The palace had been brightened up for the occasion. The walls and the

floors, which were all of china, shone by the light of many thousand

golden lamps. The most beautiful flowers, all of the tinkling kind, were

arranged in the corridors; there was hurrying to and fro, and a great

draught, but this was just what made the bells ring; one's ears were

full of the tinkling. In the middle of the large reception-room where

the emperor sat a golden rod had been fixed, on which the nightingale

was to perch. The whole court was assembled, and the little kitchen-maid

had been permitted to stand behind the door, as she now had the actual

title of cook. They were all dressed in their best; everybody's eyes

were turned towards the little grey bird at which the emperor was

nodding. The nightingale sang delightfully, and the tears came into the

emperor's eyes, nay, they rolled down his cheeks; and then the

nightingale sang more beautifully than ever, its notes touched all

hearts. The emperor was charmed, and said the nightingale should

have his gold slipper to wear round its neck. But the nightingale

declined with thanks; it had already been sufficiently rewarded.

'I have seen tears in the eyes of the emperor; that is my richest

reward. The tears of an emperor have a wonderful power! God knows I am

sufficiently recompensed!' and then it again burst into its sweet

heavenly song.

'That is the most delightful coquetting I have ever seen!' said the

ladies, and they took some water into their mouths to try and make the

same gurgling when any one spoke to them, thinking so to equal the

nightingale. Even the lackeys and the chambermaids announced that they

were satisfied, and that is saying a great deal; they are always the

most difficult people to please. Yes, indeed, the nightingale had made a

sensation. It was to stay at court now, and to have its own cage, as

well as liberty to walk out twice a day, and once in the night. It

always had twelve footmen, with each one holding a ribbon which was tied

round its leg. There was not much pleasure in an outing of that sort.

The whole town talked about the marvellous bird, and if two people met,

one said to the other 'Night,' and the other answered 'Gale,' and then

they sighed, perfectly understanding each other. Eleven cheesemongers'

children were called after it, but they had not got a voice among them.

One day a large parcel came for the emperor; outside was written the

word 'Nightingale.'

'Here we have another new book about this celebrated bird,' said the

emperor. But it was no book; it was a little work of art in a box, an

artificial nightingale, exactly like the living one, but it was studded

all over with diamonds, rubies and sapphires.

When the bird was wound up it could sing one of the songs the real one

sang, and it wagged its tail, which glittered with silver and gold. A

ribbon was tied round its neck on which was written, 'The Emperor of

Japan's nightingale is very poor compared to the Emperor of China's.'

Everybody said, 'Oh, how beautiful!' And the person who brought the

artificial bird immediately received the title of Imperial

Nightingale-Carrier in Chief.

'Now, they must sing together; what a duet that will be.'

Then they had to sing together, but they did not get on very well, for

the real nightingale sang in its own way, and the artificial one could

only sing waltzes.

'There is no fault in that,' said the music-master; 'it is perfectly in

time and correct in every way!'

Then the artificial bird had to sing alone. It was just as great a

success as the real one, and then it was so much prettier to look at; it

glittered like bracelets and breast-pins.

[Illustration: _Then it again burst into its sweet heavenly song.]

'That is the most delightful coquetting I have ever seen!' said the

ladies, and they took some water into their mouths to try and make the

same gurgling, thinking so to equal the nightingale._

It sang the same tune three and thirty times over, and yet it was

not tired; people would willingly have heard it from the beginning

again, but the emperor said that the real one must have a turn now--but

where was it? No one had noticed that it had flown out of the open

window, back to its own green woods.

'But what is the meaning of this?' said the emperor.

All the courtiers railed at it, and said it was a most ungrateful bird.

'We have got the best bird though,' said they, and then the artificial

bird had to sing again, and this was the thirty-fourth time that they

heard the same tune, but they did not know it thoroughly even yet,

because it was so difficult.

The music-master praised the bird tremendously, and insisted that it was

much better than the real nightingale, not only as regarded the outside

with all the diamonds, but the inside too.

'Because you see, my ladies and gentlemen, and the emperor before all,

in the real nightingale you never know what you will hear, but in the

artificial one everything is decided beforehand! So it is, and so it

must remain, it can't be otherwise. You can account for things, you can

open it and show the human ingenuity in arranging the waltzes, how they

go, and how one note follows upon another!'

