“That’s what I am doing,” she replied. “Mr Dionysus and Mr Hermes and Mr

Thinks-himself-grand. I’ve got one thing to tell you. Without _me_ you’d

be nowhere, you’d be nothing, you’d not be _that_,” and she snapped her

fingers under his nose, a movement he particularly disliked.

“I agree,” he replied, “that without the nest the phœnix would be--would

be up a tree--would be in the air--would be nowhere, and couldn’t find a

stable spot to resurrect in. The nest is as the body to the soul: the

cup that holds the fire, and in which the ashes fall to take form again.

The cup is the container and the sustainer.”

“Yes, I’ve done enough containing and sustaining of you, my gentleman,

in the years I’ve known you. It’s almost time you left off wanting so

much mothering. You can’t live a moment without me.”

“I admit that the phœnix without a nest is a bird absolutely without a

perch, he must dissipate in the air. But--”

“Then I’ll make a cushion-cover of your flag, and you can rest on that.”

“No, I’m going to haul down the flag of perfect love.”

“Oh, are you! And sail without a flag? Just like you, destroy, destroy,

and nothing to put in its place.”

“Yes, I want to put in its place this crowned phœnix rising from the

nest in flames. I want to set fire to our bark, _Harriet and Lovat_, and

out of the ashes construct the frigate _Hermes_, which name still

contains the same reference, _her_ and _me_, but which has a higher

total significance.”

She looked at him speechless for some time. Then she merely said:

“You’re mad,” and left him with his flag in his hands.

Nevertheless he was a determined little devil, as she knew to her cost,

and once he’d got an idea into his head not heaven nor hell nor Harriet

would ever batter it out. And now he’d got into his head this idea of

being lord and master, and Harriet’s acknowledging him as such. Not just

verbally. No. Not under the flag of perfect love. No. Obstinate and

devilish as he was, he wanted to haul down the flag of perfect love, to

set fire to the bark _Harriet and Lovat_, to seat himself in glory on

the ashes, like a resurrected phœnix, with an imaginary crown on his

head. And she was to be a comfortable nest for his impertinence.

In short, he was to be the lord and master, and she the humble slave.

Thank you. Or at the very best, she was to be a sort of domestic Mrs

Gladstone, the Mrs Gladstone of that old chestnut--who, when a female

friend was lamenting over the terrible state of affairs, in Ireland or

somewhere, and winding up her lament with: “Terrible, terrible. But

there is One above”--replied: “Yes, he’s just changing his socks. He’ll

be down in a minute.” Mr Lovat was to be the One above, and she was to

be happy downstairs thinking that this lord, this master, this Hermes

_cum_ Dionysus wonder, was comfortably changing his socks. Thank you

again. The man was mad.

Yet he stuck to his guns. She was to submit to the mystic man and male

in him, with reverence, and even a little awe, like a woman before the

altar of the great Hermes. She might remember that he _was_ only human,

that he had to change his socks if he got his feet wet, and that he

would make a fool of himself nine times out of ten. But--and the but was

emphatic as a thunderbolt--there was in him also the mystery and

lordship of--of Hermes, if you like--but the mystery and the lordship of

the forward-seeking male. That she must emphatically realise and bow

down to. Yes, bow down to. You can’t have two masters of one ship:

neither can you have a ship without a master. The _Harriet and Lovat_

had been an experiment of ten years’ endurance. Now she was to be broken

up, or burnt, so he said, and the non-existent _Hermes_ was to take her

place.

You can’t have two masters to one ship. And if it _is_ a ship: that is,

if it has a voyage to sail, a port to make, even a far direction to

take, into the unknown, then a master it must have. Harriet said it

wasn’t a ship, it was a houseboat, and they could lie so perfectly here

by the Pacific for the rest of time--or be towed away to some other

lovely spot to house in. She could imagine no fairer existence. It was a

houseboat.

But he with his no, no, he almost drove her mad. The bark of their

marriage was a ship that must sail into uncharted seas, and he must be

the master, and she must be the crew, sworn on. She was to believe in

his adventure and deliver herself over to it; she was to believe in his

mystic vision of a land beyond this charted world, where new life rose

again.

And she just couldn’t. His land beyond the land men knew, where men were

more than they are now: she couldn’t believe in it. “Then believe in

_me_,” he said desperately. “I know you too well,” she replied. And so,

it was an impasse.

