CHAPTER XIX.

METEOROLOGY--ETON AND HARROW AT LORD'S--"RUS IN URBE."

"But if I praised the busy town,

He loved to rail against it still,

For 'ground in yonder social mill

We rub each other's angles down,

"'And merge,' he said, 'in form and gloss

The picturesque of man and man.'"

--_In Memoriam_.

During the terribly wet summer of 1879 the following lines were

written--it was said by the then Bishop of Wakefield--in the visitors'

book at the White Lion Hotel at Bala, in Wales:

"The weather depends on the moon, as a rule,

And I've found that the saying is true;

For at Bala it rains when the moon's at the full,

And it rains when the moon's at the new.

"When the moon's at the quarter, then down comes the rain;

At the half it's no better I ween;

When the moon's at three-quarters it's at it again,

And it rains besides mostly between."

Rather hard on Bala, for the summer was so abnormally wet that these

lines would have been true of any part of England. I suppose everybody

is more or less interested in the weather, but the custom of alluding

to the obvious, as an opening to conversation, is probably a survival

from the time when everyone was directly interested in its effect upon

agriculture.

Nothing proves how completely town interests now dominate those of the

country so much as the innovation called "summer time." During the war

it was no doubt a boon to allotment holders, and of course it gives a

longer evening to those employed all day indoors; but it inflicts

direct loss on the farmer, who is practically forced to adopt it in

order to supply the towns with produce in time for their altered

habits. The farmer exchanges the last hour of the normal day, one of

the most valuable in the old working time, for the first hour of the

new day, one of the most useless, for owing to the dew which the sun

has not had time to dry up, many agricultural operations cannot be

properly performed or even commenced--hay-making and corn-hoeing for

instance are impossible. We may be sure that the former times of

beginning and ending farm-work, which I suppose had been customary for

at least 2,000 years in England, did not receive the sanction of such

a period without good reason, and it seems to me, that so far as

outdoor work is concerned the new arrangement savours of "teaching our

grandmothers to suck eggs."

There is a saving of lighting requirements, no doubt, but in such a

six weeks of winterly mornings as we had, following the commencement

of "summer time" this first year of peace, there is a considerable

increase in the consumption of fuel. Wherever possible, I suppose,

most houses are built to face the south, and the breakfast-room would

be generally on that side, so that by 9 o'clock, old time, the sun had

warmed the room, but at 9 o'clock, new time, the sun has scarcely

looked in at the window; a fire is probably lighted and to save

trouble kept up all day. If the new arrangement is continued, and I

understand that it was tried more than 100 years ago and abandoned as

a mistake, it would be much better to begin it at least a month later.

Our present May Day is nearly a fortnight earlier than before the New

Style was introduced, which is the reason why old traditions of May

Day merry-makings appear unseasonable; and probably the promoters of

summer time have not heard of "blackthorn winter" and "whitethorn

winter," which, in the country, we experience regularly every year in

April and May.

"When the grass grows in Janiveer

It grows the worse for it all the year,"

and

"If Candlemas-Day be fine and fair

The half of winter's to come and mair;

If Candlemas-Day be wet and foul

The half of winter was gone at Yule,"

are both rhymes suggesting the probability of wintry weather to

follow, if the early weeks of the year are mild and unseasonable, and

they may be considered as generally correct prognostications. A

neighbouring village had the distinction of possessing a weather

prophet, with the reputation also of an astrologer; he could be seen

when the stars were gleaming brightly, late at night, gazing upwards

and making his deductions, though, in reality, I fancy, his

inspiration came from the study of almanacs which profess to foretell

the future. He was quiet and reserved, with a spare figure, dark

complexion, and an abstracted expression. Occasionally I could induce

him to talk, but he did not like to be "drawn." He told me, as one of

his original conceptions, that he thought the good people were

accommodated in the after-life within the limits of the stars of good

influence, and that the wicked had to be content with those of an

opposite character.

The proverb about March dust, and "A dry March and a dry May for old

England," are both apposite, for they are busy months on the land, and

a wet March amounts to a national disaster; but everyone forgives

April when showery, for we all know that "April showers bring forth

May flowers." Shakespeare, too, says:

"When daffodils begin to peer,

With heigh! the doxy over the dale,

Why, then comes in the sweet of the year."

