CHAPTER X

NINETEENTH-CENTURY FRAGMENTS

Meanwhile Hyde Park was the centre of a far wider evolution than that

which has been already noticed in eighteenth-century London. A new era

had dawned for Britain.

The power of colonisation—which to-day has attained the strength

of Imperialism—had, after long infancy, developed into lusty youth

clamouring for equal rights, for freedom, for independence.

Clive had fought and conquered at Plassey, Wolfe had won and died

at Quebec. Wider issues were at stake, greater demands were made on

English politicians, who were confronted by problems such as had never

arisen in the world’s history.

In England itself the revival of literature continued, in spite of

the thrust of the _Westminster Gazette_ at the Macaronis. Brilliant

orators, wily statesmen, long-headed, far-sighted diplomatists

sprang to the front to devote their talents and their lives to these

far-reaching questions.

In this awakened national life, Hyde Park, too, had its place. It was

not merely a central point for the gathering of the fashionable and

the frivolous. Many statesmen strolled thither, met one another and

exchanged views, sometimes after lively debates in the House, seeking

in the charm of its greenery and shade the solution of many a knotty

problem. There, again, they found opportunities for obtaining influence

in carrying through momentous measures.

We have seen Pitt on his little Welsh pony. In contrast to his simple

figure, John Wilkes lolled in his gaudy equipage, ogling fair ladies,

and posing as a hero of the people. Such appearances multiplied as the

years went on.

There, Burke was often to be seen strolling alone, or chatting with a

friend after a brilliant speech on a leading topic of the day. There,

Windham took an early morning ride and watched the Guards at drill, or

joined the fashionable throng later in the day.

There, the first Lord Holland was wont to alight from his carriage,

and let it follow him as he wended his way from Whitehall to Holland

House, talking as he went, to his friends. There, also, William

Wilberforce held conversation when he lived at Gore House, and those

who were privileged to be at his famous gatherings would take a turn

through the Park, discussing that wonderful personality and his aims.

There, Charles James Fox, Sheridan, the younger Pitt, and many others

were to be seen day by day, but it was by no means with men alone that

political issues of the time rested.

Fair ladies attached great importance to their daily visit to the

Park. It was their battlefield, where they must—for their own peace of

mind—mentally slay some rival, lay siege to some masculine stronghold,

and render resistance useless. And be sure the gossips of the Georges

had much to say about such actresses as Mrs. Oldfield, Mrs. Pritchard,

Peg Woffington, Mrs. Clive, Mrs. Cibber, Mrs. Jordan, or such beauties

as Lady Sarah Lennox, Georgiana Duchess of Devonshire, and Lady

Elizabeth Foster, all of whom were familiar figures in the Park.

In that daily rendezvous in Hyde Park astute statesmen were coerced,

ruled, and graciously governed by the feminine mind, and more power was

acquired by Society ladies in those casual meetings than probably in

any other way. Nowadays, women’s wise influence is chiefly brought to

bear on public and political matters over the teacups—a pleasant social

function which at that time had scarcely been established.

To what extent this feminine influence existed, and could be called

upon on a moment’s notice, is shown in the following note, found in

Vere Foster’s _Two Duchesses of Devonshire_. It was written by Charles

James Fox from the House of Commons to the beautiful Georgiana Duchess

of Devonshire in 1805, about a year before the death of both writer and

recipient:

“Pray speak to everybody you can to come down or we shall be lost on

the Slave Trade. Morpeth, Ossulton, Ld. A. H., Ld. H. Petty all away.

Pray, pray send anybody you see.

“Yours

C. J. F.”

“1/2 past seven. H. of C.”

[Illustration: Camp in Hyde Park during the Gordon Riots, 1780.

_From a Print in the Crace Collection, British Museum._]

War with America gave zest to military affairs. Hyde Park was the

nursery for new regiments. Ladies, including the Duchess of Devonshire,

the Duchess of Beaufort, and Lady Sutton, appeared in a feminised

edition of the military garb of their respective husbands’ commands.

Near the site of Cumberland Gate targets were set up for ball practice,

and it is not many years since the last of the stones used were removed.

Tyburn was already doomed, not because hanging had ceased to be a

fashionable entertainment, but because all sorts and conditions of men

attending the executions invaded the “Arcadia” of the _beau monde_, and

rendered it hideous to them.

In 1783 the gallows were swept away.

During those final scenes around the “triple tree” a romantic figure

had passed across the horizon of Hyde Park, who, but for an attack of

fever in Newgate, to which he succumbed, might also have ended his days

at the gallows. The peculiar personality of Lord George Gordon had

been played out, and the Gordon Riots, which Dickens so graphically

describes in _Barnaby Rudge_, had landed their instigator in gaol.

Lord George had been a familiar frequenter of the Park, where he drove

his own coach, though his income only reached the modest sum of £600 a

year. The desire to be possessed of a coach was as strong, apparently,

in England in those days as it is in Italy or Spain to-day, where folk

will live on beans and olives, and save their money to drive behind a

pair of horses.

