CHAPTER XIV

AN ACCOUNT OF E. P. ROE'S BOOKS

A few more pages will be given to an account of the circumstances under

which my brother's books were written, including mention of some

incidents which suggested the stories.

His first novel was "Barriers Burned Away." Speaking of this venture he

said at one time:--"I did not take up the writing of fiction as a means

of livelihood, nor to gratify ambition. When I heard the news of the

great fire in Chicago I had a passionate desire to see its houseless,

homeless condition, and spent several days among the ruins and people,

who found refuge wherever they could. I wandered around night and day,

taking notes of all I saw, and there the plot of my story was vaguely

formed."

When Edward had written about eight chapters of this book, as has been

said, he read them to Dr. Field and his associate editor, Mr. J. H.

Dey. He would not have been greatly surprised had they advised his

throwing the manuscript into the burning grate before them, but,

instead, they requested him to leave it with them for serial

publication in _The Evangelist_.

In the intervals of his busy life at Highland Falls the story grew into

fifty-two chapters. He wrote when and where he could,--on steamboats

and trains as well as in his study,--the manuscript often being only a

few pages ahead of its publication. His characters took full possession

of his imagination and were very real to him.

The serial continued for a year. The next thing was to secure a

publisher for the book. Mr. Dodd, senior member of the firm of Dodd,

Mead, and Company, said once when questioned in reference to this

subject:--"Mr. Roe brought his manuscript to us one day. We read it and

made him an offer. At that time we looked upon the venture as purely

experimental. Mr. Roe accepted our offer, and we announced the book. In

a short time letters began to pour in upon us from people who had seen

our announcement, and had also read as much of the story as had

appeared in _The Evangelist_, asking when the book would be published.

These letters were the first indication we had of the story's

popularity, but they were very good evidence of it. An edition was

issued; the book sold rapidly, and the sale since has been large and

continuous."

"How about your original contract with Mr. Roe?"

"Well, as a matter of fact," said Mr. Dodd, "the original contract was

destroyed and another made on a different basis by which Mr. Roe is

largely the gainer. From that time we have published everything that he

has written, and our relations have always been very pleasant and

close."

"What is his most popular work?"

"'Barriers Burned Away' has had the largest sale. 'Without a Home'

stands second on the list, and, considering the fact that it was

published ten years later, is most popular. 'Opening of a Chestnut

Burr' comes next; 'Near to Nature's Heart' has had a very large sale,

and the others follow closely. There is not one of his novels that has

not had a wide circulation."

"Have you any idea of the extent to which his books have been sold

abroad?"

"All have been published in England and the colonies. Mr. Roe has in

almost every instance arranged with English publishers for an

authorized edition from advance sheets, and received compensation. His

stories are also translated into German and French."

"Barriers" was first published in 1872. It is reverently dedicated to

the memory of the author's mother, and his own words as to how it came

to be written have already been quoted. Many letters were received from

young men acknowledging the helpfulness of this book.

"Play and Profit in My Garden" was Edward's first book on horticulture.

It was written in 1873 at Highland Falls, and was published serially in

_The Christian Union_, then edited by Dr. Lyman Abbott. Reviewing

the book just two years before his death, he claimed that he put into

it more of his personality than into any of his other works.

It is a garden story of his own experience. The sandy knoll around the

little country parsonage upon which grew only a vine or two, a few

cherry trees and some common currant bushes, served as a beginning in

this gardening venture. To that was added a small tract of adjoining

land which was rented from a neighbor, making but two acres in all, yet

the profits from this ground for one season alone amounted to two

thousand dollars.

In this book he tells how his garden was stocked first with plants from

the old home place, and how they brought back the sweet associations of

his childhood. He speaks, too, of his pleasure in selecting new

varieties for trial from the gorgeously illustrated catalogues that he

received.

"What Can She Do?" was written the same year. Since that time

numberless women have learned through the fortunes or misfortunes of

life to solve this problem for themselves, but this book has found a

place in many homes and by its influence has led young girls to be more

helpful in the family circle as well as in the wider social spheres in

which they move.

"Opening of a Chestnut Burr" (1874) suggested itself to Edward's mind

while taking a walk one autumn along a wood-road on the grounds of the

old homestead. Several of the characters are drawn from life,

representing some eccentric people who lived near us in our childhood.

