DOING A CATHEDRAL.

(_A Sketch from the Provinces._)

SCENE--_The interior of Dulchester Cathedral._ TIME--_About

12.30._ _The March sunshine slants in pale shafts through

the clerestory windows, leaving the aisles in shadow. From

without, the cawing of rooks and shouts of children at play

are faintly audible. By the West Door, a party of Intending

Sightseers have collected, and the several groups, feeling

that it would be a waste of time to observe anything in the

building until officially instructed to do so, are engaged in

eyeing one another with all the genial antipathy and suspicion

of true-born Britons._

_A Stodgy Sightseer_ (_to his friend_). Disgraceful, keeping us

standing about like this! If I'd only known, I'd have told the

headwaiter at the "Mitre" to keep back those chops till----

[_He breaks off abruptly, finding that the chops are

reverberating from column to column with disproportionate

solemnity; a white-haired and apple-faced verger rustles down

from the choir and beckons the party forward benignantly,

whereupon they advance with a secret satisfaction at the

prospect of "getting the cathedral 'done' and having the rest

of the day to themselves;" they are conducted to a desk and

requested, as a preliminary, to put sixpence apiece in the

Restoration Fund box and inscribe their names in a book._

_Confused Murmurs._ Would you put "Portico Lodge, Camden Road, or

only London?"... Here, I'd better sign for the lot of you, eh?... They

_might_ provide a better pen--in a _cathedral_, I _do_ think!... He

might have given all our names in full instead of just "And party"!...

Oh, I've been and made a blot--will it _matter_, should you think?...

I never _can_ write my name with people looking on, can _you?_... I'm

sure you've done it beautifully, dear!... Just hold my umbrella while

I take off my glove, MARIA.... Oh, why _don't_ they make haste? &c.,

&c.

[_The_ Stodgy Sightseer _fumes, feeling that, while they are

fiddling, his chops are burning_.

[Illustration: "What did 'e want to go and git the fair 'ump about?"]

_The Verger._ Now, ladies and gentlemen, if you will please to follow

me, the portion of the building where we now are is part of the

original hedifice founded by EALFRYTHA, wife of Earl BALDRIC, in the

year height 'undred heighty-height, though we 'ave reason to believe

that an even hearlier church was in existence 'ere so far back as the

Roman occupation, as is proved by a hancient stone receptacle recently

discovered under the crypt and hevidently used for baptismal purposes.

_A Spectacled S._ (_who feels it due to herself to put an intelligent

question at intervals_). What _was_ the method of baptism among the

Early Christians?

_The Verger._ We believe it to 'ave been by total immersion, Ma'am.

_The Spect. S._ Oh? _Baptists!_

[_She sets down the Early Christians as Dissenters, and takes

no further interest in them._

_The Verger._ At the back of the choir, and immediately in front of

you, is the shrine, formerly containing the bones of St. Chasuble,

with relics of St. Alb. (_An_ Evangelical Sightseer _snorts in

disapproval_.) The 'ollow depressions in the steps leading up to the

shrine, which are still visible, were worn away, as you see, by the

pilgrims ascending on their knees. (_The party verify the depressions

conscientiously, and click their tongues to express indulgent

contempt._) The spaces between the harches of the shrine were

originally enriched by valuable gems and mosaics, all of which 'ave

now long since disappeared, 'aving been removed by the more devout

parties who came 'ere on pilgrimages. In the chapel to your left

a monument with recumbent heffigies of Bishop _Buttress_ and Dean

_Gurgoyle_, represented laying side by side with clasped 'ands, in

token of the lifelong affection between them. The late Bishop used to

make a rather facetious remark about this tomb. He was in the 'abit

of observing that it was the honly instance in _his_ experience of a

Bishop being on friendly terms with his Dean. (_He glances round for

appreciation of this instance of episcopal humour, but is pained to

find that it has produced a general gloom; the_ Evangelical Sightseer,

_indeed, conveys by another, and a louder snort, his sense that a

Bishop ought to set a better example_.) In the harched recess to your

right, a monument in painted halibarster to Sir RALPH RINGDOVE and

his lady, erected immediately after her decease by the disconsolate

widower, with a touching inscription in Latin, stating that their

ashes would shortly be commingled in the tomb. (_He pauses, to allow

the ladies of the party to express a becoming sympathy--which they

do, by clicks._) Sir RALPH himself, however, is interred in Ficklebury

Parish Church, forty mile from this spot, along with his third wife,

who survived him.

