MOUNT DAVIDSON'S MAGIC MILLIONS.--A CALIFORNIA PLUTOCRACY.--THE PRICE OF
A CRIME.
Philip Hardin's library in San Francisco is a place for quiet labors.
A spider's parlor. September, 1864, hides the enchanted interior with
deeper shades from the idle sight-seer.
Since the stirring days of 1861, after the consecutive failures of
plot, political scheme, and plan of attack, the mysterious "chief of
the Golden Circle" has withdrawn from public practice. A marked and
dangerous man.
It would be an insult to the gallant dead whose blood watered the fields
of the South, for Philip Hardin to take the "iron-clad oath" required
now of practitioners.
Respected for his abilities, feared by his adversaries, shunned for
his pro-secession views, Philip Hardin walks alone. No overt act can be
fastened on him, Otherwise, instead of gazing on Alcatraz Island from
his mansion windows, he might be behind those frowning walls, where the
15-inch Columbiads spread their radial lines of fire, to cross those
of the works of Black Point, Fort Point, and Point Blunt. Many more
innocent prisoners toil there. He does not wish to swell their number.
Philip Hardin dares not take that oath in open court. His pride
prevents, but, even were he to offer it, the mockery would be too
patent.
A happy excuse prevents his humiliation. Trustee of the vast estate
of Lagunitas, he has also his own affairs to direct. It is a dignified
retirement.
Another great passion fills his later days. Since the wandering Comstock
and Curry, proverbially unfortunate discoverers, like Marshall, pointed
to hundreds of millions for the "silver kings," along Mount Davidson's
stony, breast, he gambles daily. The stock board is his play-room.
The mining stock exchange gives his maturer years the wilder excitements
of the old El Dorado.
Washoe, Nevada Territory, or the State of Nevada, the new "Silverado"
drives all men crazy. A city shines now along the breast of the
Storey County peaks, nine thousand feet above the sea. The dulness of
California's evolution is broken by the rush to Washoe. Already the
hardy prospectors spread out in that great hunt for treasure which will
bring Colorado, Idaho, and Montana, crowned aspirants, bearing gifts of
gold and silver, to the gates of the Union. The whole West is a land of
hidden treasures.
Speculation's mad fever seized on Hardin from the days of 1860. Shares,
stocks, operations, schemes, all the wild devices of hazard, fill up his
days with exciting successes and damning failures.
His name, prestige, and credit, carry him to the front. As in the early
days, his cool brain and nerve mark him as a desperate gamester. But his
stakes are now gigantic.
Secure in his mansion house, with private wires in his study, he
operates through many brokers and agents. His interrupted law business
is transferred to less prominent Southern advocates.
Philip Hardin's fine hand is everywhere. Reliable dependants, old
prospecting friends and clients, keep him informed by private cipher of
every changing turn of the brilliant Virginia City kaleidoscope.
Hardin gambles for pleasure, for vanity, and for excitement. Led on by
his desire to stand out from the mass of men, he throws his fortune,
mixed with the funds of Lagunitas, into the maelstrom of California
Street. Success and defeat alternate.
It is a transition time. While war rages in the East, the California
merchant kings are doubling fortunes in the cowardly money piracy known
as California's secession. The "specific contract act" is the real
repudiation of the government's lawful money. This stab in the back is
given to the struggling Union by the well-fed freedom shriekers of the
Union League. They howl, in public, over their devotion to the interests
of the land.
The future railroad kings of the Pacific, Stanford, Hopkins, Crocker,
Huntington, Colton, and their allies, are grasping the gigantic benefits
flowing from the Pacific Railroad, recommended by themselves as a war
measure. Heroes.
The yet uncrowned bonanza kings are men of obscure employment, or
salaried miners working for wages which would not in a month pay their
petty cash of a day in a few years.
Quiet Jim Flood, easy O'Brien, sly Jones, sturdy Mackay, and that
guileless innocent, "Jim Fair," are toiling miners or "business men."
Their peculiar talents are hidden by the obscurity of humdrum, honest
labor.
Hands soon to sway the financial sceptre, either mix the dulcet
cocktail, swing the pick, or else light with the miner's candle the
Aladdin caves to which they grope and burrow in daily danger, deep
hidden from public view. These "silver kings" are only in embryo.
These two groups of remarkable men, the future railroad princes, and the
budding bonanza kings, represent cunning, daring, energy, fortitude, and
the remarkable powers of transition of the Western resident.
The future land barons are as yet merely sly, waiting schemers. They are
trusting to compound interest, rotten officials, and neglected laws
to get possession of ducal domains. The bankers, merchant princes, and
stock operators are writing their names fast in California's strange
"Libro d'oro." All is restlessness. All is a mere waiting for the turbid
floods of seething human life to settle down. In the newer discoveries
of Nevada, in the suspense of the war, the railroads are yet only half
finished, croaked at mournfully by the befogged Solons of the press. All
is transition.
It is only when the first generation of children born in California will
reach maturity in the 'eighties; only when the tide of carefully planned
migration from North and South, after the war, reaches the West, that
life becomes regular. Only when the railways make the new State a
world's thoroughfare, and the slavery stain is washed from our flag,
that civilization plants the foundations of her solid temples along the
Pacific.
There is no crystallization until the generation of mere adventurers
begin to drop into graves on hillside and by the sea. The first
gold-seekers must pass out from active affairs before the real State is
honestly builded up.
No man, not even Philip Hardin, could foresee, with the undecided
problems of 1860, what would be the status of California in ten years,
as to law, finance, commerce, or morals.
A sudden start might take the mass of the people to a new Frazer River
or another Australia. They might rush to the wilds of some frontier
treasury of nature, now unknown.
