SCENE VI.--_A small garden outside the prison_, GOETZ, ELIZABETH,

LERSE, _and prison-keeper_.

GOETZ: Almighty God! How lovely is it beneath Thy heaven! Farewell,

my children! My roots are cut away, my strength totters to the grave.

Let me see George once more, and sun myself in his look. You turn

away and weep? He is dead! Then die, Goetz! How did he die? Alas!

they took him among the incendiaries, and he has been executed?

ELIZABETH: No, he was slain at Miltenberg, fighting like a lion.

GOETZ: God be praised! Now release my soul! My poor wife! I leave

you in a wicked world. Lerse, forsake her not! Blessings upon Marie

and her husband. Selbitz is dead, and the good emperor, and my George.

Give me some water! Heavenly air! Freedom!

[_He dies_.

ELIZABETH: Freedom is only above--with thee; the world is a prison.

LERSE: Noble man! Woe to this age that rejected thee! Woe to the

future that shall misjudge thee!

FOOTNOTES:

[A] The story of "Goetz von Berlichingen" was founded on

the life of a German soldier of fortune who flourished between 1480

and 1562. The possibilities of his biography inspired Goethe (Vol.

IV, p. 253) with the idea of doing for Germany what Shakespeare had

done for mediæval England. In a few weeks he had turned the life into

a series of vivid dramatic pictures, which so engrossed him that he

"forgot Homer, Shakespeare, and everything." For the next two years

the manuscript lay untouched. In 1773 he made a careful revision and

published it anonymously under the title of "Goetz von Berlichingen of

the Iron Hand"; it is in this form we possess the work now. At a still

later period, in 1804, Goethe prepared another version of the play

for the stage. The subject-matter of "Goetz" is purely revolutionary.

Goetz, the hero himself, is a champion of a good cause--the cause

of freedom and self-reliance. He is the embodiment of sturdy German

virtues, the Empire and the Church playing the unenviable role of

intrigue and oppression. As a stage play, "Goetz" is ill-constructed,

but otherwise it stands a veritable literary triumph, and a worthy

predecessor to "Faust." This epitome has been prepared from the German

text.

Iphigenia in Tauris[B]

_Persons in the Drama_

IPHIGENIA ORESTES

THOAS, _King of Tauris_

PYLADES ARKAS

_The scene throughout is laid in a grove before_ DIANA'S _temple in

Tauris_.

ACT I

IPHIGENIA _and_ THOAS.

THOAS: To-day I come within this sacred fane,

Which I have often entered to implore

And thank the gods for conquest. In my breast

I bear an old and fondly-cherish'd wish,

To which methinks thou canst not be a stranger:

I hope, a blessing to myself and realm,

To lead thee to my dwelling as my bride.

IPHIGENIA: Too great thine offer, king, to one unknown,

Who on this shore sought only what thou gavest,

Safety and peace.

THOAS: Thus still to shroud thyself

From me, as from the lowest, in the veil

Of mystery which wrapp'd thy coming here,

Would in no country be deem'd just or right.

IPHIGENIA: If I conceal'd, O king, my name, my race,

It was embarrassment, and not mistrust.

For didst thou know who stands before thee now,

Strange horror would possess thy mighty heart,

And, far from wishing me to share thy throne,

Thou wouldst more likely banish me forthwith.

THOAS: Whate'er respecting thee the gods decree,

Since thou hast dwelt amongst us, and enjoy'd

The privilege the pious stranger claims,

To me hath fail'd no blessing sent from heaven.

End then thy silence, priestess!

IPHIGENIA: I issue from the Titan's race.

THOAS: From that same Tantalus, whom Jove himself

Drew to his council and his social board?

IPHIGENIA: His crime was human, and their doom severe;

Alas, and his whole race must bear their hate.

His son, Pelops, obtained his second wife

Through treachery and murder. And Hebe's sons,

Thyestes and Atreus, envious of the love

That Pelops bore his first-born, murdered him.