In a "well-meanin'" man, "Daddy Inggar," we have a perfect picture of

an old neighbor whom we children called "Daddy Liscomb." He lived in a

little house opposite one of our father's apple orchards, and no

watch-dog could have been more faithful than was this old man in

guarding our fruit from the depredations of factory boys. He was very

profane, more in his last years from habit, however, than from

intentional irreverence, and sometimes when the Methodist clergyman was

offering prayer in his home a sudden twinge of rheumatism would call

forth a perfect volley of oaths, for which he would immediately

afterward make most humble apologies. This book Edward dedicated to his

wife.

"From Jest to Earnest" (1875) is dedicated to Edward's schoolmate and

college friend, Rev. A. Moss Merwin. The story is nearly altogether

imaginary, but was suggested by an actual house-party and the position

of a clever hostess who was embarrassed by the necessity for making the

best of an unwelcome guest.

"Near to Nature's Heart" was written at Cornwall and published in

1876--the Centennial year. It is a Revolutionary story, and the scene

is laid near West Point. "Captain Molly" is of course historical, as is

also the Robin Hood of the Highlands, "Claudius Smith." But most of the

incidents of the story, as well as the leading characters, are

imaginary.

A few years ago I met at a seashore resort in Massachusetts a cultured

gentleman who held a high position in an educational institution in

that State. He told me that his only child, Vera, was named from the

heroine of "Near to Nature's Heart." He had read all of my brother's

books, but particularly enjoyed this one. And while in California

making a trip to some of the high mountain passes of the State I met a

young couple living in a lonely canyon, miles from any town, whose

year-old baby was called Amy, in honor, they said, of the heroine of

"Nature's Serial Story." They had no knowledge of my relationship to

the author of the book.

"A Knight of the Nineteenth Century" (1877) was reverently dedicated to

the memory of the writer's father. These lines form the preface:--

"He best deserves a knightly crest

Who slays the evils that infest

His soul within. If victor here,

He soon will find a wider sphere.

The world is cold to him who pleads;

The world bows low to knightly deeds."

Soon after this book was offered for sale upon the railroad trains, a

young man, who had tired of the humdrum duties of his home, started

West to seek adventure in the excitements of mining life. He bought a

copy, read it, and was so impressed by the writer's picture of true

knightly deeds that he abandoned his purpose and returned to take up

the obligations he had cast aside.

"A Face Illumined" (1878). A beautiful, but discordant, face once seen

at a concert-garden suggested the title and plot of this book. It

interested Edward to imagine what such a countenance could express

under the ennobling influence of a pure Christian life. He says in his

preface:--"The old garden and the aged man who grew young in it are not

creations, but sacred memories." It was our father who was constantly

in the writer's mind as he rehearsed the conversations with Mr.

Eltinge, and the enormous silver poplar that shaded the old man's front

gate, the tool-house and pear tree, and the brook in which "Ida Mayhew"

bathed her tear-stained face, were all drawn from originals.

"Without a Home" (1881). This book was announced two years before it

was completed, for my brother studied with great care and patience the

problems upon which it touches. He visited scores of tenements and

station-houses, and sat day after day upon the bench with police

judges. He also talked with many of the proprietors of city stores and

with their employees, and his indignation was aroused when he found

that in most of these establishments saleswomen were compelled to stand

throughout the hot summer days, no provision being made for even an

occasional rest. In regard to the victim of the opium habit in this

story, he said once, "I felt from the first that Mr. Joselyn was going

to ruin and I could not stop him, and suffered much with him. I also

felt the death of his daughter almost as much as if she had been a

member of my own family."

"Success with Small Fruits" (1881). "Dedicated to Mr. Charles Downing,

a neighbor, friend, and horticulturist from whom I shall esteem it a

privilege to learn in coming years, as I have in the past." Chapters

from this book, appropriately illustrated, first appeared serially in

_Scribner's Magazine_. But the larger scope which the book afforded

gave Edward opportunity to treat the various topics more in detail. He

gives many practical suggestions for the benefit of those who are

interested in this subject. Nevertheless, the book is not a mere manual

upon the culture of small fruits. It is happily written, and much quiet

humor is to be found in its pages. To quote a brief example:--"In April

the bees will prove to you that honey may be gathered even from a

gooseberry bush. Indeed, gooseberries are like some ladies that we all

know. In their young and blossoming days they are sweet and pink-hued,

and then they grow acid, pale, and hard; but in the ripening experience

of later life they become sweet again. Before they drop from their

places the bees come back for honey, and find it."