Him, a lord and master! Why, he was not really lord of his own bread and

butter; next year they might both be starving. And he was not even

master of himself, with his ungovernable furies and his uncritical

intimacies with people: even people like Jack Callcott, whom Harriet

quite liked, but whom she would never have taken seriously. Yet there

was Lovat pouring himself out to him. Pah--believe! How could one

believe in such a man! If he had been naturally a master of men, general

of an army, or manager of some great steel works, with thousands of men

under him--then, yes, she could have acknowledged the _master_ part of

the bargain, if not the lord. Whereas, as it was, he was the most

forlorn and isolated creature in the world, without even a dog to his

command. He was so isolated he was hardly a man at all, among men. He

had absolutely nothing but her. Among men he was like some unbelievable

creature--an emu, for example. Like an emu in the streets or in a

railway carriage. He might well say phœnix.

All he could do was to try and come it over her with this revolution

rubbish and a stunt of “male” activity. If it were even real!

He had nothing but her, absolutely. And that was why, presumably, he

wanted to establish this ascendancy over her, assume this arrogance. And

so that he could refute her, deny her, and imagine himself a unique

male. He _wanted_ to be male and unique, like a freak of a phœnix. And

then go prancing off into connections with men like Jack Callcott and

Kangaroo, and saving the world. She could _not_ stand these

world-saviours. And she, she must be safely there, as a nest for him,

when he came home with his feathers pecked. That was it. So that he

could imagine himself absolutely and arrogantly It, he would turn her

into a nest, and sit on her and overlook her, like the one and only

phœnix in the desert of the world, gurgling hymns of salvation.

Poor Harriet! No wonder she resented it. Such a man, such a man to be

tied to and tortured by!

And poor Richard! To be a man, and to have a man’s uneasy soul for his

bed-fellow.

But he kicked against the pricks. He did not yet submit to the fact

which he _half_ knew: that before mankind would accept any man for a

king, and before Harriet would ever accept him, Richard Lovat, as a lord

and master, he, this self-same Richard who was so strong on kingship,

must open the doors of his soul and let in a dark Lord and Master for

himself, the dark god he had sensed outside the door. Let him once truly

submit to the dark majesty, break open his doors to this fearful god who

is master, and enters us from below, the lower doors; let himself once

admit a Master, the unspeakable god: and the rest would happen.

“The fire began to burn the stick,

The stick began to beat the dog,

The dog began to bite the pig,

The pig began to go over the bridge,

And so the old woman got home that night....”

CHAP: X. DIGGERS

They had another ferocious battle, Somers and Harriet; they stood

opposite to one another in such fury one against the other that they

nearly annihilated one another. He couldn’t stay near her, so started

walking off into the country. It was winter, but sunny, and hot walking.

He climbed steadily up and up the highroad between the dense, damp

jungle that grew at the base and up the steep rise of the tor-face,

which he wanted to get to the top of. Strange birds made weird, metallic

noises. Tree-ferns rose on their notchy little trunks, and great mosses

tangled in with more ordinary bushes. Overhead rose the gum-trees,

sometimes with great stark, dead limbs thrown up, sometimes hands over

like pine-trees.

He sweated up the steep road till at last he came to the top. There, on

the farther side, the dip slope, the hills sank and ran in spurs, all

fairly densely wooded, but not like the scarp slope up which he had

toiled. The scarp slope was jungle, impenetrable, with tree-ferns and

bunchy cabbage-palms and mosses like bushes, a thick matted undergrowth

beneath the boles of the trees. But the dip slope was bush: gum trees

rather scattered, and a low undergrowth like heath. The same lonely,

unbreakable silence and loneliness that seemed to him the real bush.

Curiously unapproachable to him. The mystery of the bush seems to recede

from you as you advance, and then it is behind you if you look round.

Lonely, and weird, and hoary.

He went on till he could look over the tor’s edge at the land below.

There was the scalloped sea-shore, for miles, and the strip of flat

coast-land, sometimes a mile wide, sprinkled as far as the eye could

reach with the pale-grey zinc roofs of the bungalows: all scattered like

crystals in the loose cells of the dark tree-tissue of the shore. It was

suggestive of Japanese landscape, dark trees and little, single,

scattered toy houses. Then the bays of the shore, the coal-jetty, far

off rocks down the coast, and long white lines of breakers.