The mother, held as murderess by the sire,

In terror did destroy herself. The sons,

After the death of Pelops, shared the rule

O'er Mycenæ, till Atreus from the realm

Thyestes drove. Oh, spare me to relate

The deeds of horror, vengeance, cruel infamy

That ended in a feast where Atreus made

His brother eat the flesh of his own boys.

THOAS: But tell me by what miracle thou sprangest

From race so savage.

IPHIGENIA: Atreus' eldest son

Was Agamemnon; he, O king, my sire;

My mother Clytemnestra, who then bore

To him Electra, and to fill his cup

Of bliss, Orestes. But misfortunes new

Befel our ancient house, when to avenge

The fairest woman's wrongs the kings of Greece

Round Ilion's walls encamp'd, led by my sire.

In Aulis vainly for a favouring gale

They waited; for, enrag'd against their chief,

Diana stay'd their progress, and requir'd,

Through Chalcas' voice, the monarch's eldest daughter.

They lured me to the altar, and this head

There to the goddess doomed. She was appeased,

And shrouded me in a protecting cloud.

Here I awakened from the dream of death,

Diana's priestess, I who speak with thee.

THOAS: I yield no higher honour or regard

To the king's daughter than the maid unknown;

Once more my first proposal I repeat.

IPHIGENIA: Hath not the goddess who protected me

Alone a right to my devoted head?

THOAS: Not many words are needed to refuse,

The _no_ alone is heard by the refused.

IPHIGENIA: I have to thee my inmost heart reveal'd.

My father, mother, and my long-lost home

With yearning soul I pine to see.

THOAS: Then go!

And to the voice of reason close thine ear.

Hear then my last resolve. Be priestess still

Of the great goddess who selected thee.

From olden time no stranger near'd our shore

But fell a victim at her sacred shrine;

But thou, with kind affection didst enthral

Me so that wholly I forgot my duty;

And I did not hear my people's murmurs.

Now they cry aloud. No longer now

Will I oppose the wishes of the crowd.

Two strangers, whom in caverns of the shore

We found conceal'd, and whose arrival here

Bodes to my realm no good, are in my power.

With them thy goddess may once more resume

Her ancient, pious, long-suspended rites!

I send them here--thy duty not unknown.

[_Exit._

IPHIGENIA: O goddess! Keep my hands from blood!

ACT II

ORESTES _and_ PYLADES.

ORESTES: When I implor'd Apollo to remove

The grisly band of Furies from my side,

He promised aid and safety in the fane

Of his lov'd sister, who o'er Tauris rules.

Thus the prophetic word fulfils itself,

That with my life shall terminate my woe.

Thee only, friend, thee am I loath to take,

The guiltless partner of my crime and curse,

To yonder cheerless shore!

PYLADES: Think not of death!

But mark if not the gods perchance present

Means and fit moment for a joyful flight.

The gods avenge not on the son the deeds

Done by their father.

ORESTES: It is their decree

Which doth destroy us.

PYLADES: From our guards I learn

A strange and god-like woman holds in check

The execution of the bloody law.

ORESTES: The monarch's savage will decrees our death;

A woman cannot save when he condemns.

PYLADES: She comes: leave us alone. I dare not tell

At once our names, nor unreserv'd confide

Our fortunes to her. Now retire awhile.

[_Exit_ ORESTES. _Enter_ IPHIGENIA.

IPHIGENIA: Whence art thou? Stranger, speak! To me thy bearing

Stamps thee of Grecian, not of Scythian race.

[_She unbinds his chains_.

The gods avert the doom that threatens you!

PYLADES: Delicious music! Dearly welcome tones

Of our own language in a foreign land!

We are from Crete, Adrastus' sons; and I

Am Cephalus; my eldest brother, he,

Laodamas. Between us stood a youth

Whom, when our sire died (having return'd

From Troy, enrich'd with loot), in contest fierce

My brother slew! 'Tis thus the Furies now

For kindred-murder dog his restless steps.

But to this savage shore the Delphian god

Hath sent us, cheer'd by hope. My tale is told.

IPHIGENIA: Troy fallen! Dear stranger, oh, say!

PYLADES: The stately town

Now lies in ruins. Many a hero's grave

Will oft our thoughts recall to Ilion's shore.

