Jim had a relative attending classes at Cooper Union and encouraged me

to join several of its evening classes, which I did. I reported to him

regularly the new things which I learned there. This practice benefited

me even more than it did Jim, because in trying to explain to him the

laws of heat phenomena, which were explained to me in the evening

lectures at Cooper Union, I got a very much better hold of them. The

first ideas of sound and light I caught on the pasture-lands of my

native village; the first ideas of the phenomena of heat I caught in

the boiler-room in Cortlandt Street and at Cooper Union lectures. These

lectures, supplemented by Jim’s boiler-room demonstrations, proved

much more effective than the instruction which I had received from my

teacher Kos, in Panchevo. Kos was a Slovene, a native of that beautiful

valley in Carniola, in the very bosom of the Dolomites; it is nearer

to being an ideal dreamland than any other spot in Europe. To Kos, as

to every true Slav, and particularly to the Slovenes of Carniola, the

poetical side of physical phenomena appealed most strongly. Hence his

patient listening to my enthusiastic professions of the belief that

sound and light were different forms of the language of God. But as I

watched the busy flames under Jim’s boilers, and understood how they

were sustaining the strenuous efforts of steam to supply every hustling

wheel in the factory with driving power, I understood for the first

time that there is also a prose in physics not a bit less impressive

than its poetry. It is this prose which interested Jim, the fireman,

just as it did the Cooper Union lecturer. Their chief concern was what

heat can do and not what it is. My Slavonic craving for knowing what

heat is was soon satisfied by reading a poem in prose concerning the

nature of heat. But of that later.

During my very first visits to the Cooper Union Library I saw a great

painting hung up in the northwest corner of its large reading-room.

It was called “Men of Progress,” and represented a group of very

learned-looking men. I admired the painting, but took no pains to

find out its meaning. One day, while reading in the Cooper Union

Library, I saw quite near me an old gentleman standing and carefully

scrutinizing what was going on. I imagined, at first, that he had

stepped out of that painting. I looked again and found that the figure

in the painting which I fancied had walked out was still there and

that the old gentleman near me was undoubtedly the original from

which the artist had painted that figure. The ambidextrous youth

behind the library-desk told me afterward that the old gentleman was

Peter Cooper, the founder of Cooper Union, and that he was one of the

group of famous men represented in the great painting. He looked as I

imagined the Patriarch of Karlovci must have looked. He was a striking

resemblance to St. Sava, the Educator, as he is represented on an ikon

in our church in Idvor. The same snowy locks and rosy complexion of

saintly purity, and the same benevolent look from two luminous blue

eyes. Peter Cooper was then eighty-five years of age, but he looked

as lively as if he were going to live another eighty-five years. His

personality as revealed by his appearance inspired me with awe, and I

read everything I could lay my hands on concerning his life; then I

read about the lives of the other great men who were associated with

Peter Cooper in that historical painting. Some of these men were:

Morse, the first promoter of the electric telegraph; Joseph Henry,

the great physicist, head of the Smithsonian Institution, and founder

of scientific bureaus in Washington; McCormick, the inventor of the

reaper; Howe, the inventor of the sewing-machine; Ericsson, the

engineer of the _Monitor_, and so forth. My study of their lives was a

timely preparation for my visit to Philadelphia, to see the Centennial

Exposition, the preparatory work for which I had seen two years prior

to that time, when, returning from the Delaware farm, I stopped at

Philadelphia to search for opportunities.