But he was looking mostly straight below him, at the massed foliage of

the cliff-slope. Down into the centre of the great, dull-green whorls of

the tree-ferns, and on to the shaggy mops of the cabbage palms. In one

place a long fall of creeper was yellowish with damp flowers. Gum-trees

came up in tufts. The previous world!--the world of the coal age. The

lonely, lonely world that had waited, it seemed, since the coal age.

These ancient flat-topped tree-ferns, these towsled palms like mops.

What was the good of trying to be an alert conscious man here? You

couldn’t. Drift, drift into a sort of obscurity, backwards into a

nameless past, hoary as the country is hoary. Strange old feelings wake

in the soul: old, non-human feelings. And an old, old indifference, like

a torpor, invades the spirit. An old, saurian torpor. Who wins? There

was the land sprinkled with dwellings as with granulated sugar. There

was a black smoke of steamers on the high pale sea, and a whiteness of

steam from a colliery among the dull trees. Was the land awake? Would

the people waken this ancient land, or would the land put them to sleep,

drift them back into the torpid semi-consciousness of the world of the

twilight.

Somers felt the torpor coming over him. He hung there on the parapet

looking down, and he didn’t care. How profoundly, darkly he didn’t care.

There are no problems for the soul in its darkened, wide-eyed torpor.

Neither Harriet nor Kangaroo nor Jaz, nor even the world. Worlds come,

and worlds go: even worlds. And when the old, old influence of the

fern-world comes over a man, how can he care? He breathes the fern seed

and drifts back, becomes darkly half vegetable, devoid of

pre-occupations. Even the never-slumbering urge of sex sinks down into

something darker, more monotonous, incapable of caring: like sex in

trees. The dark world before conscious responsibility was born.

A queer bird sat hunched on a bough a few yards away, just below; a bird

like a bunch of old rag, with a small rag of a dark tail, and a fluffy

pale top like an owl, and a sort of frill round his neck. He had a long,

sharp, dangerous beak. But he too was sunk in unutterable apathy. A

kukooburra! Some instinct made him know that Somers was watching, so he

just shuffled round on the bough and sat with his back to the man, and

became utterly oblivious. Somers watched and wondered. Then he

whistled. No change. Then he clapped his hands. The bird looked over its

shoulder in surprise. What! it seemed to say. Is there somebody alive?

Is that a live somebody? It had quite a handsome face, with the

exquisite long, dagger beak. It slowly took Somers in. Then he clapped

again. Making an effort the bird spread quite big wings and whirred in a

queer, flickering flight to a bough a dozen yards farther off. And there

it clotted again.

Ah well, thought Somers, life is so big, and has such huge ante-worlds

of grey twilight. How can one care about anything in particular!

He went home again, and had forgotten the quarrel and forgotten marriage

or revolutions or anything: drifted away into the grey pre-world where

men didn’t have emotions. Where men didn’t have emotions and personal

consciousness, but were shadowy like trees, and on the whole silent,

with numb brains and slow limbs and a great indifference.

But Harriet was waiting for him rather wistful, and loving him rather

quiveringly. And yet even in the quiver of her passion was some of this

indifference, this twilight indifference of the fern-world.

Jack and Victoria came for the week-end, and Somers and Callcott met in

a much nearer sympathy than they had ever known before. Victoria was

always thrilled and fascinated by both the Somers: they had an

inexhaustible fascination for her, the tones of their voices, their

manner, their way with each other. She could not understand the strange

sureness they had in themselves, the sureness of what they were saying

or going to say, the sureness of what they were feeling. For herself,

her words fluttered out of her without her direct control, and her

feelings fluttered in her the same. She was one perpetually agitated

dovecot of words and emotions, always trying consciously to find

_herself_ amid the whirl, and never quite succeeding. She thought

someone might _tell_ her. Whereas the Somers had an unconscious

sureness, something that seemed really royal to her. But she had in the

last issue the twilight indifference of the fern-world. Only she still

quivered for the light.

Poor Victoria! She clung to Jack’s arm vibrating, always needing to

vibrate outwards. And he seemed to become more Australian and apathetic

every week. The great indifference, the darkness of the fern-world, upon

his mind. Then spurts of energy, spurts of sudden violent desire, spurts

of gambling excitement. But the mind in a kind of twilight sleep.

He made no more appeals. He was just static, and quite gentle. Even at

table he was half oblivious of the presence of the other people. Then

Victoria would poke him with her elbow, poke him hard, into

consciousness, and bring back the lively Jack that the Somers had first

known. Strange that the torpor had come on him so completely of late.

