

H30182.

H22087.

H22090.

24July1905; H63806.

J171727.

17May1911; J155836–39.

J176483–86.

H34822.

15Aug1912; J172203.

16May1911; J155646–49.

J150723–26.

IN THE DAYS OF KING GEORGE. SEE A Rustic Heroine.

IN THE DAYS OF THE PILGRIMS; a romance of the 15th century in America.

H125508–12.

H35628.

J156525–27.

12Apr1906; H75634.

J137507–10.

J164367.

16Jan1904; H40941.

12Apr1906; H75636.

Biograph Co.; 10Mar1905; H57515.

Inc.; 23Mar1912; J167590–93.

INCOMPATIBILITY OF TEMPER. SEE Lonely Gentleman.

America; 29Mar1908; H107927.

H103671.

1Mar1912; J166755.

H24874.

AN INDIAN’S DEVOTION. SEE Onawandah.

H113972.

21Sept1903; H35881.

Vitagraph Co. of America; 14Sept1906; H82756.

H126312.

J156347–50.

Vitagraph Co. of America; 3Nov1908; H117827.

29May1903; H32298.

H32557.

AN INNOCENT VICTIM. SEE Circumstantial Evidence.

America; 8Oct1907; H100657.

Biograph Co.; 1Oct1903; H36400.

American Mutoscope & Biograph Co.; 11Nov1902; H23813.

20July1909; J129605.

30Sept1903; H36354.

1Feb1906; H72714.

16Apr1912; J168505–08.

6July1912; J171341–43.

Edison; 7June1904; H46906.

Edison; 2July1904; H47665.

Biograph Co.; 13Nov1899; 74289–92.

Biograph Co.; 5June1905; H61570.

23Dec1907; H104009.

12June1912; J170186.

INTERNATIONAL CONTEST FOR THE HEAVYWEIGHT CHAMPIONSHIP: SQUIRES VS.

H96711.

13Dec1911; J164354–57.

Co.; 16Dec1904; H54334.

26Nov1904. H53767.

H125517–19.

H33416.

J163356.

On same reel with Her Birthday.

12Apr1906; H75635.

J148069–72.

THE INVENTOR’S GALVANIC FLUID. SEE Liquid Electricity.

H111674.

J168268–71.

J161690–93.

H54351.

J140226–28.

J156363–66.

19May1905; H61110.

Co.; 10Apr1902; H16352.

16Jan1912; J165011–14.

Film Co.; 1c 20Mar1912; J167289.

JACK JOHNSON VS. JIM FLYNN CONTEST FOR HEAVYWEIGHT CHAMPIONSHIP OF THE

18July1912; J171968.

JACK JOHNSON VS. STANLEY KETCHELL. SEE World’s Championship, Jack

Johnson Vs. Stanley Ketchell.

H46934.

Co. of America; 27June1906; H79887.

J167019–22.

H92576.

H123193–95.

H17973.

J138037–40.

Edison; 31July1901; H7330.

J145944–47.

America; 3Nov1908; H117826.

JEFFREYS [i.e. JEFFRIES] AND RUHLIN SPARRING CONTEST AT SAN FRANCISCO,

H11088.

2Dec1901; H10907.

JEFFRIES AND CORBETT FIGHT. SEE Reproduction of the Jeffries and

Corbett Fight.

JEFFRIES AND RUHLIN FIGHT. SEE Reproduction of the Jeffries and Ruhlin

Fight.

JEFFRIES AND SHARKEY FIGHT. SEE Reproduction of the Jeffries and

Sharkey Fight.

JEFFRIES AND SHARKEY FOR CHAMPIONSHIP OF THE WORLD. SEE The Battle of

Jeffries and Sharkey for Championship of the World.

JEFFRIES-CORBETT CONTEST. SEE Reproduction of Jeffries-Corbett

Contest.

JEFFRIES-JOHNSON WORLD’S CHAMPIONSHIP BOXING CONTEST, HELD AT RENO,

NEVADA, JULY 4, 1910. Photographed by the Vitagraph Co. of America.

Biograph Co.

The Vitagraph Co. of America; 10May1909; H126773.

H16644.

JERUSALEM DELIVERED. SEE The Crusaders.