[Illustration: _From an engraving by John Sartain after a painting by

J. Schussele, reproduced by the courtesy of Cooper Union_

Dr. Morton Colt Saxton

Bogardus

McCormick

Peter Cooper Professor Henry Ericsson

Goodyear Dr. Mott

Mott Sickles

Bigelow

Burden Jennings

Morse Hoe Blanchard Howe

MEN OF PROGRESS--AMERICAN INVENTORS]

The work of those great captains of industry forming the group in the

great painting, “Men of Progress,” was in evidence in every nook and

corner of the Centennial Exposition. This great show impressed me as

a splendid glorification of all kinds of wonderful mechanisms, driven

by steam and animal power, which helped to develop the great resources

of the United States. All scientific efforts exhibited there concerned

themselves with the question of what things can do, rather than what

they are. The show was also a glorification of the great men who first

formulated, clearly stated, and fought for the ideals of the United

States. I saw that fact proclaimed in many of the historical features

of the exposition, and I did not fail to understand clearly that the

show took place in Philadelphia because the Liberty Bell and the

Declaration of Independence were first heard in Philadelphia. When I

left Philadelphia and its show I carried away in my head a good bit of

American history. The Americanization process which was going on within

me was very much speeded up by what I saw at the Centennial Exposition.

On my return to New York I told Jim, the fireman, that he was

right when he said: “The English made us write the Declaration of

Independence, and they also gave us the steam-engine with which we

made our independence good.” But, instructed by my study of the lives

of men who were represented in the painting “Men of Progress,” and

by what I learned at the Philadelphia exposition of these men and of

the leaders of the American Revolution, I suggested to Jim that the

steam-engine without great men behind it would have been of little

avail. “Yes,” said Jim, “the Declaration of Independence without men of

character and brains behind it would also have been of little avail;

and the great aims of the Civil War without men like Lincoln and Grant

behind them would have ended in a foolish fizzle. This country, my

lad,” exclaimed Jim with much warmth, “is a monument to the lives of

the men of brains and character and action who made it.” Jim threw out

this chunk of wisdom with the same ease and in the same offhand manner

which he displayed when he threw a few shovelfuls of coal upon the

busy fires under his boilers. To him it was an obvious truth; to a lad

like myself, who was accustomed to look upon countries as monuments to

kings and princes and their victorious armies, it was a revelation; and

I said so. This brought from Jim another epigrammatic remark to the

effect that my trip to America would teach me nothing if it did not

teach me first to squeeze out of my mind all foolish European notions

and make room for new ideas which I might pick up here and there in

this new world. Jim’s sayings were always short and to the point and

their record in my mind never faded.

Jim was very popular with everybody in the factory, and the fact that

he thought well of me improved my standing much. A Mr. Paul, the

youngest and most active member of the New England Cracker Factory in

Cortlandt Street, paid frequent visits to the boiler-room. I had an

idea that Jim’s views of things interested him just as much as the

operations of the boiler-room. One morning he made a very early visit

before the steam-whistle had blown and the steam-engine had started on

its daily routine, and he found me in the boiler-room, a busy volunteer

fireman. Jim introduced me to him in a jocular way as a student who

found his way from Princeton to Cortlandt Street, where in daytime I

was rapidly learning every trick of the biscuit industry while in the

evening I was absorbing all the wisdom of Cooper Union. A few days

later Mr. Paul informed me that my fame as a painter of baker-wagons

and of basements on Lexington Avenue, and also my record as a student

in mechanical drawing in the evening classes of Cooper Union, had

reached the board of directors of the New England Cracker Factory, and

that they had resolved to offer me a new job. I was advanced to the

position of assistant to the shipping clerk. It meant not only more pay

but also social advancement. I was no longer a workman in the factory,

who worked for wages; I was a clerk who received a salary. I felt as

people in England probably feel when peerage is conferred upon them.

My fellow workers in the factory, including Eilers, who first got me

the job, showed no envy. They agreed with Jim, who told them that I

was “smart.” Jim used the same word which my Vila on the banks of the

Delaware had used whenever I made a good recitation in English, and I

saw in it a good omen. Jim and Vila and Christian of West Street were

my authorities, who expressed what I considered a competent opinion

upon my apprenticeship as greenhorn, and that opinion was favorable. I

felt assured that the apprenticeship was soon coming to an end.