There lies Achilles and his noble friend;

Nor Palamedes, nor Ajax, e'er again

The daylight of their native land beheld.

Yet happy are the thousands who receiv'd

Their bitter death-blow from a hostile hand,

And not like Agamemnon, who, ensnared,

Fell murdered on the day of his return

By Clytemnestra, with Ægisthus' aid.

IPHIGENIA: Base passion prompted then this deed of

shame?

PYLADES: And feelings, cherish'd long of deep revenge.

For such a dreadful deed, that if on earth

Aught could exculpate murder, it were this.

The monarch, for the welfare of the Greeks,

Her eldest daughter doomed. Within her heart

This planted such abhorrence that forthwith

She to Ægisthus hath resigned herself,

And round her husband flung the web of death.

IPHIGENIA (_veiling herself_): It is enough! Thou wilt again

behold me.

ACT III

IPHIGENIA _and_ ORESTES.

IPHIGENIA: Unhappy man, I only loose thy bonds

In token of a still severer doom.

For the incensed king, should I refuse

Compliance with the rites himself enjoin'd,

Will choose another virgin from my train

As my successor. Then, alas! with nought,

pave ardent wishes, can I succour you.

But tell me now, when Agamemnon fell,

Orestes--did he share his sire's fate?

Say, was he saved? And is he still alive?

And lives Electra, too?

ORESTES: They both survive.

Half of the horror only hast thou heard.

Electra, on the day when fell her sire,

Her brother from impending doom conceal'd;

Him Strophius, his father's relative,

Received with kindest care, and rear'd him up,

With his own son, named Pylades, who soon

Around the stranger twin'd love's fairest bonds.

The longing to revenge the monarch's death

Took them to Mycenæ, and by her son

Was Clytemnestra slain.

IPHIGENIA: Immortal powers!

O tell me of the poor unfortunate!

Speak of Orestes!

ORESTES: Him the Furies chase.

They glare around him with their hollow eyes,

Like greedy eagles. In their murky dens

They stir themselves, and from the corners creep

Their comrades, dire remorse and pallid fear;

Before them fumes a mist of Acheron.

I am Orestes! and this guilty head

Is stooping to the tomb and covets death;

It will be welcome now in any shape.

[ORESTES _retires_. IPHIGENIA _prays to the gods, and_

ORESTES _returns_.

ORESTES: Who art thou, that thy voice thus horribly

Can harrow up my bosom's inmost depths?

IPHIGENIA: Thine inmost heart reveals it. I am she--Iphigenia!

ORESTES: Hence, away, begone!

Leave me! Like Heracles, a death of shame,

Unworthy wretch, locked in myself, I'll die!

IPHIGENIA: Thou shalt not perish! Would that I might hear

One quiet word from thee! Dispel my doubts,

Make sure the bliss I have implored so long.

Orestes! O my brother!

ORESTES: There's pity in thy look! oh, gaze not so--

'Twas with such looks that Clytemnestra sought

An entrance to her son Orestes' heart,

And yet his uprais'd arm her bosom pierced.

The weapon raise, spare not, this bosom rend,

And make an outlet for its boiling streams.

[_He sinks exhausted. Enter_ PYLADES.

PYLADES: Dost thou not know me, and this sacred grove,

And this blest light, which shines not on the dead?

Attend! Each moment is of priceless worth,

And our return hangs on a slender thread.

The favouring gale, which swells our parting sail,

Must to Olympus waft our perfect joy.

Quick counsel and resolve the time demands.

ACT IV

IPHIGENIA _alone_.

IPHIGENIA: They hasten to the sea, where in a bay

Their comrades in the vessel lie concealed,

Waiting a signal. Me they have supplied

With artful answers should the monarch send

To urge the sacrifice. Detested falsehood!

[_Enter_ ARKAS.

ARKAS: Priestess, with speed conclude the sacrifice!

Impatiently the king and people wait.

IPHIGENIA: The gods have not decreed that it should be.