'Those are exactly my opinions,' they all said, and the music-master got

leave to show the bird to the public next Sunday. They were also to hear

it sing, said the emperor. So they heard it, and all became as

enthusiastic over it as if they had drunk themselves merry on tea,

because that is a thoroughly Chinese habit.

Then they all said 'Oh,' and stuck their forefingers in the air and

nodded their heads; but the poor fishermen who had heard the real

nightingale said, 'It sounds very nice, and it is very like the real

one, but there is something wanting, we don't know what.' The real

nightingale was banished from the kingdom.

The artificial bird had its place on a silken cushion, close to the

emperor's bed: all the presents it had received of gold and precious

jewels were scattered round it. Its title had risen to be 'Chief

Imperial Singer of the Bed-Chamber,' in rank number one, on the left

side; for the emperor reckoned that side the important one, where the

heart was seated. And even an emperor's heart is on the left side. The

music-master wrote five-and-twenty volumes about the artificial bird;

the treatise was very long and written in all the most difficult Chinese

characters. Everybody said they had read and understood it, for

otherwise they would have been reckoned stupid, and then their bodies

would have been trampled upon.

[Illustration: _The music-master wrote five-and-twenty volumes about the

artificial bird; the treatise was very long and written in all the most

difficult Chinese characters._]

Things went on in this way for a whole year. The emperor, the court, and

all the other Chinamen knew every little gurgle in the song of the

artificial bird by heart; but they liked it all the better for this, and

they could all join in the song themselves. Even the street boys

sang 'zizizi' and 'cluck, cluck, cluck,' and the emperor sang it too.

But one evening when the bird was singing its best, and the emperor was

lying in bed listening to it, something gave way inside the bird with a

'whizz.' Then a spring burst, 'whirr' went all the wheels, and the music

stopped. The emperor jumped out of bed and sent for his private

physicians, but what good could they do? Then they sent for the

watchmaker, and after a good deal of talk and examination he got the

works to go again somehow; but he said it would have to be saved as much

as possible, because it was so worn out, and he could not renew the

works so as to be sure of the tune. This was a great blow! They only

dared to let the artificial bird sing once a year, and hardly that; but

then the music-master made a little speech, using all the most difficult

words. He said it was just as good as ever, and his saying it made it

so.

Five years now passed, and then a great grief came upon the nation, for

they were all very fond of their emperor, and he was ill and could not

live, it was said. A new emperor was already chosen, and people stood

about in the street, and asked the gentleman-in-waiting how their

emperor was going on.

'P,' answered he, shaking his head.

The emperor lay pale and cold in his gorgeous bed, the courtiers thought

he was dead, and they all went off to pay their respects to their new

emperor. The lackeys ran off to talk matters over, and the chambermaids

gave a great coffee-party. Cloth had been laid down in all the rooms and

corridors so as to deaden the sound of footsteps, so it was very, very

quiet. But the emperor was not dead yet. He lay stiff and pale in the

gorgeous bed with its velvet hangings and heavy golden tassels. There

was an open window high above him, and the moon streamed in upon the

emperor, and the artificial bird beside him.

The poor emperor could hardly breathe, he seemed to have a weight on his

chest, he opened his eyes, and then he saw that it was Death sitting

upon his chest, wearing his golden crown. In one hand he held the

emperor's golden sword, and in the other his imperial banner. Round

about, from among the folds of the velvet hangings peered many curious

faces: some were hideous, others gentle and pleasant. They were all the

emperor's good and bad deeds, which now looked him in the face when

Death was weighing him down.

'Do you remember that?' whispered one after the other; 'Do you remember

this?' and they told him so many things that the perspiration poured

down his face.

'I never knew that,' said the emperor. 'Music, music, sound the great

Chinese drums!' he cried, 'that I may not hear what they are saying.'

But they went on and on, and Death sat nodding his head, just like a

Chinaman, at everything that was said.

'Music, music!' shrieked the emperor. 'You precious little golden bird,

sing, sing! I have loaded you with precious stones, and even hung my own

golden slipper round your neck; sing, I tell you, sing!'

But the bird stood silent; there was nobody to wind it up, so of course

it could not go. Death continued to fix the great empty sockets of his

eyes upon him, and all was silent, so terribly silent.

Suddenly, close to the window, there was a burst of lovely song; it was

the living nightingale, perched on a branch outside. It had heard of the

emperor's need, and had come to bring comfort and hope to him. As it

sang the faces round became fainter and fainter, and the blood coursed

with fresh vigour in the emperor's veins and through his feeble limbs.

