XXXIII

Success is a strong wine. It was running vividly in Dwala’s veins.

Every least thing he did seemed to him fate-ordered and conclusive. Oh,

the pride of it, the joy of it, the ease of it! The acclamations and

the consciousness of right!

The new Civilisation was like a poem, the scheme of which has come

whole and organic to the poet, and which germinates therefore without

constraint into its natural, necessary verses. The right men and the

right ideas fell of themselves into their places, like particles

forming a system of crystals. Dwala had found the basic idea, which

all this turbid mass had been so long awaiting. He created life and

received it. That same life flowed into his fibres, from the movement

of the multitude, which flows into the peasant-woman’s baby out of the

dust gathered on the busy highway.

Lady Wyse, seeing the easy joyful motion of his limbs and hearing the

deep vigour of his voice, put her presentiments away. Dwala himself

looked back in wonder at that grey mood when the world had faded from

him. He was like the traveller who stands in the garish whirl of the

fair, wondering if this can be the place that looked so grim on Sunday.

He was enjoying the strong rush of life which a kindly Heaven sends to

the consumptive as consolation for their early death.

He had new friends about him now. The Glendovers, the Disturnals, and

the rest of that crew had vanished into the Unknown; they were growing

turnips, shooting partridges, or riding on motor-ears somewhere in the

Outer Darkness. Hartopp and Prosser were still there; Joey had run

away to Seven Dials; Huxtable had packed his boxes, and stayed on in a

condition of provisional irresolution.

On Dwala’s third floor lived an ascetic pensioner--a certain Mr. Bone,

an American, a traveller in the East, a friend of Lady Wyse--connected

by some mystery of familiarity with Dwala’s past. Rumour had it that he

was an adventurer who had been Dwala’s Prime Minister in his days of

sovereignty.

Dwala’s palace, in fact, was fast turning into a monastery, where the

Abbot, with his little cell by the hall-door, was the least luxuriously

housed of all.

Prosser, as I said, was still there, but he was no longer there as

valet. The acceptance of such personal service was inconsistent

with the Prince’s New Humanity, and Prosser was quite incapable of

performing his duties properly. For some time he had contented himself

with a life of ease in his own room. But _his_ politics also had

changed: he did not see why he should be worse off than Hartopp, and,

by force of gradual asking, acquired the whole of the second floor,

over Hartopp, for his portion. He had everything he could think of

wanting in his rooms; but even that did not content him. He had thought

that wealth was all he needed to make him happy in his sober intervals;

but soon found out that he was mistaken. His career had given him a

longing for _other_ people’s property; things lost their interest for

him once they became his own. He craved for the excitements of the

past. Scissors, and ashtrays, and other glittering things got a way

of disappearing wherever he went about the house. One night Dwala was

aroused by the screaming of a police whistle from one of Hartopp’s

windows over him, and going up he found the Fence sitting on Prosser’s

chest in the window-seat, and blowing for all he was worth. A broken

cupboard and a trailing jemmy explained the situation.

‘All right, guvnor, I’ll go quietly,’ said Prosser, in a squeezed

husky voice; ‘I’m nabbed right enough this time.’ All the household

crowded in at the doorway with scared faces; policemen appeared,

and the alarm ended with the lights being turned up and everybody

sitting down together, policemen and all, to a scratch supper in the

dining-room, and laughing uproariously, as if something very funny had

occurred.

The best of Prosser was that he never made any unpleasantness about

being arrested. He would surrender at discretion to the housemaid or

the boot boy, and offer to ‘go quietly.’ The policemen outside entered

into the joke of it, and were ready on the doorstep to come in for

their supper and half-crown whenever the episcopal butler ran out of

a night--as he always did--to fetch them. The American was the only

one who missed the fun of the thing; he swore that if he found anyone

prowling about his rooms he would punch his head and hand him over, bag

and baggage, to the police.

Dwala himself was already tired of the joke, when the butler--rather

dishevelled--came in to the picture-gallery where he was pacing up

and down, one afternoon, with a sheaf of spoons in one hand and the

crestfallen Prosser in the other.

‘Why don’t you steal something big and have done with it?’ Dwala said,

when he and the ex-valet were left alone. ‘One of these pictures, for

instance; they’re very valuable some of them, I know. Now here’s a

tremendously fine thing, I’m told. Who’s it by? The name’s written on

the frame.’

‘Rubens, sir.’

‘Now you take that, Prosser, some night. I don’t want it a bit, I

assure you. It’s worth something like fifteen thousand pounds, I’m

told.’

Prosser returned it after a couple of days.

‘I can’t sleep with it in the room, I can’t, sir. When I shuts my eyes

I seems to see all them ladies rollin’ up and down and every way till

I’m fairly giddy. But I promise you, sir, I won’t go in no more for

little thievin’s, I’ll keep my eyes open for something big.’

Dwala: A romance · 第 36 / 55 题