THE MEANING OF "DRINK UP EISELL" IN HAMLET.

Few passages have been more discussed than this wild challenge of Hamlet

to Laertes at the grave of Ophelia:

"Ham. I lov'd Ophelia! forty thousand brothers

Could not, with all their quantity of love,

Make up my sum. What wilt thou do for her?

--Zounds! show me what thou'lt do?

Woo't weep? Woo't fight? Woo't fast? Woo't tear

thyself?

_Woo't drink up Eisell?_ eat a crocodile?

I'll do't".

The sum of what has been said may be given in the words of Archdeacon

Nares:

"There is no doubt that eisell meant vinegar, nor even that

Shakspeare has used it in that sense; but in this passage it

seems that it must be put for the name of a Danish river.... The

question was much disputed between Messrs. Steevens and Malone:

the former being for the river, the latter for the vinegar; and

he endeavored even to get over the drink up, which stood much in

his way. But after all, the challenge to drink vinegar, in such

a rant, is so inconsistent, and even ridiculous, that we must

decide for the river, whether its name be exactly found or not.

To drink up a river, and eat a crocodile with his impenetrable

scales, are two things equally impossible. There is no kind of

comparison between the others."

I must confess that I was formerly led to adopt this view of the

passage, but on more mature investigation I find that it is wrong. I see

no necessary connection between eating a crocodile and drinking up

eysell; and to drink up was commonly used for simply to drink. Eisell or

Eysell certainly signified vinegar, but it was certainly not used in

that sense by Shakspeare, who may in this instance be his own expositor;

the word occurring again in his CXIth sonnet.

"Whilst, like a willing patient, I will drink

Potions of eysell, 'gainst my strong infection;

No bitterness that I will bitter think,

Nor double penance, to correct correction."

Here we see that it was a bitter potion which it was a penance to drink.

Thus also in the Troy Book of Lydgate:

"Of bitter eysell, and of eager wine."

Now numerous passages in our old dramatic writers show that it was a

fashion with the gallants of the time to do some extravagant feat, as a

proof of their love, in honour of their mistresses; and among others the

swallowing some nauseous potion was one of the most frequent; but

vinegar would hardly have been considered in this light; wormwood might.

In Thomas's Italian Dictionary, 1562, we have "Assentio, Eysell" and

Florio renders that word by vinegar. What is meant, however, is

Absinthites or Wormwood wine, a nauseously bitter medicament then much

in use; and this being evidently {242} the _bitter potion of Eysell_ in

the poet's sonnet, was certainly the nauseous draught proposed to be

taken by Hamlet among the other extravagant feats as tokens of love. The

following extracts will show that in the poet's age this nauseous bitter

potion was in frequent use medicinally.

"ABSINTHIUM, [Greek: apsinthion, aspinthion], Comicis, ab

insigni amarore quo bibeates illud aversantur."-_Junius,

Nomenclator ap. Nicot_.

"ABSINTHITES, _wormwood wine_.--_Hutton's Dict_.

"Hujus modi autem propomatum _hodie_ apud Christianos quoque

_maximus est et frequentissimus usus_, quibus potatores maximi

ceu proemiis quibusdam atque prÊludiis utuntur, ad dirum illud

suum propinandi certamen. _Ae maxime quidem commune est proponia

absynthites_, quod vim habet stomachum corroborandi et

extenuandi, expellendique excrementa quÊ in eo continentur. Hoc

fere propomate potatores hodie maxime ab initio coenÊ utuntur

ceu pharmaco cum hesternÊ, atque prÊteritÊ, tum futurÊ

ebrietatis, atque crapulÊ.... _amarissimÊ sunt potiones

medicatÊ_, quibus tandem stomachi cruditates immoderato cibo

potuque collectas expurgundi cause uti coguntur."--Stuckius,

_AntiquitatÊ Corviralium. Tiguri_, 1582, fol. 327.

Of the two latest editors, Mr. Knight decides for the _river_, and Mr.

Collier does not decide at all. Our northern neighbours think us almost

as much deficient in philological illustration as in enlarged

philosophical criticism on the poet, in which they claim to have shown

us the way.

Notes and Queries, Number 46, September 14, 1850 · 第 4 / 96 题