MY WAR STORIES.

Did you ever try to write War stories? I am not alluding to Press

telegrams from Athens, Amsterdam or Copenhagen, but legitimate magazine

fiction. Once I was reasonably competent and could rake in my modest

share of War profits. But recently Clibbers, of the International

Fiction Syndicate, approached me and said, "Old man, do me some War

stuff. Anything you like, but it must have a novel climax."

"Not in a War story," I protested.

"Can you deliver the goods?" said Clibbers sternly.

After that what could I do but alter the stories I had in stock.

For example there was my fine story, "Retrieved." The innocent convict

(would that I had the happy innocence of the convict of fiction!)

emerges from Portmoor. In a few well-chosen words the genial old prison

governor (to avoid libel actions I hasten to say that no allusion is

made to any living person) advises the released man to make a new

career. The convict marches to the recruiting office and enlists. In a

couple of paragraphs he is at the Front; on the second page he saves the

Colonel's life, captures a German trench on page three, and in less time

than it takes to do it gains the V.C., discovers the villain dying

repentant with a full confession in his left puttee, and embraces the

girl who chanced to be Red-Crossing in the rear of the German

position--presumably having arrived there by aeroplane. This seemed to

me both probable and credible in a magazine. Still a novel climax was

needed. After the few well-chosen words from the prison governor I took

the convict to the nearest public-house, let him discover that the new

restrictions were in force, and brought the story to a novel conclusion

by making him say with oaths to the recruiting officer that he would be

jiggered if ever he formed fours for such a rotten old country.

I thought that, at any rate, I had provided one surprise for my readers.

Then I turned to my psychological study, entitled "The Funk." There

wasn't much story in this, but a good deal about a man's sensations when

in danger. I could picture the horror of it from personal experience,

for my rear rank man has nearly brained me a dozen times when the

specials have bayonet drill (I also have nearly brained--but I am

wandering from the subject). Well, the Funk at the critical moment ran

away, but, being muddled by German gas clouds, ran straight into the

German lines. He thought that people were trying to intercept his

flight. In panic he cut them down. At the last moment he cut the CROWN

PRINCE'S smile in twain. (In fiction, mark you, it is quite allowable to

put the CROWN PRINCE into the firing line). Then came glory, the D.C.M.

and a portrait of some one else with the Funk's name attached in _The

Daily Snap_. However, novelty was needed. I concluded by leaving the

Funk hiding in a dug-out when the British charged and eating the

regiment's last pot of strawberry jam.

I turned to another romance, entitled "Secret Service," and found to my

joy that this needed very little alteration. The hero chanced to be in

Germany at the outset of the war. He was imprisoned at Ruhleben,

Potsdam, Dantzic, Frankfort and Wilhelmshaven. He escaped from these

places by swimming the Rhine (thrice), the Danube, the Meuse, the Elbe,

the Vistula, the Bug, the Volga, the Kiel Canal and Lake Geneva. He

chloroformed, sandbagged, choked and gagged sentinels throughout the

length and breadth of Germany. From under a railway carriage seat he

overheard a conversation between ENVER BEY and BERNHARDI. Concealed

beneath a pew at a Lutheran church he heard COUNT ZEP. and VON TIRP.

exchanging deadly secrets. Finally he emerged from a grandfather's clock

as the KAISER was handing the CROWN PRINCE some immensely important

documents, snatched them, stole an aeroplane, bombed a Zeppelin or two

on his homeward way, and landed exhausted at Lord KITCHENER'S feet. Here

came the change. Instead of opening the parcel to discover the plans of

the German staff, the WAR SECRETARY found in his hand this document:--

"Sausage Prices in Berlin: Pork Sausage, 3 marks 80 pf.; Horse Sausage,

3 marks 45 pf.; Dog Sausage, 2 marks 95 pf. Gott mit uns.--WILHELM."

I sent the three romances to Clibbers and waited his reply with anxiety.

It came promptly and as follows:--"Are you mad?--CLIBBERS."

Instantly I sent him the first versions of these magnificent fictions.

He phoned me at once, "That's the kind of novelty I want. Send me some

more."

You will see "Retrieved," "The Funk," and "Secret Service" in the

magazines shortly. Don't trouble if the titles differ. After all, there

are only three genuine War story plots.

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Punch, or the London Charivari, Vol. 150, February 23, 1916 · 第 10 / 37 题