My duties as assistant to the shipping clerk were to superintend the

packing of biscuits, to help address with brush and paint the boxes

in which they were packed, and to see to it that they were shipped on

time. A squad of some thirty girls did the packing and they seemed at

first inclined to file objections whenever I found fault with their

packing. They seemed to resent being bossed by an immigrant youth whose

foreign accent would “stop a train,” as they sometimes expressed it. I

found out from Jim that the principal object of their resentment was to

make me angry, because when my Serbian temper was up my accent became

most atrocious and that furnished them a most hilarious amusement. I

soon became convinced that my success as assistant to the shipping

clerk demanded a perfect control of my temper and a speedy improvement

of my accent, each of them a most difficult task.

My efforts to control my temper were frequently put to severe tests.

Now and then a biscuit, well aimed, would hit me on the head, and my

Serbian blood would rush to my cheeks and I would look daggers at the

supposed offender. “Look at the bashibozouk,” one of the girls would

sing out on these occasions, and another would add: “Did you ever see

such a Bulgarian atrocity?” These words were in everybody’s mouth at

that time and they referred to the incidents of the Balkan War of

1876-1878, which Serbia, Montenegro, and Russia were waging against the

Turks. A third girl would stick her tongue out and make funny faces

at me in response to my savage glare. She evidently tried to make me

laugh, and I did laugh. Then a fourth girl would sing out: “Oh, look at

the darling now; I just love him when he smiles.” Then they all would

sing:

“Smile, Michael, smile,

I love your sunny style.”

I did smile, and every day I smiled more and more, after I had

discovered that the girls did not really dislike me, but just loved to

tease me whenever I showed any signs of a European greenhorn. I dropped

the airs put on by European superiors in authority and gradually the

girls became friendly and began to call me by my first name instead

of mockingly addressing me as “Mister” as they addressed the old

shipping clerk. “You are getting on swimmingly, my lad,” said Jim one

day, and he added something like this: “The girls are calling you

Michael, just as they call me Jim. We are popular, my boy, but don’t

let this popularity mislead you into foolish notions. Just watch me; I

have enjoyed this popularity for twenty years, and here I am still a

bachelor, and an old bachelor at that. You have controlled your temper

well, but how about controlling your heart, my lad?” Jim grinned and

winked and placed his index finger in front of his forehead, as if to

indicate that many a wise experience is stored in the practical head

of a canny old fireman. I understood his meaning, but did I heed its

warning? I knew that it contained a warning, and I suspected strongly

that Jim had discovered one of my deepest secrets.

There was one girl among the thirty biscuit-packers who, in my opinion,

never made a mistake in packing. I never took pains to inspect her

work, and why should I when I was sure of her perfection? But I watched

her and feasted my eyes upon her whenever I had spare time and was sure

that nobody was observing me. She became conscious of it and every now

and then she would suddenly look up and catch my admiring but cautious

gaze. A bashful blush would give me away in spite of my efforts to

hide my thoughts and feelings. She guessed them and she smiled as if

greatly pleased and much amused, but she cleverly avoided giving me an

opportunity to make a confession. I might have done it in spite of my

extreme bashfulness. My note-books were full of her pictures, which I

drew and signed under them her name, Jane Macnamara. Perhaps Jim had

seen these pictures among my many sketches of the boiler-room and its

contents, and hence his warning to me.