Whatever may be the opinion of critics in regard to my brother's

fiction, his works on horticulture are of unquestioned authority; they

embody the results of carefully tested personal experiments, and for

this reason have their value. In this book are given practical

directions and advice that gardeners have told me were of immense

service to them.

"A Day of Fate" (1880). This is a quiet love-story of a summer sojourn

in the Highlands.

"His Sombre Rivals: A Story of the Civil War" (1883). In the preface he

says: "The stern and prolonged conflict taught mutual respect. The men

of the North were convinced that they fought Americans, and that the

people on both sides were sincere and honest."

The Battle of Bull Run is simply a suggested picture, and the other war

scenes are colored by the writer's own reminiscences; but concerning

all technical details he consulted military men.

"A Young Girl's Wooing" (1884). Another short love-story, with the

scene laid in the Catskills, where it was written.

"Nature's Serial Story" was also published in 1884, but Edward had been

for several years making studies for it, at each season carefully

noting his observations. He was a great lover of birds and knew exactly

when each species arrived North in the spring and just when the fall

migrations took place. "Song," he says elsewhere, "is the first crop I

obtain, and one of the best. The robins know I am a friend of theirs,

in spite of their taste for early strawberries and cherries, and when I

am at work they are very sociable and familiar. One or two will light

on raspberry stakes and sing and twitter almost as incessantly and

intelligently as the children in their playhouse under the great oak

tree. Yet the robin's first mellow whistle in spring is a clarion call

to duty, the opening note of the campaign."

He drew directly from Nature for facts, and the composition of this

book gave him genuine pleasure. He says: "My characters may seem

shadows to others, but they were real to me. I meet them still in my

walks or drives, where in fancy I placed them."

"An Original Belle" (1885). The most dramatic scenes in this book are

those connected with the New York Draft Riots. Edward was in the city

one day when the riot had reached its height, and personally witnessed

many of the incidents described. Portions of the book relating to this

time were submitted to the Superintendent of the Metropolitan police

force for possible corrections in the statements made.

"Driven Back to Eden." This story for children was published serially

in _St. Nicholas_, in 1885. It was lovingly dedicated to "Johnnie," his

pet name for his youngest daughter. In it my brother takes a family

from a narrow city flat in a neighborhood that was respectable, but

densely populated, and where the children were forced to spend much

time upon the streets with very undesirable companions, to a simple

country home, surrounded by garden, fields, and woods. Here they enjoy

the ideal outdoor life--perhaps as near that of the original "Eden" as

can be imagined. Edward places these children among the scenes of his

own boyhood and writes of experiences that are fictitious only in

detail and characters.

"He Fell in Love with His Wife" (1886). A chance item in a newspaper

relative to a man who had married in order to secure a competent

housekeeper suggested this story, in which the hero tries a similar

experiment.

"The Home Acre" (1887) first appeared serially in _Harper's Magazine_.

It dwells upon the advantages and pleasures of country life, which is

particularly recommended for business men as affording rest and

diversion of thought after continuous mental strain. Practical hints

are given as to the kind of trees to plant and how to plant them, also

as to the proper cultivation of vineyards, orchards and the small

fruits. He urges the advisability of teaching every boy and girl in the

public schools to recognize and protect certain insects, toads, and

harmless snakes that are of incalculable value in the culture of plants

and fruits because of the warfare they wage against the enemies of

vegetable life.

"The Earth Trembled" (1887) was written while at Santa Barbara; but, as

in the case of the Chicago fire, Edward went to Charleston before the

effects of the earthquake had been removed, and saw the state of the

city and its inhabitants for himself. I have been told by people who

lived there at the time that my brother's descriptions of the dreadful

calamity are very accurate.

"Miss Lou" (1888) was my brother's last book and was left unfinished by

his sudden death. The inscription reads:--"In loving dedication to

'little Miss Lou,' my youngest daughter."

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