Edward VI. dissolved the College, and its buildings were shortly

afterwards dismantled, together with those of the Castle-Keep and

the Gatehouse. In the next reigns the lead and stones were conveyed

in large quantities to Windsor Castle to be used in repairs and in

building the Poor Knights' lodgings. Yet the main fabric of the Castle

remained, and was used for the imprisonment of heretics in the early

years of Elizabeth. During all this time Sir Francis Knollys was

constable, having been appointed to the office by Edward VI. in 1551.

In the latter part of Elizabeth's reign he was succeeded by his son,

Sir William, who became Viscount Wallingford under James I., and Earl

of Banbury under Charles I.

We come now to the closing scene. The Castle was strongly fortified by

King Charles at the commencement of the Civil War, and Colonel Blagge,

an officer of distinguished courage in the King's army, was placed

in charge of it, the King coming for a day and night to inspect the

fortifications in 1643. Three years later, when every other castle

had been captured except Raglan on the Welsh border and Pendennis in

Cornwall, Wallingford still held out for the King's cause. The town

was closely surrounded by the troops of the Parliament; but as long

as there was any possibility of resistance the Governor refused to

yield. For sixty-five days the resistance lasted, and only five of

the garrison had fallen. At last, when all supplies were exhausted,

Colonel Blagge consented to make terms with Fairfax; and on July

29th, 1646, he was permitted to lead out his officers and men with

flying colours and martial music as if they had been the victors. The

Castle was a state prison during the remainder of the war, but the old

sentiment seems to have lingered about the place to the last. In 1652 a

conspiracy was detected for delivering it up to King Charles II., for

which a soldier of the garrison was condemned to death, and an order

was issued for the demolition of the building.

The last of the line of constables was Edmund Dunch, appointed by his

cousin Oliver Cromwell, who also created him Baron Burnell of East

Wittenham in 1658; but Dunch became a strong supporter of the King's

restoration. The demolition had then been effected, and part of the

materials were used in building the tower of St. Mary's Church. During

the eighteenth century the estate was let on lease, and afterwards

sold to private owners by the Commissioners of the Crown; while the

broken fragments which are left of the Castle tell the story of the

completeness of its ruin, and serve as a memorial of its ancient

greatness.

Cumnor Place and Amy Robsart.

BY H.J. REID, F.S.A.

A Benedictine abbey was founded as is well known at Abingdon, in the

seventh century, and to this rich and powerful monastery, Cumnor

appears from the very first to have belonged. Its earliest mention is

found in the "Chronicles of the Monastery of Abingdon," in which "the

book," probably a register or cartulary is repeatedly referred to.

Cumnor according to Dugdale is derived from Cumanus, second abbot of

Abingdon, who died _circa_ 784, but Dr. Buckler, author of "Stemmata

Chicheleana," and keeper of the Archives of Oxford University, who was

vicar of Cumnor for twenty-five years, suggests St. Coleman or Cuman,

an Irish or Scottish saint, who lived in the sixth and seventh century.

As early as the year 689, Colmonora is mentioned in a Latin deed in the

Abingdon Chronicle, twenty hides of land there being conferred upon the

Abbey by a Charter of Ceadwalla, and again in a similar deed, being a

Charter of Kenulph, dated 851, in which is an illuminated portrait of

that King. An Anglo-Saxon boundary attached to Eadred's confirmation

Charter to Abingdon in 955, mentions Cumnor, as does also a subsequent

charter of Edgar, 968, which also has a carefully defined boundary

attached to it, and the biography of St. Ethelwold, who refounded the

Abbey after its destruction by the Danes, 240 years after the original

foundation of Abbot Heane. It is very improbable that these documents

are authentic. They may possibly be copies, but are more probably

forgeries, made for various purposes in later years, based in many

instances doubtless upon the fabulous history of Geoffrey of Monmouth,

who died about 1154, leaving what was professedly the translation of a

work in the British tongue made at the request of Walter, Archdeacon of

Oxford. It contains perhaps a modicum of fact, but is not dependable;

it has been largely drawn upon by later so called historians and

romancers. Nevertheless there is every reason to believe that Cumnor

from the very earliest times belonged to Abingdon Abbey, its name in

early documents being written Cumenoran, and the Church is known to

have been one out of but three spared by the Danes, when they ravished

the district around and destroyed Abingdon in the reign of Alfred the

Great.

