[19] Henry Schradieck, _Technical Violin School_, Part III. Exercises
in the Different Modes of Bowing. Also _Chord Studies_. Price, each, 50
cents. Published by Carl Fischer, New York.
[20] _Daily Exercises and Three Octave Studies_, by Edith L. Winn.
Published by Carl Fischer, New York. Price, $1.00.
[21] J. Tartini, _The Art of Bowing_. _Fifty Variations on a Gavotte by
Corelli._ Price, 50 cents.
Special Concert Edition of Ten of these Variations by Ovide Musin.
Price, 75 cents. Published by Carl Fischer, New York.
[22] See footnote, page 3.
No. 29.
[Music]
We have now had so much practice in double-stops that this étude offers
little that is new or interesting; nevertheless, it is valuable. Do not
allow the accompaniment to stand out too prominently. Keep the theme
as an example of pure legato playing. The bow must lie well over two
strings, and no note in the accompaniment should be held too long.
Notes must fall simultaneously, if so written. The tempo must be
maintained throughout. The movement is earnest, yet not adagio. _Grave_
refers to the character of the work, not to its tempo.
At this point play the up-bow notes with a running stroke, not the
short staccato:
[Music]
Observe the same manner of playing in the last line: