On the next page I had an item about the twins, who were better, and

a note about the tombs of the Medicis and a new tie I had helped Sam

to buy. I was very glad I kept that record. I knew that it would be

helpful. After I had looked at it until I saw all Florence through it,

and Florence was beginning to blur and wiggle because of something

that crept from my heart up into my eyes, I went up on deck and looked

off toward Genoa which lay, in a tangle of many gentle colors, against

the hill. . . . And I took a long, long look at this bit of Italy--the

Italy I loved so very much.

I knew that somewhere that day, my Miss Sheila--I still called her

that--and Mr. Wake were touring along through pretty country; together,

after the long years apart.

And I knew that Leslie, and Viola, and Miss Bannister and Miss Meek,

and Mr. Hemmingway were happy.

And I knew that Sam was miserable. And it sounds strange to say, but

that helped me as much as anything.

Then I looked at the birds that were flying in wide arcs around the

ship, the birds that followed it. . . . And I knew that Sam was right

in saying that other things would go along with me. . . . And I needed

them, although I needed, more than anything just then, my Mother. . . .

And I needed her because of Sam Deane, which I can’t explain.

I fumbled in my pocket, and I found her letter, and a little piece of

paper that had been torn from the edge of a newspaper, on which Sam had

written.

“Dear, dear Jane Jones,” and then, all in a hurried tangle, “I love

you!” (Sam had written this while Miss Meek dozed and an Italian

officer who was smoking outside in the corridor, looked in at us)

For a fraction of a second I felt more miserable than I ever had

before, and then a warm breeze sprung up and it seemed to fan a warm,

let down, easy feeling into me. And after that I looked down in the

water, and in it I saw the front door of our house, and the porch which

slants toward the steps, and my own Mother in the doorway, smiling and

trying not to cry and Roberta back of her. . . . And the twins jumping

up and down by the gate, and shrilly screaming, “Mother, she’s _here_!

She’s _here_, Mother!”

And then I felt myself get out of Daddy’s flivver and hurry up the

walk. And I saw every one hugging and kissing me, and every one

crying. . . . I saw this, before it _ever_ happened, just as it really

was to be!

But I didn’t see the table as it was--which I knew would have on it all

the things I liked best to eat--for I didn’t forecast the _hothouse

roses_; I never _dreamed_ that Roberta would blow her allowance on

these when she could have picked them _right out in the garden_! But

it was all wonderful! Nor did I see the banner that the twins had made

that had

WELCUM

painted on it with shoe blackening--they had each ruined a dress

through this--nor did I dream that Elaine McDonald would send me an

angel cake!

But everything was nicer than I could imagine it would be!

I wondered, as I thought of my people and getting home, whether any

other girl was as lucky as I, and I decided that none could be. And

realizing how happy I was made me feel a little sad; humble, and

uncomfortably grateful, so I forgot it as soon as I could and tried to

feel natural.

And Sam’s smile--which I was to see a whole lot and which seemed to

belong with the things I loved--and my people, helped me to do this.

THE END

Transcriber’s Notes

Obvious typographical errors have been silently corrected. Variations

in hyphenation and accents have been standardised but all other

spelling and punctuation remains unchanged.

Italics are represented thus _italic_.

A modern trio in an old town · 第 13 / 13 段