CHAPTER VII.

"The lamps shone o'er fair women and brave men:

A thousand hearts beat happily: and when

Music arose with its voluptuous swell,

Soft eyes looked love to eyes which spake again,

And all went merry as a marriage-bell."

--_Byron_.

Let us now contrast the two pictures which present themselves to the

imagination on this stormy winter evening. One is quiet, usual,

familiar; the other is noisy, glittering, but also familiar. One is the

drawing-room in Mr. Rayne's comfortable house, with the gaslight falling

gently over the silent room--it is not turned very high. Mr. Rayne is

dozing in an arm-chair. His hands are folded across his breast, and his

limbs are extended at full length--he is dreaming. Honor is seated at

the piano, stealing her slender fingers over the ivory keys. It is a

low, rippling strain--_Valse des Soupirs_--such as fairies might bring

from their magic touch. 'Tis the music of her own heart--the sound of

her sighs, and she plays on softly, heedlessly. She is lost in the

ecstacy of her own reverie.

We turn to the other side of the picture. Noisy strains of dance music,

merry peals of laughter, little snatches of society gossip, beaming

faces, silk and lace and flimsy loveliness, bouquets and gloves, trains,

handkerchiefs, fans and flirtation, all in a sweet confusion. This is

Ottawa at its best, as every one allows when the Misses Teazle throw

aside their family portals for their annual ball. Every one is there--

married and single, young and old, homely and pretty, rich and--(no! not

rich and poor), the rich only, the powerful only, the most influential

papas and the best-dressed mammas that Ottawa can afford, and the

"juveniles" get in on pa's and ma's qualifications. It is the first

private ball since the opening of Parliament, and every one feels very

fresh for pleasure. The Misses Teazle themselves look charming (what

hostesses ever did not in Ottawa?) and the rest vie with one another.

We are somewhat confused on our entrance into the brilliant room, but

some glaring objects attract our attention, thereby kindly taking that

look of vacant bewilderment out of our eyes. We have often wondered what

the scene was like inside those closed shutters, and here we are now,

transported all at once to the very midst of the interesting

proceedings.

There is a group near the door that we readily take in, in our first

sweeping glance round the room. Mrs. Mountainhead, a lady prodigiously

inclined to embonpoint, looking exceedingly warm and uncomfortable, is

the central figure. Her two daughters and their attendant cavaliers are

also there. But it is plain to see that Mrs. Mountainhead does not enjoy

the ball. She stands in holy awe of her aristocratic daughters, who are

just "fresh" from a very modern boarding-school. Every word she utters

has an accompanying look thrown either to the short-sighted full-

complexioned eldest daughter or to the slim, unprepossessing younger

one, seeking approval from their responsive glances. And, after all,

poor Mamma Mountainhead, in her ruby velvet and Chantilly lace, has, by

far, more brains of her own--if she could get a license to use them--

than either of her daughters have ever admitted within the limits of

their well-frizzed heads. But who is the apparently devoted admirer of

Miss Gerty Mountainhead, who is leaning over her chair from behind, with

the top of his aquiline nose in ridiculous proximity to her very red

face? Who but Mr. Guy Elersley? There he is, whispering all kinds of

nothings into the blushing, susceptible ear of dear Miss Gerty, never

heeding the thought of the lonely girl at the piano in the quiet home of

his uncle.

Then there is a silvery laugh, and you hear the words--"Well, between

the Racquet court and the skating rink, and calls, and going out, what

do you think I could ever do? Why, the day is not half long enough as it

is."

"Surely not, Miss Dash," a deep voice makes answer in a tone of quiet

amusement, "you must be dreadfully worried in trying to make things

harmonize. You are so tired at night that half the morning must go for

repose, and then--"

Here the speakers moved on and it was seen that Bella Dash was happy on

the arm of a wealthy bachelor who was fast becoming interesting to all

female friends, mamas and daughters. It is easy to see at a glance that

every one is fooling every one else, and the male element in the room is

absorbing all the real fun.

With the exception of a few newly-appointed civil servants who have

"made their calls" and run an account at the tailors, the other

gentlemen are mostly well-versed in the drawing-room slang and will

certainly not bore their fair partners by discussing anything outside of

Rideau Hall, or the other fashionable and interesting haunts of gay

winter festivities. These gallant knights are easily distinguished

looking around the ball room with half-closed eyes (they are mostly

short-sighted), or parading their audible element through the room with

such a lazy drawl--beautifully substituting the _r's_ with a perfectly

Italianized "aw."

Among these indispensables, were Jack Fairmay, Willie Airey and a great

many more of our "Sparks Street" elegants. How much better they look on

a freezing afternoon with their noses blue and their fur caps pulled

comfortably down over their ears, than in the painfully proper looking

long-tailed broad cloth and white kids, exactions of society's absolute

laws.

All the blondes and brunettes of Centre Town and Upper Town and Sandy

Hill, all the "tony" Post Office clerks, all the young, flourishing,

embryo and genuine lawyers, doctors, engineers, rich lumber merchants,

and civil servants, _ad infinitum_ were there.

