CHAPTER V

For a day, the Room remained vacant. Twice I had high hopes, then

disillusionment.

Waiting had become a habit, an occupation. I put off appointments,

delayed my walks, gained time at the risk of losing my position. I

arranged my life as for a new love. I left my room only to go down to

dinner, where nothing interested me any more.

The second day, I noticed that the Room was ready to receive a new

occupant. It was waiting. I had a thousand dreams of who the guest

would be, while the Room kept its secret, like some one thinking.

Twilight came, then evening, which magnified the room but did not

change it. I was already in despair, when the door opened in the

darkness, and I saw on the threshold the shadow of a man.

. . . . .

He was scarcely to be distinguished in the evening light.

Dark clothing, milky white cuffs from which his grey tapering hands

hung down; a collar a little whiter than the rest. In his round

greyish face I could see the dusky hollows of his eyes and mouth, under

the chin a cavity of shadow. The yellow of his forehead shone

unclearly. His cheekbone made an obscure bar in the dusk. You would

have called him a skeleton. What was this being whose physiognomy was

so monstrously simple?

He came nearer, and his face kindled, assumed life. I saw that he was

handsome.

He had a charming serious face, fringed with a fine black beard, a high

forehead and sparkling eyes. A haughty grace guided and refined his

movements.

He came forward a step or two, then returned to the door, which was

still open. The shadow of the door trembled, a silhouette appeared and

took shape. A little black-gloved hand grasped the knob, and a woman

stole into the room, with a questioning face.

She must have been a few steps behind him in the street. They had not

wished to enter the room together, in which they both sought refuge to

escape pursuit.

She closed the door, and leaned her whole weight against it, to close

it still tighter. Slowly she turned her head to him, paralysed for a

moment, it seemed to me, with fear that it was not he. They stared

into each other's faces. A cry burst from them, passionate,

restrained, almost mute, echoing from one to the other. It seemed to

open up their wound.

"You!"

"You!"

She almost fainted. She dropped on his breast as though swept by a

storm. She had just strength enough to fall into his arms. I saw the

man's two large pale hands, opened but slightly crooked, resting on the

woman's back. A sort of desperate palpitation seized them, as if an

immense angel were in the Room, struggling and making vain efforts to

escape. And it seemed to me that the Room was too small for this

couple, although it was full of the evening.

"They didn't see us!"

It was the same phrase which had come the other day from the two

children.

He said, "Come!" leading her over to the sofa, near the window, and

they seated themselves on the red velvet. I saw their arms joined

together as though by a cord. They remained there, engrossed,

gathering about them all the shadow of the world, reviving, beginning

to live again in their element of night and solitude.

What an entry, what an entry! What an irruption of anathema!

I had thought, when this form of sin presented itself before me, when

the woman appeared at the door, plainly driven toward him, that I

should witness bliss in its plenitude, a savage and animal joy, as

momentous as nature. On the contrary, I found that this meeting was

like a heart-rending farewell.

"Then we shall always be afraid?"

She seemed just a little more tranquil, and said this with an anxious

glance at him, as if really expecting a reply.

She shuddered, huddled in the shadows, feverishly stroking and pressing

the man's hand, sitting upright, stiffly. I saw her throat rising and

falling like the sea. They stayed there, touching one another; but a

lingering terror mingled with their caresses.

"Always afraid--always afraid, always. Far from the street, far from

the sun, far from everything. I who had so much wanted full daylight

and sunlight!" she said, looking at the sky.

They were afraid. Fear moulded them, burrowed into their hearts.

Their eyes, their hearts were afraid. Above all, their love was

afraid.

A mournful smile glided across the man's face. He looked at his friend

and murmured:

"You are thinking of /him."/

She was sitting with her cheeks in her hands and her elbows on her

knees and her face thrust forward. She did not reply.

She /was/ thinking of him. Doubled up, small as a child, she gazed

intently into the distance, at the man who was not there. She bowed to

this image like a suppliant, and felt a divine reflection from it

falling upon her--from the man who was not there, who was being

deceived, from the offended man, the wounded man, from the master, from

him who was everywhere except where they were, who occupied the immense

outside, and whose name made them bow their heads, the man to whom they

were a prey.