Even Philip Hardin dared not dream that humble bar-keepers would blossom
out into great bank presidents, that signatures, once potent only on the
saloon "slate," would be smiled on by "friend Rothschild" and "brother
Baring." The "lightning changes" of the burlesque social life of Western
America begin to appear. It is a wild dream that the hands now toiling
with the pick or carrying the miner's tin dinner-pail, would close in
friendship on the aristocratic palm of H.R.H. Albert Edward, the Prince
of Wales. The "chambermaid's own" romances would not dare to predict
that ladies bred to the broom and tub or the useful omnipotent "fry
pan," would smile on duchesses, crony with princesses, or regulate their
visiting lists by the "Almanach de Gotha."
Their great magician is Gold. In power, in pleasing witchery of potent
influence; insidious flattery of pleasure; in remorseless persecution of
the penniless, all wonders are its work. Ariel, Mephisto, Moloch, thou,
Gold! King Gold! and thy brother, Silver!
While Philip Hardin speculated from his lofty eyrie, the San Francisco
hills are now covered with the unsubstantial palaces of the first
successful residents. He dared not dream that the redwood boxes called
mansions, in which the wealthy lived in the days of '60, would give way
to the lordly castles of "Nob Hill."
These castles, whether of railroad tyrant, bonanza baron, or banking
conspirator, were yet castles in the air.
Perched in lofty isolation now, they architecturally dominate the meaner
huts below. Vulgar monuments of a social upheaval which beggars the old
stories of fairy changelings, of Sancho Panza, of "Barney the Baron," or
"Monte Cristo."
In the days of '60, Philip Hardin is too busy with plot and scheme, with
daily plunging, and dreaming over the fate of Lagunitas, to notice the
social elevation of the more aspiring male and female adventurers. The
rising tide of wealth grows. Judicious use of early gained riches, trips
to Europe, furtive lessons, the necessities of the changed station, and
an unlimited cheek and astounding adaptability change the lucky men
and women whom fortune's dower has ennobled. They are all now "howling
swells."
Some never reach as high as the "Monarchs of Mount Davidson," who were
pretty high up at the start, nearly a mile and a half. In many cases,
King Midas's Court shows very fairly scattered promotions.
Society's shoddy geometry gives a short-cut for "my lady's maid"
to become "my lady." She surely knows "how to dress." The lady who
entertains well, in some cases does so with long experience as a
successful professional cook.
Some who dropped into California with another woman's husband, forget,
while rolling in their carriages, that they ever had one of their own.
Children with no legal parents have not learned the meaning of "filius
nullius." From the bejewelled mass of vigorous, keen upstarts, now
enriched by stocks, the hardy children of the great bonanzas, rises the
chorus, "Let the past rest. We have passed the gates of Gold."
To the "newer nobility of California," is given local golden patents.
They cover modest paternal names and many shady personal antecedents.
In a land without a past, the suddenly enriched speculators reign in
mart and parlor. They rule society and the Exchange. In a great many
cases, a judicious rearrangement of marriage proves that the new-made
millionnaires value their recently acquired "old wines" and "ancient
pictures," more than their aging wives. They bring much warmth of social
color into the local breezy atmosphere of this animated Western picture,
these new arrangements of Hymen.
Hardin, plunging into the general madness of stock speculation, destined
to reign for twenty years, keeps his own counsel. He sneers not at the
households queened over by the "Doubtful Loveliness" of the "Rearranged
Aristocracy of the Pacific." He has certain twinges when he hears
the laughing girl child at play in the bowers of his park. While the
ex-queen of the El Dorado, now a marvel of womanly beauty, gazes on that
dancing child, she cannot yet see, among the many flashing gems loading
her hands, the plain circlet of a wedding ring.
No deeper consecration than the red blood of the murdered gambler ever
sealed the lawless union of the "Chief of the Golden Circle" with the
peerless "Empress of Rouge et Noir."
Her facile moods, restrained passions, blind devotion, and self-acquired
charms of education, keep Philip Hardin strangely faithful to a dark
bond.
Luxury, in its most insidious forms, woos to dreamy enjoyment the not
guileless Adam and Eve of this hidden western Paradise.
There is neither shame nor the canker of regret brooding over these
"children of knowledge," who have tasted the clusters of the "Tree of
Life."
Within and without, it is the same. Philip Hardin is not the only knave
and unpunished murderer in high place. His "Gulnare" is not the only
lovely woman here, who bears unabashed the burden of a hideous past.
A merit is peculiar to this guilty, world-defying pair. They seek no
friends, obtrude on no external circles, and parade no lying sham before
local respectability.
It is not so with others. The bench, the forum, the highest places, the
dazzling daily displays of rough luxury, are thronged by transformed
"Nanas" and resolute climbers of the social trapeze. The shameless motto
flaunts on their free-lance banners, golden-bordered:
"Pour y parvenir."
Philip Hardin smiles, on the rare occasions when he enters the higher
circles of "society," to see how many fair faces light up, in strange
places, with a smile of recognition. How many rosy lips are closed with
taper fingers, hinting, "Don't ask me how I got here; I AM! here!"
In his heartless indifference to the general good, he greets the
promoted "ladies" with grave courtesy. It is otherwise with the upstart
men. His pride of brain and life-long station makes him haughtily
indifferent to them. He will not grovel with these meaner human clods.
A sardonic grin relaxes his dark visage as he sees them go forth to
"shine" in the East and "abroad."
Why should not the men of many aliases, the heroes of brawl and murder,
of theft and speculation, freely mix with the more polished money sharks
swarming in the Eastern seas of financial piracy?
"Arcades ambo!" Bonanza bullion rings truer than the paper millions
of shoddy and petroleum. The alert, bright free-lances of the West are
generally more interesting than the "shoddy" magnates or "contract"
princes of the war. They are, at least, robust adventurers; the others
are only money-ennobled Eastern mushrooms.
