"Well, there, you see, that's what it is. I know old George Jenkins. He

used to be a pretty good boxer in his time, but there! boxing's a

thing, like everything else, that moves with the times. We used to go

about in iron trucks. Now we go in motor-cars. Just the same with

boxing. What you're learning now is the sort of boxing that wins

championship fights nowadays. Old George, well, he teaches you how to

put your left out, but, my Golly, he doesn't know any tricks. He hasn't

studied it same as I have. It's the ring-craft that wins battles. Now

sir, if you're ready."

They put on the gloves again. When the round was over, Mr Bevan had

further comments to make.

"You don't hit hard enough, sir," he said. "Don't flap. Let it come

straight out with some weight behind it. You want to be earnest in the

ring. The other man's going to do his best to hurt you, and you've got

to stop him. One good punch is worth twenty taps. You hit him. And when

you've hit him, don't you go back; you hit him again. They'll only give

you three rounds in any competition you go in for, so you want to do

the work you can while you're at it."

As the days went by, Sheen began to imbibe some of Joe Bevan's rugged

philosophy of life. He began to understand that the world is a place

where every man has to look after himself, and that it is the stronger

hand that wins. That sentence from _Hamlet_ which Joe Bevan was so

fond of quoting practically summed up the whole duty of man--and boy

too. One should not seek quarrels, but, "being in," one should do one's

best to ensure that one's opponent thought twice in future before

seeking them. These afternoons at the "Blue Boar" were gradually giving

Sheen what he had never before possessed--self-confidence. He was

beginning to find that he was capable of something after all, that in

an emergency he would be able to keep his end up. The feeling added a

zest to all that he did. His work in school improved. He looked at the

Gotford no longer as a prize which he would have to struggle to win. He

felt that his rivals would have to struggle to win it from him.

After his twelfth lesson, when he had learned the ground-work of the

art, and had begun to develop a style of his own, like some nervous

batsman at cricket who does not show his true form till he has been at

the wickets for several overs, the dog-loving Francis gave him a trial.

This was a very different affair from his spars with Joe Bevan. Frank

Hunt was one of the cleverest boxers at his weight in England, but he

had not Joe Bevan's gift of hitting gently. He probably imagined that

he was merely tapping, and certainly his blows were not to be compared

with those he delivered in the exercise of his professional duties;

but, nevertheless, Sheen had never felt anything so painful before, not

even in his passage of arms with Albert. He came out of the encounter

with a swollen lip and a feeling that one of his ribs was broken, and

he had not had the pleasure of landing a single blow upon his slippery

antagonist, who flowed about the room like quicksilver. But he had not

flinched, and the statement of Francis, as they shook hands, that he

had "done varry well," was as balm. Boxing is one of the few sports

where the loser can feel the same thrill of triumph as the winner.

There is no satisfaction equal to that which comes when one has forced

oneself to go through an ordeal from which one would have liked to have

escaped.

"Capital, sir, capital," said Joe Bevan. "I wanted to see whether you

would lay down or not when you began to get a few punches. You did

capitally, Mr Sheen."

"I didn't hit him much," said Sheen with a laugh.

"Never mind, sir, you got hit, which was just as good. Some of the

gentlemen I've taught wouldn't have taken half that. They're all right

when they're on top and winning, and to see them shape you'd say to

yourself, By George, here's a champion. But let 'em get a punch or two,

and hullo! says you, what's this? They don't like it. They lay down.

But you kept on. There's one thing, though, you want to keep that guard

up when you duck. You slip him that way once. Very well. Next time he's

waiting for you. He doesn't hit straight. He hooks you, and you don't

want many of those."

Sheen enjoyed his surreptitious visits to the "Blue Boar." Twice he

escaped being caught in the most sensational way; and once Mr Spence,

who looked after the Wrykyn cricket and gymnasium, and played

everything equally well, nearly caused complications by inviting Sheen

to play fives with him after school. Fortunately the Gotford afforded

an excellent excuse. As the time for the examination drew near, those

who had entered for it were accustomed to become hermits to a great

extent, and to retire after school to work in their studies.

"You mustn't overdo it, Sheen," said Mr Spence. "You ought to get some

exercise."

"Oh, I do, sir," said Sheen. "I still play fives, but I play before

breakfast now."