A charming sentiment and charmingly rendered, but possibly more

accurate when the Old Style was in vogue, and the seasons were nearly

a fortnight later than now. The modern "daffys" too, no doubt, "begin

to peer" somewhat earlier than those of the reign of Queen Elizabeth.

During a very hot summer I suggested to the Board of Agriculture that

it might be worth while to experiment with explosions of artillery,

with a view of inducing the clouds to discharge the rain they

evidently contain when they keep passing day after day without

bursting. I had seen it stated that many great battles had ended in

tremendous downpours, and that it was believed that the rain was

caused by concussion from the explosions. The Board replied, however,

that experiments had been conducted in America for the purpose,

without in any way substantiating the theory; and the experiences of

the Great War have since conclusively proved that it has no

foundation.

As to weather signs, I have already quoted the original pronouncement

of my carpenter, T.G., that "the indications for rain are very similar

to the indications for fine weather," and there is a good deal in his

words. My own conclusion, after fifty years of out-door life on the

farm, in the woods, in the garden, at out-door games, and on the

roads, is that fine weather brings fine weather, and wet weather

brings wet weather, in other words, it never rains but it pours, in an

extended sense.

My impression is that when the ground is dry there is a minimum of

capillary attraction between it and the clouds, and though the sky may

look threatening they do not easily break into rain. On the other

hand, when the ground is thoroughly wet and evaporation is active,

capillary attraction tends to unite earth and clouds, and rain

results. We all know that hill-tops receive showers which frequently

pass over the vales without falling, probably because of the greater

proximity of the hills. In a long drought a violent thunderstorm,

which soaks the ground, will often be followed by a complete change of

weather, as the result of contact established between the earth and

the clouds.

The best description I know of a really hot and cloudless day is that

by Coleridge in the _Ancient Mariner_:

"The sun came up upon the left,

Out of the sea came he;

And he shone bright, and on the right

Went down into the sea."

The succession of monosyllables expresses most forcibly the monotony

of a day of blazing sunshine, unruffled by a cloud; and the absence of

incident illustrates the remorseless march of the dominant sun across

the heavens.

Very little of my time has been spent in London or any other town, and

my early recollections of passing through London on my way to or from

school after or before the holidays are of very depressing weather

conditions--fog, greasy streets and pavements, or a sun veiled in a

haze of smoky vapour. Even when I went to Lord's annually in July to

see the Eton and Harrow match my recollection of the weather is of

dull, sultry heat and oppression of spirits. Cricket never seemed the

same game as I knew and loved at Harrow, or in my own home in Surrey;

there was an unreality about it, and a black coat and top hat were

insufferably uncongenial.

I am able, as an eye-witness on one of these occasions, to write of an

incident which, I think, has been almost forgotten. It was within a

year of the marriage of King Edward, then Prince of Wales, and Queen

Alexandra. A ball had been hit almost to the boundary, but was stopped

by a spectator close to the ropes, thrown in to the fielder, and

smartly returned to the wicket-keeper. The batsmen took it for granted

that it was a boundary hit, and were changing ends when, one man being

out of his ground, the wicket was put down, the wicket-keeper not

recognizing that the ball was "dead." The umpire gave the man "out."

The man demurred, and immediately shouts arose on all sides: "Out!"

"Not out!" "Out!" "Not out!" "Out!" "Not out!" rising _in crescendo_

to a pitch of intense excitement. The boys watching the match, and the

other spectators, some agreeing with, and some disputing the verdict,

rushed into the centre of the ground, and completely blocked the open

space still shouting vociferously. When the turmoil was at its height

the carriage of the Prince and Princess was driven on to the ground;

one of the players rushed up excitedly, and asked the Prince to decide

the matter. The Prince had not seen the incident, and of course

declined, as no doubt he would have done under any circumstances, to

give an opinion. It was impossible to clear the ground and continue

the play that evening, and stumps were drawn for the day. Next morning

the fielding side offered the disgusted batsman to continue his

innings, but he decided to play the game and abide by the umpire's

decision. I forget whether Eton or Harrow was in the field at the

time, and after this lapse of years it does not matter. The headmaster

always sent a notice round, just before the match, to be read to every

form, that the boys were desired not to indulge in any "ironical

cheering" at Lord's; this was his euphemism for what we called

"chaff," and I fear that on this occasion the warning was disregarded

even more completely than usual.