The Western parvenu is the more picturesque. The cunning railroad
princes have, at least, built SOMETHING. It is a nobler work than the
paper constructions of Wall Street operators. It may be jeered, that
these men "builded better than they knew." Hardin feels that on one
point they never can be ridiculed, even by Eastern magnate, English
promoter, or French financier. They can safely affirm they grasped all
they could. They left no humble sheaf unreaped in the clean-cut fields
of their work. They took all in sight.
Hardin recognizes the clean work of the Western money grabbers, as well
and truly done. The railroad gang, bonanza barons, and banking clique,
sweep the threshing floor. Nothing escapes them.
He begins to feel, in the giant speculations of 1862 and 1863, that luck
can desert even an old gamester, at life's exciting table. He suffers
enormously, yet Lagunitas's resources are behind him.
In the long fight of the street, victory perches with the strongest
battalions. Philip Hardin cannot know that men toiling by the day in
obscure places now, will yet exchange cigars with royal princes. They
will hobnob with the Hapsburgs. They will enter racing bets in the
jewelled notebooks of grand dukes. They copy the luxuries, the inborn
vices of the blue blood of Europe's crowned Sardanapalian autocrats.
From saloon to salon, from kitchen to kirmess, from the faro table
to the Queen's drawing-room, from the canvas trousers of the miner to
Poole's creations, from the calico frock of the housemaid to Worth's
dazzling masterpieces, from making omelets to sneering at operas, the
great social lightning-change act goes on.
Philip Hardin loves his splendid home, where the foot of Hortense Duval
sinks in the tufted glories of Persia and the Wilton looms. He does
not marvel to see ex-cattle-drovers, promoted waiters, lucky
lemonade-sellers, and Pike County discoverers, buying gold watch-chains
by the pound. They boast huge golden time-pieces, like young melons.
Their diamond cluster pins are as resplendent as crystal door-knobs.
Fair hands, fresh from the healthful contact of washing-soda, wave
recognition to him from coupe or victoria. In some cases these are
driven by the millionnaire himself, who insists on "holding the
ribbons."
The newspapers, in the recherche society columns, refer to the grandeur
of the "Gold Hill" outfit, the Virginia City "gang," the Reese River
"hummers," or the Eberhardt "crowd." These are the Golden Horde.
These lucky children of fortune mingle with the stock-brokers, who,
resplendent in attire, and haughty of demeanor, fill the thousand
offices of speculation. They disdain the meaner element, as they tool
their drags over the Cliff Road to bathe in champagne, and listen to the
tawdry Phrynes and bedraggled Aspasias who share their vulture feast of
the moment.
It is a second descent of male and female harpies. Human nature,
loosened from long restraint by the war, has flooded the coast with the
moral debris of the conflict. It is a reign of the Bacchanals.
"After all," thinks Philip Hardin, as he sees these dazzling rockets
rise, with golden trails, into the social darkness of the Western skies,
"they are really the upper classes here. Their power of propulsion to
the zenith is inherent in themselves. If they mingle, in time, with the
aristocratic noblesse of Europe, they may infuse a certain picturesque
element." Hardin realizes that some of the children of these
millionnaires of a day will play at school with young princes, their
girls will marry titles, and adorn their smallest belongings with
excrescent coronets and coats of arms, won in the queer lottery of
marriage.
"It is well," the cold lawyer muses. "After all, many of the aristocracy
of Europe are the descendants of expert horse-thieves, hired bravos,
knights who delighted to roast the merchant for his fat money-bags,
or spit the howling peasant on their spears. Many soft-handed European
dames feel the fiery blood burning in their ardent bosoms. In some
cases, a reminder of the beauty whose easy complaisance caught a
monarch's smile and earned an infamous title. Rapine, murder, lust,
oppression, high-handed bullying, servile slavishness in every vile
abandonment, have bred up delicate, dreamy aristocrats. Their ancestors,
by the two strains, were either red-handed marauders, or easy Delilahs."
The God-given title to batten in luxury, is one which depends now on
the possession of golden wealth. It finally burns its gleaming pathway
through every barrier.
With direct Western frankness, the Pacific "jeunesse doree" will date
from bonanza or railroad deal. Spoliated don, stolen franchise, giant
stock-job, easy political "coup de main," government lands scooped in,
or vast tracts of timber stolen under the law's easy formalities, are
their quarterings. Whiskey sellers, adventuresses, and the minor fry of
fighting henchmen, make up the glittering train of these knights. The
diamond-decked dames of this "Golden Circle" exclaim in happy chorus, as
they sit in the easy-chairs of wealth's thronging courts:
"This is the way we long have sought, And mourned because we found it
not."
But riding behind Philip Hardin is the grim horseman, Care. He mourns
his interrupted political career. The end of the war approaches. His
spirited sultana now points to the lovely child. Her resolute lips speak
boldly of marriage.
Hardin wonders if any refluent political wave may throw him up to the
senate or the governor's chair. His powers rust in retirement. He fears
the day when his stewardship of Lagunitas may be at an end.
He warily determines to get rid of Padre Francisco as soon as possible.
The death of Donna Dolores places all in his hands. As he confers with
the quick-witted ex-queen of the El Dorado, he decides that he must
remove the young Mariposa heiress to San Francisco. It is done. Philip
Hardin cannot travel continually to watch over a child.
"Kaintuck" and the sorrowing padre alone are left at Lagunitas. The
roses fall unheeded in the dead lady's bower. On this visit, when Hardin
takes the child to the mansion on the hill, he learns the padre only
awaits the return of Maxime Valois, to retire to France. Unaware of the
great strength of the North and East, the padre feels the land may be
held in the clutches of war a long period. He would fain end his days
among the friends of his youth. As he draws toward old age, he yearns
for France. Hardin promises to assist the wishes of the old priest.
