LIVING MARIONETTES
A GOOD “ONE MAN” SHOW
A LIVING Marionette entertainment is well adapted for a “One Man Show,”
and sure to prove a success. The very appearance of the weird creature,
half human and half doll, makes the spectators laugh, and this laugh
will scarcely subside until the curtain has been finally rung down on
the entertainment.
[Illustration: FIG. 1.--The dummy body with the human head.]
[Illustration: FIG. 2.--Front view of living Marionette stage.]
The mysterious combination shown in Fig. 1 needs but little explanation,
since it is very clear that the head is human whilst the body is wooden.
This makes so comical a figure that anything but pure humor would seem
singularly out of place issuing from those lips; it must, therefore, be
clearly understood that the living Marionette is comic from beginning to
end.
The stage must be about 3 feet wide, and of the same height, thus
allowing room for the head and false body. The stage front may be made
in the same manner adopted for the Marionettes proper, though so much
space will not be required at the top, as can be seen from Fig. 2. The
stage itself should be about 12 inches deep, and arranged at such a
height that when standing behind, your chin will be about 11 inches
above the stage. The whole construction will then be somewhat like the
box and stage of an old-fashioned Punch and Judy Show.
A strip of perfectly black cloth is next stretched from side to side
along the inner edge of the stage, _i.e._ the part farthest removed from
the audience. This cloth should be 11 inches wide, and when in place
will occupy the position shown in Fig. 3. Between this edge of the stage
and the actual back of the box should be a space of 15 inches. The
actual back must also be covered with black cloth. The sectional
appearance of the stage will therefore be as in Fig. 4. An arrangement
of curtains, as described in connection with the Marionette stage, must
be fitted with the strings below the stage, in order that you may pull
them unseen by the audience.
The wooden bodies should be 10 inches high, and headless. A collar must
be sewn to the costume where the neck should be, in order to conceal the
spot where the living head is thrust over the false body.
The most satisfactory way of working the limbs of the puppet is as
follows: Above the stage, in the flies, a rod, upon which are strung
several brass rings, extends from side to side (A, Fig. 4). Now the
strings attached to the arms and legs pass up and through these rings,
whence they descend behind the cloth screen and are moved invisibly by
the operator. As there is only one figure to work, you can hold the arm
threads in one hand, the leg threads in the other, whilst the supporting
body thread passes in a loop around your neck. In this way the body is
forced to move with the living head, as though really a part of it (Fig.
5).
You should now make up your face to suit the character. Suppose the body
represents an ordinary Jack Tar, with bell-bottomed trousers, blue
collar, and so forth. The comic sailor’s beard must be so adjusted that
its bushiness will conceal what may be called the junction between your
head and his false body. The hat or round cap can be put on at a
nautical tilt.
Having fixed the body-thread around your throat and fastened the beard,
crane your own neck forward, and place the Marionette body upon the
stage, having the strip of black cloth between it and your shoulders.
Arrange the arm and leg strings through the rings, and keep the ends in
your hands ready for action. When everything is completed, draw the
curtain and commence.
[Illustration: FIG. 4.--Sectional view of Marionette stage.]
COMICAL EFFECTS
Songs and monologues are naturally the best turns for the Living
Marionette. Choose a rollicking, nautical song, suitable to Jack Tar.
All the gestures and motions can be given to the limbs by means of the
threads, whilst every now and again Jack can enliven himself and the
audience by executing a hornpipe. A little practice with the leg-strings
will enable you to perform this with great effect.
[Illustration: FIG. 3.--Black cloth arrangement to conceal top of
performer’s body.]
Always strive to obtain comical effects. If the gallant mariner has a
telescope in his hand, this should be raised to the eye, where the
extraordinary contrast between the tiny hand holding a midget telescope,
and the enormous face emerging from its forest of beard, is ludicrous in
the extreme.
Or if the other branch of the Service be on the boards, the cavalryman
may flourish a saber, which, at full arm’s length, will scarcely reach
the tip of his ear. A tiny rifle raised to the shoulder makes another
laughable effect.
The Man about Town is a humorous figure. Dressed in an exaggeration of
the latest style, with a dapper strut, flourishing a modish cane, he is
a person to be admired--and laughed at. Over the pigmy body looms an
enormous face, smoking a huge cigar, big even for an ordinary
individual. Naturally it would be impossible to sing or speak with the
cigar in his mouth, and it cannot be gracefully removed with dummy hands
that will scarcely reach it. The simplest method of getting the cigar
out of the way is to make “Bertie” stumble over his own cane, for
instance, and in the agitation of the moment drop his “smoke.” He will
then be able to air his peculiarities in comfort, and will prove a most
amusing personage.
Two figures may be introduced upon the stage, although they are likely
to prove a tight fit. Some laughable dialogues and duets are the result.
Quarrels or love scenes must be intensely funny. A young gentleman and a
younger lady can be introduced with much formality, and, advancing to
shake hands, meet with an embarrassing adventure, pleasant enough in its
way. Owing to the smallness of their arms and the largeness of their
faces, before their hands have met, their lips have perforce sealed the
contract of friendship.
A general idea of Living Marionettes and their working may be gained
from the foregoing suggestions. Sentimental songs, sung with a whimsical
air of grotesque pathos, will probably “bring the house down,” whilst
the applause attending a good comic song in character will encourage all
parties concerned.
Living Marionettes are sometimes introduced in conjunction with an
ordinary Marionette show, and should be given after the latter has
concluded. The contrast between the symmetrical little mannikins and the
distorted living doll will be remarkable, whilst the exuberant humor of
the latter is sure to provide a pleasant finale to what all will judge a
delightful evening.
[Illustration: FIG. 5.--Living Marionette operator at work.]