E-text prepared by D. Alexander, Ronnie Sahlberg, Joseph Cooper, and the
Project Gutenberg Online Distributed Proofreading Team
(https://www.pgdp.net)
Note: Project Gutenberg also has an HTML version of this
file which includes the original illustrations.
See 27472-h.htm or 27472-h.zip:
(https://www.gutenberg.org/dirs/2/7/4/7/27472/27472-h/27472-h.htm)
or
(https://www.gutenberg.org/dirs/2/7/4/7/27472/27472-h.zip)
THE STORY OF A CAT
Translated from the French of
EMILE DE LA BEDOLLIERE
by
THOMAS BAILEY ALDRICH
With Silhouettes by L. Hopkins
Boston and New York
Houghton Mifflin Company
The Riverside Press Cambridge
Copyright, 1878, by Houghton, Osgood and Company
Copyright, 1906, by T. B. Aldrich
Copyright, 1910, by Mary Elizabeth Aldrich
All Rights Reserved, Including the Right to Reproduce
This Book or Parts Thereof in Any Form
PREFACE.
M. Bedolliere's charming story of Mother Michel and her cat was turned
into English for the entertainment of two small readers at the writer's
fireside. Subsequently the translation was fortunate enough to find a
larger audience in the pages of a popular juvenile magazine. The
ingenious and spirited series of silhouettes with which Mr. Hopkins has
enriched the text is the translator's only plea for presenting in book
form so slight a performance as his own part of the work.
THE STORY OF A CAT.
CHAPTER I.
HOW MOTHER MICHEL MADE THE ACQUAINTANCE OF
HER CAT.
There lived in Paris, under the reign of King Louis XV., a very rich old
countess named Yolande de la Grenouillere. She was a worthy and
charitable lady, who distributed alms not only to the poor of her own
parish, Saint-Germain-l'Auxerrois, but to the unfortunate of other
quarters. Her husband, Roch-Eustache-Jeremie, Count of Grenouillere, had
fallen gloriously at the battle of Fontenoy, on the 11th of May, 1745.
The noble widow had long mourned for him, and even now at times wept over
his death. Left without children, and almost entirely alone in the world,
she gave herself up to a strange fancy,--a fancy, it is true, which in no
manner detracted from her real virtues and admirable qualities: she had
a passion for animals. And an unhappy passion it was, since all those she
had possessed had died in her arms.
[Illustration: The Countess distributes Alms.]
The first, in date, in her affections had been a green parrot, which,
having been so imprudent as to eat some parsley, fell a victim to
frightful colics. An indigestion, caused by sweet biscuits, had taken
from Madame de la Grenouillere a pug-dog of the most brilliant promise. A
third favorite, an ape of a very interesting species, having broken his
chain one night, went clambering over the trees in the garden, where,
during a shower, he caught a cold in the head, which conducted him to the
tomb.
[Illustration: The Ape fatally exposes himself.]
Following these, the Countess had birds of divers kinds; but some of them
had flown away, and the others had died of the pip. Cast down by such
continuous disasters, Madame de la Grenouillere shed many tears. Seeing
her inconsolable, the friends of the Countess proposed successively
squirrels, learned canaries, white mice, cockatoos; but she would not
listen to them; she even refused a superb spaniel who played dominoes,
danced to music, ate salad, and translated Greek.
[Illustration: Her Friends propose Squirrels, Canaries, Mice, etc.]
"No, no," she said, "I do not want any more animals; the air of my house
is death to them."
[Illustration: The Boys after the Cat.]
She had ended by believing in fatality.
One day, as the Countess was leaving the church, she saw a crowd of boys
hustling and elbowing each other, and giving vent to peals of joyous
laughter. When, seated in her carriage, she was able to overlook the
throng, she discovered that the cause of this tumult was a poor cat to
whose tail the little wretches had tied a tin saucepan.
The unfortunate cat had evidently been running a long time, for he seemed
overcome with fatigue. Seeing that he slackened his speed, his tormentors
formed a circle around him, and began pelting him with stones. The
luckless creature bowed his head, and, recognizing that he was surrounded
by none but enemies, resigned himself to his hard fate with the heroism
of a Roman senator. Several stones had already reached him, when Madame
de la Grenouillere, seized with deep compassion, descended from her
carriage, and, pushing the crowd aside, exclaimed: "I will give a louis
to whoever will save that animal!"
These words produced a magical effect; they transformed the persecutors
into liberators; the poor cat came near being suffocated by those who now
disputed the honor of rescuing him safe and sound. Finally, a sort of
young Hercules overthrew his rivals, brought off the cat, and presented
it half dead to the Countess.
[Illustration: The Luckless Creature bowed his Head.]
"Very well," she said; "here, my brave little man, is the reward I
promised." She gave him a bright golden louis just out of the mint, and
then added, "Relieve this poor animal of his inconvenient burden."
[Illustration: "Dear me, how homely he is!"]
While the young Hercules obeyed, Madame de la Grenouillere regarded the
creature she had rescued. It was a true type of the street-cat. His
natural hideousness was increased by the accidents of a long and
irregular career; his short hair was soiled with mud; one could scarcely
distinguish beneath the various splashes his gray fur robe striped with
black. He was so thin as to be nearly transparent, so shrunken that one
could count his ribs, and so dispirited that a mouse might have beaten
him. There was only one thing in his favor, and that was his physiognomy.
[Illustration: The Cat is presented, half dead, to the Countess.]
"Dear me, how homely he is!" said Madame de la Grenouillere, after
finishing her examination.
At the moment she stepped into the carriage, the cat fixed his great
sea-green eyes upon her and gave her a look, strange, indefinable, full
at the same time of gratitude and reproach, and so expressive that the
good lady was instantly fascinated. She read in this glance a discourse
of great eloquence. The look seemed to wish to say,--
"You have obeyed a generous impulse; you saw me feeble, suffering,
oppressed, and you took pity on me. Now that your benevolence is
satisfied, my deformity inspires you with contempt. I thought you were
good, but you are not good; you have the instinct of kindness, but you
are not kind. If you were really charitable you would continue to
interest yourself in me for the very reason that I am homely; you would
reflect that my misfortunes are owing to my ugly appearance, and that the
same cause,--should you leave me there in the street, at the mercy of the
wicked boys,--the same cause, I say, would produce the same effects. Go!
you needn't pride yourself on your half-way benevolence!--you have not
done me a service; you have only prolonged my agony. I am an outcast, the
whole world is against me, I am condemned to die; let my destiny be
accomplished!"
Madame de la Grenouillere was moved to tears. The cat seemed to her
superhuman--no, it was a cat; it seemed to her superanimal! She thought
of the mysteries of transformation, and imagined that the cat, before
assuming his present form, had been a great orator and a person of
standing. She said to her maid, Mother Michel, who was in the
carriage,--
"Take the cat and carry him."
"What, you will bring him with you, madame?" cried Mother Michel.
"Certainly. As long as I live that animal shall have a place at my
fireside and at my table. If you wish to please me, you will treat him
with the same zeal and affection you show to myself."
"Madame shall be obeyed."
"That is well,--and now for home!"
[Illustration: Mother Michel is told to take the Cat.]