When the riots broke out a camp was again formed in Hyde Park. It

was much needed, for, after the burning of Lord Mansfield’s house in

Bloomsbury Square, the nobility in Mayfair would not remain in their

homes at night; and Wraxall tells us that the Duchess of Devonshire for

many nights left her mansion in Piccadilly, and slept on a sofa at the

house of Lord Clermont in Berkeley Square.

But these riots were quickly subdued, and Hyde Park again became the

scene of gaiety, festivity, and frivolity, bordered on the east and

south by its stately mansions, where magnificent entertainments were

given, and the owners held small courts of their own. One of these—on

the site of Dorchester House, the present American Embassy—belonged to

Lord Milton, who was afterwards made Earl of Dorchester. He was famous

for his regal hospitality, but so exclusive was the circle of friends

admitted to its stately halls, that the house was known among the

excluded ones as “Milton’s Paradise Lost.” Its owner, who was a man of

great intellect, but reserved and haughty, was one of the most familiar

figures in the Park.

It is passing strange that an American, in the charming person of Mr.

Whitelaw Reid, should dispense royal hospitality on the very edge of

Old Tyburn Lane.

Another remarkable personage, contemporary with Lord Milton, was Lord

Deerhurst, the son of Lady Coventry (Miss Gunning). Although quite

blind through a shooting accident, he would ride full gallop in Rotten

Row. Once he cannoned into another horseman, but after a few days’ rest

he again appeared in the saddle as reckless as ever.

Yet another strange personage to be seen was the Duke of Queensberry,

known as “old Q,” whose worldliness and licentiousness in an era by

no means strict in morals have given his name a sinister notoriety. He

survived to the venerable age of eighty-six, sitting out to the last

on his balcony in Piccadilly watching the gay world passing into the

Park, a spectacle which caused Leigh Hunt to “wonder at the longevity

of his dissipation and the prosperity of his worthlessness.” In his

drawing-room in Piccadilly he enacted his famous reproduction of the

scene on Mount Ida, with three of the most beautiful women in London to

represent the goddesses—“in the same dress, so to speak,” as Mr. Street

so tactfully puts it[4]—and himself as Paris to award the apple.

The Prince of Wales had already broken out into all sorts of

extravagance, and his appearances in the Park were occasions for his

greatest displays. His mock marriage with Mrs. Fitzherbert at Carlton

House, and their legal marriage in her own home in Park Street, Park

Lane, near Hereford Gardens, were the talk of the day, and they were,

before and after, constantly to be seen together in the Park. In the

winter before this marriage there was again skating on the Serpentine,

and the gay Prince appeared in a fur coat which cost £800, and a

large black muff. In fact, one might devote a whole volume to the

extravagance indulged in by this young man, in order that he might

figure loudly in his favourite London resort.

Reviews and prize-fights were great attractions in the Parks. Gay

ladies rode in Rotten Row, among whom a well-known personality was

the wonderful Marchioness of Salisbury, who was seen there daily for

so many years, and was also famous for her support of Pitt in his

elections, while her rival, _the_ Duchess of Devonshire, canvassed for

Fox.

It was a critical time for England: wars without, the dark shadow

of insanity resting on the Sovereign, men striving for first place

in the realm; and the nation hailed with true rejoicing the news of

King George III.’s recovery in 1789. London was one great blaze of

illuminations from end to end. The monarch was at Kew, but the Queen

and Princesses drove up to town to see the displays, making Apsley

House their headquarters, and returning home very late at night. Hyde

Park took no small share in these festivities.

Soon after the marriage of Caroline of Brunswick with the Prince of

Wales, she appeared in the Park and was the object of great admiration,

which, in spite of all her faults, was accorded to her by the English

public until the end of her life. So far as a selfish man can love,

the object of the Prince’s affection was Mrs. Fitzherbert, and he only

submitted to the marriage with his cousin in order to pay his debts,

for the Princess brought with her a dowry of a million sterling.

In spite of all his efforts, the Prince was about this time eclipsed in

Hyde Park, for a man, who largely owed his position to Royal favour,

outstripped him in the elegance and costliness of his dress. This was

Beau Brummel, the son of one of the Whitehall Secretaries. His aunt,

Mrs. Searle, lived as gate-keeper of the Green Park, inhabiting a

little cottage in a small enclosure in which she kept cows. This good

body often received visits from the Princes and Princesses, and it

was here that the Prince Regent met the youthful Brummel, and was so

attracted by him that he secured for him a commission in the army. Hyde

Park saw much of this dandy in his finery, with his mincing ways and

absurd conceits. He scored heavily for a time, but was destined to end

his days in poverty.

In 1800, George III. was reviewing the Grenadier Guards in the Park,

when a musket-ball entered the leg of a gentleman standing a few yards

from him, piercing his thigh. It was subsequently found that the ball

had gone through the coat of a Frenchman, and also struck a boy on the

way. His Majesty remained where he was, and laughed the matter off.