He had had one or two games with Harrington of the School House, who

did not care particularly whom he played with so long as his opponent

was a useful man. Sheen being one of the few players in the school who

were up to his form, Harrington ignored the cloud under which Sheen

rested. When they met in the world outside the fives-courts Harrington

was polite, but made no overtures of friendship. That, it may be

mentioned, was the attitude of every one who did not actually cut

Sheen. The exception was Jack Bruce, who had constituted himself

audience to Sheen, when the latter was practising the piano, on two

further occasions. But then Bruce was so silent by nature that for all

practical purposes he might just as well have cut Sheen like the

others.

"We might have a game before breakfast some time, then," said Mr

Spence.

He had noticed, being a master who did notice things, that Sheen

appeared to have few friends, and had made up his mind that he would

try and bring him out a little. Of the real facts of the case, he knew

of course, nothing.

"I should like to, sir," said Sheen.

"Next Wednesday?"

"All right, sir."

"I'll be there at seven. If you're before me, you might get the second

court, will you?"

The second court from the end nearest the boarding-house was the best

of the half-dozen fives-courts at Wrykyn. After school sometimes you

would see fags racing across the gravel to appropriate it for their

masters. The rule was that whoever first pinned to the door a piece of

paper with his name on it was the legal owner of the court--and it was a

stirring sight to see a dozen fags fighting to get at the door. But

before breakfast the court might be had with less trouble.

* * * * *

Meanwhile, Sheen paid his daily visits to the "Blue Boar," losing flesh

and gaining toughness with every lesson. The more he saw of Joe Bevan

the more he liked him, and appreciated his strong, simple outlook on

life. Shakespeare was a great bond between them. Sheen had always been

a student of the Bard, and he and Joe would sit on the little verandah

of the inn, looking over the river, until it was time for him to row

back to the town, quoting passages at one another. Joe Bevan's

knowledge, of the plays, especially the tragedies, was wide, and at

first inexplicable to Sheen. It was strange to hear him declaiming long

speeches from _Macbeth_ or _Hamlet_, and to think that he was

by profession a pugilist. One evening he explained his curious

erudition. In his youth, before he took to the ring in earnest, he had

travelled with a Shakespearean repertory company. "I never played a

star part," he confessed, "but I used to come on in the Battle of

Bosworth and in Macbeth's castle and what not. I've been First Citizen

sometimes. I was the carpenter in _Julius Caesar_. That was my

biggest part. 'Truly sir, in respect of a fine workman, I am but, as

you would say, a cobbler.' But somehow the stage--well..._you_

know what it is, sir. Leeds one week, Manchester the next, Brighton the

week after, and travelling all Sunday. It wasn't quiet enough for me."

The idea of becoming a professional pugilist for the sake of peace and

quiet tickled Sheen. "But I've always read Shakespeare ever since

then," continued Mr Bevan, "and I always shall read him."

It was on the next day that Mr Bevan made a suggestion which drew

confidences from Sheen, in his turn.

"What you want now, sir," he said, "is to practise on someone of about

your own form, as the saying is. Isn't there some gentleman friend of

yours at the college who would come here with you?"

They were sitting on the verandah when he asked this question. It was

growing dusk, and the evening seemed to invite confidences. Sheen,

looking out across the river and avoiding his friend's glance,

explained just what it was that made it so difficult for him to produce

a gentleman friend at that particular time. He could feel Mr Bevan's

eye upon him, but he went through with it till the thing was

told--boldly, and with no attempt to smooth over any of the unpleasant

points.

"Never you mind, sir," said Mr Bevan consolingly, as he finished. "We

all lose our heads sometimes. I've seen the way you stand up to

Francis, and I'll eat--I'll eat the medicine-ball if you're not as

plucky as anyone. It's simply a question of keeping your head. You

wouldn't do a thing like that again, not you. Don't you worry yourself,

sir. We're all alike when we get bustled. We don't know what we're

doing, and by the time we've put our hands up and got into shape, why,

it's all over, and there you are. Don't you worry yourself, sir."

"You're an awfully good sort, Joe," said Sheen gratefully.

XI

A SMALL INCIDENT

Failing a gentleman friend, Mr Bevan was obliged to do what he could by

means of local talent. On Sheen's next visit he was introduced to a

burly youth of his own age, very taciturn, and apparently ferocious.