The Norman Conquest has left us more certain and dependable records.

From the survey of Domesday we ascertain that Comenore in 1086

contained thirty hides of land, having been rated _tempore Regis

Edwardi_, at fifty hides. It will be remembered the early English

Charters gave twenty hides as its extent, so that the Manor had by

this time been either added to, or the hidation varied, possibly

both. The Manor maintained sixty villani, sixty-nine bordarii or

freemen, with four servi or bondsmen; the Church is mentioned, as also

two fisheries of the value of forty shillings yearly. Sevacoord, or

Seacourt, and Winteham probably Wytham, were a portion of Cumnor which

is the first manor mentioned in Domesday Book, belonging to the Abbey

of Abingdon, and in evidence of ancient right it is expressly written

there:--"Semper fuit de Abbatia." Cumnor Church is again alluded to in

a Papal Bull dated 1152, but there are now no visible traces of this

edifice. The present church which underwent thorough restoration some

forty years ago, having previously suffered by injudicious alterations

at various times, is of the Transition period, the most ancient portion

being the tower, according to the dicta of ecclesiastical architects,

not erected before the year 1250. Many objects of great interest to

the Archæologist are yet preserved in and about the church, despite

the more recent restorations. Among others, are two stone coffins,

enclosing the remains of former Abbots of Abingdon, two piscinæ, and

of yet more recent date the tomb of Anthony Forster, of whom I shall

have something to say presently. Some of the stone carvings within

the church, are of great delicacy, being remarkably fine examples of

fourteenth century work, in the shape of two corbels, the capitals of

three columns, a window, and the portion of an arch.

In the chancel are some poppy heads, carved upon both sides; on

one is the sacred monogram I.H. S. upon a shield, upon another the

five stigmata, _i.e._, the pierced feet, the hands, and heart of

the Saviour, also a cross; upon the reverses are also carved the

crucifixial emblems,--the ladder, spear, and reed or staff, to which

is affixed a sponge; there are also the hammer, pincers, and three

nails. Upon the upper shield are the Vestments, the crown of thorns,

and bag of money.

[Illustration: CUMNOR CHURCH.]

A letter referring to Cumnor Church during the Civil Wars, written

by a member of the Pecock or Peacock family is printed in Mercurius

Academicus. This family held the Manor at that period, Richard Pecock

compounding for his estate by paying the considerable sum of £140. Many

of the family lie buried in Cumnor Church, and the school is mainly

supported by the legacy of a Mrs. Peacock.

The letter refers principally to the conduct of certain soldiers, who,

finding nothing worth removing, took down the weathercock, "that might

have been left alone to turn round," and did much other damage. The

letter is dated Thursday, February 26th, 1644, and is as follows:--"To

present you with as honest men as those of Evesham and honeste you will

not deeme them to be when you heare they came from Abingdon, to a place

called Cumner in no smaller a number than 500; where the chieftains

view the church, goe up into the steeple and overlook the country as

if they meant to garrison there, but finding it not answerable to

their hopes and desires they descend, but are loathe to depart without

leaving a mark of their iniquitie and impiety behind them. Some they

employ to take down the weather cock (that might have been left alone

to turn round), others take down a cross from off an isle of the church

(and this you must not blame them for they are enemies to the cross),

others to plunder the countrymens' houses of bread, beare, and bacon,

and whatsoever else was fit for sustentation."

There is also copied in a late seventeenth century MS. volume in the

British Museum, (Harl. 6365, 53 b.), an epitaph, which, I believe, may

yet be seen in the church, and is rather quaint and curious.