After Padre Francisco retires to the silent cottage by the chapel,
Hardin learns from "Kaintuck" a most momentous secret. There are
gold quartz mines of fabulous richness on the Lagunitas grant. Slyly
extracting a few tons of rock, "Kaintuck" has had these ores worked, and
gives Philip Hardin the marvellous results.
Hardin's dark face lights up: "Have you written Colonel Valois of this?"
"Not a word," frankly says "Kaintuck."
"Judge, I did not want to bring a swarm of squatters over our lines. I
thought to tell you alone, and you could act with secrecy. If they stake
off claims, we will have a rush on our hands."
Hardin orders the strictest silence. As he lies in the guest chamber
of Lagunitas, Philip Hardin is haunted all night by a wild unrest. If
Lagunitas were only his. There is only Valois between him and the hidden
millions in these quartz veins. Will no Yankee bullet do its work?
The tireless brain works on, as crafty Philip Hardin slumbers that
night. Visions of violence, of hidden traps, of well-planned crime,
haunt his dreams. Only "Kaintuck" knows. Secretly, bit by bit, he has
brought in these ores. They have been smuggled out and worked, with no
trace of their real origin. No one knows but one. Though old "Kaintuck"
feels no shadow over his safety, the sweep of the dark angel's wing is
chilling his brow. He knows too much.
When Hardin returns to San Francisco he busies himself with Lagunitas.
His brow is dark as he paces the deck of the Stockton steamer. Hortense
Duval has provided him with a servant of great discretion to care for
the child. Marie Berard is the typical French maid. Deft, neat-handed,
she has an eye like a hawk. Her little pet weaknesses and her vices give
spice to an otherwise colorless character.
The boat steams down past the tule sloughs. Hardin's cigar burns late on
the deck as he plots alone.
When he looks over his accumulated letters, he seizes eagerly a packet
of papers marked "Havana." Great God!
He has read of Sherman's occupation of Atlanta. The struggle of
Peachtree Creek brought curses on Tecumseh's grizzled head. Now, with a
wildly beating heart, he learns of the death of Colonel Valois among the
captured guns of De Gress. As the last pages are scanned, he tears open
the legal documents. The cold beads stand out on his brow. He is master
now. The king is dead!
He rings for Madame Duval. With shaking hand, he pours a draught from
the nearest decanter. He is utterly unnerved. The prize is at last
within his grasp. It shall be his alone!
Lighting a fresh cigar he paces the room, a human tiger. There is
but one frail girl child between him and Lagunitas, with its uncoined
millions. He must act. To be deep and subtle as a thieving Greek, to be
cold and sneaking as an Apache, to be as murderous as a Malay creeping,
creese in hand, over the bulwarks of a merchantman,--all that is to be
only himself. Power is his for aye.
But to be logically correct, to be wise and safe in secret moves.
Time to think? Yes. Can he trust Hortense Duval? Partly. He needs that
devilish woman's wit of hers. Will he tell her all? No. Professional
prudence rules. A dark scheme has formulated itself in his brain,
bounding under the blow of the brandy.
He will get Hortense out of the State, under the pretext of sending the
colonel's child to Paris. The orphan's education must be brilliant.
He will have no one know of the existence of Valois' mine. If "Kaintuck"
were only gone. Yes! Yes! the secret of the mines. If the priest were
only in France and locked up in his cloister. The long minority of the
child gives time to reap the golden harvest.
A sudden thought: the child may not live! His teeth chatter. As he paces
the room, Hortense enters. She sees on his face the shadow of important
things.
"What has happened, Philip?" she eagerly asks.
"Sit down, Hortense. Listen to me," says Hardin, as he sees the doors
all secure.
Her heart beats fast. Is this the end of all? She has feared it daily.
"How would you like to live in Paris?" he ejaculates.
He watches her keenly, pacing to and fro. A wild hope leaps up. Will he
retire, and live his days out abroad? Is the marriage to come at last?
"Philip, I don't understand you," she murmurs. Her bosom heaves within
its rich silks, under its priceless laces. The sparkling diamonds in her
hair glisten, as she gazes on his inscrutable face. Is this heaven or
hell? Paradise or a lonely exile? To have a name at last for her child?
"Colonel Valois was killed at the battles near Atlanta. I have just
received from the Havana bankers the final letters of Major Peyton, his
friend." Hardin speaks firmly.
"Under the will, that child Isabel inherits the vast property. She must
be educated in France. Some one must take care of her."
Hortense leans over, eagerly. What does he mean? "There is no one but me
to look after her. The cursed Yankees will probably devastate the South.
I dare not probate his will just now. There is confiscation and all such
folly."
Philip Hardin resumes his walk. "I do not wish to pay heavy war taxes
and succession tax on all this great estate. I must remain here and
watch it. I must keep the child's existence and where-abouts quiet. The
courts could worry me about her removal. Can I trust you, Hortense?"
His eyes are wolfish. He stops and fixes a burning glance on her. She
returns it steadily.
"What do you wish me to do?" she says, warily.
It will be years and years she must remain abroad.
"Can I trust you to go over with that child, and watch her while I guard
this great estate? You shall have all that money and my influence can do
for you. You can live as an independent lady and see the great world."
She rises and faces him, a beautiful, expectant goddess. "Philip, have I
been true to you these years?"
He bows his head. It is so! She has kept the bond.
"Do I go as your wife?" Her voice trembles with eagerness.
"No. But you may earn that place by strictly following my wishes." He
speaks kindly. She is a grand woman after all. Bright tears trickle
through her jewelled fingers. She has thrown herself on the fauteuil.