Night fell, as if shame and terror were in its shadows, over this man

and woman, who had come to hide their embraces in this room, as in a

tomb where dwells the Beyond.

. . . . .

He said to her:

"I love you!"

I distinctly heard those grand words.

I love you! I shuddered to the depths of my being on hearing the

profound words which came from those two human beings. I love you!

The words which offer body and soul, the great open cry of the creature

and the creation. I love you! I beheld love face to face.

Then it seemed to me that sincerity vanished in the hasty incoherent

things he next said while clasping her to him. It was as though he had

a set speech to make and was in a hurry to get through with it.

"You and I were born for each other. There is a kinship in our souls

which must triumph. It was no more possible to prevent us from meeting

and belonging to each other than to prevent our lips from uniting when

they came together. What do moral conventions or social barriers

matter to us? Our love is made of infinity and eternity."

"Yes," she said, lulled by his voice.

But I knew he was lying or was letting his words run away with him.

Love had become an idol, a thing. He was blaspheming, he was invoking

infinity and eternity in vain, paying lip service to it by daily prayer

that had become perfunctory.

They let the banality drop. The woman remained pensive for a while,

then she shook her head and she--/she/ pronounced the word of excuse, of

glorification; more than that, the word of truth:

"I was so unhappy!"

. . . . .

"How long ago it was!" she began.

It was her work of art, her poem and her prayer, to repeat this story,

low and precipitately, as if she were in the confessional. You felt

that she came to it quite naturally, without transition, so completely

did it possess her whenever they were alone.

She was simply dressed. She had removed her black gloves and her coat

and hat. She wore a dark skirt and a red waist upon which a thin gold

chain was hanging.

She was a woman of thirty, perhaps, with regular features and smooth

silken hair. It seemed to me that I knew her, but could not place her.

She began to speak of herself quite loudly, and tell of her past which

had been so hard.

"What a life I led! What monotony, what emptiness! The little town,

our house, the drawing-room with the furniture always arranged just so,

their places never changed, like tombstones. One day I tried to put

the table that stood in the centre in another place. I could not do

it."

Her face paled, grew more luminous.

He listened to her. A smile of patience and resignation, which soon

was like a pained expression of weariness, crept across his handsome

face. Yes, he was really handsome, though a little disconcerting, with

his large eyes, which women must have adored, his drooping moustache,

his tender, distant air. He seemed to be one of those gentle people

who think too much and do evil. You would have said that he was above

everything and capable of everything. Listening to her with a certain

remoteness, but stirred by desire for her, he had the air of waiting.

And suddenly the veil fell from my eyes, and reality lay stripped

before me. I saw that between these two people there was an immense

difference, like an infinite discord, sublime to behold because of its

depths, but so painful that it bruised my heart.

/He/ was moved only by his longing for her; /she,/ by her need of

escaping from her ordinary life. Their desires were not the same.

They seemed united, but they dwelt far apart.

They did not talk the same language. When they spoke of the same

things, they scarcely understood each other, and to my eyes, from the

very first, their union appeared to be broken more than if they had

never known each other.

But he did not say what was really in his mind. You felt it in the

sound of his voice, the very charm of his intonation, his lyrical

choice of words. He thought to please her, and he lied. He was

evidently her superior, but she dominated him by a kind of inspired

sincerity. While he was master of his words, she offered her whole

self in her words.

She described her former life.

"From the windows in my room and the dining-room, I could look out on

the square. The fountain in the centre, with its shadow at its base.

I watched the day go round there, on that little, white, round place,

like a sundial.

"The postman crossed it regularly, without thinking. At the arsenal

gate stood a soldier doing nothing. Nobody else ever came there. When

noon rang like a knell, still no one. What I remember best of all was

the way noon rang like a knell--the middle of the day, absolute ennui.

"Nothing ever happened to me, nothing ever would happen to me. There

was nothing for me. The future no longer existed for me. If my days

were to go on like that, nothing would separate me from my death--

nothing! Not a thing! To be bored is to die! My life was dead, and

yet I had to live. It was suicide. Others killed themselves with

poison or with a revolver. I killed myself with minutes and hours."

"Amy!" said the man.

"Then, by dint of seeing the days born in the morning and miscarrying

in the evening, I became afraid to die, and this fear was my first

passion.

"Often, in the middle of a visit I was paying, or in the night, or when

I came home after a walk, the length of the convent wall, I shuddered

with hope because of this passion.

"But who would free me from it? Who would save me from this invisible

shipwreck, which I perceived only from time to time? Around me was a

sort of conspiracy, composed of envy, meanness and indifference.

Whatever I saw, whatever I heard, tended to throw me back into the

narrow road, that stupid narrow road along which I was going.

"Madame Martet, the one friend with whom I was a little bit intimate,

you know, only two years older than I am, told me that I must be

content with what I had. I replied, 'Then, that is the end of

everything, if I must be content with what I have. Do you really

believe what you say?' She said she did. Oh, the horrid woman!

"But it was not enough to be afraid. I had to hate my ennui. How did

I come to hate it? I do not know.

"I no longer knew myself. I no longer was myself. I had such need of

something else. In fact, I did not know my own name any more.

"One day, I remember (although I am not wicked) I had a happy dream

that my husband was dead, my poor husband who had done nothing to me,

and that I was free, free, as large as the world!

"It could not last. I couldn't go on forever hating monotony so much.

Oh, that emptiness, that monotony! Of all the gloomy things in the

world monotony is the darkest, the gloomiest. In comparison night is

day.

"Religion? It is not with religion that we fill the emptiness of our

days, it is with our own life. It was not with beliefs, with ideas

that I had to struggle, it was with myself.

"Then I found the remedy!"

She almost cried, hoarsely, ecstatically:

"Sin, sin! To rid myself of boredom by committing a crime, to break up

monotony by deceiving. To sin in order to be a new person, another

person. To hate life worse than it hated me. To sin so as not to die.

"I met you. You wrote verses and books. You were different from the

rest. Your voice vibrated and gave the impression of beauty, and above

all, you were there, in my existence, in front of me! I had only to

hold out my arms. Then I loved you with all my heart, if you can call

it love, my poor little friend!"

She spoke now in a low quick voice, both oppressed and enthusiastic,

and she played with her companion's hand as if it were a child's toy.

"And you, too, you loved me, naturally. And when we slipped into a

hotel one evening, the first time, it seemed to me as if the door

opened of itself, and I was grateful for having rebelled and having

broken my destiny. And then the deceit--from which we suffer sometimes,

but which, after reflection, we no longer detest--the risks, the dangers

that give pleasure to each minute, the complications that add variety

to life, these rooms, these hiding-places, these black prisons, which

have fled from the sunlight I once knew!

"Ah!" she said.

It seemed to me that she sighed as if, now that her aspiration was

realized, she had nothing so beautiful to hope for any more.

. . . . .

She thought a moment, and then said:

"See what we are. I too may have believed at first in a sort of

thunderbolt, a supernatural and fatal attraction, because of your

poetry. But in reality I came to you--I see myself now--with clenched

fists and closed eyes."

She added:

"We deceive ourselves a good deal about love. It is almost never what

they say it is.

"There may be sublime affinities, magnificent attractions. I do not

say such a love may not exist between two human beings. But we are not

these two. We have never thought of anything but ourselves. I know,

of course, that I am in love with you. So are you with me. There is

an attraction for you which does not exist for me, since I do not feel

any pleasure. You see, we are making a bargain. You give me a dream,

I give you joy. But all this is not love."

He shrugged his shoulders, half in doubt, half in protest. He did not

want to say anything. All the same, he murmured feebly:

"Even in the purest of loves we cannot escape from ourselves."

"Oh," she said with a gesture of pious protest, the vehemence of which

surprised me, "that is not the same thing. Don't say that, don't say

that!"

It seemed to me there was a vague regret in her voice and the dream of

a new dream in her eyes.

She dispelled it with a shake of her head.

"How happy I was! I felt rejuvenated, like a new being. I had a sense

of modesty again. I remember that I did not dare to show the tip of my

foot from under my dress. I even had a feeling about my face, my

hands, my very name."

. . . . .

Then the man continued the confession from the point where she had left

off, and spoke of their first meetings. He wished to caress her with

words, to win her over gradually with phrases and with the charm of

memories.

"The first time we were alone--"

She looked at him.

"It was in the street, one evening," he said. "I took your arm. You

leaned more and more upon my shoulder. People swarmed around us, but

we seemed to be quite alone. Everything around us changed into

absolute solitude. It seemed to me that we were both walking on the

waves of the sea."

"Ah!" she said. "How good you were! That first evening your face was

like what it never was afterwards, even in our happiest moments."

"We spoke of one thing and another, and while I held you close to me,

clasped like a bunch of flowers, you told me about people we knew, you

spoke of the sunlight that day and the coolness of the evening. But

really you were telling me that you were mine. I felt your confession

running through everything you said, and even if you did not express

it, you actually gave me a confession of love.

"Ah, how great things are in the beginning! There is never any

pettiness in the beginning.

"Once when we met in the public garden, I took you back at the end of

the afternoon through the suburbs. The road was so peaceful and quiet

that our footsteps seemed to disturb nature. Benumbed by emotion, we

slackened our pace. I leaned over and kissed you."

"There," she said.

She put her finger on his neck.

"Gradually the kiss grew warmer. It crept toward your lips and stopped

there. The first time it went astray, the second time it pretended it

went astray. Soon I felt against my mouth"--he lowered his voice--"your

mouth."

She bowed her head, and I saw her rosy mouth.

"It was all so beautiful in the midst of the watchfulness imprisoning

me," she sighed, ever returning to her mild, pathetic preoccupation.

How she needed the stimulus of remembering her emotions, whether

consciously or not! The recalling of these little dramas and former

perils warmed her movements, renewed her love. That was the reason why

she had had the whole story told her.

And he encouraged her. Their first enthusiasm returned, and now they

tried to evoke the most exciting memories.

"It was sad, the day after you became mine, to see you again at a

reception in your own home--inaccessible, surrounded by other people,

mistress of a regular household, friendly to everybody, a bit timid,

talking commonplaces. You bestowed the beauty of your face on

everybody, myself included. But what was the use?

"You were wearing that cool-looking green dress, and they were teasing

you about it. I did not dare to look at you when you passed me, and I

thought of how happy we had been the day before."

"Ah," she sighed, as the beauty widened before her of all her memories,

her thoughts, of all her soul, "love is not what they say it is. I,

too, was stirred with anguish. How I had to conceal it, dissimulating

every sign of my happiness, locking it hastily away within the coffer

of my heart. At first I was afraid to go to sleep for fear of saying

your name in a dream, and often, fighting against the stealthy invasion

of sleep, I have leaned on my elbow, and remained with wide-open eyes,

watching heroically over my heart.

"I was afraid of being recognised. I was afraid people would see the

purity in which I was bathed. Yes, purity. When in the midst of life

one wakes up from life, and sees a different brilliance in the

daylight, and recreates everything, I call that purity.

. . . . .

"Do you remember the day we lost our way in the cab in Paris--the day he

thought he recognised us from a distance, and jumped into another cab

to follow us?"

She gave a start of ecstasy.

"Oh, yes," she murmured, "that was the great day!"

His voice quivered as if shaken by the throbbing of his heart, and his

heart said:

"Kneeling on the seat, you looked out of the little window in the back

of the cab and cried to me, 'He is nearer! He is further off! He will

catch us. I do not see him any more. He has lost us.' Ah!"

And with one and the same movement their lips joined.

She breathed out like a sigh:

"That was the one time I enjoyed."

"We shall always be afraid," he said.

These words interlaced and changed into kisses. Their whole life

surged into their lips.

Yes, they had to revive their past so as to love each other, they had

constantly to be reassembling the pieces so as to keep their love from

dying through staleness, as if they were undergoing, in darkness and in

dust, in an icy ebbing away, the ruin of old age, the impress of death.

They clasped each other.

They were drowned in the darkness. They fell down, down into the

shadows, into the abyss that they had willed.

He stammered:

"I will love you always."

But she and I both felt that he was lying again. We did not deceive

ourselves. But what matter, what matter?

Her lips on his lips, she murmured like a thorny caress among the

caresses:

"My husband will soon be home."

How little they really were at one! How, actually, there was nothing

but their fear that they had in common, and how they stirred their fear

up desperately. But their tremendous effort to commune somehow was

soon to be over.