17June1903; H32794.

H117586.

J165932–35.

H94997.

J153743–46.

11June1903; H32500.

J169932–34.

J158070.

JOCKEYING AND START OF YACHT[S] AUG. 25TH [America’s Cup Races:

4Sept1903; H35392.

JOCKEYING FOR THE START AUG. 20 [America’s Cup Races: Reliance and

H35096.

JOCKEYING FOR THE START AUG. 22 [America’s Cup Races: Reliance and

H35072.

25Aug1902; H21308.

J164294–97.

& Biograph Co.; 2May1906; H76576.

23Dec1903; H39904.

H32868.

11Feb1904; H42038.

A JOKE ON HIS PARENTS. SEE The Student’s Prank.

H16730.

21Dec1910; J149811–14.

H40750.

10Jan1906; H71758.

26Mar1909; H124891.

10May1909; H126829.

H120041.

H120835.

Co.; 13Feb1909; H122929.

3May1911; J154968–71.

4Aug1904; H48850.

24Aug1909; J130879.

JUDGE PARKER RECEIVING THE NOTIFICATION OF HIS NOMINATION FOR THE

of America; 17Aug1909; J130766.

The Vitagraph Co. of America; 10May1909; H126779.

24June1910; J143129–32.

20Nov1908; H118652.

26Apr1902; H17042.

H40810.

JUST LIKE THE GAYTONS. SEE Friday the 13th.

Co. of America; 13Aug1908; H114511.

H46941.

19Nov1903; H38318.

H31756.

Edison; 1Mar1902; H14606.

Edison; 13Nov1906; H85061.

22June1898; 38214–15.

H81548–59.

Co.; 18July1903; H33542.

Biograph Co.; 18Mar1903; H29471.

J135755–58.

America; 26Feb1909; H123377.

H17226.

H68323.

H42035.

20June1905; H62446.

Edison, Inc.; 28Oct1911; J162457–60.

KID MCCOY AND PETER MAHER FIGHT. SEE Reproduction of the Kid McCoy and

Peter Maher Fight.

At work. H34095.

In the den. H34096.

The rescue. H34097.

H23793.

Co. of America; 11Aug1908; H114474.

H45156.

H45155.

KINEMATOGRAPHIC X-RAY PICTURE OF A HUMAN STOMACH DURING DIGESTION,

m.b.H. 1c 1Feb1910; J137897.

12Apr1902; H16382.

Edison; 4June1903; H32396.

KING LEAR. SEE Shakespeare’s Tragedy, King Lear.

11Nov1902; H23781.

11Apr1908; H109315.

13Aug1903; H34526.

J162089.

THE KINGDOM OF THE FAIRIES. SEE The Fairyland.

H109927.

H50323.

H40866.

H101175.

J170307–10.

Arriving at police station. H56408.

Court room scene. H56409.

Tableau. H56410.

Home of thief. H56411.

Stealing bread. H56412.

Leaving store. H56413.

Superintendent’s office. H56414.

Interior of department store. H56415.

Arriving at store. H56416.

Leaving home. H56417.

Arriving at police station in patrol wagon. H56418.

THE KLEPTOMANIAC. SEE The Cleptomaniac.

J132305–07.

12June1902; H18898.

“KRONPRINZ WILHELM” WITH PRINCE HENRY [OF PRUSSIA] ON BOARD ARRIVING

H29157.

J145127–30.

Biograph Co.; 4Sept1903; H35395.

H125727.

America; 15July1908; H113390.

H118884–91.

H21498.

1c 3May1912; J168890.

American Mutoscope & Biograph Co.; 31Dec1902; H25968.

H123198–201.

H26949.

J147697–700.

Vitagraph Co. of America; 17Dec1907; H103776.

J168056–57.

11Apr1912; J168053–55.

Picture Co.; 9Oct1911; J161096.

On same reel with The Sentinel Asleep.

Co.; 22Jan1903; H27384.

H16656.

24Feb1898; 13554.

20Feb1904; H42495.

2May1904; H45152.

H68883.

21Nov1905; H68886.

Biograph Co.; 21Nov1905; H68884–85.

10Mar1898; 16427.

Co.; 4Oct1904; H51257.

Co.; 18June1903; H32833.