One Monday morning Jane did not appear at her usual place in the

packing-room; her friend, another packing girl, told me that Jane had

been married on the previous Saturday. I tried my best to appear as if

I received the news with indifference, but failed. The girls observed

a change; I neither smiled nor did I frown, but I thought a lot, and

the girls seemed to take quite an interest in my thoughtfulness, but

studiously avoided annoying me. Only now and then one of the girls

would whisper to me: “Penny for your thoughts, Michael.” Jim, I was

sure, also observed the change, but said nothing, as if he had observed

nothing. One day he introduced me to an acquaintance of his whom he

called Fred, who looked like a middle-aged man. He had wonderful

deep furrows in his face, and his hands were large and very bony and

looked as if the daily toil had rubbed off all the superfluous flesh

and fat from them. Jim told me that Fred was far from middle age, but

barely over thirty, and that some twelve years before he had plans and

ambitions just as big as mine, backed by at least as much brains as he

thought I had. Fred’s friends expected big things from him, said Jim,

but suddenly Fred lost his heart and married and raised a big family

of children somewhere in Jersey City. “To-day,” said Jim, “Fred is

mentally just where he was twelve years ago, and if he did not have

the contract of making the wooden packing-boxes for this factory he

would look even older than he is looking now,” and then he added, in

his usual offhand manner by way of illustration, that corn-stalks

cease to grow as soon as the ears of corn appear and all the sap of

the corn-stalk is served to the ears. Referring to Fred’s numerous

children, Jim finished his picture by saying that Fred looked like a

withering corn-stalk with many small ears of corn on it, and that he

hoped that the withering corn-stalk would hold out until the numerous

ears of corn had ripened. He admitted, however, that he himself was a

withering corn-stalk with no ears of corn at all; that his life was the

other extreme from Fred’s, and that neither he nor Fred had in their

younger days studied and applied in practice the controlling regulators

of life. Jim’s sermons on self-control always hit the mark; and when,

referring to his advice to me to control my temper, my heart, and my

speech, I suggested that according to him life was a series of all

kinds of controls difficult to manage, he answered that nothing is

difficult when it becomes a habit. “Just examine my boiler-room,” he

said, “and you will find that everything is controlled. The centrifugal

governor controls the speed of the engine; the safety-valve limits

the pressure of steam; every fire has a regulator of its air draft,

and every oven has a temperature indicator. I know them all and I

watch their operations without knowing that I am doing it. Practice

makes perfect, my lad, and perfection knows no difficulties even in a

boiler-room as full of all kinds of tricks as human life is.” Jim’s

sermons were always short and far ahead of anything I had ever heard

in the churches in Delaware City, or in Dayton, New Jersey, or in the

Bowery Mission, or in any other church which up to that time I had

visited in this country; and, moreover, they were not accompanied

by congregational singing, which bored me. I understood why so many

blacksmiths and other people of small learning made a great success as

preachers in this country, whereas in my native village the priest, who

prided himself upon his learning, was obliged to read those sermons

only which were sent to him by the bishop of the diocese. I suggested

to Jim in a jocular way to quit the boiler-room and become a preacher,

and he answered that the boys and girls of the New England Cracker

Factory in Cortlandt Street furnished a sufficiently large field for

his religious and educational mission. Jim’s assistance helped me much

to let the dream about Jane fade away gradually and make room in my

imagination for the dreams which I first saw at Princeton under that

elm-tree in front of Nassau Hall.