From the same MS.,[2] I copied a description of Anthony Forsters

monument. "In ye chancell against ye north wall, a great marble

monument with pillars of marble. On a plate of brass faced to it ye

picture of a man in armour, kneeling before a table upon a book. At the

foot thereof, his helmett, at ye sides his gauntletts, over against

him his wife kneeling, as her husband. Behind her three children,

between them this coat; 3 Bugles, Q, 3 phoeons, points upwards, with

mantling and crest, which is a stag, lodged, and regardant. Gu. charged

on ye shoulder, with a martlett, or, and pierced thro' ye neck with an

arrow, ar. Behind the man this coat; 3 Bugles, Q., 3 phoeons, points

upwards, impaling 2 organ pipes in saltere between 4 crosses, paty.

Then follow the quarterings. Behind ye woman is this coat: Williams.

Az. 2 organ pipes in saltere between 4 crosses, paty. Quarterings as

before described. Under them both a great brass plate, on ye part of

it under him the following verses--." These need not now be recorded;

they will be found in Ashmole, and also translated in most editions of

Scott's Kenilworth. They record his many accomplishments and virtues,

and relate he was wise, eloquent, just, charitable, learned in the

classics, in literature, music, architecture, and in botany. The date

of his death is not mentioned, his burial however is recorded as taking

place Nov. 10th, 1572, by the parish register, which cannot err.

[Illustration: CHAINED BIBLE, CUMNOR CHURCH.]

He is therein mentioned as A.F., gentleman, the last word being written

over an erasure, and it has been thought by some, that an epithet

not so complimentary had previously been placed there, but erased,

and "gentleman" substituted. I see no reason for such a suggestion;

possibly some latin term may originally have been written, _e.g._,

"miles," and the English word "gentleman" was thought more appropriate.

At any rate, Anthony Forster was buried at Cumnor, Nov. 10th, 1572.

Cumnor Place, Forster's residence, was an early fourteenth century

house, used as a residence by the Abbots of Abingdon, and also as a

place of removal or sanitorium by the monks, particularly during the

plague, or black death, which decimated England under Edward III. At

this period, it served both as rectory and manse house, where tithe

and rents were paid, and Manorial Courts held, and where tenants

were bound to attend to do suit and service for their lands to their

superior lords. Such was Cumnor Place, until the dissolution of the

monasteries by Henry VIII. In 1538, it was granted for life by the

Crown to Thomas Pentecost or Rowland, last Abbot of Abingdon, in

consideration of his having willingly surrendered the Abbey and its

possessions to the King. Rowland either died the following year or

ceded Cumnor Place to the King, who seems to have retained possession

for seven years, when, by patent, dated Windsor, Oct. 8th, 1546, the

Lordship, Manor, and rectorial tithes of Cumnor, with all its rights

and appurtenances, particularly the Capital Messuage, Cumnor Place, and

the close adjoining, called the Park, and three closes called Saffron

Plottye, etc., were granted to George Owen, Esq., the King's physician,

and to John Bridges, doctor in physic, in consideration of two closes

in St. Thomas' parish, Oxford, the site of Rowley Abbey, and the sum

of £310 12s. 9d., cash. William Owen, son of Dr. Owen, married, April

24th, 1558, Ursula, daughter of Alexander Fettiplace, the estate being

then settled upon him. Shortly afterwards, Cumnor Place was leased

to Anthony Forster, and it was in his occupation when occurred the

tragic incident which forms the concluding scene in Sir Walter Scott's

Kenilworth, the death of Amy Robsart, wife of Sir Robert Dudley,

afterwards Earl of Leicester.

In the following year, Anthony Forster purchased the property from

Owen, and seems to have greatly enlarged and otherwise improved the

mansion. Dying in November, 1572, he devised the estate to Dudley,

subject to a payment of £1,200 to Forster's heirs. These conditions,

its seems the Earl accepted, but retained possession for a single year

only, as is proved by a document among the Longleat papers purporting

to be a record of the sale of Cumnor by the Earl of Leicester, to Harry

le Norris, ancestor of the Earls of Abingdon, which bears date 15th

February, 16th Elizabeth, 1575.

From this time Cumnor seems to have gradually fallen into decay.

Possibly the sad end of Lady Dudley may have contributed to this; at

all events, rumours were spread among the villagers that her ghost

haunted the locality, and a tradition is even yet received by them that

her spirit was so unquiet that it required nine parsons from Oxford to

lay the ghost, which they at last effectually did, in a pond hard by,

the water in which does not freeze it is said, even in the most severe

winter. This pond is still shown by the villagers, although they are

quite unable to assign any reason for the peculiar conduct of the ghost.

Neglected for nearly a hundred years, a portion of the ruined mansion

was then converted into a malthouse, afterwards into labourer's

dwellings, and finally demolished in 1810, for the purpose of

rebuilding Wytham Church. Among other mementoes of its former owner

was an arch bearing upon the label the inscription "_Janua Vitæ

Verbum Domini. Anthonius Forster, 1575._" This, with some handsome

tracery windows, was removed to Wytham, the arch being built into the

entrance wall of the churchyard. The date and name were for some reason

destroyed, possibly to evade an apparent anachronism, for Anthony

Forster had been dead two years in 1575. These windows and other

objects of interest were engraved in the _Gentleman's Magazine_ for

1821.

It is said and I believe truly, that so great interest was excited in

Cumnor Place, by Sir W. Scott's novel, that the Earl of Abingdon was

induced to drive some visitors from Wytham to see the ruins, forgetting

that some years previously he had given order for their demolition.

The disappointment of the party on arriving upon the ground was

great, as may be imagined, and not less so that of the Earl, who too

late realized his mistake. The disappointment was felt by everybody,

for it is said all the world hastened to the site of the tragedy so

graphically described by Scott, only to find they were too late. The

public was not then aware that its sympathies had been aroused by the

vivid imagination and marvellous genius of the novelist, and that

while there was just a substratum of fact the greater portion of this

historical novel had no foundation other than the great constructive

power of the Author. While thousands deplored the untimely fate of Amy

Robsart, their sympathies were in truth tributes to the dramatic powers

of the novelist, not to the unfortunate heroine; the novel may be said

to bristle with chronological inaccuracies, and utter disregard for

historic fact.

It has been repeatedly reasoned that novelists should be permitted a

certain licence, and in actual fiction this may possibly be; but if

the subject and characters chosen are both historical, misconceptions

may easily arise, and erroneous statements be indelibly impressed upon

the mind of the reader. Let us recall to our memories the outline of

Kenilworth, and then notice some of Scott's most glaring historical

inaccuracies and anachronisms, and while I have no intention of

attempting a defence for Robert Dudley and his followers, for the crime

here alleged to have been committed, I believe I shall be able to show

that he was, in this instance at any rate, greatly maligned.

The plot in brief is as follows:--Robert Dudley, Earl of Leicester,

son of the Duke of Northumberland, who had been executed for

endeavouring to place Lady Jane Grey upon the throne, having secretly

married Amy Robsart, desires to be free, and confides his wishes to

his retainers, Richard Varney and Anthony Forster. The Countess, who

was living in retirement at Cumnor Place, hearing of the festivities

given by her husband at Kenilworth, goes secretly there, and has a most

affecting interview with Queen Elizabeth, in the course of which the

Queen bitterly reproaches Leicester. At length, by specious promises,

he prevails upon Amy to return to Cumnor, arranging to come to her as

soon as liberated from his attendance upon the Queen. She complies,

and is assigned by Forster a portion of the building approached only

by a drawbridge in which is concealed a trap-door. At night Varney,

riding hastily into the courtyard, gives the Earl's private signal--a

peculiar whistle--on hearing which Amy rushes out to meet her husband;

but Forster having meanwhile withdrawn the bolts, she falls through the

trap. "A faint groan and all is over." Immediate punishment overtakes

the criminals. Varney is arrested, but poisons himself in his cell,

while Forster, in his hasty endeavour to escape, closes behind him a

secret door, and dies a lingering death.

Scott tells us in later editions of Kenilworth (the first was published

in 1821), that he based his story upon a beautiful ballad by W.J.