The woman of thirty is a royal beauty, her youthful promise being more
than verified. She is a queen of luxury.
"Listen to me, Hortense," says Hardin, softly. He seats himself by her
side and takes the lovely hands in his. His persuasive voice flows like
honey. "I am now surrounded by enemies. I am badly compromised. I am all
tied up. I fear the Union League, the government spies, and the damned
Yankee officers here. One foolish move would utterly ruin me. If you
will take this child you can take any name you wish. No one knows you in
Paris. I will have the bankers and our Southern friends vouch for you
in society. I will support you, so you can move even in the Imperial
circles. If you are true to me, in time I will do as you wish. I dare
not now." He is plausible, and knows how to plead. This woman, loving
and beloved, cannot hold out.
"Think of our child, Philip," cries Hortense, as she throws herself on
his breast. He is moved and yet he lies.
"I do at this very moment, Hortense. I am not a rich man, for I have
lost much for the South. These Yankee laws keep me out of court. I dare
not get in their power. If I hold this estate, I will soon be able to
settle a good fortune on Irene. I swear to you, she shall be my only
heiress except yourself. You can take Irene with you and give her a
superb education. You will be doing a true mother's duty. I will place
such a credit and funds for you that the future has no fears. When I am
free to act, 'when this foolish war is over,' I can come to you. Will
you do as I wish?"
"Philip, give me till to-morrow to think. I have only you in the world."
The beautiful woman clings to him. He feels she will yield. He is
content to wait.
While they talk, the two children chatter under the window in childish
glee.
"Hortense, you must act at once! to-morrow! The steamer leaves in three
days. I wish you to go by Panama direct to France. New York is no place
for you. I will have much to arrange. I will give you to-night. Now
leave me, for I have many papers to draw up."
In her boudoir, Hortense Duval sits hours dreaming, her eyes fixed on
vacancy. All the hold she has on Hardin is her daily influence, and HIS
child. To go among strangers. To be alone in the world. And yet, her
child's future interests. While Hardin paces the floor below, or toils
at his cunningly worded papers, she feels she is in the hands of a
master.
Philip Hardin's late work is done. By the table he dreams over the
future. Hortense will surely work his will. He will divest himself of
the priest. He must open these mines. He will get rid of "Kaintuck;" but
how?
Dark thoughts come to him. He springs up aghast at the clatter when
his careless arm brushes off some costly trifles. With the priest gone
forever and the child in Paris, he has no stumbling block in his way but
"Kaintuck." There are ways; yes, ways.----!----!----!----!
"He must go on a journey; yes, a long, long journey." Hardin stops here,
and throwing himself on his couch, drifts out on the sea of his uneasy
dreams.
Morning proves to him Hortense is resigned; an hour's conclave
enlightens her as to the new life. Every contingency will be met.
Hortense, living in wealth's luxurious retirement, will be welcomed as
Madame Natalie de Santos, everywhere. A wealthy young widow, speaking
French and Spanish, with the best references. She will wear a discreet
mask of Southern mystery, and an acknowledged relationship to families
of Mexico and California. Her personal appearance, tact, and wealth will
be an appropriate dower to the new acquisition of the glittering Capital
of Pleasure. She is GOOD ENOUGH for Paris.
Rapidly, every preparation moves on. The luggage of Madame de Santos is
filled with the varied possessions indicating years of elegance.
Letters to members of the Confederate court circle at Paris are social
endorsements. Wealth will do the rest.
Hardin's anxiety is to see the heiress lodged at the "Sacred Heart" at
Paris. In his capacity as guardian, he delegates sole power to Madame
Natalie de Santos. She alone can control the little lady of Lagunitas.
With every resource, special attentions will be paid to the party, from
Panama, on the French line. The hegira consists of the two children,
Marie Berard, and the nameless lady, soon to be rebaptized "Natalie de
Santos." Not unusual in California,--!--a golden butterfly.
Vague sadness fills Hortense Duval's heart as she wanders through her
silent mansion, choosing these little belongings which are dear to her
shadowed heart. They will rob a Parisian home of suspicious newness. The
control of the heiress as well as their own child, the ample monetary
provision, and the social platform arranged for her, prove Hardin's
devotion. It is the best she can do.
True, he cannot now marry with safety. He has promised to right that
wrong in time.
There has been no want of tenderness in his years of devotion. Hortense
Duval acknowledges to herself that he dares not own her openly, as his
wife, even here. But in Paris, after a year or so. Then he could
come, at least as far as New York. He could meet her, and by marriage,
legitimize his child. Her child. The tiger's darling.
A sudden thought strikes her. Some other woman!--Some one of REAL
station and blood. Ah, no! She shivers slightly as she paces the room.
No corner of the earth could hide him from her vengeance if he betrays
her.
The dinner of the last evening is a serious feast. As Hortense ministers
to the dark master of the house, she can see he has not fully disclosed
his ultimate plans. It is positive the child must be hidden away at
Paris from all. Hardin enjoins silence as to the future prospects of the
orphan. The little one has already forgotten her father. She is rapidly
losing all memories of her sweet mother.
In the silence of these last hours, Philip Hardin speaks to the woman
who has been his only intimate in years.
"Hortense, I may find a task for you which will prove your devotion," he
begins with reluctance.
"What is it, Philip?" she falters.
He resumes. "I do not know how far I may be pushed by trouble. I shall
have to struggle and fight to hold my own. I am safe for a time, but I
may be pushed to the wall. Will you, for the sake of our own child, do
as I bid you with that Spanish brat?"
At last she sees his gloomy meaning. Is it murder? An orphan child!
"Philip," she sobs, "be careful! For MY SAKE, for YOUR OWN." She is
chilled by his cold designs.