The factory in Cortlandt Street was in many respects a college in which

Jim was the chaplain; and it had a professor who should be mentioned

here. It also had a dormitory; several of the young fellows employed in

the factory lived on the top floor of the building. I was one of them,

and I did not change my quarters when I was advanced to the position

of assistant to the shipping clerk. Two great attractions kept me

there. One was that the other fellows were out every evening visiting

theatres and music-halls, so that I had the whole loft, and, in fact,

the whole factory all to myself and to a chum of mine, who was much

older than I in years but not in his position in the factory. His name

was Bilharz, and he was the second attraction. He was the opposite to

Jim and to every human being I had ever met. He knew nothing of nor did

he care for the concrete or practical things of life, but always lived

in dreams about things which happened centuries ago. He knew Latin and

Greek and all kinds of literatures, but never made any attempts to make

any use of his knowledge. Factory work of the humblest kind was good

enough for him, and I believed that he would have been satisfied to

work for his board only, if pay had been refused him. He informed me

once by an accidental slip of the tongue that he had studied theology

at the University of Freiburg, in southern Germany, and would have

become a priest if an unfortunate love-affair had not put an end to

his ecclesiastical aspirations. He had no other aims when he came to

America, he said, than to work for a modest living and to lead a life

of profound obscurity, until the Lord called him away from this valley

of tears, as he expressed it. He used a German expression and called

the earth a “Thraenenthal.” Although a German he spoke English well,

being a finished scholar and having lived in America for a number

of years, and having a memory for sound which impressed me as most

remarkable. He sang like a nightingale, but only on evenings when we

were all alone. Ecclesiastical music was his favorite, and during many

an evening the strains of “Gloria in Excelsis Deo,” “Ave Maria,” and

“I Know That My Redeemer Liveth” rang forth from the spacious lofts of

the New England Cracker Factory and lost themselves in the silence

of night among the deserted buildings of Cortlandt Street, which were

alive in daytime only. I never tired listening to his recitations

of Latin and Greek poetry, although I did not understand it, and of

selected passages from Shakespeare and Goethe, which I did understand.

He loved the art of articulate speech and of melody, and he thought of

things only that happened three thousand years ago when Homer sang and

the Olympian gods guided the destinies of men, but he cared for nothing

else. The steam-engine and every other kind of mechanism were to him a

deadly prose which, in his opinion, Satan had invented for the purpose

of leading astray the spirit of man. “They are the weapons by which

people like you are keeping in slavery people like me,” he said once,

jokingly, referring to my interest in the boiler-room operations and to

my admiration of the great captains of industry whose lives I studied

and whose work I had seen and admired at the Philadelphia exposition.

I sometimes suspected that he felt alarmed by what he considered my

worship of false gods, and that this impelled him to do everything he

could for my redemption from heathenism. My admiration for his learning

was great, but my sympathy for his misfortunes was even greater. His

hands were once caught in a machine and most of his fingers had become

stiff and crooked so that they looked like the talons of a falcon. His

sharp features, a crooked nose and protruding eyes, supported this

suggestion of a falcon, but his awkward, flat-footed walk suggested a

falcon with broken wings; to say nothing of his other misfortunes which

made him in spirit also a falcon with broken wings.

I felt that he knew a great deal more about the Jane incident than he

cared to disclose to me. One day I referred to her as the Minnehaha

of Cortlandt Street. “Minnehaha, laughing water,” exclaimed Bilharz:

“where did you ever get that, you boiler-room bug?” and he laughed

as if he had never heard a funnier thing in his life. “From Jim, the

boiler-room hermit, to Longfellow, one of the greatest of American

poets, is a tremendous jump, a _salto mortale_, as they call it in a

circus,” said Bilharz; and then, growing more serious and thoughtful,

he added something like this: “It is really wonderful what the eyes

of a woman can do! They are just like the stars in the heavens,

encouraging us poor mortals to aim at celestial heights. But many a

sky-rocket seemed to be sailing for the stars and suddenly it found

itself buried in mud. I am one of these sky-rockets,” said Bilharz;

“you are not, thanks to the timely intervention of a kindly divinity.”

He meant Jim. Then, continuing in his usual dramatic manner, he recited

in Latin an ode of Horace, in which the poet speaks of a youth trusting

to the beaming countenance of his lady-love as a mariner trusting to

the sunlit ripples of a calm sea who is suddenly upset by a treacherous

squall and, being rescued, gratefully offers his wet garments in

sacrifice to Neptune, the god of the sea. After translating the ode and

explaining its meaning to me he urged me to hang my best clothes in the

boiler-room as a sacrifice to Jim, the divinity which had rescued me

from the treacherous waves of “Minnehaha, laughing water.” “You are the

luckiest of mortals, my boy,” said Bilharz to me; “some day you will

provoke the envy of the gods and then look out for stern Nemesis!” I

did not understand the full meaning of these classical allusions, but

he assured me that some day I should. I told Bilharz that my luck, of

which he spoke so often, was mostly due to my being so near to a man of

his learning, and that I thought he ought to be a professor in Nassau

Hall at Princeton. He declined the honor, but offered to prepare me for

it, and I accepted.

From Immigrant to Inventor · 第 6 / 31 段