Even Death himself listened to the song and said, 'Go on, little

nightingale, go on!'

'Yes, if you give me the gorgeous golden sword; yes, if you give me the

imperial banner; yes, if you give me the emperor's crown.'

And Death gave back each of these treasures for a song, and the

nightingale went on singing. It sang about the quiet churchyard, when

the roses bloom, where the elder flower scents the air, and where the

fresh grass is ever moistened anew by the tears of the mourner. This

song brought to Death a longing for his own garden, and, like a cold

grey mist, he passed out of the window.

'Thanks, thanks!' said the emperor; 'you heavenly little bird, I know

you! I banished you from my kingdom, and yet you have charmed the evil

visions away from my bed by your song, and even Death away from my

heart! How can I ever repay you?'

'You have rewarded me,' said the nightingale. 'I brought the tears to

your eyes, the very first time I ever sang to you, and I shall never

forget it! Those are the jewels which gladden the heart of a

singer;--but sleep now, and wake up fresh and strong! I will sing to

you!'

Then it sang again, and the emperor fell into a sweet refreshing sleep.

The sun shone in at his window, when he woke refreshed and well; none of

his attendants had yet come back to him, for they thought he was dead,

but the nightingale still sat there singing.

'You must always stay with me!' said the emperor. 'You shall only sing

when you like, and I will break the artificial bird into a thousand

pieces!'

[Illustration: _Even Death himself listened to the song and said, 'Go

on, little nightingale, go on!'_]

'Don't do that!' said the nightingale, 'it did all the good it could!

keep it as you have always done! I can't build my nest and live in this

palace, but let me come whenever I like, then I will sit on the branch

in the evening, and sing to you. I will sing to cheer you and to make

you thoughtful too; I will sing to you of the happy ones, and of those

that suffer too. I will sing about the good and the evil, which are kept

hidden from you. The little singing bird flies far and wide, to the poor

fisherman, and the peasant's home, to numbers who are far from you and

your court. I love your heart more than your crown, and yet there is an

odour of sanctity round the crown too!--I will come, and I will

sing to you!--But you must promise me one thing!--

'Everything!' said the emperor, who stood there in his imperial robes

which he had just put on, and he held the sword heavy with gold upon his

heart.

'One thing I ask you! Tell no one that you have a little bird who tells

you everything; it will be better so!'

Then the nightingale flew away. The attendants came in to see after

their dead emperor, and there he stood, bidding them 'Good morning!'

THE REAL PRINCESS

There was once a prince, and he wanted a princess, but then she must be

a _real_ Princess. He travelled right round the world to find one, but

there was always something wrong. There were plenty of princesses, but

whether they were real princesses he had great difficulty in

discovering; there was always something which was not quite right about

them. So at last he had to come home again, and he was very sad because

he wanted a real princess so badly.

One evening there was a terrible storm; it thundered and lightened and

the rain poured down in torrents; indeed it was a fearful night.

In the middle of the storm somebody knocked at the town gate, and the

old King himself went to open it.

It was a princess who stood outside, but she was in a terrible state

from the rain and the storm. The water streamed out of her hair and her

clothes; it ran in at the top of her shoes and out at the heel, but she

said that she was a real princess.

'Well we shall soon see if that is true,' thought the old Queen, but she

said nothing. She went into the bedroom, took all the bedclothes off and

laid a pea on the bedstead: then she took twenty mattresses and piled

them on the top of the pea, and then twenty feather beds on the top of

the mattresses. This was where the princess was to sleep that night. In

the morning they asked her how she had slept.

'Oh terribly badly!' said the princess. 'I have hardly closed my eyes

the whole night! Heaven knows what was in the bed. I seemed to be lying

upon some hard thing, and my whole body is black and blue this morning.

It is terrible!'

They saw at once that she must be a real princess when she had felt the

pea through twenty mattresses and twenty feather beds. Nobody but a real

princess could have such a delicate skin.

So the prince took her to be his wife, for now he was sure that he had

found a real princess, and the pea was put into the Museum, where it may

still be seen if no one has stolen it.

Now this is a true story.

THE GARDEN OF PARADISE

There was once a king's son; nobody had so many or such beautiful books

as he had. He could read about everything which had ever happened in

this world, and see it all represented in the most beautiful pictures.