LAUNCHING A STRANDED SCHOONER FROM THE DOCKS [Galveston, Texas,

Edison, Inc.; 18Oct1911; J161653–56.

26Feb1903; H28676.

H4086.

J176511–14.

J143679–82.

J165007–10.

H116321.

20June1908; H112125.

H11489.

J160720–23.

LED ASTRAY. SEE East Lynne.

H16346.

H128131–37.

H32241.

J158530–33.

J163923.

On same reel with Broke; or, How Timothy Escaped.

J170220.

Co.; 4May1903; H32761.

10Feb1904; H41999.

Co.; 8July1903; H33281.

Vitagraph Co. of America; 15July1908; H113388.

Mutoscope & Biograph Co.; 22Apr1902; H16924.

Co.; 19Dec1896; 69092.

American Mutoscope Co.; 18Dec1896; 68815.

Co.; 7Jan1897; 3543.

of America; 17Aug1909; J130765.

J172445–48.

America; 30Aug1905; H65000.

60585.

1June1912; J170002.

THE LIFE DRAMA OF NAPOLEON BONAPARTE AND EMPRESS JOSEPHINE OF FRANCE.

21Nov1911; J164358–61.

Siegmund Lubin; 10Aug1900; D16398.

H79002–13.

THE LIFE OF A PICKPOCKET. SEE The Modern Oliver Twist.

J148704–07.

6Dec1905; H69527–44.

Co.; 1c 8June1912; J170003–05.

H114343–46.

H63696.

William N. Selig; 11July1903; H33396.

9Dec1902; H24882.

15Sept1911; J160008–11.

Inc.; 26Mar1912; J167613–15.

H96559.

Thomas A. Edison; 12Dec1901; H11271.

10Sept1904; H50325.

J151309–12.

2May1904; H45153.

Co. of America; 30Aug1907; H98946.

20July1912; J171541–43.

12Jan1904; H40819.

25June1912; J170766–69.

Co.; 15July1908; H113422–25.

17Feb1912; J166527–30.

H114180.

of America; 14Sept1909; J131849.

J143124–28.

24Sept1912; J176542–45.

Mfg. Co.; 16Dec1907; H103762–68.

LITTLE JOE’S LUCK. SEE A Mid-Winter Night’s Dream.

J157220.

21May1909; H127345–47.

Co.; 11Nov1902; H23780.

J165035–38.

J129811.

12Apr1902; H16387.

J168598–600.

Biograph Co.; 12Apr1902; H16384.

26Apr1909; H126195–96.

J147689–92.

J163498.

28Aug1903; H35098.

23Apr1912; J168808–11.

H33286.

J162511–14.

H32628.

THE LIVING STATUE. SEE The Drawing Lesson.

J138167–70.

THE LLAMAS AT PLAY. © American Mutoscope & Biograph Co.; 2Nov1903;

H37496.

THE LOADED CIGAR. © American Mutoscope & Biograph Co.; 22Mar1904;

H43561.

LOADING A VESSEL AT CHARLESTON [S. C.]. © Thomas A. Edison; 18Apr1902;

H16719.

LOADING BAGGAGE FOR KLONDIKE [Alaska Gold Rush], no. 6. © Thomas A.

Edison; 25Oct1897; 60553.

LOADING HORSES ON TRANSPORT [Spanish-American War]. © Thomas A.

Edison; 22June1898; 38241.

LOADING MAIL CAR, U.S.P.O. © American Mutoscope & Biograph Co.;

22Aug1903; H34993.

LOADING SUGAR CANE. © American Mutoscope & Biograph Co.; 5Sept1902;

H21496.

LOADING SUGAR, KAHULUI, MAUI, H. I. © Thomas A. Edison; 13Nov1906;

H85063.

LOADING THE ICE ON CARS, CONVEYING IT ACROSS THE MOUNTAINS AND LOADING

IT INTO BOATS [Groton Ice Fields]. © Thomas A. Edison; 24Feb1902;

H14435.

THE LOAN SHARK. © Imp Films Co.; 25Apr1912; J168683.

LOCHINVAR, scenes 1–4. © Edison Mfg. Co.; 6Aug1909; J130503–06.