"Only at the last. Just as I direct, I may wish you to control
the disappearance of that young one, who stands between me and our
marriage."
She seizes his hands: "Swear to me that you will never deceive me."
"I do," he answers huskily.
"On the cross," she sternly says, flashing before his startled eyes a
jewelled crucifix. "I will obey you--I swear it on this--as long as you
are true." She presses her ashy lips on the cross.
He kisses it. The promise is sealed.
In a few hours, Hortense Duval, from the deck of the swift Golden
Gate, sees the sunlight fall for the last time, in long years, on San
Francisco's sandy hills.
With peculiar adroitness, in defence of her past, for the sake of her
future position, she keeps her staterooms; only walking the decks with
her maid occasionally at night. No awkward travelling pioneer must
recognize her as the lost "Beauty of the El Dorado." A mere pretence of
illness is enough.
When safely out of the harbor of Colon, on the French steamer, she is
perfectly free. Her passage tickets, made out as Madame de Santos, are
her new credentials.
She has left her old life behind her. Keen and self-possessed, with
quiet dignity she queens it on the voyage. When the French coast is
reached, her perfect mastery of herself proves she has grown into her
new position.
Philip Hardin has whispered at the last, "I want you to get rid of your
maid in a few months. It is just as well she should be out of the way."
When out of Hardin's influence, reviewing the whole situation, Hortense,
in her real character, becomes a little fearful. What if he should drop
her? Suppose he denies her identity. He can legally reclaim the "Heiress
of Lagunitas." Hortense Duval well knows that Philip Hardin will stop
at nothing. As the French coast nears, Hortense mentally resolves NOT
to part with Marie Berard. Marie is a valuable witness of the past
relations. She is the only safeguard she has against Hardin's manifold
schemes. So far there is no "entente cordiale" between mistress and
maid. They watch each other.
By hazard, as the children are brought out, ready for the landing,
Hortense notices the similarity of dress, the speaking resemblance of
the children. Marie Berard, proud of their toilettes, remarks, "Madame,
they are almost twins in looks."
Hortense Duval's lightning mind conceives a daring plan. She broods in
calm and quiet, as the cars bear her from Havre to Paris. She must act
quickly. She knows Hardin may use more ways of gaining information than
her own letters. His brain is fertile. His purse, powerful.
Going to an obscure hotel, she procures a carriage. She drives alone to
the Convent of the Sacre Coeur. With perfect tranquillity she announces
her wishes. The Mother Superior, personally, is charmed with Madame de
Santos. A mere mention of her banking references is sufficient. Blest
power of gold!
Madame Natalie de Santos is in good humor when she regains her
apartment. On the next morning, after a brief visit to her bankers, who
receive her "en princesse," she drives alone with her OWN child to the
Sacred Heart. While the little one prattles with some engaging Sisters,
Hortense calmly registers the nameless child of sin as ISABEL VALOIS,
THE HEIRESS OF LAGUNITAS. A year's fees and payments are made. A
handsome "outfit allowance" provides all present needs suited to the
child's station. Arranging to send the belongings of the heiress to the
convent, Hortense Duval buries her past forever in giving to her own
child the name and station of the heiress of Lagunitas. To keep a hold
on Hardin she will place the other child where that crafty lawyer can
never find her. Her bosom swells with pride. Now, at last, she can
control the deepest plans of Philip Hardin. But if he should demand
their own child? He has no legal power over the nameless one--not even
here. Marriage first. After that, the secret. It is a MASTER STROKE.
Hortense Duval thinks only of her own child. She cares nothing for the
dead Confederate under the Georgia pines. Gentle Dolores is sleeping in
the chapel grounds at Lagunitas. Isabel Valois has not a friend in the
world!
But, Marie Berard must be won and controlled. Why not? It is fortune
for her to be true to her liberal mistress. Berard knows Paris and has
friends. She will see them. If the maid be discharged, Hortense loses
her only witness against Hardin; her only safeguard. As Madame de Santos
is ushered to her rooms, she decides to act at once, and drop forever
her past. But Marie?
Marie Berard wonders at the obscure hotel. Her brain finds no reason for
this isolation. "Ah! les modes de Paris." Madame will soon emerge as a
lovely vision.
In the years of her service with Hortense Duval, Marie has quietly
enriched herself. She knows the day of parting comes in all unlawful
connections. Time and fading charms, coldness and the lassitude of
habit, eat away the golden chain till it drops off. "On se range enfin."
The "femme de chambre" knows too much to ever think of imposing on Judge
Hardin. He is too sly. It is from Madame de Santos the golden stream
must flow.
Self-satisfied, Marie Berard smiles in her cat-like way as she thinks
of a nice little house in Paris. Its income will support her. She will
nurse this situation with care. It is a gold mine.
There is no wonderment in her keen eyes when Madame de Santos returns
without the child she took away. A French maid never wonders. But she is
astonished when her mistress, calling her, calmly says, pointing to the
lonely orphan:
"Marie, I wish you to aid me to get rid of this child. Do you know any
one in Paris whom we can trust?"
"Will Madame kindly explain?" the maid gasps, her visions of that snug
house becoming more definite.
"Sit down, Marie," the newly christened Madame de Santos commands. "I
will trust you. You shall be richly rewarded."
The Frenchwoman's eyes glitter. The golden shower she has longed for,
"Auri sacra fames."
"You may trust me perfectly, Madame."
"I wish you to understand me fully. We must act at once. I will see no
friends till this girl is out of the way. Then I shall at once arrange
my household."
"Does the young lady not go to the convent?" says the astonished
servant, a trifle maliciously.
"Certainly not," coldly says Hortense. "My own child shall be the
heiress of that fortune. She is already at the Sacred Heart."