He, it seemed, was the knife and boot boy at the "Blue Boar", "did a

bit" with the gloves, and was willing to spar with Sheen provided Mr

Bevan made it all right with the guv'nor; saw, that is so say, that he

did not get into trouble for passing in unprofessional frivolity

moments which should have been sacred to knives and boots. These terms

having been agreed to, he put on the gloves.

For the first time since he had begun his lessons, Sheen experienced an

attack of his old shyness and dislike of hurting other people's

feelings. He could not resist the thought that he had no grudge against

the warden of the knives and boots. He hardly liked to hit him.

The other, however, did not share this prejudice. He rushed at Sheen

with such determination, that almost the first warning the latter had

that the contest had begun was the collision of the back of his head

with the wall. Out in the middle of the room he did better, and was

beginning to hold his own, in spite of a rousing thump on his left eye,

when Joe Bevan called "Time!" A second round went off in much the same

way. His guard was more often in the right place, and his leads less

wild. At the conclusion of the round, pressure of business forced his

opponent to depart, and Sheen wound up his lesson with a couple of

minutes at the punching-ball. On the whole, he was pleased with his

first spar with someone who was really doing his best and trying to

hurt him. With Joe Bevan and Francis there was always the feeling that

they were playing down to him. Joe Bevan's gentle taps, in particular,

were a little humiliating. But with his late opponent all had been

serious. It had been a real test, and he had come through it very

fairly. On the whole, he had taken more than he had given--his eye

would look curious tomorrow--but already he had thought out a way of

foiling the burly youth's rushes. Next time he would really show his

true form.

The morrow, on which Sheen expected his eye to look curious, was the

day he had promised to play fives with Mr Spence. He hoped that at the

early hour at which they had arranged to play it would not have reached

its worst stage; but when he looked in the glass at a quarter to seven,

he beheld a small ridge of purple beneath it. It was not large, nor did

it interfere with his sight, but it was very visible. Mr Spence,

however, was a sportsman, and had boxed himself in his time, so there

was a chance that nothing would be said.

It was a raw, drizzly morning. There would probably be few

fives-players before breakfast, and the capture of the second court

should be easy. So it turned out. Nobody was about when Sheen arrived.

He pinned his slip of paper to the door, and, after waiting for a short

while for Mr Spence and finding the process chilly, went for a trot

round the gymnasium to pass the time.

Mr Spence had not arrived during his absence, but somebody else had. At

the door of the second court, gleaming in first-fifteen blazer,

sweater, stockings, and honour-cap, stood Attell.

Sheen looked at Attell, and Attell looked through Sheen.

It was curious, thought Sheen, that Attell should be standing in the

very doorway of court two. It seemed to suggest that he claimed some

sort of ownership. On the other hand, there was his, Sheen's, paper on

the.... His eye happened to light on the cement flooring in front of the

court. There was a crumpled ball of paper there.

When he had started for his run, there had been no such ball of paper.

Sheen picked it up and straightened it out. On it was written "R. D.

Sheen".

He looked up quickly. In addition to the far-away look, Attell's face

now wore a faint smile, as if he had seen something rather funny on the

horizon. But he spake no word.

A curiously calm and contented feeling came upon Sheen. Here was

something definite at last. He could do nothing, however much he might

resent it, when fellows passed him by as if he did not exist; but when

it came to removing his landmark....

"Would you mind shifting a bit?" he said very politely. "I want to pin

my paper on the door again. It seems to have fallen down."

Attell's gaze shifted slowly from the horizon and gradually embraced

Sheen.

"I've got this court," he said.

"I think not," said Sheen silkily. "I was here at ten to seven, and

there was no paper on the door then. So I put mine up. If you move a

little, I'll put it up again."

"Go and find another court, if you want to play," said Attell, "and if

you've got anybody to play with," he added with a sneer. "This is

mine."

"I think not," said Sheen.

Attell resumed his inspection of the horizon.

"Attell," said Sheen.

Attell did not answer.

Sheen pushed him gently out of the way, and tore down the paper from

the door.

Their eyes met. Attell, after a moment's pause, came forward,

half-menacing, half irresolute; and as he came Sheen hit him under the

chin in the manner recommended by Mr Bevan.

"When you upper-cut," Mr Bevan was wont to say, "don't make it a swing.

Just a half-arm jolt's all you want."

It was certainly all Attell wanted. He was more than surprised. He was

petrified. The sudden shock of the blow, coming as it did from so

unexpected a quarter, deprived him of speech: which was, perhaps,

fortunate for him, for what he would have said would hardly have

commended itself to Mr Spence, who came up at this moment.

