The identity of the lady whom he had seen on the tower and afterwards
heard singing was established the next day.
‘I have been thinking,’ said Miss Power, on meeting him, ‘that you may
require a studio on the premises. If so, the room I showed you yesterday
is at your service. If I employ Mr. Havill to compete with you I will
offer him a similar one.’
Somerset did not decline; and she added, ‘In the same room you will find
the handkerchief that was left on the tower.’
‘Ah, I saw that it was gone. Somebody brought it down?’
‘I did,’ she shyly remarked, looking up for a second under her shady
hat-brim.
‘I am much obliged to you.’
‘O no. I went up last night to see where the accident happened, and
there I found it. When you came up were you in search of it, or did you
want me?’
‘Then she saw me,’ he thought. ‘I went for the handkerchief only; I was
not aware that you were there,’ he answered simply. And he involuntarily
sighed.
It was very soft, but she might have heard him, for there was interest
in her voice as she continued, ‘Did you see me before you went back?’
‘I did not know it was you; I saw that some lady was there, and I would
not disturb her. I wondered all the evening if it were you.’
Paula hastened to explain: ‘We understood that you would stay to dinner,
and as you did not come in we wondered where you were. That made me
think of your accident, and after dinner I went up to the place where it
happened.’
Somerset almost wished she had not explained so lucidly.
And now followed the piquant days to which his position as her
architect, or, at worst, as one of her two architects, naturally led.
His anticipations were for once surpassed by the reality. Perhaps
Somerset’s inherent unfitness for a professional life under ordinary
circumstances was only proved by his great zest for it now. Had he been
in regular practice, with numerous other clients, instead of having
merely made a start with this one, he would have totally neglected their
business in his exclusive attention to Paula’s.
The idea of a competition between Somerset and Havill had been highly
approved by Paula’s solicitor, but she would not assent to it as yet,
seeming quite vexed that Somerset should not have taken the good the
gods provided without questioning her justice to Havill. The room she
had offered him was prepared as a studio. Drawing-boards and Whatman’s
paper were sent for, and in a few days Somerset began serious labour.
His first requirement was a clerk or two, to do the drudgery of
measuring and figuring; but for the present he preferred to sketch
alone. Sometimes, in measuring the outworks of the castle, he ran
against Havill strolling about with no apparent object, who bestowed on
him an envious nod, and passed by.
‘I hope you will not make your sketches,’ she said, looking in upon him
one day, ‘and then go away to your studio in London and think of your
other buildings and forget mine. I am in haste to begin, and wish you
not to neglect me.’
‘I have no other building to think of,’ said Somerset, rising and
placing a chair for her. ‘I had not begun practice, as you may know. I
have nothing else in hand but your castle.’
‘I suppose I ought not to say I am glad of it; but it is an advantage
to have an architect all to one’s self. The architect whom I at first
thought of told me before I knew you that if I placed the castle in his
hands he would undertake no other commission till its completion.’
‘I agree to the same,’ said Somerset.
‘I don’t wish to bind you. But I hinder you now--do pray go on without
reference to me. When will there be some drawing for me to see?’
‘I will take care that it shall be soon.’
He had a metallic tape in his hand, and went out of the room to take
some dimension in the corridor. The assistant for whom he had advertised
had not arrived, and he attempted to fix the end of the tape by sticking
his penknife through the ring into the wall. Paula looked on at a
distance.
‘I will hold it,’ she said.
She went to the required corner and held the end in its place. She had
taken it the wrong way, and Somerset went over and placed it properly in
her fingers, carefully avoiding to touch them. She obediently raised
her hand to the corner again, and stood till he had finished, when she
asked, ‘Is that all?’
‘That is all,’ said Somerset. ‘Thank you.’ Without further speech she
looked at his sketch-book, while he marked down the lines just acquired.
‘You said the other day,’ she observed, ‘that early Gothic work might be
known by the under-cutting, or something to that effect. I have looked
in Rickman and the Oxford Glossary, but I cannot quite understand what
you meant.’
It was only too probable to her lover, from the way in which she
turned to him, that she HAD looked in Rickman and the Glossary, and was
thinking of nothing in the world but of the subject of her inquiry.
