CHAPTER VIII.

"The Expression of the Emotions in Man and Animals" followed "The

Descent of Man" in 1872. The motive which suggested it was the desire to

explain the complexities of expression on evolution principles. But the

study of emotional expression had evidently engaged Darwin's attention

at least from the time when the Fuegians and the Gauchos had vividly

roused his imaginative faculties; and his direct observations commenced

as early as 1838; when he was already inclined to believe in evolution,

and were continued at intervals ever after. The third edition of Sir

Charles Bell's "Anatomy of Expression," published in 1844, while greatly

admired by him, was unsatisfactory in being throughout based on the

conviction that species came into existence in their present condition;

and notwithstanding that Bain and Herbert Spencer had made considerable

advances in a treatment of the subject based on physiology, an

exhaustive book was wanted, which should throw on Expression the new and

interesting light of Darwinism.

What was Darwin's method? Observation, cleverly devised appeal to

nature; observation over a wide field as to the varied races of man

still existing, utilising the aid of travellers and residents in many

lands; observation of domestic animals in familiar and in untried

circumstances; observation of infants, especially his own, from a very

early age; observation of the insane, who are liable to the strongest

passions, and give them uncontrolled vent. It was in 1867 that Darwin

circulated his group of questions designed to ascertain the mode of

expressing every emotion, and their physical concomitants in every

possible race. Sculpture, paintings, and engravings, afforded little

evidence, because beauty is their main object, and "strongly contracted

facial muscles destroy beauty." Information was specially sought as to

natives who had had little communication with Europeans, and in whom

imitation might not have destroyed ancestral and original expression.

The result was to develop three principles which appeared, in

combination, to account for most of the expressions and gestures

involuntarily used by man and animals. The first was that of serviceable

associated habits: certain complex actions being somehow serviceable in

particular states of mind, to gratify and relieve certain sensations,

desires, &c., whenever the same state of feeling is repeated, there is a

tendency to the same movements or actions, though they may not then be

of the least use. The second principle, that of antithesis, is the

converse of the last; when an opposite state of mind is induced, there

is an involuntary tendency to directly opposite movements, though of no

use. The third principle, that of the direct action of the nervous

system, is independent of the will and of habit; nerve force being

generated in excess by strong emotions.

In discussing all these principles we discover how every thought and

every circumstance of the great naturalist seem to have been utilised in

his life work. "I have noticed that persons in describing a horrid

sight, often shut their eyes momentarily and firmly, or shake their

heads as if not to see, or to drive away, something disagreeable; and I

have caught myself, when thinking in the dark of a horrid spectacle,

closing my eyes firmly." "I noticed a young lady earnestly trying to

recollect a painter's name, and she first looked to one corner of the

ceiling, and then to the opposite corner, arching the one eyebrow on

that side, although of course there was nothing to be seen there." "Many

years ago I laid a small wager with a dozen young men that they would

not sneeze if they took snuff, although they all declared that they

invariably did so; accordingly they all took a pinch, but from wishing

much to succeed, not one sneezed, though their eyes watered, and all,

without exception, had to pay me the wager." "I put my face close to the

thick glass-plate in front of a puff-adder in the Zoological Gardens,

with the firm determination of not starting back if the snake struck at

me; but as soon as the blow was struck, my resolution went for nothing,

and I jumped a yard or two backwards with astonishing rapidity. My will

and reason were powerless against the imagination of a danger which had

never been experienced." "I observed that though my infants started at

sudden sounds, when under a fortnight old, they certainly did not always

wink their eyes, and I believe never did so. The start of an older

infant apparently represents a vague catching hold of something to

prevent falling. I shook a pasteboard box close before the eyes of one

of my infants, when 114 days old, and it did not in the least wink; but

when I put a few comfits into the box, holding it in the same position

as before, and rattled them, the child blinked its eyes violently every

time, and started a little." The behaviour of dogs and horses under many

circumstances was watched. Cats and monkeys were most carefully

scrutinised. At all moments Darwin seized upon and recorded the passing

emotion and its associated movements. "I remember once seeing a boy who

had just shot his first snipe on the wing, and his hands trembled to

such a degree from delight, that he could not for some time reload his

gun;" an instance of an emotional movement being disadvantageous.