It was, however, thought to be an attempt on his life—a true surmise

evidently, for a pistol was fired at him in the theatre the same

evening.

After the overdressing of earlier days, with a superabundance of stuffs

and ruffs, fashion had reduced the feminine attire to a sparseness that

was indecent, and brought indignant denunciation from both the Pope and

the Protestant clergy. The last year of the eighteenth century was a

distinguished one in Hyde Park, on account of the number of beautiful

women to be seen driving there. Many of them handled the ribbons in

fine form, chief in this art being the Marchioness of Donegall and

the Countess of Mansfield. A figure, long to adorn the Park with his

presence, was Sir Arthur Wellesley. He was a faithful lover of the

Row and those more secluded roads to the west and north, where he

generally rode a beautiful Arab horse, and these graceful animals

became the vogue. Humble heroes as well were brought to mind, for the

King granted a little cottage near the Royal Humane Society’s House—not

the present one, which was opened later by Sir Arthur Wellesley when

Duke of Wellington—to Mrs. Sims, an unfortunate woman who had lost all

her six sons in battle.

Strutt, writing in his _Sports and Pastimes_ in 1801, says:

“I have seen, some years back, when the Serpentine River in Hyde Park

was frozen over, four gentlemen there dance, if I may be allowed the

expression, a double minuet in skates with as much ease, and I think

more elegance, than in a ballroom; others again, by turning and winding

with much adroitness, have already in succession described upon the ice

the form of all the letters of the alphabet.”

Moreover, that cosmopolitan touch, in which all Britons rejoice so long

as it does not encroach, began to show itself, and in 1803, the exiled

Bourbon Princes were often to be seem among the throngs in the Park,

and they were present at a review held by the King, to which the Queen

and Princesses also came, as well as six of the Princes. It was a most

brilliant affair, and attracted crowds.

[Illustration:

Winter Amusements.

_From a Print in Crace Collection, British Museum._]

Those early nineteenth-century days were full of amusing

eccentricities. The springs in Hyde Park were much sought after by

people for bathing, others for drinking, and on Sundays a strange

scientist and doctor, who resided in Mount Street, Martin van Butchell

by name, used to attend, to distribute water from one of them. He was a

well-known character, who rode daily among the throng on a white pony

with a long, flowing tail, and this poor beast used at times to be

painted whatever colour his master fancied. The advertisements of this

self-advertising quack in the contemporary newspapers are most amusing.

Malcolm, in his _Review of Society in 1807_, says:

“Other amusements of the great consist in riding through Hyde Park: the

ladies in their coaches, and the gentlemen on horseback in an adjoining

road. He that would judge of the population of London should attend in

the Park on any Sunday at three o’clock, from February till May; he

must be astonished at the sight. The coaches, the horses, the populace

of every rank who toil against the bleak East winds, are wonderfully

numerous. Nor should he omit a visit to Kensington Gardens in May, to

view the beautiful pedestrians that form our fashionable world: or a

winter excursion to the Serpentine River and the Canal in St. James’s

Park, where numbers skait, or attempt to skait.”

In 1808 it was suggested in Parliament that houses should be built in

Hyde Park itself, but the proposal was quickly vetoed, for year by year

it became more and more popular as a public rendezvous. The Prince of

Wales came dashing down the Row in his tilbury, with his groom by his

side, displaying a lack of dignity that shocked many people. The aged

and infirm enjoyed a pleasant drive in the Park. Dr. Burney describes

his daily outing after he was paralysed, as “an old lady’s drive about

Hyde Park,” while it was the scene of a pathetic incident in the life

of Princess Caroline and her daughter.

Forbidden to hold intercourse with her only child—the Princess

Charlotte—and refused admittance at Windsor, Princess Caroline was one

day driving, when she saw her daughter’s carriage going in another

direction. She bade her coachman follow, and finally, in Hyde Park,

overtook Princess Charlotte near the Serpentine. The carriages drew

up side by side, the Royal occupants leaned over, kissed each other,

and exchanged some cherished words of conversation. A crowd gathered,

but no matter—it was a sympathetic English crowd, parents and children

themselves, who would have defended the mother and daughter had need

arisen.

Just about this period a Mrs. Browne came to London, lovely and to be

pitied. She attracted the attention of the remarkable Lord Petersham.

Henceforth this nobleman appeared in Hyde Park indicating to the world

the trend his affections had taken by his brown hat and clothes, brown

coach, brown horses, brown liveries, even to the servants’ hats.

Lord Petersham’s rival in eccentricity was a wonderful, wealthy magnate

from Antigua. Society named him _Diamond_ Coates, or _Romeo_ Coates;

the latter name arose from his passion for acting, and especially his

performance as Romeo. His turn-out in the Park was most remarkable.