What a gay picture! What an interesting sight! Who would not love Ottawa

for its self-made gouty papas and its fat, airy, comfortable mamas?

Think of the wonderful influence of these thoroughly Christian women on

the sphere in which they shine. Even in this one gathering can we not

realize how the improvements and customs of the day cast their benign

influence over a mighty world, through the rising generation. Those dear

pretty pink and white dimpled darlings done up in "illusion" and silks,

how happy it makes one feel only to look at them! This must be the

nature of the remarks, Guy and another male friend exchange in the bay

window. Let us draw nearer.

"You're wrong, Bob my dear," Guy is saying, "I agree with you they do

look like fish-hooks strung in a row, but I heard Miss Nellie Teazle

tell Mrs. John Prim, that that was the 'Montagu' style; so excuse me for

contradicting you."

"Oh! don't mention it, the name almost redeems the folly of the thing.

By the way Elersley, you have been 'going it' in rather a pronounced way

with Miss Mountainhead to-night. Is it too soon to be the first to

congratulate?"

"Oh Lord!" Guy smothers the exclamation under his heavy moustache. "You

might try the names of all the dear ones in succession on me. They're

just immensely jolly, you know, but I never heard of a young Ottawaite

in his sane sober senses, go choose his future wife in a ballroom."

Just here, Miss Dash comes up and throws a coquettish look at Guy

through the opening in the curtains. He nods a temporary good-bye to his

companion and goes off to claim the next waltz which Miss Dash has

promised him, and, oh Guy! naughty boy! if he is not saying over the

identical pretty nothings to Miss Bella, that are yet filling the heart

of Miss Mountainhead. with a delicious souvenir of him.

In another corner of the room Bob Apley is "spooning" most suggestively

with the same Miss MacArgent whose "fish-hooks" he has just been

ridiculing so mercilessly. This of course is pardonable according to the

world's wise indulgent maxims, especially when we consider that Miss

MacArgent's father's income, daily, is almost identical with the amount

of dollars and cents that find their way to the pockets of the

impecunious Bob in a whole year.

Besides Emily is rather a good-looking specimen of the "foreign" belles

that winter in Ottawa, and some one even said last winter that one of

the Governor-General's Aides-de Camp and she--oh! we all know how the

green-eyed monster tortured the hearts of the poor belles of countless

seasons, when they saw their indisputable rights usurped by a

comparative stranger. The two Misses Begg, for instance, who have been

twenty-five and twenty-six respectively for the last eight years,

waiting for the turn in their lives, that will never come, have cause

for bitter complaint. The same faces are here that are ever on

exhibition as the champion tennis player, the champion skater, another

an unrivalled waltzer, and some more distinguished vocalists and

instrumental performers. These grow wearisome once the novelty wears

off. There is nothing in them besides the foam that blows away after a

little and leaves no trace of its once august presence.

We will make our adieus gladly to the affected civil servants, the young

embryo professionals, the rich independent bachelors, the corpulent

papas and mamas, the famous tennis, skating, singing, dancing and

playing heroines, and go joyfully back to the snug little parlor of

Henry Rayne, where sits the only one sensible girl we have seen

to-night.

She has ceased playing, and is now sitting by a low table with her

lovely head bent earnestly over a lap full of wool-work. The little

clock goes ticking on through the noiseless moments that come and go and

still her busy fingers ply hurriedly through the stitches. At last it is

ten o'clock and instinctively she rises, puts away her wools and needle,

and goes over to the chair which yet supports the sleeping figure of

Henry Rayne.

"Good night, Grandpapa," she says softly in his ear.

He hears the low sweet whisper. Her voice would penetrate the depth of

death itself for him, he fancies. She said "Grandpapa." She only calls

him that when she is sad, whenever a sense of bitter loneliness fills

her heart, making her miss a kind mother and her dear handsome father

most.

He opens his eyes instantly and raises his hand to draw the pretty bowed

head closer still to his.

"Good-night, my dear little child. How stupid of me to have dozed here

all night leaving you by yourself."

"Don't fret, Grandpa dear, I love your company, and all that, but

remember I am never less alone than when alone, and an evening by myself

is never lost to me."

"No, my pretty one, but you must grow tired some day thinking so

incessantly, I must try and distract you; it is dreadful of me to keep

you housed up, so secluded, when there is so much for your youth and

beauty to enjoy outside. May be I'm responsible for many a sigh you've

heaved lately, but it never struck me you see, my pretty darling, that

our sentiments and sympathies run so widely apart, it is not very

surprising if an old prosy bachelor should forget to ferret out the

pleasures of youth, to bestow them on a fair young beautiful thing like

you,"

"Oh-ho, now dear old Grandpa, you have been sleeping and dreaming of

somebody you are mistaking for me. Don't fret for not spoiling me more

than you do. I am pampered enough dear knows. Good-night, I am sleepy

too, and I think a night's rest would not be detrimental to either of

us, eh grandfather?" and kissing him tenderly on both cheeks, she

skipped out through the open doorway and ran up to her own little room.

Honor Edgeworth; Or, Ottawa's Present Tense · 第 7 / 40 章