"Well, Sheen," said Mr Spence, "here you are. I hope I haven't kept you

waiting. What a morning! You've got the court, I hope?"

"Yes, sir," said Sheen.

He wondered if the master had seen the little episode which had taken

place immediately before his arrival. Then he remembered that it had

happened inside the court. It must have been over by the time Mr Spence

had come upon the scene.

"Are you waiting for somebody, Attell?" asked Mr Spence. "Stanning? He

will be here directly. I passed him on the way."

Attell left the court, and they began their game.

"You've hurt your eye, Sheen," said Mr Spence, at the end of the first

game. "How did that happen?"

"Boxing, sir," said Sheen.

"Oh," replied Mr Spence, and to Sheen's relief he did not pursue his

inquiries.

Attell had wandered out across the gravel to meet Stanning.

"Got that court?" inquired Stanning.

"No."

"You idiot, why on earth didn't you? It's the only court worth playing

in. Who's got it?"

"Sheen."

"Sheen!" Stanning stopped dead. "Do you mean to say you let a fool like

Sheen take it from you! Why didn't you turn him out?"

"I couldn't," said Attell. "I was just going to when Spence came up.

He's playing Sheen this morning. I couldn't very well bag the court

when a master wanted it."

"I suppose not," said Stanning. "What did Sheen say when you told him

you wanted the court?"

This was getting near a phase of the subject which Attell was not eager

to discuss.

"Oh, he didn't say much," he said.

"Did you do anything?" persisted Stanning.

Attell suddenly remembered having noticed that Sheen was wearing a

black eye. This was obviously a thing to be turned to account.

"I hit him in the eye," he said. "I'll bet it's coloured by

school-time."

And sure enough, when school-tune arrived, there was Sheen with his

face in the condition described, and Stanning hastened to spread abroad

this sequel to the story of Sheen's failings in the town battle. By the

end of preparation it had got about the school that Sheen had cheeked

Attell, that Attell had hit Sheen, and that Sheen had been afraid to

hit him back. At the precise moment when Sheen was in the middle of a

warm two-minute round with Francis at the "Blue Boar," an indignation

meeting was being held in the senior day-room at Seymour's to discuss

this latest disgrace to the house.

"This is getting a bit too thick," was the general opinion. Moreover,

it was universally agreed that something ought to be done. The feeling

in the house against Sheen had been stirred to a dangerous pitch by

this last episode. Seymour's thought more of their reputation than any

house in the school. For years past the house had led on the cricket

and football field and off it. Sometimes other houses would actually

win one of the cups, but, when this happened, Seymour's was always

their most dangerous rival. Other houses had their ups and downs, were

very good one year and very bad the next; but Seymour's had always

managed to maintain a steady level of excellence. It always had a man

or two in the School eleven and fifteen, generally supplied one of the

School Racquets pair for Queen's Club in the Easter vac., and when this

did not happen always had one of two of the Gym. Six or Shooting Eight,

or a few men who had won scholarships at the 'Varsities. The pride of a

house is almost keener than the pride of a school. From the first

minute he entered the house a new boy was made to feel that, in coming

to Seymour's, he had accepted a responsibility that his reputation was

not his own, but belonged to the house. If he did well, the glory would

be Seymour's glory. If he did badly, he would be sinning against the

house.

This second story about Sheen, therefore, stirred Seymour's to the

extent of giving the house a resemblance to a hornet's nest into which

a stone had been hurled. After school that day the house literally

hummed. The noise of the two day-rooms talking it over could be heard

in the road outside. The only bar that stood between the outraged

Seymourites and Sheen was Drummond. As had happened before, Drummond

resolutely refused to allow anything in the shape of an active protest,

and no argument would draw him from this unreasonable attitude, though

why it was that he had taken it up he himself could not have said.

Perhaps it was that rooted hatred a boxer instinctively acquires of

anything in the shape of unfair play that influenced him. He revolted

against the idea of a whole house banding together against one of its

members.

So even this fresh provocation did not result in any active

interference with Sheen; but it was decided that he must be cut even

more thoroughly than before.

And about the time when this was resolved, Sheen was receiving the

congratulations of Francis on having positively landed a blow upon him.

It was an event which marked an epoch in his career.