He could get information about every nation and every country; but as to

where the Garden of Paradise was to be found, not a word could he

discover, and this was the very thing he thought most about. His

grandmother had told him, when he was quite a little fellow and was

about to begin his school life, that every flower in the Garden of

Paradise was a delicious cake, and that the pistils were full of wine.

In one flower history was written, in another geography or tables; you

had only to eat the cake and you knew the lesson. The more you ate, the

more history, geography and tables you knew. All this he believed then;

but as he grew older and wiser and learnt more, he easily perceived that

the delights of the Garden of Paradise must be far beyond all this.

[Illustration: _His grandmother had told him, when he was quite a

little fellow and was about to begin his school life, that every flower

in the Garden of Paradise was a delicious cake, and that the pistils

were full of wine._]

'Oh, why did Eve take of the tree of knowledge? Why did Adam eat the

forbidden fruit? If it had only been I it would not have happened! never

would sin have entered the world!'

This is what he said then, and he still said it when he was seventeen;

his thoughts were full of the Garden of Paradise.

He walked into the wood one day; he was alone, for that was his greatest

pleasure. Evening came on, the clouds drew up and it rained as if the

whole heaven had become a sluice from which the water poured in sheets;

it was as dark as it is otherwise in the deepest well. Now he slipped on

the wet grass, and then he fell on the bare stones which jutted out of

the rocky ground. Everything was dripping, and at last the poor Prince

hadn't got a dry thread on him. He had to climb over huge rocks where

the water oozed out of the thick moss. He was almost fainting; just then

he heard a curious murmuring and saw in front of him a big lighted cave.

A fire was burning in the middle, big enough to roast a stag, which was

in fact being done; a splendid stag with its huge antlers was stuck on a

spit, being slowly turned round between the hewn trunks of two fir

trees. An oldish woman, tall and strong enough to be a man dressed up,

sat by the fire throwing on logs from time to time.

'Come in, by all means!' she said; 'sit down by the fire so that your

clothes may dry!'

'There is a shocking draught here,' said the Prince, as he sat down on

the ground.

'It will be worse than this when my sons come home!' said the woman.

'You are in the cavern of the winds; my sons are the four winds of the

world! Do you understand?'

'Who are your sons?' asked the Prince.

'Well that's not so easy to answer when the question is stupidly put,'

said the woman. 'My sons do as they like; they are playing rounders now

with the clouds up there in the great hall,' and she pointed up into the

sky.

'Oh indeed!' said the Prince. 'You seem to speak very harshly, and you

are not so gentle as the women I generally see about me!'

'Oh, I daresay they have nothing else to do! I have to be harsh if I am

to keep my boys under control! But I can do it, although they are a

stiff-necked lot! Do you see those four sacks hanging on the wall? They

are just as frightened of them as you used to be of the cane behind the

looking-glass. I can double the boys up, I can tell you, and then they

have to go into the bag; we don't stand upon ceremony, and there they

have to stay; they can't get out to play their tricks till it suits me

to let them. But here we have one of them.' It was the Northwind who

came in with an icy blast; great hailstones peppered about the floor and

snow-flakes drifted in. He was dressed in bearskin trousers and jacket,

and he had a sealskin cap drawn over his ears. Long icicles were

hanging from his beard, and one hailstone after another dropped down

from the collar of his jacket.

'Don't go straight to the fire,' said the Prince. 'You might easily get

chilblains!'

'Chilblains!' said the Northwind with a loud laugh. 'Chilblains! they

are my greatest delight! What sort of a feeble creature are you? How did

you get into the cave of the winds?'

'He is my guest,' said the old woman, 'and if you are not pleased with

that explanation you may go into the bag! Now you know my opinion!'

This had its effect, and the Northwind told them where he came from, and

where he had been for the last month.

'I come from the Arctic seas,' he said. 'I have been on Behring Island

with the Russian walrus-hunters. I sat at the helm and slept when they

sailed from the north cape, and when I woke now and then the stormy

petrels were flying about my legs. They are queer birds; they give a

brisk flap with their wings and then keep them stretched out and

motionless, and even then they have speed enough.'

'Pray don't be too long-winded,' said the mother of the winds. 'So at

last you got to Behring Island!'