Drawn by perfect horse-flesh, he posed in a luxurious carriage shaped

like a shell,—altogether a most imposing and artistic affair,—but he

spoilt the effect, and displayed the _nouveau riche_, by sticking his

ridiculous crest all over his belongings. Nevertheless, he was the pet

of fashion for some time.

Eccentricity was the rage. Each tried to outvie his neighbour in

attracting attention. Another remarkable sight was the Persian

Ambassador, who, mounted on a mule, was to be seen riding daily in the

Row. A peculiarity of his attire was the extreme width of his trousers,

which the wind used to inflate as he galloped along, rendering him

a ludicrous spectacle, more fit for a circus than the dull skies of

London.

The fall of Napoleon and his exile to Elba played an important part in

Hyde Park’s doings, and the year 1814 was unequalled in Georgian days

for the pageantry displayed in its precincts. The spring was marked by

the procession of the exiled Bourbon, Louis XVIII., returning in full

state to take possession of the throne of France. The Prince Regent

had gone out from London to meet him on his way from Hartwell House,

in Buckinghamshire, where he had spent his exiled days, and with all

ceremonial possible conducted him to the metropolis, whence he set out

for France.

The summer was filled with peace festivities. The Emperor of Russia,

the King of Prussia, and some of the Prussian Generals—Blucher among

them—visited England, and were in the Park on many occasions. The

Sunday crowd went mad at seeing them; in fact, many casualties were

caused in the excitement when they were on their way to Kensington.

The following Sunday a great review was held—the most brilliant ever

witnessed—but the culmination of the festivities was the Great Fair.

Commencing on 31st July, 1814, no amusement was lacking, the chief show

being a miniature naval engagement on the Serpentine. Extravagance,

however, seems to have reigned supreme. During the week the fair lasted

it cost the country £40,000.

The “Reminiscences” of Captain Gronow give many details of this time.

A group of dandies was always to be found in the gay society of the

Prince Regent, his chief friends being Beau Brummel, the Duke of

Argyll, Lord Worcester, Lord Alvanley, Lord Foley, and others.

The most beautiful ladies were the Duchess of Rutland, the Duchess

of Gordon, the Duchess of Bedford, and the Duchess of Argyll; Lady

Cowper,—afterwards Lady Palmerston,—and the lovely daughters of the

Marquis of Anglesea. Lady Cowper inherited her mother’s talent as a

leader of Society—especially political Society,—while other brilliant

hostesses were Lady Castlereagh, the Countess of Jersey, Lady Sefton,

Princess Esterhazy, and the Countess Lieven.

[Illustration: Jubilee Fair in Hyde Park in 1814. After the fall of

Napoleon.

_From a Print in the Crace Collection, British Museum._]

It was a distinguished gathering still that was seen in Hyde Park

at five o’clock in the afternoons, the ladies driving in their

_vis-à-vis_, with their gorgeously embroidered hammer-cloths, be-wigged

coachmen and resplendent footmen, while the dandies rode their smart

horses and bedecked themselves with blue coats, leather breeches,

top-boots, and wonderful stiff white cravats. To these men Beau

Brummel was the motive power, the beginning and the end of their

existence, and Brummel’s tailor was only second to the beau himself.

Truly Hyde Park has an unparalleled record. For four hundred years the

makers of history, politicians, beauty, nobility, bravery—and knavery,

alas!—have all tendered homage to the charm of its acres, its noble

trees, its grassy sward. Generation after generation has proclaimed

love for it; and now, indeed, what would the babies and the beauties do

without the famous stretch from Marble Arch to Piccadilly?

But it is the fate of humanity that in the gayest scenes of life dark

Tragedy will thrust her hand, and in the midst of this wonderful

assembly in 1816 spread the news that Harriet Westbrook, the wife of

the poet Shelley, had committed suicide in the Serpentine.

Fifty years later—to make a wide digression—Mrs. Jane Welsh Carlyle

went for a drive in Hyde Park, entering at Queen’s Gate, where she

alighted and took her little dog for a run. After returning to the

carriage, she drove to a quiet place on the Tyburnia side of the Park,

and the dog was put out again, but opposite Stanhope Place it was

knocked over by a passing brougham. Mrs. Carlyle and the occupant of

the other brougham alighted, and Mrs. Carlyle returned to her carriage

with the dog, after which the coachman heard nothing but a slight

whimper from the animal. After driving round the Park again, he was

surprised at receiving no orders, and seeing his mistress in exactly

the same posture as he had observed her some distance back, he asked a

lady to look in, who found that Mrs. Carlyle had passed away.

Whether the tragedy of Shelley’s wife, and others of like kind, gave

Society a distaste for the vicinity of the Serpentine, history does

not say, but the drive from Apsley House to Cumberland Gate became

the fashionable quarter. The four-rowed belt of walnut-trees had been

removed some time before, and thus the road was considerably widened,

but it was commonly crowded to excess. There were already evidences

of the Man in the Street asserting his claim to this former Royal

preserve, not so much on week days as on Sundays, and Greville tells

us of the Duchess of Cambridge being mobbed to her very door, and so

terrified that she almost fainted. Moreover, on such occasions as the

Fair in 1814, the Coronation of George IV., and also the severe winters

of 1820 and 1821, the populace reigned supreme, and Society was not by

any means a mighty factor in Hyde Park.