A LODGING FOR THE NIGHT. © Biograph Co.; 1c 13May1912; J169195.

LOGAN’S BABIES, scenes 1–4. © Thomas A. Edison, Inc.; 8Nov1911;

J162519–22.

LOGGING IN MAINE. © American Mutoscope & Biograph Co.; 19June1906;

H79740.

THE LONE HIGHWAYMAN. © American Mutoscope & Biograph Co.; 31Aug1906;

H82501.

THE LONEDALE OPERATOR. © Biograph Co.; 1c 25Mar1911; J153512.

LONELY GENTLEMAN; or, INCOMPATIBILITY OF TEMPER. © The Vitagraph Co.

of America; 22Aug1908; H114987.

LONELY VILLA. © Biograph Co.; 10June1909; H128182.

LONESOME JUNCTION. © American Mutoscope & Biograph Co.; 20Jan1908;

H105288.

LONESOME MISS WIGGS. © Imp Films Co.; 20Apr1912; J168480.

LONG DISTANCE WIRELESS PHOTOGRAPHY. © Geo. Méliès; 24Mar1908; H107866.

THE LONG ROAD. © Biograph Co.; 1c 30Oct1911; J162358.

LOOKING FOR JOHN SMITH. © American Mutoscope & Biograph Co.;

31July1906; H81472.

THE LORD AND THE PEASANT, scenes 1–4. © Thomas A. Edison, Inc.;

2Aug1912; J171956–59.

LORD FEATHERTOP, scenes 1–5. © Edison Mfg. Co.; 2Dec1908; H121264–68.

LOST AND REGAINED, scenes 1–3. © Edison Mfg. Co.; 25Feb1910;

J138689–91.

THE LOST CHILD. © American Mutoscope & Biograph Co.; 15Oct1904;

H51655.

THE LOST CHILD. © S. Lubin; 5Nov1904; H52509.

THE LOST COLLAR BUTTON; or, A STRENUOUS SEARCH. © The Vitagraph Co. of

America; 19Mar1906; H74652.

THE LOST HANDBAG, scenes 1–4. © Edison Mfg. Co.; 22Oct1909;

J133989–92.

THE LOST HAT: HE GOT IT ALRIGHT. © S. Lubin; 26Oct1906; H84212.

THE LOST HEIR. © Lubin Mfg. Co.; 26Apr1909; H126162.

LOST IN A FOLDING BED. © The Vitagraph Co. of America; 10Feb1909;

H122796.

LOST IN AN ARIZONA DESERT. © The Vitagraph Co. of America; 1July1907;

H95885.

LOST IN THE ALPS, scenes 1–11. © Thomas A. Edison; 20Apr1907;

H92871–81.

THE LOST INVITATION, scenes 1–7. © Edison Mfg. Co.; 24June1909;

H128766–72.

THE LOST KITTEN, scenes 1–4. © Thomas A. Edison, Inc.; 24Feb1912;

J167043–46.

THE LOST NEW YEAR’S DINNER, scenes 1–5. © Edison Mfg. Co.; 28Dec1908;

H120455–59.

THE LOST SHEEP. © The Vitagraph Co. of America; 10Apr1909; H125545.

LOST, STRAYED OR STOLEN. © The Vitagraph Co. of America; 23Dec1907;

H104012.

LOST—THREE HOURS, scenes 1–4. © Thomas A. Edison, Inc.; 5Mar1912;

J167212–15.

LOVE AMONG THE ROSES. © Biograph Co.; 1c 12May1910; J141266.

LOVE AND FRIENDSHIP, parts 1–2. © Ingvald C. Oes; 1c 24Apr1912;

J168564–65.

LOVE AND HATRED, scenes 1–4. © Thomas A. Edison, Inc.; 4Nov1911;

J162473–76.

LOVE AND JEALOUSY BEHIND THE SCENES. © American Mutoscope & Biograph

Co.; 8Jan1904; H40720.

LOVE AND MARRIAGE IN POSTERLAND, scenes 1–4. © Edison Mfg. Co.;

6May1910; J141601–04.

LOVE AND MOLASSES. © Geo. Méliès; 7July1908; H113160.

LOVE AND THE LAW, scenes 1–4. © Edison Mfg. Co.; 23Aug1910;

J145139–42.