'It's perfectly splendid! There you have a floor to dance upon, as flat

as a pancake, half-thawed snow, with moss. There were bones of whales

and Polar bears lying about; they looked like the legs and arms of

giants covered with green mould. One would think that the sun had never

shone on them. I gave a little puff to the fog so that one could see the

shed. It was a house built of wreckage and covered with the skins of

whales; the flesh side was turned outwards; it was all red and green; a

living Polar bear sat on the roof growling. I went to the shore and

looked at the birds' nests, looked at the unfledged young ones screaming

and gaping; then I blew down thousands of their throats and they learnt

to shut their mouths. Lower down the walruses were rolling about like

monster maggots with pigs' heads and teeth a yard long!'

'You're a good story-teller, my boy!' said his mother. 'It makes my

mouth water to hear you!'

'Then there was a hunt! The harpoons were plunged into the walruses'

breasts, and the steaming blood spurted out of them like fountains over

the ice. Then I remembered my part of the game! I blew up and made my

ships, the mountain-high icebergs, nip the boats; whew! how they

whistled and how they screamed, but I whistled louder. They were obliged

to throw the dead walruses, chests and ropes out upon the ice! I shook

the snow-flakes over them and let them drift southwards to taste the

salt water. They will never come back to Behring Island!'

'Then you've been doing evil!' said the mother of the winds.

'What good I did, the others may tell you,' said he. 'But here we have

my brother from the west; I like him best of all; he smells of the sea

and brings a splendid cool breeze with him!'

'Is that the little Zephyr?' asked the Prince.

'Yes, certainly it is Zephyr, but he is not so little as all that. He

used to be a pretty boy once, but that's gone by!'

He looked like a wild man of the woods, but he had a padded hat on so as

not to come to any harm. He carried a mahogany club cut in the American

mahogany forests. It could not be anything less than that.

'Where do you come from?' asked his mother.

'From the forest wildernesses!' he said, 'where the thorny creepers make

a fence between every tree, where the water-snake lies in the wet grass,

and where human beings seem to be superfluous!'

'What did you do there?'

'I looked at the mighty river, saw where it dashed over the rocks in

dust and flew with the clouds to carry the rainbow. I saw the wild

buffalo swimming in the river, but the stream carried him away; he

floated with the wild duck, which soared into the sky at the rapids; but

the buffalo was carried over with the water. I liked that and blew a

storm, so that the primæval trees had to sail too, and they were whirled

about like shavings.'

'And you have done nothing else?' asked the old woman.

'I have been turning somersaults in the Savannahs, patting the wild

horse, and shaking down cocoanuts! Oh yes, I have plenty of stories to

tell! But one need not tell everything. You know that very well, old

woman!' and then he kissed his mother so heartily that she nearly fell

backwards; he was indeed a wild boy.

The Southwind appeared now in a turban and a flowing bedouin's cloak.

'It is fearfully cold in here,' he said, throwing wood on the fire; 'it

is easy to see that the Northwind got here first!'

'It is hot enough here to roast a polar bear,' said the Northwind.

'You are a polar bear yourself!' said the Southwind.

'Do you want to go into the bag?' asked the old woman. 'Sit down on that

stone and tell us where you have been.'

'In Africa, mother!' he answered. 'I have been chasing the lion with the

Hottentots in Kaffirland! What grass there is on those plains! as green

as an olive. The gnu was dancing about, and the ostriches ran races with

me, but I am still the fastest. I went to the desert with its yellow

sand. It looks like the bottom of the sea. I met a caravan! They were

killing their last camel to get water to drink, but it wasn't much they

got. The sun was blazing above, and the sand burning below. There were

no limits to the outstretched desert. Then I burrowed into the fine

loose sand and whirled it up in great columns--that was a dance! You

should have seen how despondently the dromedaries stood, and the

merchant drew his caftan over his head. He threw himself down before me

as if I had been Allah, his god. Now they are buried, and there is a

pyramid of sand over them all; when I blow it away, sometime the sun

will bleach their bones, and then travellers will see that people have

been there before, otherwise you would hardly believe it in the desert!'

'Then you have only been doing harm!' said the mother. 'Into the bag you

go!' And before he knew where he was she had the Southwind by the waist

and in the bag; it rolled about on the ground, but she sat down upon it

and then it had to be quiet.

'Your sons are lively fellows!' said the Prince.

'Yes, indeed,' she said; 'but I can master them! Here comes the fourth.'

Stories from Hans Andersen · 第 3 / 7 段