They stopped talking. Words had already accomplished the work of

reviving their love. She merely murmured:

"I am yours, I am yours. I give myself to you. No, I do not give

myself to you. How can I give myself when I do not belong to myself?"

"Are you happy?" she asked again.

"I swear you are everything in the world to me."

* * * * * * * * *

Now, she felt, their bliss had already become a mere memory, and she

said almost plaintively:

"May God bless the bit of pleasure one has."

A doleful lament, the first signal of a tremendous fall, a prayer

blasphemous yet divine.

I saw him look at the clock and at the door. He was thinking of

leaving. He turned his face gently away from a kiss she was about to

give him. There was a suggestion of uneasiness, almost disgust, in his

expression.

"No," she said, "you are not going to love me always. You are going to

leave me. But I regret nothing. I never will regret anything.

Afterwards, when I return from--/this/--for good, to the great sorrow

that will never leave me again, I shall say, 'I have had a lover,' and

I shall come out from my nothingness to be happy for a moment."

He did not want to answer. He could not answer any more. He

stammered:

"Why do you doubt me?"

But they turned their eyes toward the window. They were afraid, they

were cold. They looked down at the space between the two houses and

saw a vague remnant of twilight slip away like a ship of glory.

It seemed to me that the window beside them entered the scene. They

gazed at it, dim, immense, blotting out everything around it. After

the brief interval of sinful passion, they were overwhelmed as if,

looking at the stainless azure of the window, they had seen a vision.

Then their eyes met.

"See, we stay here," she said, "looking at each other like two

miserable curs."

They separated. He seated himself on a chair, a sorry figure in the

dusk.

His mouth was open, his face was contracted. His eyes and his jaw were

self-condemnatory. You expected that in a few moments he would become

emaciated, and you would see the eternal skeleton.

And at last both were alike in their setting, made so as much by their

misery as by their human form. The night swallowed them up. I no

longer saw them.

. . . . .

Then, where is God, where is God? Why does He not intervene in this

frightful, regular crisis? Why does He not prevent, by a miracle, that

fearful miracle by which one who is adored suddenly or gradually comes

to be hated? Why does he not preserve man from having to mourn the

loss of all his dreams? Why does he not preserve him from the distress

of that sensuousness which flowers in his flesh and falls back on him

again like spittle?

Perhaps because I am a man like the man in the room, like all other

men, perhaps because what is bestial engrosses my attention now, I am

utterly terrified by the invincible recoil of the flesh.

"It is everything in the world," he had said. "It is nothing," he had

also said, but later. The echo of those two cries lingered in my ears.

Those two cries, not shouted but uttered in a low scarcely audible

voice, who shall declare their grandeur and the distance between them?

Who shall say? Above all, who shall know?

The man who can reply must be placed, as I am, above humanity, he must

be both among and apart from human beings to see the smile turn into

agony, the joy become satiety, and the union dissolve. For when you

take full part in life you do not see this, you know nothing about it.

You pass blindly from one extreme to the other. The man who uttered

the two cries that I still hear, "Everything!" and "Nothing!" had

forgotten the first when he was carried away by the second.

Who shall say? I wish some one would tell. What do words matter or

conventions? Of what use is the time-honoured custom of writers of

genius or mere talent to stop at the threshold of these descriptions,

as if full descriptions were forbidden? The thing ought to be sung in

a poem, in a masterpiece. It ought to be told down to the very bottom,

if the purpose be to show the creative force of our hopes, of our

wishes, which, when they burst into light, transform the world,

overthrow reality.

What richer alms could you bestow on these two lovers, when again love

will die between them? For this scene is not the last in their double

story. They will begin again, like every human being. Once more they

will try together, as much as they can, to seek shelter from life's

defeats, to find ecstasy, to conquer death. Once more they will seek

solace and deliverance. Again they will be seized by a thrill, by the

force of sin, which clings to the flesh like a shred of flesh.

Yet once again, when once again they see that they put infinity into

desire all in vain, they will be punished for the grandeur of their

aspiration.

I do not regret having surprised this simple, terrible secret. Perhaps

my having taken in and retained this sight in all its breadth, my

having learned that the living truth is sadder and more sublime than I

had ever believed, will be my sole glory.

The Inferno(#12414) · 第 5 / 17 章