‘I can show you, by actual example, if you will come to the chapel?’ he
returned hesitatingly.
‘Don’t go on purpose to show me--when you are there on your own account
I will come in.’
‘I shall be there in half-an-hour.’
‘Very well,’ said Paula. She looked out of a window, and, seeing Miss De
Stancy on the terrace, left him.
Somerset stood thinking of what he had said. He had no occasion whatever
to go into the chapel of the castle that day. He had been tempted by her
words to say he would be there, and ‘half-an-hour’ had come to his lips
almost without his knowledge. This community of interest--if it were not
anything more tender--was growing serious. What had passed between them
amounted to an appointment; they were going to meet in the most solitary
chamber of the whole solitary pile. Could it be that Paula had well
considered this in replying with her friendly ‘Very well?’ Probably not.
Somerset proceeded to the chapel and waited. With the progress of the
seconds towards the half-hour he began to discover that a dangerous
admiration for this girl had risen within him. Yet so imaginative was
his passion that he hardly knew a single feature of her countenance well
enough to remember it in her absence. The meditative judgment of things
and men which had been his habit up to the moment of seeing her in
the Baptist chapel seemed to have left him--nothing remained but a
distracting wish to be always near her, and it was quite with dismay
that he recognized what immense importance he was attaching to the
question whether she would keep the trifling engagement or not.
The chapel of Stancy Castle was a silent place, heaped up in corners
with a lumber of old panels, framework, and broken coloured glass. Here
no clock could be heard beating out the hours of the day--here no
voice of priest or deacon had for generations uttered the daily
service denoting how the year rolls on. The stagnation of the spot was
sufficient to draw Somerset’s mind for a moment from the subject which
absorbed it, and he thought, ‘So, too, will time triumph over all this
fervour within me.’
Lifting his eyes from the floor on which his foot had been tapping
nervously, he saw Paula standing at the other end. It was not so
pleasant when he also saw that Mrs. Goodman accompanied her. The latter
lady, however, obligingly remained where she was resting, while Paula
came forward, and, as usual, paused without speaking.
‘It is in this little arcade that the example occurs,’ said Somerset.
‘O yes,’ she answered, turning to look at it.
‘Early piers, capitals, and mouldings, generally alternated with deep
hollows, so as to form strong shadows. Now look under the abacus of this
capital; you will find the stone hollowed out wonderfully; and also in
this arch-mould. It is often difficult to understand how it could be
done without cracking off the stone. The difference between this and
late work can be felt by the hand even better than it can be seen.’ He
suited the action to the word and placed his hand in the hollow.
She listened attentively, then stretched up her own hand to test the
cutting as he had done; she was not quite tall enough; she would step
upon this piece of wood. Having done so she tried again, and succeeded
in putting her finger on the spot. No; she could not understand it
through her glove even now. She pulled off her glove, and, her hand
resting in the stone channel, her eyes became abstracted in the effort
of realization, the ideas derived through her hand passing into her
face.
‘No, I am not sure now,’ she said.
Somerset placed his own hand in the cavity. Now their two hands were
close together again. They had been close together half-an-hour earlier,
and he had sedulously avoided touching hers. He dared not let such an
accident happen now. And yet--surely she saw the situation! Was the
inscrutable seriousness with which she applied herself to his lesson
a mockery? There was such a bottomless depth in her eyes that it was
impossible to guess truly. Let it be that destiny alone had ruled that
their hands should be together a second time.
All rumination was cut short by an impulse. He seized her forefinger
between his own finger and thumb, and drew it along the hollow, saying,
‘That is the curve I mean.’
Somerset’s hand was hot and trembling; Paula’s, on the contrary, was
cool and soft as an infant’s.
‘Now the arch-mould,’ continued he. ‘There--the depth of that cavity is
tremendous, and it is not geometrical, as in later work.’ He drew her
unresisting fingers from the capital to the arch, and laid them in the
little trench as before.
She allowed them to rest quietly there till he relinquished them. ‘Thank
you,’ she then said, withdrawing her hand, brushing the dust from her
finger-tips, and putting on her glove.