[_The ladies regard the image of_ Sir RALPH _with indignation,

and pass on; the_ Verger _chuckles faintly at having produced

his effect_.

_The Evangelical S._ (_snuffing the air suspiciously_). I'm sorry to

perceive that you are in the habit of burning _incense_ here!

[_He looks sternly at the_ Verger, _as though to imply that it

is useless to impose upon him_.

_The Verger._ No, Sir, what you smell ain't incense--on'y the vaults

after the damp weather we've bin 'aving.

[_The_ Evangelical Sightseer _drops behind, divided between

relief and disappointment_.

_A Plastic S._ (_to the_ Verger). What a perfectly _exquisite_

rose-window that is! For all the world like a kaleidoscope. I suppose

it dates from the Norman period, at _least?_

_The Verger_ (_coldly_). No. ma'am, it was on'y put up about thirty

year ago. _We_ consider it the poorest glass we 'ave.

_The Plast. S._ Oh, the glass, yes; _that's_ hideous, certainly. I

meant the--the other part.

_The Verger._ The tracery, ma'am? That was restored at the same time

by a local man--and a shocking job he made of it, too!

_The Plast. S._ Yes, it _quite_ spoils the cathedral, _doesn't_ it?

Couldn't it be taken down?

_The Verger_ (_in answer to another Inquirer_). Crowborough Cathedral

finer than this, Sir? Oh, _dear_ me, no. I went over a-purpose to 'ave

a look at it the last 'oliday I took, and I was quite surprised to

find 'ow very inferior it was. The spire? I don't say that mayn't be

'igher as a mere matter of feet, but our lantern-tower is so 'appily

proportioned as to give the effect of being by far the 'ighest in

existence.

_A Travelled S._ Ah, you should see the _continental_ cathedrals. Why,

_our_ towers would hardly come up to the top of the naves of some of

them!

_The Verger_ (_loftily_). I don't take no notice of foreign

cathedrals, Ma'am. If foreigners like to build so ostentatious, all I

can say is, I'm sorry _for_ them.

_A Lady_ (_who has provided herself with a "Manual of Architecture"

and an unsympathetic Companion_). _Do_ notice the excessive use of

the ball-flower as a decoration, dear. PARKER says it is especially

characteristic of this cathedral.

_Unsympathetic Companion._ I don't see _any_ flowers myself. And if

they like to decorate for festivals and that, where's the harm?

[_The Lady with the Manual perceives that it is hopeless to

explain._

_The Verger._ The dog-tooth mouldings round the triforium harches is

considered to belong to the best period of Norman work----

_The Lady with the Manual._ Surely not _Norman?_ Dog-tooth is Saxon,

_I_ always understood.

_The Verger_ (_indulgently_). You'll excuse _me_, Ma'am, but I fancy

it's 'erringbone as is running in _your_ 'ed.

_The Lady with the M._ (_after consulting "Parker" for corroboration,

in vain_). Well, I'm sure dog-tooth is quite _Early English_, anyway.

(_To her companion._) Did you know it was the interlacing of the round

arches that gave the first idea of the pointed arch, dear?

_Her Comp._ No. But I shouldn't have thought there was so very much in

the _idea_.

_The Lady with the M._ I do _wish_ you took more _interest_, dear.

Look at those two young men who have just come in. They don't _look_

as if they'd care for carving; but they've been studying every one of

the Miserere seats in the choir-stalls. That's what _I_ like to see!

_The Verger._ That concludes my dooties, ladies and gentlemen. You

can go out by the South Transep door, and that'll take you through the

Cloisters. (_The Party go out, with the exception of the two 'Arries,

who linger, expectantly, and cough in embarrassment._) Was there

anything you wished to know?

_First 'Arry._ Well, Mister, it's on'y--er--'aven't you got some old

carving or other 'ere of a rather--well, _funny_ kind--sorter thing

you on'y show to _gentlemen_, if you know what I mean?

_The Verger_ (_austerely_). There's nothing in _this_ Cathedral for

gentlemen o' _your_ sort, and I'm surprised at your expecting of it.

[_He turns on his heel._

_First 'Arry_ (_to Second_). I spoke civil enough to _'im_, didn't I?

What did 'e want to go and git the fair 'ump about?

_Second 'Arry._ Oh, _I_ dunno. But you don't ketch _me_ comin' over to

no more cathedrils, and wastin' time and money all for nuthink--that's

all!

[_They tramp out, feeling that their confidence has been

imposed upon._

* * * * *

Punch, or the London Charivari, Vol. 108, April 6, 1895 · 第 6 / 21 题