Yet there was a queer light in his eyes, as if he might do something

dangerous. And when he was once talking, he was perfectly logical and

showed surprising calm common-sense. When he was discussing or

criticising, he seemed so unusually sane as to be peculiar. Like a man

in his sleep.

Just outside the station was the football field, and Mullumbimby was

playing Wollondindy, Mullumbimby in royal blue, and Wollondindy in

rather faded red. Along the roadside buggies and motor-cars were pulled

up, the ponies were taken out of harness and left to feed on the

roadside grass. Two riders sat on horseback to survey the scene. And

under the flowering coral-trees, with their sharp red cockatoo flowers,

stood men in their best clothes smoking pipes, or men in their best

clothes squatting on the fence, and lasses mingling in or strolling past

in white silk stockinette frocks, or pink crêpe de chine, or muslin.

Just like prostitutes, arm in arm, strolled the lasses, airing

themselves and their pronounced hips. And the men apathetically took no

notice, but watched the field.

This scene was too much for Jack Callcott. Somers or no Somers, he must

be there. So there he stood, in his best clothes and a cream velour hat

and a short pipe, staring with his long, naked, Australian face,

impassive. On the field the blues and the reds darted madly about, like

strange bird-creatures rather than men. They were mostly blond, with

hefty legs, and with prominent round buttocks that worked madly inside

the little white cotton shorts. And Jack, with his dark eyes, watched as

if it was doomsday. Occasionally the tail-end of a smile would cross

his face, occasionally he would take his pipe-stem from his mouth and

give a bright look into vacancy and say, “See that!” Heaven knows what

it was that he saw. The game, the skill? Yes. But more, the motion, the

wild combative motion. And most of all, fate. Fate had a fascination for

him. It was the only real point of curiosity left in him: how would

chance work things out. Chance! Now then, how would chance settle it?

Even the football field, with its wildly scurrying blues and bits of

red, was only a frenzied shuffling of fate, with men for the

instruments. The living instruments of fate! And how would it work out,

how would it work out? He could have stood there, static, with his

little pipe, till Doomsday, waiting for fate to settle it. The wild

scurrying motion, and the jumps in the air, of course made his heart

beat faster. Towards the close one of the chaps got a kick on the jaw,

and was knocked out. They couldn’t finish the game. Hard lines.

Jack was a queer sight to Somers, when he was in this brightly vacant

mood, not a man at all, but a chance thing, gazing spellbound on the

evolutions of chance. And in this state, this very Australian state, you

could hardly get a word out of him. Or, when he broke into a little

volley of speech, you listened with wonder to the noise of it, as if a

weird animal had suddenly given voice.

The indifference, the marvellous, bed-rock indifference. Not the static

fatalism of the east. But an indifference based on real recklessness, an

indifference with a deep flow of loose energy beneath it, ready to break

out like a geyser. Ready to break into a kind of frenzy, a berserk

frenzy, running amok in wild generosity, or still more wild smashing up.

The wild joy in letting loose, in a smash-up. But will he ever let

loose? Or will the static patience settle deeper, and the fern-twilight

altogether envelop him. The slow transmutation! What does to-day matter,

or this country? Time is so huge, and in Australia the next step back is

to the fern age.

The township looked its queerest as dusk fell. Then the odd electric

lights shone at rather wide intervals, the wide, unmade roads of rutted

earth seemed to belong again to the wild, in the semi-dark, and the low

bungalows with the doors open and the light showing seemed like shacks

in the wilderness, a settlement in the fierce gloom of the wilderness.

Then youths dashed fiercely on horseback down the soft roads, standing

in the stirrups and crouching over the neck of the thin, queer brown

racehorses that sprinted along like ghosts. And the young baker, in

emulation, dashed through the village on his cream pony. A collier who

had been staying somewhere cantered stiffly away into the dark on a pony

like a rocking horse. Young maidens in cotton dresses stood at the

little rail gates of their bungalow homes talking to young men in a

buggy, or to a young man on foot, or to the last tradesman’s cart, or to

youths who were strolling past. It was evening, and the intense dusk of

the far-off land, and white folks peering out of the dusk almost like

aborigines. The far-off land, just as far-off when you are in it: nay,

then furthest off.