Marie Berard's keen eye sees the plot. An exchange of children. The
nameless child shall be dowered with millions. Her own future is
assured.
"Does any one know of this plan?" the maid eagerly asks.
"Only you and I," is the response.
Ah! Revenge on her stately tyrant lover. The maid dreams of a golden
shower. That snug hotel. It is a delicious moment. "What do you wish me
to do, Madame?" Marie is now cool.
"Find a place, at once, where the child can be well treated in a
'bourgeois' family. I want you to place her as if she were your own. I
wish no one to ever see me or know of me in this matter."
The maid's eyes sparkle. Fortune's wheel turns. "And I shall be--" she
pauses.
"You may be suspected to be the mother. No one can learn anything from
the child. I wish her to be raised in ignorance."
Madame de Santos is a genius in a quiet way. It is true, the prattling
heiress, on the threshold of a new life, speaks only Spanish and a
little English. She has forgotten her father. Even now her mother fades
from her mind. A few passing months will sweep away all memories of
Lagunitas. The children are nearly the same age, and not dissimilar.
"And the Judge?" murmurs the servant.
"I will take care of that," sharply says Hortense.
"Madame, it is a very great responsibility," begins the sly maid, now
confidante. There is a strong sharp accent on the "very."
"I will pay you as you never dreamed of being paid." Madame Natalie is
cool and quiet. Gold, blessed gold!
"It is well. I am yours for life," says Marie Berard. The two women's
eyes meet. They understand one another. Feline, prehensile nerves.
Then, action at once. Hortense hands the woman a package of bank-notes.
"Leave here as if for a walk. Take a 'fiacre' on the street, and go to
your friends. You tell me you have some discreet ones. Tell them you
have a child to take care of. Say no more. They will guess the rest. I
want the child to be left to-morrow morning. After your return we
can arrange her present needs. The rest you can provide through your
friends. I want you to see the child once a week, not oftener. Go."
In ten minutes Marie Berard is rolling away to her advisers. Her letter
has already announced her arrival. She knows her Paris. If a French maid
has a heart history, hers is a succession of former Parisian scenes.
Madame Natalie de Santos closes the doors. While her emissary is gone
she examines the child thoroughly. Not a single blemish or peculiar mark
on the girl, save a crossed scar on her left arm, between the wrist and
elbow. Some surgical operation of trifling nature has left a mark in its
healing, which will be visible for many years.
Making careful mental note, the impatient woman awaits her servant's
return.
Seated, she watches the orphan child trifling with her playthings.
Hortense Duval feels no twinge of conscience. Her own child shall be
lifted far beyond the storms of fate. If Hardin acts rightly, all is
well. If he attempts to betray her, all the better. She will guard the
heiress of Mariposa with her life. She shall become a "bourgeoise."
Should Hardin die before he marries her, the base-born child is then
sure of the millions. She will make her a woman of the world. When the
great property is safely hers, then she can trust HER OWN daughter.
As to the poor orphan, buried in Paris, educated as a "bourgeoise," she
will never see her face, save perhaps, as a passing stranger. The child
can be happy in the solid comforts of a middle-class family. It is good
enough for her.
And Marie Berard. She needs her, at all cost, as a protection, the
only bulwark against any dark scheme of Hardin's. Her tool, and her one
witness.
Ten years in the mansion on the hills of San Francisco have given her an
insight into Philip Hardin's desperate moves on the chessboard of life.
Love, faith, truth, she dares not expect. A lack of fatherly tenderness
to the child he has wronged; his refusal to put a wedding ring on her
own finger, tell her the truth. She knows her hold is slight. But NOW
the very millions of Lagunitas shall fight against him. Move for move in
the play. Blow for blow, if it comes to a violent rupture.
Hortense Duval might lose her hold on cold Philip Hardin. The scheming
beauty smiles when she thinks how true Marie Berard will be to the
new Madame de Santos. A thorough adventuress, she can count on her
fellow-conspirator. Two smart women, with a solid golden bond, united
against a distant, aging man.
Marie returns, her business-like manner showing no change. "I have found
the family," she says. "They will take the child at once."
In the evening every arrangement is made for an early departure. It is a
rare day's work.
Marie Berard conducts the friendless child to its new home, in the
morning hours. The luggage and belongings are despatched. All is over.
Safe at last.
Free to move, as soon as the maid returns, Hortense at once leaves her
modest quarters. The bills are all paid. Their belongings are packed as
for departure. To the Hotel Meurice, by a roundabout route, mistress and
maid repair. Hortense Duval is no more. A new social birth.
Madame de Santos, in superb apartments, proceeds to arrange her entree
into future social greatness. A modern miracle.
No one has seen the children together in Paris. On the steamer not a
suspicion was raised. Natalie de Santos breathes freely. A few days of
preparation makes Madame "au fait" in the newest fashions. Her notes,
cartes de visite, dazzling "batterie de toilette," and every belonging
bear crest, monogram, and initial of the new-born Senora Natalie.
Securely lodged in an aristocratic apartment, Madame de Santos receives
her bankers, and the members of the Southern circle, to whom the Judge
has given her the freemasonry of his influence. Madame de Santos is now
a social fact, soon to find her old life a waning memory. The glittering
splendors of the court gaieties are her everyday enjoyments.
Keenly watching all Californians, protected by her former retirement,
her foreign appearance and glamour of wealth impose on all. She soon
almost forgets herself and that dark past before the days of the El
Dorado. She is at last secure within wealth's impregnable ramparts, and
defies adverse fate.
An apartment on the Champs Elysees is judiciously chosen by her bankers.
Marie Berard, with her useful allies, aids in the selection of the
exquisite adornment. Her own treasures aid in the "ensemble."
