DAUBIGNY

Of all the Barbizon painters and their artistic kinship, Charles

François Daubigny (1817-1878) is the one who approached nature with the

most reverent spirit. He is in a way the least subjective of them all,

because his love of nature even in her simplest aspects prevented him

from imposing his own personality upon her; and for this very reason he

is more varied in his range of landscape subjects than any of the other

masters of this important group. The most fugitive effects of light

and atmosphere were seized by him with a masterly sureness which found

expression in every touch of his summary brush. Every hour of the day,

every season of the year, every mood of nature appealed to him with

equal intensity, although the choice of his subjects is most frequently

inspired by serene optimism.

Daubigny belonged to a family of artists. He received his first

instruction from his father, and afterwards studied under Delaroche.

Before he began to paint landscapes in the neighbourhood of Paris,

he gained his livelihood by painting sweet-boxes! He found his best

subjects on the banks of the Oise, but worked also in other districts

of France, in Italy, and in England. Of his sojourn in England we are

reminded by _The Thames at Erith_ (No. 2821), one of the thirteen

Daubignys bequeathed to the Louvre by Thomy Thiéry, which also include

the sun-flooded _Weir Gate at Optevoz_ (No. 2818, Plate LI.), _The

Pond with Storks_ (No. 2815), _Les Péniches_ (No. 2820), _Morning on

the River_ (No. 2824), and _The Banks of the Oise_ (No. 2823). _The

Vintage in Burgundy_ (No. 184), which was bought by the State at

the ridiculously low price of £400, is a picture of unusually large

dimensions for an artist who generally needed but a small surface to

express his ardent worship of nature. The delicious _Spring_ (No.

185), with its blossoming apple trees and young grass, must be counted

among his finest achievements. It is a picture that fills the heart

of the beholder with the joy and contentment engendered by the blithe

atmosphere of a bright spring day in the country.

The Louvre: Fifty Plates in Colour · 第 376 / 399 题