It was during this migration to the east side of the Park and Park Lane

in 1820 that two dozen chairs were first set out at Stanhope Gate, the

forerunners of those 35,000 which are now to be found scattered about

on the grass and by the gravel-walks.

Following closely on all the follies and shows in honour of George

IV.’s Coronation came a most disgraceful scene. Caroline of Brunswick

died a few days after she received the refusal of the King to allow her

to enjoy the rights of a Queen. According to her desire she was to be

buried in Brunswick, and the body was to be embarked at Harwich. The

most direct route to that place would have been through the City, but,

lest the citizens should wish to pay a last honour to the poor lady who

had passed such an unhappy life in their country, the order was given

that the body should be taken to Harwich by a circuitous route. The

procession was denuded of all dignity, and directions were given that

it should turn up Church Street, Kensington, into the Bayswater Road.

But this the crowd, which numbered some thousands, would not permit. A

company of Life Guards were sent for, but on their arrival they had to

give way before the dense mob.

It was finally decided to take the direct route to London. Orders were

again sent that the procession _must_ go round, and not through the

City. The crowd, however, prevented it from turning into Hyde Park or

up Park Lane. But by a rapid manœuvre, part of the troops with the

hearse forced their way into the Park, the gate was closed on the

mob, and the body was taken at full gallop from Hyde Park Corner to

the Cumberland Gate. There the crowd forestalled them, and made all

progress impossible. Volleys were fired, and caused a temporary giving

way, which enabled the procession to move towards Edgware Road, which

was also rendered impassable. All this went on in a terrible storm of

wind and rain. After again firing on the populace, with the result that

only a little headway was made, and struggling for seven hours to obey

orders, those in command of the procession were forced to turn back

and pass by Tyburn, Oxford Street, Holborn, and Drury Lane into the

Strand, to the City. For thus giving way the officer in command lost

his commission.

It is impossible to contemplate such an outrageous scene without a

glance at that calm February morning, almost a century later, grey,

still and chilly, when from early dawn the population of London—even

to the loafer and the noisy hooligan of the street—went with subdued

demeanour towards Hyde Park, there to stand, or sit in the trees for

hours, until the funeral _cortége_ of Queen Victoria should pass

through London. Even Nature herself seemed to hold her breath as the

stately procession wound its way across the Park, on that very road

taken by the galloping horses eighty years before. Where a raging crowd

had run yelling with fury and indignation in Park Lane, a mass of

the people silently stood with bared heads—rows upon rows of them—as

that simple gun-carriage, with its regal burden, slowly filed by and

vanished through the Marble Arch. Where the clattering hoofs of the

soldiers’ steeds at the funeral of Caroline of Brunswick had mixed with

the fury of the storm, sovereigns, princes, ambassadors, statesmen,

soldiers, and sailors, paced by with saddened mien, to the muffled

strains of military bands—a pageant as imposing as it was solemn.

But returning to those days of George IV., one notable figure at least

must not escape mention—the beautiful Lady Blessington. How beautiful

she was subsequent generations have learnt from the picture by Sir

Thomas Lawrence, now among the treasures of the Wallace Collection—a

portrait which probably has been more often engraved than the work of

any other British portrait-painter.

She is represented about eighteen years of age, when she had recently

come from Ireland, and in the first flush of her maidenhood; though,

in fact, she had been forced into marriage when only fourteen with a

worthless Captain Farmer, whom she left after three months.

When a widow of twenty-nine she married the Earl of Blessington. From

comparative penury, she was raised at one step into the most luxurious

and fashionable life of the time. Her equipage was considered one of

the most elegant in the Park, where she drove regularly until she went

abroad with her husband.

Lord Blessington was a man of great wealth; but even his resources were

taxed to meet the excessive extravagance of his wife. After his death

in 1829 her reign in the social life of London really began.

Possessed at that time of a large fortune, she filled the house in

Seamore Place with valuable furniture and _objets d’art_, and to her

brilliant salon flocked all the wit and genius of the day. The Duke of

Wellington, Bulwer Lytton, the two Disraelis, Lord Brougham, Sir Thomas

Lawrence, Thomas Moore, Sir E. Landseer, Landor, Maclise, Ainsworth,

Thackeray, and Lord John Russell were often to be found there. A

contemporary has left a graceful pen picture of her.

“In a long library, lined alternately with splendidly bound books and

mirrors, and with a deep window of the breadth of the room, opening

upon Hyde Park, I found Lady Blessington alone. The picture to my eye

as the door opened was a very lovely one; a woman of remarkable beauty

half buried in a _fauteuil_ of yellow satin, reading by a magnificent

lamp suspended from the centre of the arched ceiling, ... and a

delicate white hand relieved on the back of a book, to which the eye

was attracted by the blaze of its diamond rings.”