The servants, the equipage of perfect appointment, all her surroundings
bespeak the innate refinement of the woman who has for long years
pleased even the exacting Hardin.
Natalie de Santos has not neglected to properly report by telegraph and
mail to the guardian of the person and future millions of Col. Valois'
only child.
Her attitude toward society is quiet, dignified, without haste or
ostentation. A beautiful woman, talented, free, rich, and "a la mode,"
can easily reach the social pleasures of that gaudy set who now throng
the Tuileries.
There is not a care on Natalie de Santos' mind. Her own child is
visited, with a growing secret pleasure. She thrives in the hands of the
gentle ladies of the Sacred Heart.
Regularly, Marie Berard brings reports of the other child, whose
existence is important for the present.
Madame de Santos, discreetly veiled, finds time to observe the
location and movements of the orphan. Marie Berard's selection has been
excellent.
"Louise Moreau" is the new name of the changeling heiress, now daily
becoming more contented in her new home.
Aristide Dauvray has a happy household. A master decorative workman,
only lacking a touch of genius to be a sculptor, his pride is in his
artistic handiwork. His happiness in his good wife Josephine. His heart
centres in his talented boy.
To educate his only son Raoul, to be able to develop his marked talent
as an artist, has been Aristide's one ambition. The proposition to take
the girl, and the liberal payments promised, assure the artistic future
of Raoul. Marie Berard has appreciated that the life of this orphan
child is the measure of her own golden fortunes. Good Josephine becomes
attached to the shy, sweet little wanderer, who forgets, day by day, in
the new life of Cinderella, her babyish glimpses of any other land.
Natalie de Santos is safe. Pressing her silken couch, she rests
in splendor. Her letters from Hardin are clear, yet not always
satisfactory. Years of daily observance have taught her to read his
character. As letter after letter arrives she cons them all together.
Not a word of personal tenderness. Not an expression which would betray
any of their secrets. With no address or signature, they are full only
in directions. He is called for a length of time to Lagunitas, to put
the estate in "general order."
Removed from the sway of Hardin, Natalie relies upon herself. Her
buoyant wings bear her on in society. Recognized as an opponent of the
North, she meets those lingering Southern sympathizers who have little
side coteries yet in glittering Paris.
Adulation of her beauty and sparkling wit fires her genius. Her French
is classic. The sealed book of her youth gives no hint of where her fine
idiom came from. Merrily Marie Berard recounts to the luxurious social
star the efforts of sly dames and soft-voiced messieurs to fathom the
"De Santos'" past.
Marie Berard is irreproachable; never presuming. She can wait.
Madame Natalie's stormy past has taught her to trust no one. It is her
rule from the first that no one shall see Isabel Valois, the pet of the
Sacred Heart Convent, but herself. Little remains in a month or two,
with either child, of its cradle memories. The months spent by the two
girls in mastering a new language are final extinguishers of the past.
Without undue affectation of piety, Madame de Santos gives liberally.
The good nuns strive to fit the young heiress for her dazzling future.
Keenly curious of the dangers of the situation, Natalie writes Hardin
that she has sent her own child away to a country institution, to
prevent awkward inquiry. As months roll on, drawn in by the whirlpool
of pleasure, Natalie de Santos' letters become brief. They are only
statements of affairs to her absent "financial agent."
Hardin's letters are acknowledgments of satisfactory news, and
directions regarding the education of the child. He does not refer to
the future of the woman who ruled his home so long. No tenderness for
his own child appears. He is engrossed in BUSINESS, and she in PLEASURE.
Avarice is the gentlemanly passion of his later years. "Royal days
of every pleasure" for the brilliant woman; she, ambitious and
self-reliant, lives only for the happy moments.
And yet, as Natalie de Santos sweeps from palace ball or the opera, she
frames plans as to the future control of Hardin. To keep the child he
fears, where his agency can reach her, is her aim. To place the child
he would ignore, where millions will surround her, is her ambition. With
Marie Berard as friend, confidante, agent, and spy, she can keep these
two children apart. Hortense Duval and Natalie Santos can defy the
world.
Distrust of Hardin always burns in her breast. Will he dare to attempt
her life; to cut off her income; to betray her? When the work of years
is reflected in her own child's graces and charms, will the man now
aging ever give its mother the name of wife? Her fears belie her hopes.
She must guard her own child, and conceal the other. He may live and
work out his schemes. If he acts well, she will be ready to meet him. If
not, the same.
But she has sworn in her heart of hearts, the orphan shall live. If
necessary to produce her, she alone knows her hiding place. If fortune
favors, the properties shall descend to her own child.
The year 1865 opens with the maddest gaieties. Though France is drained
of men and treasure for a foolish war in Mexico, glittering streets,
rich salons, mad merry-makings and imperial splendor do not warn gay
Lutetia she is tottering toward the dawning war-days of gloom. The
French are drunk with pleasure.
Marie Berard has now a nice little fund of ringing napoleons securely
invested, and that hoard is growing monthly. Natalie de Santos gives
freely, amply. The maid bides her time for a great demand. She can wait.
A rare feminine genius is Natalie de Santos. The steady self-poise of
her nature prevents even a breath of scandal. Frank, daring, and open
in her pleasures, she individualizes no swain, she encourages no one
sighing lover. Her name needs no defence save the open record of
her social life. A solid, undisturbed position grows around her. The
dear-bought knowledge of her youth enables her to read the vapid men and
women around her.
As keen-eyed as a hawk, Madame Natalie watches the scholar of the Sacred
Heart. She takes good care, also, to verify the substantial comfort and
fair education of little Louise Moreau.
With silent lips she moves among the new associates of her later days.
Madame de Santos' position moves toward impregnability, as the months
roll on. A "lionne" at last.