In double trills the fingers fall together with elasticity rather than
force. Be very careful to define the exact interval in the trill. Do
not disturb the tempo. Syncopation must not be forced. In trills in the
half-position play close to the saddle of the violin, and do not raise
the fingers until necessary. Play the chord of the new key as a chord,
not as an arpeggio. The bowing is as follows, with a broader stroke
than the staccato mark would indicate.
[Music]
Do not disturb the theme by forcing the accompaniment or by pausing.
The bow lies lightly on two strings, dips, as it were, upon the
neighboring string, to obtain the legato. Bow control in this case is
of great importance. Use the following bowings. The parts of the bow in
which each passage should be played are indicated:
[Music]
Play the last line with authority, the chords being slightly in the
arpeggio style with a stress on the lower note, the tone being firm to
the end of the bow.
[Music]