Later Lady Blessington moved to Gore House, Kensington, where the great

philanthropist, William Wilberforce, had preceded her. It stood on the

site of the Albert Hall. Her entertainments were on a more lavish scale

in this larger house, and troubles gathered round her.

Of Count D’Orsay’s relations with Lady Blessington much was said at

the time. Married, by previous agreement with Lord Blessington, to his

daughter—a mere child, and the stepdaughter of the Countess—he found

his kindred spirit was really the child-wife’s stepmother.

[Illustration: LADY BLESSINGTON.]

No woman was more generous to those needing help, more modest over her

beneficent works, nor has any woman’s weak point been more fostered by

Fate than that of Lady Blessington. While the Earl lived, luxury and

extravagance were showered upon her in every possible form. After his

death she was under the influence of the Comte D’Orsay, a past master

in the art of spending money. London went mad over the shape of a tie,

if that shape was introduced by Comte D’Orsay. He was a man of genius,

a talented painter and sculptor, a brilliant conversationalist, of

the most prepossessing appearance. Generous to the many refugees of his

country in London, extravagant in personal matters, he was in constant

debt. He possessed faultless taste, and was the best horseman, fencer,

and shot in Society. The two were undoubtedly the most often quoted and

best-known figures of social life and the Park in the early nineteenth

century. They lived at the rate of thousands a year, and seldom had a

penny. Lady Blessington struggled to pay D’Orsay’s debts and her own,

and to keep things going; but at length she could struggle no longer.

Gore House was seized by the creditors, and its contents sold. In April

1849 the couple fled to Paris, where within two months Lady Blessington

died in great poverty.

Lady Blessington was one of the first women to take up literature, and

she was most handsomely paid for her work; so well, indeed, that at

times she was in affluence, and at others plunged into the verge of

bankruptcy. It was a strange coincidence that Lady Blessington’s first

work described the ruin and selling up of a large establishment. Her

whole life was one long romance, as pathetic and lonely at times as it

was brilliant and splendid at others.

A great innovation during the Waterloo period was the Achilles Statue,

of which much was written, the pen of Bernal Osborne and many others

finding in it food for satire. It was the first nude statue erected in

England, and shocked Society—none the less, to be sure, because it was

the tribute of the ladies of England to the heroic Wellington. The

subscribers protested that they were not consulted by Westmacott, the

sculptor. An eccentric old Sheriff, who disported himself in Hyde Park,

especially expressed himself on the subject. People turned their backs

and fled to Rotten Row again.

The high brick wall that had been first placed round the Park in the

reign of Charles II., when Hamilton restored the deer, and had been

rebuilt in 1726, was now removed, and an iron railing was put up in

its place. This was the greatest blow that had as yet been struck

against the comparative monopoly of Hyde Park by the aristocracy. The

old Curds and Whey House also disappeared. The parks—and in fact the

whole of London—were still badly kept, and needed police supervision,

and matters did not improve until the Police Act of 1829 was brought

into force by the efforts of Sir Robert Peel. In its first year the

new force numbered 3600 men; now the Metropolitan Police alone—not

including the splendid body of City Constabulary—is over seventeen

thousand strong.

When William IV. succeeded his brother George IV. on the throne, Hyde

Park was the only scene of display, and there the rejoicings were

limited to fireworks; but even these were mismanaged in some way, and

several people were hurt by the falling rockets.

The King and Queen Adelaide used often to drive round the Serpentine.

The latter was never really popular, but King William won the sympathy

of the people by his simplicity. This very homeliness, however, kept

his Ministers busy and anxious to know what fresh departure His

Majesty was going to take. The Duke of Wellington must have often

wished himself back at the head of his troops when negotiating for this

irresponsible monarch.

One morning he informed the Duke that he would dine with him at Apsley

House that evening.

At Apsley House all was bustle and scurry. Preparations for the

dinner were at their busiest, the hour appointed had arrived, and the

household was in a turmoil, when, to the horror of everybody concerned,

a dusty, tired-out looking cavalcade came in sight, and proved to be

the two Kings returning from Windsor. The people all crowded to Hyde

Park Corner, and the Duke rushed hatless to do his Sovereign honour.

But what could he have felt on finding that instead of the Kings being

dressed in their best in honour of the feast, at least an hour must

elapse before they could be even clean.

In 1831, during the agitation over the Reform Bill, the mob twice

attacked Apsley House, and the second time broke all the windows. There

was scarcely a whole sheet of glass left, and what made it more painful

still, the Duke knew nothing of the anger of the populace, as he had

for several days scarcely left the bedside of his wife, who, when the

attack took place, was actually dying. It was not until two hundred

police mustered that the rioters were dispersed. After this the Duke

had iron shutters placed at all the windows, and would never have them

removed, but they were taken down by his successor. Those now outside

the windows facing the Park are made of wood.

The enclosure of land from Hyde Park, and his attitude to the Reform

Bill and the Corn Laws, created a temporary unpopularity, but before

long he was again received with acclamation everywhere. The Iron Duke

never allowed himself to be carried away by a love of notoriety or

popularity. One day, when he was returning to Apsley House by way of

Constitution Hill, a large mob of admirers followed, cheering him. He

rode calm and unmoved to the gate, where, wheeling round, he bowed

sarcastically, and, silently pointing to his iron shutters, rode on to

his door.

On the accession of Queen Victoria a great Coronation Fair was held in

Hyde Park. The newspapers of the day give exhaustive accounts of it.

On the wide area lying between the Serpentine and Park Lane were to

be seen fat boys, living skeletons, giants, dwarfs, freaks of nature

of all kinds. The acrobat, the conjurer, and wild beast shows were

held forth as attractions. Boats were placed on the Serpentine. Aunt

Sallies, roundabout swings, pony rides, fortune-tellers all helped to

draw not only Londoners, but their country cousins as well, to Hyde

Park. Innumerable stalls and booths were erected for the purpose of

selling refreshments and mementoes of the event, and although the fair

was only supposed to last two days it extended to four.

[Illustration: Festivities on the Ice, 1857.

_From a Print in the “Illustrated London News,” after a Drawing by John

Leech._]

Probably up to that time no such crowd had ever assembled in Hyde Park,

and it is recorded that it was orderly, jocular, fully determined to

enjoy itself, evidently a typical London crowd, ever ready to abide by

the laws. Before the fair closed the Queen drove through the Park to

see it.

From time to time, after the formation of the Serpentine, this fine

sheet of water has afforded good sport to Londoners in severe winters.

Such a scene is handed down to us by the clever drawing of John Leech,

which appeared in the _Illustrated London News_, together with an

excellent description of the festivities.

“But it is in the Parks where Jack Frost is seen in all his glory—there

his admirers assemble in thousands; and, casting aside all distinctions

of society, the Lord Muskovers and the Bill Flue-scrapers jostle each

other on the ice as though they were really ‘dearly beloved brethren,’

and not pomander and soot-balls. No bacchanalian revel more stirring

and confused; and yet the only excitement is exercise. Stay! there are

brandy-balls, so highly recommended by the vendors that, at a loss for

further eulogium, they fall back upon inquiry, and ask (of course,

without asking for a reply), ‘If one warms you for a week, what will

two do?’ Peppermint lozenges are in great request: and ginger-rock and

kian drops are ‘hot in the mouth’ too. Roasting chestnuts crackling

over glowing charcoal are irresistible to boys with cold hands and a

penny. A happy fellow is this son of winter, for see how the rogue has

kissed those pretty lips and dainty cheeks until they are red as summer

roses. What would not those guardsmen give for the same privilege, even

though they should kiss through the wedding ring?”

Queen Victoria and Prince Albert in later days used to take a daily

drive in Hyde Park. In 1840 a man named John Oxford shot at the

Queen on Constitution Hill. Her Majesty fortunately escaped unhurt,

so the drive was continued to Hyde Park Corner, and a visit paid to

the Duchess of Kent in Belgrave Square. The next day Her Majesty and

the Prince appeared as usual in the Park, and were the subject of

remarkable popular demonstrations.

Victorian Hyde Park we still have with us, and such changes as have

been introduced, except in the early days of the reign, are within the

memory of some. Chief of these structurally is the Marble Arch. It has

stood on its present site since 1851. The public entrance—for only the

King and Queen use the centre Arch—is still known as Cumberland Gate,

so named after the Duke of Cumberland, whose ruthless massacres after

Culloden won for him the soubriquet of “the Butcher.”

Cumberland Gate, of which an old drawing is here reproduced, was

erected in 1744, largely at the expense of the residents of Cumberland

Place, of whose artistic taste little is to be said. It consisted of

an ugly brick arch, with wooden gates below. Military executions took

place inside the Park just west of it. For long it was known as Tyburn

Gate, from the gallows which stood near by, so that its associations

have always been sanguinary. Old Cumberland Gate was taken down in

1822, and in truth its disappearance was no loss.

[Illustration: OLD CUMBERLAND GATE. To the left of which military

executions took place inside the Park.

_From a Print in the Crace Collection, British Museum._]

The Marble Arch was originally placed in front of the chief entrance

to Buckingham Palace by George IV. When the Palace was enlarged in

1846 there was no place for the arch in the plans, and it was removed

piecemeal in 1850, and re-erected at Tyburn corner, the Cumberland iron

gates being taken down, and arranged to the right and left. The curious

may note the royal monogram of George IV. on the ironwork of the

handsome centre gates in the Arch. The Carrara marble even yet retains

its whiteness, and has undergone little of the toning down to grey,

which afflicts all our public buildings nearer the smoke centre.