XII

DUNSTABLE AND LINTON GO UP THE RIVER

There are some proud, spirited natures which resent rules and laws on

principle as attempts to interfere with the rights of the citizen. As

the Duchess in the play said of her son, who had had unpleasantness

with the authorities at Eton because they had been trying to teach him

things, "Silwood is a sweet boy, but he will not stand the

bearing-rein". Dunstable was also a sweet boy, but he, too, objected to

the bearing-rein. And Linton was a sweet boy, and he had similar

prejudices. And this placing of the town out of bounds struck both of

them simultaneously as a distinct attempt on the part of the headmaster

to apply the bearing-rein.

"It's all very well to put it out of bounds for the kids," said

Dunstable, firmly, "but when it comes to Us--why, I never heard of such

a thing."

Linton gave it as his opinion that such conduct was quite in a class of

its own as regarded cool cheek.

"It fairly sneaks," said Linton, with forced calm, "the Garibaldi."

"Kids," proceeded Dunstable, judicially, "are idiots, and can't be

expected to behave themselves down town. Put the show out of bounds to

them if you like. But We--"

"We!" echoed Linton.

"The fact is," said Dunstable, "it's a beastly nuisance, but we shall

have to go down town and up the river just to assert ourselves. We

can't have the thin end of the wedge coming and spoiling our liberties.

We may as well chuck life altogether if we aren't able to go to the

town whenever we like."

"And Albert will be pining away," added Linton.

* * * * *

"Hullo, young gentlemen," said the town boatman, when they presented

themselves to him, "what can I do for you?"

"I know it seems strange," said Dunstable, "but we want a boat. We are

the Down-trodden British Schoolboys' League for Demanding Liberty and

seeing that We Get It. Have you a boat?"

The man said he believed he had a boat. In fact, now that he came to

think of it, he rather fancied he had one or two. He proceeded to get

one ready, and the two martyrs to the cause stepped in.

Dunstable settled himself in the stern, and collected the rudder-lines.

"Hullo," said Linton, "aren't you going to row?"

"It may be only my foolish fancy," replied Dunstable, "but I rather

think you're going to do that. I'll steer."

"Beastly slacker," said Linton. "Anyhow, how far are we going? I'm not

going to pull all night."

"If you row for about half an hour without exerting yourself--and I can

trust you not to do that--and then look to your left, you'll see a

certain hostelry, if it hasn't moved since I was last there. It's

called the 'Blue Boar'. We will have tea there, and then I'll pull

gently back, and that will end the programme."

"Except being caught in the town by half the masters," said Linton.

"Still, I'm not grumbling. This had to be done. Ready?"

"Not just yet," said Dunstable, looking past Linton and up the

landing-stage. "Wait just one second. Here are some friends of ours."

Linton looked over his shoulder.

"Albert!" he cried.

"And the who struck me divers blows in sundry

places. Ah, they've sighted us."

"What are you going to do? We can't have another scrap with them."

"Far from it," said Dunstable gently. "Hullo, Albert. _And_ my

friend in the moth-eaten bowler! This is well met."

"You come out here," said Albert, pausing on the brink.

"Why?" asked Dunstable.

"You see what you'll get."

"But we don't want to see what we'll get. You've got such a narrow

mind, Albert--may I call you Bertie? You seem to think that nobody has

any pleasures except vulgar brawls. We are going to row up river, and

think beautiful thoughts."

Albert was measuring with his eye the distance between the boat and

landing-stage. It was not far. A sudden spring....

"If you want a fight, go up to the school and ask for Mr Drummond. He's

the gentlemen who sent you to hospital last time. Any time you're

passing, I'm sure he'd--"

Albert leaped.

But Linton had had him under observation, and, as he sprung, pushed

vigorously with his oar. The gap between boat and shore widened in an

instant, and Albert, failing to obtain a foothold on the boat, fell

back, with a splash that sent a cascade over his friend and the

boatman, into three feet of muddy water. By the time he had scrambled

out, his enemies were moving pensively up-stream.

The boatman was annoyed.

"Makin' me wet and spoilin' my paint--what yer mean by it?"

"Me and my friend here we want a boat," said Albert, ignoring the main

issue.

"Want a boat! Then you'll not get a boat. Spoil my cushions, too, would

you? What next, I wonder! You go to Smith and ask _him_ for a

boat. Perhaps he ain't so particular about having his cushions--"

"Orl right," said Albert, "_orl_ right."

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