Her imperception of his feeling was the very sublimity of maiden
innocence if it were real; if not, well, the coquetry was no great sin.
‘Mr. Somerset, will you allow me to have the Greek court I mentioned?’
she asked tentatively, after a long break in their discourse, as
she scanned the green stones along the base of the arcade, with a
conjectural countenance as to his reply.
‘Will your own feeling for the genius of the place allow you?’
‘I am not a mediaevalist: I am an eclectic.’
‘You don’t dislike your own house on that account.’
‘I did at first--I don’t so much now.... I should love it, and adore
every stone, and think feudalism the only true romance of life, if--’
‘What?’
‘If I were a De Stancy, and the castle the long home of my forefathers.’
Somerset was a little surprised at the avowal: the minister’s words on
the effects of her new environment recurred to his mind. ‘Miss De Stancy
doesn’t think so,’ he said. ‘She cares nothing about those things.’
Paula now turned to him: hitherto her remarks had been sparingly spoken,
her eyes being directed elsewhere: ‘Yes, that is very strange, is it
not?’ she said. ‘But it is owing to the joyous freshness of her nature
which precludes her from dwelling on the past--indeed, the past is
no more to her than it is to a sparrow or robin. She is scarcely an
instance of the wearing out of old families, for a younger mental
constitution than hers I never knew.’
‘Unless that very simplicity represents the second childhood of her
line, rather than her own exclusive character.’
Paula shook her head. ‘In spite of the Greek court, she is more Greek
than I.’
‘You represent science rather than art, perhaps.’
‘How?’ she asked, glancing up under her hat.
‘I mean,’ replied Somerset, ‘that you represent the march of mind--the
steamship, and the railway, and the thoughts that shake mankind.’
She weighed his words, and said: ‘Ah, yes: you allude to my father. My
father was a great man; but I am more and more forgetting his greatness:
that kind of greatness is what a woman can never truly enter into. I am
less and less his daughter every day that goes by.’
She walked away a few steps to rejoin the excellent Mrs. Goodman, who,
as Somerset still perceived, was waiting for Paula at the discreetest
of distances in the shadows at the farther end of the building. Surely
Paula’s voice had faltered, and she had turned to hide a tear?
She came back again. ‘Did you know that my father made half the railways
in Europe, including that one over there?’ she said, waving her little
gloved hand in the direction whence low rumbles were occasionally heard
during the day.
‘Yes.’
‘How did you know?’
‘Miss De Stancy told me a little; and I then found his name and doings
were quite familiar to me.’
Curiously enough, with his words there came through the broken windows
the murmur of a train in the distance, sounding clearer and more clear.
It was nothing to listen to, yet they both listened; till the increasing
noise suddenly broke off into dead silence.
‘It has gone into the tunnel,’ said Paula. ‘Have you seen the tunnel my
father made? the curves are said to be a triumph of science. There is
nothing else like it in this part of England.’
‘There is not: I have heard so. But I have not seen it.’
‘Do you think it a thing more to be proud of that one’s father should
have made a great tunnel and railway like that, than that one’s remote
ancestor should have built a great castle like this?’
What could Somerset say? It would have required a casuist to decide
whether his answer should depend upon his conviction, or upon the family
ties of such a questioner. ‘From a modern point of view, railways are,
no doubt, things more to be proud of than castles,’ he said; ‘though
perhaps I myself, from mere association, should decide in favour of the
ancestor who built the castle.’ The serious anxiety to be truthful that
Somerset threw into his observation, was more than the circumstance
required. ‘To design great engineering works,’ he added musingly, and
without the least eye to the disparagement of her parent, ‘requires
no doubt a leading mind. But to execute them, as he did, requires, of
course, only a following mind.’
His reply had not altogether pleased her; and there was a distinct
reproach conveyed by her slight movement towards Mrs. Goodman. He saw
it, and was grieved that he should have spoken so. ‘I am going to walk
over and inspect that famous tunnel of your father’s,’ he added gently.
‘It will be a pleasant study for this afternoon.’
She went away. ‘I am no man of the world,’ he thought. ‘I ought to have
praised that father of hers straight off. I shall not win her respect;
much less her love!’