The evening came very dark, with lightning playing pallid in the

south-east, over the sea. There was nothing to be done with Jack but to

play draughts with him. He wasn’t in a real sporting mood, so he let

himself be beaten even at draughts. When he was in a sporting mood he

could cast a spell of confusion over Somers, and win every time, with a

sort of gloating. But when he wasn’t in a sporting mood he would shove

up his men recklessly, and lose them. He didn’t care. He just leaned

back and stretched himself in that intense physical way which Somers

thought just a trifle less than human. The man was all body: a strong

body full of energy like a machine that has got steam up, but is

inactive. He had no mind, no spirit, no soul: just a tense, inactive

body, and an eye rather glazed and a trifle bloodshot. The old psyche

slowly disintegrating.

Meanwhile Victoria in a trill of nervous excitement and exaltation was

talking Europe with Harriet. Victoria was just the opposite of Jack: she

was all a quiver of excited consciousness, to know, to see, to realise.

She would almost have done anything, to be able to _look_ at life, look

at the inside of it, see it in its intimacy. She had had wild ideas of

being a stewardess on a boat, a chambermaid in an hotel, a waitress in a

good restaurant, a hospital nurse--anything, so that she could _see_ the

intimacies, touch the private mysteries. To travel seemed to her the

great desirable: to go to Europe and India, and _see_ it all. She loved

Australia, loved it far more quiveringly and excitedly than he. But it

wasn’t Australia that fascinated her: it was the secret intimacies of

life, and what _other folks felt_. That strange and aboriginal

indifference that was bottommost in him seemed like a dynamo in her. She

fluttered in the air like a loose live nerve, a nerve of the sympathetic

system. She was all sympathetic drive: and he was nearly all check. He

sat there apathetic, nothing but body and solid, steady, physical

indifference. He did not oppose her at all, or go counter to her. He was

just the heavy opposite pole of her energy. And of course she belonged

to him as one pole belongs to the other pole in a circuit.

And he, he would stretch his body continuously, but he would not go to

bed, though Somers suggested it. No, there he sat. So Somers joined in

the more exciting conversation of the women, and Jack sat solidly there.

Whether he listened or whether he didn’t, who knows? The aboriginal

_sympathetic_ apathy was upon him, he was like some creature that has

lost its soul, and simply stares.

The morning was one of the loveliest Australian mornings, perfectly

golden, all the air pure gold, the great gold effulgence to seaward, and

the pure, cold pale-blue inland, over the dark range. The wind was

blowing from inland, the sea was quiet as a purring cat with white paws,

becoming darkish green-blue flecked with innumerable white flecks like

rain-spots splashing the surface of a pool. The horizon was a clear and

hard and dark sea against an almost white sky, but from far behind the

horizon showed the mirage-magic tops of hazed, gold-white clouds, that

seemed as if they indicated the far Pacific isles.

Though it was cold, Jack was about sauntering in his shirt-sleeves with

his waistcoat open and his hands in his pockets: rather to the vexation

of Victoria. “Pull yourself together, Jack dear, do. Put your collar and

tie on,” she coaxed, fondling him.

“In a minute,” he said.

The indifference--the fern-dark indifference of this remote golden

Australia. Not to care--from the bottom of one’s soul, not to care.

Overpowered in the twilight of fern-odour. Just to keep enough grip to

run the machinery of the day: and beyond that, to let yourself drift,

not to think or strain or make any effort to consciousness whatsoever.

That was Jack, sauntering down there in his shirt-sleeves, with his

waistcoat open showing his white shirt, his strong neck bare: sauntering

with his hands in his pockets beside Somers, at the water’s edge. Somers

wore a dark flannel jacket, and his necktie hung dark and broke the

intimacy of the white shirt-breast.

The two women stood on the cliff, the low, bushy cliff, looking down.

Harriet was in a plain dress of dark-coloured purplish-and-brown

hand-woven stuff of cotton and silk mixture, with old silver lace round

the collar; Victoria in a pale-green knitted dress. So they stood in the

morning light, watching the men on the fawn-coloured sand by the

sea-fringe, waiting to wave when they looked up.

Jack looked up first. The two women _coo-eed_ and waved. He took his

pipe from his mouth and held it high in his hand, in answer. A strange

signal. The pale-green wisp of Victoria in the sky was part of his

landscape. But the darker figure of Harriet had for some reason a menace

to him, up there. He suddenly felt as if he were down below: he suddenly

realised a need to bethink himself. He turned to Somers, looking down

and saying in his peculiar Australian tone:

“Well, I suppose we’d better be going up.”

Kangaroo · 第 16 / 34 段