LOVE AND THE STOCK MARKET, scenes 1–4. © Thomas A. Edison, Inc.;

7Mar1911; J153242–45.

LOVE AND WAR. © James H. White; 28Nov1899; 77713.

LOVE AND WAR, scenes 1–4. © Edison Mfg. Co.; 24Sept1909; J132301–04.

LOVE AT 55. © American Mutoscope & Biograph Co.; 18July1903; H33543.

LOVE BY THE LIGHT OF THE MOON. © Thomas A. Edison; 16Mar1901; H2341.

LOVE DROPS, scenes 1–3. © Edison Mfg. Co.; 11Mar1910; J139178–80.

LOVE FINDS A WAY. © American Mutoscope and Biograph Co.; 12Jan1909;

H121529.

LOVE GERMS. © S. Lubin; 9Nov1908; H118065.

LOVE IN A HAMMOCK. © American Mutoscope & Biograph Co.; 11May1903;

H31671.

LOVE IN A HAMMOCK. © Thomas A. Edison; 12Jan1901; H375.

LOVE IN A TEPEE. © Independent Moving Picture Co.; 21Aug1911; J159003.

On same reel with The Battle of the Wills.

LOVE IN QUARANTINE. © Biograph Co.; 1c 21Nov1910; J147937.

LOVE IN THE CORNFIELD. © American Mutoscope & Biograph Co.; 10Apr1902;

H16342.

LOVE IN THE DARK © American Mutoscope & Biograph Co.; 14Jan1903;

H26948.

LOVE IN THE HILLS. © Biograph Co.; 1c 31Oct1911; J162396.

LOVE IN THE SUBURBS. © American Mutoscope & Biograph Co.; 22Jan1903;

H27381.

LOVE IN THE TROPICS, parts 1–2. © Ingvald C. Oes; 1c 23Apr1912;

J168482–83.

LOVE IS BEST. © Independent Moving Picture Co.; 26June1911; J157221.

LOVE IS BLIND, scenes 1–3. © Edison Mfg. Co.; 11Mar1909; H123887–89.

LOVE LAUGHS AT LOCKSMITHS; an 18th century romance. © The Vitagraph

Co. of America; 27July1908; H113910.

LOVE ME, LOVE MY DOG. © American Mutoscope & Biograph Co.; 28Aug1903;

H35093.

LOVE ME, LOVE MY DOG. © S. Lubin; 22Dec1908; H120171.

LOVE MICROBE. © American Mutoscope & Biograph Co.; 21Oct1907; H101443.

THE LOVE OF LADY IRMA. © Biograph Co.; 1c 22Mar1910; J139353.

THE LOVE OF THE PASHA’S SON; a Turkish romance. © The Vitagraph Co. of

America; 11Jan1909; H121463.

A LOVE TRAGEDY IN SPAIN. © Geo. Méliès; 2June1908; H111271.

LOVE VS. TITLE; or, AN UP-TO-DATE ELOPEMENT. © The Vitagraph Co. of

America; 19May1906; H77722.

LOVE WILL FIND A WAY, scenes 1–5. © Edison Mfg. Co.; 25June1908;

H112374–78.

LOVE WINS. © Centaur Film Company; 19June1909; H128546.

THE LOVER AND THE COUNT, scenes 1–4. © Edison Mfg. Co.; 25Jan1911;

J151475–78.

THE LOVERS, COAL BOX, AND FIREPLACE. © Thomas A. Edison; 4Oct1901;

H9309.

THE LOVER’S GUIDE, scenes 1–4. © Edison Mfg. Co.; 1Oct1908;

H116388–91.

A LOVER’S HAZING. © Geo. Méliès; 20Apr1908; H109550.

THE LOVER’S KNOT. © American Mutoscope & Biograph Co.; 27Sept1902;

H22085.

THE LOVERS’ QUARREL: MEETING IN THE PARK. © American Mutoscope &

Biograph Co.; 16Dec1904; H54337.

THE LOVER’S RUSE. © American Mutoscope & Biograph Co.; 28Nov1904;

H53765.

A LOVER’S RUSE; or, THE MISER’S DAUGHTER. © The Vitagraph Co. of

America; 16May1908; H110579.