Some of Darwin's descriptions of emotional outbursts are among the best

portions of his writing; as when he speaks of a mother whose infant has

been intentionally injured, "how she starts up with threatening aspect,

how her eyes sparkle and her face reddens, how her bosom heaves,

nostrils dilate, and heart beats." In describing a mourner when

quiescent, he says: "The sufferer sits motionless, or gently rocks to

and fro; the circulation becomes languid; respiration is almost

forgotten, and deep sighs are drawn. All this reacts on the brain, and

prostration soon follows with collapsed muscles and dulled eyes."

One of the most striking features of this book is the evidence it

affords of Darwin's acuteness and persistence in observation during his

travels, and of the excellence of his memory. "I remember that my mules

and dogs, brought from a lower and warmer country, after spending a

night on the bleak Cordillera, had the hair all over their bodies as

erect as under the greatest terror." He noted that Jemmy Button, the

Fuegian, blushed when he was quizzed about the care which he took in

polishing his shoes, and in otherwise adorning himself; and this fact

long after is fitted into the theory of blushing. Guanacoes in South

America, when not intending to bite, but merely to spit their offensive

saliva from a distance at an intruder, yet retract their ears as a sign

of their anger; and Darwin found the hides of several which he shot in

Patagonia, deeply scored by teeth marks, in consequence of their battles

with each other. A party of natives in Tierra del Fuego endeavoured to

explain that their friend, the captain of a sealing vessel, was out of

spirits, by pulling down their cheeks with both hands, so as to make

their faces as long as possible; and the fact is treasured till it comes

in to illustrate the lengthening of features under depression. As if he

foreknew that he should want the fact forty years later, he inquired of

Jemmy Button whether kissing was practised by his people, and learnt

that it was unknown to them. "I remember," he says, "being struck whilst

travelling in parts of South America, which were dangerous from the

presence of Indians, how incessantly--yet as it appeared,

unconsciously--the half-wild Gauchos closely scanned the whole horizon."

"In Tierra del Fuego, a native touched with his finger some cold

preserved meat which I was eating at our bivouac, and plainly showed

utter disgust at its softness; whilst I felt utter disgust at my food

being touched by a naked savage, though his hands did not appear dirty."

And this illustrates the primary meaning of disgust--anything offensive

to the taste.

In later years his own children, and his domestic pets, were incessantly

watched, and suitable experiments were devised to bring out the real

nature of their expressions. The period at which tears are formed and

crying begins, the shape of the mouth in crying, the contraction of the

muscles in shouting, the effects of steady gazing at objects, the

various stages of smiling, the effects of shyness, shame, and fear, are

all set before us, as thus observed. For instance, "I asked one of my

boys to shout as loudly as he possibly could, and as soon as he began he

firmly contracted his orbicular muscles (surrounding the eyes). I

observed this repeatedly, and on asking him why he had every time so

firmly closed his eyes, I found that he was quite unaware of the fact:

he had acted instinctively or unconsciously." Some of his early

observations were afterwards published by Darwin in _Mind_, vol. ii.,

under the title of "A Biographical Sketch of an Infant."

Here is a carefully-worded and very suggestive experiment on animals:

"Many years ago, in the Zoological Gardens, I placed a looking-glass on

the floor before two young orangs, who, as far as it was known, had

never before seen one. At first they gazed at their own images with the

most steady surprise, and often changed their point of view. They then

approached close, and protruded their lips towards the image, as if to

kiss it, in exactly the same manner as they had previously done towards

each other when first placed, a few days before, in the same room. They

next made all sorts of grimaces, and put themselves in various

attitudes before the mirror; they pressed and rubbed the surface; they

placed their hands at different distances behind it; looked behind it;

and finally seemed almost frightened, started a little, became cross,

and refused to look any longer." So monkeys were tested with a dressed

doll, a live turtle, and stuffed snakes, &c.

The mode and purpose of erection of the hair, feathers, and dermal

appendages of animals were the subject of much careful inquiry.

