NO. | ITALIAN SCHOOLS | PLATE | PAGE
| | |
1601 | LEONARDO DA VINCI— | |
| _PORTRAIT OF MONA LISA_ (_LA JOCONDE_) | IV |_Frontispiece_
| | |
1383 | SIMONE MARTINI— | |
| _CHRIST BEARING HIS CROSS_ | I | 16
| | |
1344 | FRA FILIPPO LIPPI— | |
| _MADONNA AND CHILD, WITH ANGELS, AND TWO_ | II | 28
| _ABBOTS_ | |
| | |
1322 | DOMENICO GHIRLANDAIO— | |
| _PORTRAIT OF AN OLD MAN AND HIS GRANDSON_ | |
| (“_THE BOTTLE-NOSED MAN_”) | III | 32
| | |
1297 | BOTTICELLI— | |
| _GIOVANNA DEGLI ALBIZZI AND THE THREE GRACES_| V | 40
| | |
1566A| PERUGINO— | |
| _ST. SEBASTIAN_ | VI | 56
| | |
1496 | RAPHAEL— | |
| _LA BELLE JARDINIÈRE_ | VII | 58
| | |
1505 | RAPHAEL— | |
| _PORTRAIT OF BALDASSARE CASTIGLIONE_ | VIII | 60
| | |
1134 | ANTONELLO DA MESSINA— | |
| _PORTRAIT OF A CONDOTTIERE_ | IX | 64
| | |
1136 | GIORGIONE— | |
| _PASTORAL SYMPHONY_ | X | 66
| | |
1399 | PALMA VECCHIO— | |
| _THE ADORATION OF THE SHEPHERDS, WITH A_ | |
| _FEMALE DONOR_ | XI | 68
| | |
1592 | TITIAN— | |
| _THE MAN WITH A GLOVE_ | XII | 70
| | |
1584 | TITIAN— | |
| _THE ENTOMBMENT_ | XIII | 74
| | |
1375 | ANDREA MANTEGNA— | |
| _PARNASSUS_ | XIV | 80
| | |
1117 | CORREGGIO— | |
| _THE MYSTIC MARRIAGE OF ST. CATHERINE_ | XV | 112
| | |
| | |
| FLEMISH SCHOOL | |
| | |
1986 | JAN VAN EYCK— | |
| _THE VIRGIN AND CHILD, AND THE CHANCELLOR_ | |
| _ROLIN_ | XVI | 122
| | |
[1] | HANS MEMLINC— | |
| _PORTRAIT OF AN OLD LADY_ | XVII | 128
| | |
1957 | GERARD DAVID— | |
| _THE MARRIAGE AT CANA_ | XVIII | 130
| | |
2029 | QUENTIN MATSYS- | |
| _THE BANKER AND HIS WIFE_ | XIX | 132
| | |
1997 | JAN MABUSE— | |
| _PORTRAIT OF JEAN CARONDELET_ | XX | 134
| | |
2093 | RUBENS— | |
| _HENRY IV. LEAVES FOR THE WARS_ | XXI | 144
| | |
2113 | RUBENS— | |
| _PORTRAIT OF HÉLÈNE FOURMENT AND TWO OF HER_ | |
| _CHILDREN_ | XXII | 146
| | |
1967 | VAN DYCK— | |
| _PORTRAIT OF CHARLES I. OF ENGLAND_ | XXIII | 148
| | |
| | |
| GERMAN SCHOOL | |
| | |
2715 | HANS HOLBEIN THE YOUNGER— | |
| _PORTRAIT OF ERASMUS_ | XXIV | 164
| | |
| | |
| SPANISH SCHOOL | |
| | |
1731 | VELAZQUEZ— | |
| _PORTRAIT OF THE INFANTA MARGARITA_ | XXV | 180
| | |
1709 | MURILLO— | |
| _THE IMMACULATE CONCEPTION_ | XXVI | 186
| | |
| | |
| DUTCH SCHOOL | |
| | |
2384 | FRANS HALS— | |
| _THE GIPSY GIRL_ | XXVII | 198
| | |
2385 | FRANS HALS— | |
| _PORTRAIT OF A LADY IN BLACK_ |XXVIII | 200
| | |
2539 | REMBRANDT— | |
| _THE PILGRIMS AT EMMAUS_ | XXIX | 202
| | |
2547 | REMBRANDT— | |
| _PORTRAIT OF HENDRICKJE STOFFELS_ | XXX | 204
| | |
2394 | VAN DER HELST— | |
| _THE SHOOTING PRIZE_ | XXXI | 206
| | |
2348 | GERARD DOU— | |
| _THE DROPSICAL WOMAN_ | XXXII | 208
| | |
2589 | TERBORCH— | |
| _THE CONCERT_ |XXXIII | 210
| | |
2580 | JAN STEEN— | |
| _BAD COMPANY_ | XXXIV | 212
| | |
2415 | PIETER DE HOOCH— | |
| _DUTCH INTERIOR, WITH A LADY PLAYING CARDS_ | XXXV | 214
| | |
2456 | JAN VER MEER— | |
| _THE LACE-MAKER_ | XXXVI | 216
| | |
| | |
| FRENCH SCHOOL | |
| | |
734 | NICOLAS POUSSIN— | |
| _THE SHEPHERDS IN ARCADIA_ |XXXVII | 246
| | |
317 | CLAUDE— | |
| _VIEW OF A SEAPORT_ |XXXVIII| 248
| | |
982 | WATTEAU— | |
| _THE EMBARKATION FOR THE ISLAND OF CYTHERA_ | XXXIX | 262
| | |
36 | BOUCHER— | |
| _VULCAN PRESENTING ARMS TO VENUS_ | XL | 266
| | |
92 | CHARDIN— | |
| _GRACE BEFORE MEAT_ | XLI | 268
| | |
291 | FRAGONARD— | |
| _THE MUSIC LESSON_ | XLII | 270
| | |
372 | GREUZE— | |
| _THE BROKEN PITCHER_ | XLIII | 272
| | |
522 | MME. VIGÉE LE BRUN— | |
| _PORTRAIT OF THE ARTIST AND HER DAUGHTER_ | XLIV | 274
| | |
199 | DAVID— | |
| _PORTRAIT OF MME. RÉCAMIER_ | XLV | 276
| | |
338 | GÉRICAULT— | |
| _THE RAFT OF THE “MEDUSA”_ | XLVI | 280
| | |
207 | DELACROIX— | |
| _DANTE AND VIRGIL_ | XLVII | 282
| | |
422 | INGRES— | |
| _THE SPRING_ |XLVIII | 284
| | |
2801 | COROT— | |
| _THE DELL_ | XLIX | 292
| | |
2867 | DUPRÉ— | |
| _THE POND_ | L | 294
| | |
2818 | DAUBIGNY— | |
| _THE WEIR GATE AT OPTEVOZ_ | LI | 296
| | |
644 | MILLET— | |
| _WOMEN GLEANING_ | LII | 298
| | |
613A| MANET— | |
| _OLYMPIA_ | LIII | 302
| | |
| | |
| ENGLISH SCHOOL | |
| | |
1809 | CONSTABLE— | |
| _HAMPSTEAD HEATH_ | LIV | 304
[1] This picture has not yet received an official number.