Mickle, the translator of Camoens Lusiad, which had deeply impressed

him; and Ashmole's Antiquities of Berkshire is cited at length by

him as the principal authority upon which the novel was based. But

Ashmole was in this instance only a copyist, and his antiquities

were not published until 1717, nearly 160 years after Lady Dudley's

death. He copied almost verbatim from a most scurrillous work called

"Leicester's Commonwealth," published in 1584 for political purposes,

known subsequently as "Father Parson's Green Coat," from the colour of

the wrapper in which it was introduced from abroad by its author the

celebrated Jesuit, Robert Parsons, although the authorship has been

attributed to Cecil, Lord Burleigh. It was issued at first in MSS., and

eight MS. copies are preserved in the British Museum, and two in the

Bodleian. Sir Philip Sidney immediately issued a hasty answer to these

charges against his relative, but this was not actually printed until

1746, and had but little effect at the time.

"Leicester's Commonwealth" was no sooner in circulation than the

attention of Government was directed to it, and it was stigmatised by

the Queen and Privy Council as "most malicious, false, and scandalous,

and such as none but an incarnate devil could dream to be true."

Without attempting a defence of Leicester, the character of his defamer

may assist in forming a judgement how far any of his statements may be

received, bearing in mind that both in religion and politics he was

antagonistic to the Earl.

Of obscure, if not questionable birth, Parsons was educated in the

reformed religion at Balliol College, Oxford, at the expense of his

putative father. There he quickly rose to the position of dean and

bursar, but was compelled to resign these appointments in order to

avoid expulsion for incontinence and embezzlement of college funds.

Quitting England for Rome, he then adopted the Romish faith and became

a member of the Society of Jesus. Next, visiting Spain, he was most

active in urging the Spanish King to despatch the Invincible Armada,

and, after its destruction, used all his influence to promote a second

invasion. A bold, clever, intriguing, and unscrupulous traitor, he is

known to have even contemplated the assassination of Queen Elizabeth,

and by his writings to have supported the claims of the Spanish Infanta

against King James to the English throne. Such was the man, who did not

hesitate to hurl broadcast accusations of the most atrocious character

against his opponents, sheltering himself meanwhile abroad from the

prosecution his many infamies deserved. To this man principally are

traced the calumnies upon Leicester, Varney, and Forster, which have

been so unfortunately perpetuated in "Kenilworth."

Much of the interest in the novel centres in the alleged secret

marriage of Amy Robsart (who is described as daughter of Sir Hugh

Robsart of Devonshire), and Dudley. Amy is made to say, "I am but a

disguised Countess, and will not take dignity on me until authorised

by him whom I derive it from." Again she is described as "the Countess

Amy, for to that rank she was exalted by her private but solemn union

with England's proudest Earl," Leicester, as I must here call him,

further on saying "She is as surely Countess of Leicester as I am

belted Earl."

Now for the facts. Amy was only daughter of Sir John Robsart, a Knight

of ancient lineage, belonging to Norfolk, born at Stansfield Hall

in that County, afterwards notorious as the scene of the murder of

Mr. Isaac Jermy and his son by Rush. She had an illegitimate brother

named Arthur, and an elder half-brother by her mother's previous

marriage named Appleyard. Among the Longleat papers is a settlement

on the husband's side, dated 24th May, 1550, in contemplation of the

marriage. On the lady's part a deed executed by her father, Sir John

Robsart, is preserved in P.R.O., London, and dated 15th May, 1520. The

marriage itself could scarcely have been more public than it was. It

must certainly have been well known to the Queen, who not improbably

may have been present; her brother, Edward VI., certainly was. I had

occasion to examine an autograph diary of this youthful King, now

preserved in the British Museum (Cott MS. New Edit. 10), usually

described as a "little diary." As a matter of fact the diary is of

full quarto size; its first page having the Royal Arms and monogram

E.R. in gold and colours. Each leaf has now been placed separately

between folio pages for preservation. Bound up with it are many

letters from the King, carefully written and principally in latin. In

one writing from Hatfield he explains in most affectionate terms that

he had delayed writing "Non negligentia sed studium." In this diary

is recorded in King Edward's own handwriting that the Court being at

Sheen, the old name for Richmond, upon June 4th, 1550.

"S. Robert dudeley, third sonne to th erle of warwic maried S. Jon.

Robsartes daughter after wich mariage ther were certain Gentlemen

that did strive to who shuld first take away a goses heade wich was

hanged alive on tow crose postes. Ther was tilting and tourney on

foot on the 5th, and on the 6th he removed to Greenwich."

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