Chimpanzees, monkeys, baboons, and many other creatures, were tested in

the Zoological Gardens. A stuffed snake taken into the monkey-house

caused several species to bristle. When Darwin showed the same to a

peccary, the hair rose in a wonderful manner along its back. A cassowary

erected its feathers at sight of an ant-eater.

Every unexpected occurrence was pressed into service. Witness the

following anecdote: "One day my horse was much frightened at a drilling

machine, covered by a tarpaulin and lying on an open field. He raised

his head so high that his neck became almost perpendicular; and this he

did from habit, for the machine lay on a slope below, and could not have

been seen with more distinctness through the raising of the head; nor if

any sound had proceeded from it could the sound have been more

distinctly heard. His eyes and ears were directed intently forwards; and

I could feel through the saddle the palpitations of his heart. With red,

dilated nostrils, he snorted violently, and whirling round, would have

dashed off at full speed had I not prevented him."

We see, too, in this book the results of Darwin's extensive reading.

The novelists are laid considerably under contribution, their power of

describing expressive signs of emotion being particularly appreciated.

Dickens, Walter Scott, Mrs. Oliphant, and Mrs. Gaskell are among the

novelists quoted; while the author of Job, Homer, Virgil, Seneca,

Shakespeare, Lessing, Sir Joshua Reynolds, and many other deceased

writers, illustrate the subject. The living authorities--scientific men,

travellers, doctors--referred to for facts are exceedingly numerous,

including Sir James Paget, Professor Huxley, Mr. Herbert Spencer, Sir J.

Crichton Browne, Sir Samuel Baker, Sir Joseph Lister, Professors Cope

and Asa Gray, and many others.

One of the most interesting chapters in the book is that dealing with

blushing. It is shown to depend on self-attention, excited almost

exclusively by the opinion of others. "Every one feels blame more

acutely than praise. Now, whenever we know, or suppose, that others are

depreciating our personal appearance, our attention is strongly drawn

towards ourselves, more especially to our faces." This excites the nerve

centres receiving sensory nerve for the face, and in turn relaxes the

blood capillaries, and fills them with blood. "We can understand why the

young are much more affected than the old, and women more than men, and

why the opposite sexes especially excite each others' blushes. It

becomes obvious why personal remarks should be particularly liable to

cause blushing, and why the most powerful of all the causes is shyness;

for shyness relates to the presence and opinion of others, and the shy

are always more or less self-conscious."

One great result made clear by Darwin is that the muscles of expression

have not been created or developed for the sake of expression only, and

that every true or inherited movement of expression had some natural or

independent origin. All the chief expressions are proved to be

essentially the same throughout the world, which is an additional

argument for man being descended from one stock. We cannot refrain from

admiring the tone of the pages which close the book, describing as they

do the probable expressions of our early ancestors, their utility, the

value of differences of physiognomy, and the desirability or otherwise

of repressing signs of emotion. The subject, says the author, "deserves

still further attention, especially from any able physiologist;" and so

simply ends a volume of surpassing human interest, a text-book for

novelists and students of human nature, a landmark in man's progress in

obedience to the behest "Know thyself."

To fully measure the merit of one so far elevated above ordinary men is

almost impossible; rather is it desirable to recognise the undeniable

greatness of a great man, and learn all that is possible from him. An

undoubted authority in mental science, however, has given a judgment

on Darwin's services to that science, which it is right to quote:

"To ourselves it almost seems one of the most wonderful of the many

wonderful aspects of Mr. Darwin's varied work that by the sheer force

of some exalted kind of common-sense, unassisted by any special

acquaintance with psychological method, he should have been able to

strike, as it were, straight down upon some of the most important

truths which have ever been brought to light in the region of mental

science."[12] These truths are specified as the influence of natural

selection in the formation of instinct, in the "Origin of Species;" the

evolution of mind and of morals, in the "Descent of Man," considered by

the late Professor Clifford as containing the simplest and clearest and

most profound philosophy that was ever written on the subject; and the

evolution of expression in the book described in this chapter. Thus,

says Mr. Romanes, in respect both of instincts and intelligence, the

science of comparative psychology may be said to owe its foundation to

Darwin.

FOOTNOTES:

[12: G. J. Romanes, in "Charles Darwin," memorial notices

reprinted from _Nature_.]

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