A LOVER’S STRATAGEMS. © The Vitagraph Co. of America; 14Nov1908;

H118282.

THE LOVERS’ TELEGRAPHIC CODE, scenes 1–5. © Edison Mfg. Co.;

13Nov1908; H118262–66.

A LOVER’S YARN. © American Mutoscope & Biograph Co.; 16Apr1902;

H16651.

LOVE’S DIARY. © Universal Film Mfg. Co.; 27July1912; J171842.

LOVE’S PERFIDY. © American Mutoscope & Biograph Co.; 15July1905;

H63376.

LOVE’S SACRIFICE, scenes 1–4. © Edison Mfg. Co.; 30July1909;

J130495–98.

LOVE’S SWEET MELODY. © S. Lubin; 14Nov1908; H118285.

LOVE’S YOUNG DREAM. © American Mutoscope & Biograph Co.; 11Nov1902;

H23773.

LOWER BROADWAY [New York City]. © American Mutoscope & Biograph Co.;

13June1903; H32629.

LOWER FALLS, GRAND CANYON, YELLOWSTONE PARK. © Thomas A. Edison;

4Jan1899; 2469.

LOWER RAPIDS, NIAGARA FALLS. © American Mutoscope Co.; 7Jan1897; 3547.

LUBIN’S ANIMATED DROP-CURTAIN ANNOUNCING SLIDES. © S. Lubin; 1May1901;

H3825.

THE LUCK OF ROARING CAMP, scenes 1–4. © Edison Mfg. Co.; 21Jan1910;

J137662–65.

LUCKY DOG, scenes 1–4. © Thomas A. Edison, Inc.; 3Feb1912; J165920–23.

THE LUCKY HORSESHOE. © Biograph Co.; 1c 12Sept1911; J159945.

A LUCKY HORSESHOE. © S. Lubin; 22Jan1908; H105387.

LUCKY JIM. © American Mutoscope & Biograph Co.; 14Apr1909; H125728.

LUCKY JIM. © S. Lubin; 20Sept1907; H99881.

LUCKY KITTEN. © American Mutoscope & Biograph Co.; 13Aug1903; H34517.

A LUCKY TOOTHACHE. © Biograph Co.; 1c 14Oct1910; J146453.

THE LUCKY WISHBONE. © Paley & Steiner; 12July1905; H63158.

LUDLOW’S AERODROME. © American Mutoscope & Biograph Co.; 1Sept1905;

H65080.

LUDLOW’S AEROPLANE, no. 2. © American Mutoscope & Biograph Co.;

1Nov1905; H68148.

LUDWIG FROM GERMANY, scenes 1–4. © Thomas A. Edison, Inc.; 14Nov1911;

J162507–10.

LUKENS, NOVEL GYMNAST. © Thomas A. Edison; 16Sept1901; H8691.

LUNATICS IN POWER, scenes 1–3. © Edison Mfg. Co.; 6May1909;

H126684–86.

LUNCH TIME. © S. Lubin; 18Sept1908; H115824.

THE LURE OF THE CITY, scenes 1–4. © Thomas A. Edison, Inc.; 28Nov1911;

J164500–03.

LURE OF THE GOWN. © American Mutoscope & Biograph Co.; 11Mar1909;

H123872.

THE LURE OF THE PICTURE. © Imp Films Co.; 29Apr1912; J168741.

LURLINE BATHS. © Thomas A. Edison; 25Oct1897; 60578.

MACBETH. SEE Duel Scene from Macbeth.

MACBETH, SHAKESPEARE’S SUBLIME TRAGEDY. © The Vitagraph Co. of

America; 2Apr1908; H108162.

MCGINTY’S SUDDEN RISE, scenes 1–2. © Edison Mfg. Co.; 20July1909;

J129798–99.

MCGOVERN AND DIXON FIGHT. SEE Reproduction of the McGovern and Dixon

Fight.

MACHETE MEN CLEARING A JUNGLE [Panama Canal]. © Thomas A. Edison;

12Apr1907; H92573.

MCKINLEY AND CLEVELAND GOING TO THE CAPITOL [McKinley Inauguration]. ©

Thomas A. Edison; 15Mar1897; 17410.