The arch was adapted by Nash from the Arch of Constantine at Rome, and

cost £80,000. It will no doubt be seen to better advantage when its

isolation now in process is carried out. The idea originated with Mr.

F. W. Speaight, to whom all honour is due, for wishing to relieve the

most congested bit of traffic in all London.

Many people will remember when Decimus Burton’s beautiful triple arch

at Hyde Park Corner was surmounted by Wyatt’s ridiculous equestrian

statue of the Duke of Wellington. It was happily removed when the

gateway was set back and the roads replanned in 1882-83, and London

lost a perpetual subject of merriment to foreigners. It had been

intended that the Marble Arch, at the other corner of the Park, should

bear a statue of George IV. mounted on horseback, by Sir Francis

Chantry, but this project was never carried out.

Only brief mention is here necessary of the Great Exhibition of 1851,

held in the vast glass building erected by Paxton for the purpose in

Hyde Park, which now constitutes the Crystal Palace at Sydenham. Though

but an enormous extension of Paxton’s design for a conservatory, built

by him at Chatsworth for the flowering of the Victoria Lily, it was,

by reason of its size and the material employed, considered one of the

world’s marvels. The Palace was nearly twice the breadth, and fully

four times the length, of St. Paul’s Cathedral. It covered twenty acres

of park between Prince’s Gate and the Serpentine, and contained eight

miles of tables.

A couple of most interesting letters written at the time of the opening

of the Great Exhibition are contained in the recently published volumes

of _Letters of Queen Victoria_. The first, bearing the date 2nd May

1851, is from the Duchess of Gloucester, who wrote to Her Majesty:

“MY DEAREST VICTORIA,

“It is impossible to tell you how warmly I do participate in all

you must have felt yesterday, as well as dear Albert, at everything

having gone off so beautifully. After so much anxiety and the trouble

he has had, the joy must be the greater.

“The sight from my window was the gayest and most gratifying to

witness, and to me, who loves you so dearly as I do, made it the

more delightful. The good humour of all around, the fineness of the

day, the manner you were received in both going and coming from the

Exhibition, were quite perfect. Therefore what must it have been

inside the building?... It surpassed the Coronation in magnificence.”

Queen Victoria on the next day writes to the King of the Belgians:

“MY DEAREST UNCLE,

“I wish you could have witnessed May 1st, 1851, the _greatest_ day

in our history, the most beautiful, and imposing, and touching

spectacle ever seen, and the triumph of my beloved Albert. Truly it

was astonishing, a fairy scene. Many cried, and all felt touched and

impressed with devotional feeling. It was the happiest, proudest day

of my life, and I can think of nothing else. Albert’s dearest name

is immortalised with this great conception, his own, and my own dear

country showed she was worthy of it. The triumph is immense.... You

will be astounded at the great work when you see it.... I feel so

proud and happy.”

The Queen’s closed carriage was lined with steel, and drove to the

exhibition at a fast trot.

At the outset public opinion had been by no means unanimous in

approving the scheme, and for a time the subscriptions hung fire, but

the advocacy and enthusiasm of the Prince Consort carried it through.

It was the first of the international shows which have since attained

such colossal proportions. Although, in the hopes of its authors, the

Great Exhibition was to have inaugurated an era of universal peace, it

was soon followed by the Crimean War, and then the Indian Mutiny.

As soon as the glass building had been removed, it was proposed to

erect a statue of Prince Albert on the spot; but, alas, before this was

finished the talented Prince was dead, and the statue then took the

form of the Albert Memorial, which was placed to the west of where

stood the Great Exhibition. The Memorial took some twenty years to

complete. There is much good work in the sculptured detail; but happily

the idea of placing a gilded colossal figure in modern dress, under a

canopy not only too small for it architecturally, but too small even to

keep off the rain, has not been repeated.

In the summer of 1860 an event of great moment was a review of 20,000

volunteers by the Queen. Enthusiasm rose to a boundless height, and the

feelings of loyalty shown both by the volunteers and the crowd was so

overwhelming that the Queen was overcome.

In these days of _ententes cordiales_ it is difficult to realise that

until Queen Victoria and Prince Albert visited France in the ’forties,

no reigning English sovereign had been the guest of our neighbours

across the Channel, since Henry VIII. held his wonderful pageant at the

Field of the Cloth of Gold. Further, until Louis XVIII., as already

noticed, passed through London on his way to take possession of the

throne of France in 1814, no King of France had been in England since

the days when the Black Prince led King John captive through the City.

From that friendly visit of our young Queen dates the growing

cordiality between the two countries. In 1855, amidst the spring

beauties of foliage and blossom, Napoleon III. and the Empress Eugénie

made a state procession through Hyde Park, driving round the Serpentine

and out into Bayswater.

FOOTNOTE:

[4] _Ghosts of Piccadilly._

Hyde Park, Its History and Romance · 第 10 / 14 章