As a child, I generally paid a visit to London with my brothers and

sisters during the Christmas holidays to see a pantomime, and I

remember an occasion when returning from Covent Garden Theatre after a

matinee we all--nine of us--walked over Waterloo Bridge and paid nine

halfpennies toll--a circumstance that had never happened before, and

never happened again.

In the days before the railway was made between Alton and Farnham the

old bailiff on the Will Hall Farm at Alton, who, though quite an

elderly man, had never visited London, expressed a wish to visit it

for once in his life. His master gave him a holiday and paid his

expenses, and the old man drove the ten miles to Farnham Station.

Arrived in London he started to walk over Waterloo Bridge, but the

further he got the more astonished he became at the traffic, and began

to wonder what "fair" all the people could be going to. Feeling very

much out of his element he reached the Strand, and looking up and down

he saw still greater crowds of passengers and the unending procession

of 'buses, cabs, and vans. He became so confused and alarmed that he

turned round, went straight back to Waterloo Station, and left by the

first available train. He came home disgusted with London, and in an

account of the traffic and the people, ended by saying, "I never saw

such a place in my life; I couldn't even get a bit of anything to eat

until I got back to Farnham." This old man was called "the Great

Western": I suppose his bulk and commanding figure were reminiscent of

the power and energy of one of the locomotives on that line. He wore a

very wide-brimmed straw hat, and a vast expanse of waistcoat with

sleeves, without a coat over it, and he had a very determined and

masterful habit of speech. Caldecott's sketch of Ready-Money Jack in

_Bracebridge Hall_ always recalls him to my mind. He must have been

born before the opening of the nineteenth century, for he could

remember the stirring events of its early years. Any remark about

unusual weather made in his hearing was at once put out of court by

his recollections of "eiteen-eiteen" (1818), which seems to have been

a very remarkable year for maxima and minima of meteorology. He could

remember the high price of wheat during the war which ended at

Waterloo, and how his old master, the grandfather of the tenant of the

farm in my time, would stand by the men in the barn as they measured

up the wheat, bushel by bushel, to fill the sacks, and exclaim as each

bushel was poured in, "There goes another guinea, boys!" This would

make the price 168s. a quarter; I find the average recorded for 1812

was 126s. 6d., so that it is quite possible that for a time in that

year in places 168s. was realized; which leaves us little to grumble

at in the price of 80s. during the greatest war in history.

His horizon must have been considerably widened by his brief visit to

London; previous to that event it might have been nearly as extensive

as that of the hero of a recent story of Pwllheli. Meeting a crony in

the town, he remarked that the streets of London would be pretty

crowded that day. "How's that?" said his friend. "Why, there's a trip

train gone up to-day with fourteen people from Pwllheli!"

Bredon Hill, in the Vale of Evesham, is the direction in which many

people look for hints of coming changes of weather.

"When Bredon Hill puts on his cap

Ye men of the vale beware of that"

is a well-known proverb referring to the dark curtain of rain clouds

obscuring the top, which is generally followed by heavy rain and

floods in the Avon meadows and those of all the little streams which

join that river. The same purple curtain can be seen on the Cotswolds

above Broadway, and is likewise the forerunner of floods in the Vale:

"When you see the rain on the hills

You'll shortly find it down by the mills."

There is, too, the beautiful blue hazy distance one sees in very fine

weather, which gives a feeling of mystery and remoteness and

unexplored possibilities. I lately read somewhere of a man who had

passed his life without leaving his native village, though he had

often looked far away into the blue distance, and longed to start upon

a journey of discovery; for its invitation seemed an assurance that in

such beauty there must be something better than he had ever

experienced in his own home. There came a day when the appeal was so

insistent that he braced himself to the effort, and after many weary

miles reached the place of his dreams, only to find that the blue

distance had disappeared. Meeting a passer-by he told him of his

journey and its object, and of his disappointment, "Look behind you,"

was the reply. He looked, and behold! over the very spot he had left

in the morning--over his own home--the blue haze hung, as a veil of

beauty, with its exquisite promise. There is a moral and there is

comfort in this tale for him who fancies that he is the victim of

circumstances and surroundings. That is the man who, as my bailiff

used to say in harvest, has always got a heavier cut of wheat than his

neighbour in the same field, and is always finding himself "at the

wrong job."

Grain and Chaff from an English Manor · 第 19 / 25 章