MCKINLEY AND PARTY. © American Mutoscope & Biograph Co.; 22Jan1903;

H27386.

MCKINLEY AT HOME, CANTON, OHIO. © American Mutoscope Co.; 7Jan1897;

3558.

MCKINLEY FUNERAL ON WAY TO CHURCH. © American Mutoscope & Biograph Co;

22Jan1903; H27388.

MCKINLEY FUNERAL: PANORAMA OF MCKINLEY HOME. © American Mutoscope &

Biograph Co.; 11Nov1902; H23805.

MCKINLEY LEAVING CHURCH [McKinley Inauguration]. © Thos. A. Edison;

21Apr1897; 24886.

MCKINLEY TAKING THE OATH [McKinley Inauguration]. © Thomas A. Edison;

15Mar1897; 17404.

MCKINLEY’S ADDRESS [McKinley Inauguration]. © Thomas A. Edison;

8May1897; 28523.

MCKINLEY’S FUNERAL ENTERING WESTLAWN CEMETERY, CANTON [OHIO]. © Thomas

A. Edison; 26Sept1901; H9084.

MAD DOG. © Lubin Mfg. Co.; 5Feb1909; H122577.

MADAME DE MODE, scenes 1–4. © Thomas A. Edison, Inc.; 13July1912;

J171194–97.

MADAME FLIRT’S MANICURE PARLOR. © S. Lubin; 17Oct1908; H117117.

MADAME REX. © Biograph Co.; 1c 20Apr1911; J154546.

MME. SANS-GENE. With Mme. Rejane. © French-American Film Co.; 1c

24Feb1912, J166637.

MADELINE’S REBELLION, scenes 1–4. © Thomas A. Edison, Inc.; 24May1911;

J156359–62.

MADISON SQUARE, NEW YORK. © American Mutoscope & Biograph Co.;

8July1903; H33285.

THE MADMAN. SEE Insanity.

MAE’S SUITORS, scenes 1–4. © Thomas A. Edison, Inc.; 11Oct1911;

J161657–60.

THE MAESTRO DO-MI-SOL-DO. © Geo. Méliès; 27Mar1906; H75004.

THE MAGIC FOUNTAIN PEN. © The Vitagraph Co. of America; 17July1909;

J129602.

THE MAGIC LANTERN. © George Méliès; 9Dec1903; H39153.

THE MAGIC OF CATCHY SONGS. © Geo. Méliès; 21July1908; H113733.

THE MAGICIAN. © Thomas A. Edison; 28Feb1900; D4733.

THE MAGNETIC EYE. © S. Lubin; 28Jan1908; H105597.

MAGNETIC VAPOR. © S. Lubin; 28May1908; H111138.

THE MAIDEN OF THE PIEFACED INDIANS, scenes 1–4. © Thomas A. Edison.

Inc.; 30Sept1911; J160337–40.

THE MAID’S STRATAGEM. © Imp Films Co.; 25May1912; J169558.

MAILING PLATFORM, U.S.P.O. © American Mutoscope & Biograph Co.;

22Aug1903; H34969.

MAJOR GENERAL SHAFTER [Spanish-American War]. © Thomas A. Edison;

5Aug1898; 46694.

MAKE YOURSELF AT HOME. © S. Lubin; 25Sept1908; H116153.

MAKING AN IMPRESSION. © American Mutoscope & Biograph Co.; 22Jan1903;

H27376.

MAKING MOVING PICTURES. © The Vitagraph Co. of America; 2Dec1908;

H119041.

THE MAKING OF A MAN. © Biograph Co.; 1c 7Oct1911; J161219.

THE MAKING OF A MODERN NEWSPAPER. © S. Lubin; 26Sept1907; H100278.

THE MAKING OF HONEY, scenes 1–3. © Edison Mfg. Co.; 10Sept1909;

J131584–86.

MAKING SOAP BUBBLES. © Thomas A. Edison; 24May1897; 31240–41.

MAKING THE DIRT FLY [Panama Canal]. © Thomas A. Edison; 12Apr1907.

Scene 1. Steam Shovel In Operation, Culebra Cut. H92577.

Motion Pictures, 1894-1912 Identified from the Records of the United States Copyright Office · 第 1 / 7 章