The elder of these men of kindred-murder

Bears guilt. The dread Erinnys here within

Have seized upon their prey, polluting thus

The sanctuary. I hasten now to bathe

The goddess' image in the sea, and there

With solemn rites its purity restore.

ARKAS: This hindrance to the monarch I'll announce.

[_Exit_ ARKAS. Enter PYLADES.

PYLADES: Thy brother is restor'd! The fire of youth

With growing glory shines upon his brow.

Let us then hasten; guide me to the fane.

I can unaided on my shoulder bear

The goddess' image; how I long to feel

The precious burden! Hast thou to the king

Announced the prudent message as agreed?

IPHIGENIA: The royal messenger arrived, and I,

According to thy counsel, fram'd my speech.

PYLADES: Danger again doth hover o'er our heads.

Alas! Why hast thou failed to shroud thyself

Within the veil of sacerdotal rights?

IPHIGENIA: I never have employed them as a veil.

PYLADES: Pure soul! Thy scruples will alike destroy

Thyself and us. Come, let us be firm.

Nor with incautious haste betray ourselves.

IPHIGENIA: It is an honest scruple, which forbids

That I should cunningly deceive the king,

And plunder him who was my second father.

PYLADES: Him dost thou fly, who would have slain thy brother.

If we should perish, bitter self-reproach,

Forerunner of despair, will be thy portion;

Necessity commands. The rest thou knowest. [_Exit._

IPHIGENIA: I must obey him, for I see my friends

Beset with peril. Yet my own sad fate

Doth with increasing anguish move my heart

To steal the image, sacred and rever'd,

Confided to my care, and him deceive

To whom I owe my life and destiny!

Let not abhorrence spring within my heart!

ACT V

THOAS _alone_.

THOAS: Fierce anger rages in my riven breast,

First against her whom I esteem'd so pure;

Then 'gainst myself, whose foolish lenity

Hath fashion'd her for treason. Vain my hope

To bind her to me. Now that I oppose

Her wish, she seeks to gain her ends by fraud.

[_Enter_ IPHIGENIA.

Wherefore delay the sacrifice; inform me!

IPHIGENIA: The goddess for reflection grants thee time.

THOAS: To thee this time seems also opportune.

IPHIGENIA: Are we not bound to render the distress'd

The gracious kindness from the gods received?

Thou know'st we are, and yet wilt thou compel me?

THOAS: Obey thine office, not the king.

IPHIGENIA: Oh, couldst thou see the struggle of my soul,

Courageously toward the first attack

Of an unhappy doom which threatens me;

Must I implore a miracle from heaven?

THOAS: Extravagant thy interest in the fate

Of these two strangers. Tell me who they are.

IPHIGENIA: They are--they seem, at least--I think them Greeks.

THOAS: Thy countrymen; no doubt they have renewed

The pleasing picture of return.

IPHIGENIA (_after a pause_): Attend,

O king, and honour truth in me. A plot

Deceitfully and secretly is laid

Touching the captives thou dost ask in vain.

They have escaped. The eldest is Orestes,

Whom madness seized, my brother; Pylades,

His early friend and confidant, the other.

From Delphi, Phoebus sent them to this shore,

To steal away the image of Diana,

And to him bear back the sister thither.

And for this, deliverance promised he

The Fury-haunted son.

THOAS: The traitors have contrived a cunning web,

And cast it round thee, who, secluded long,

Giv'st willing credence to thine own desire.

IPHIGENIA: No, no! I'd pledge my life these men are true;

And shouldst thou find them otherwise, O king,

Then let them perish both, and cast me forth.

[_Enter_ ORESTES, _armed_.

ORESTES (_addressing his followers_): Redouble your

exertions! Hold them back!

And keep a passage open to the ship!

(_To_ IPHIGENIA) We are betray'd; brief time remains

for flight! [_He perceives the king_.

THOAS: None in my presence with impunity

His naked weapon wears!

IPHIGENIA: Do not profane

Diana's sanctuary with rage and blood.

In him revere the king, my second father!

ORESTES: Will he permit our peaceable return?

IPHIGENIA: Thy gleaming sword forbids me to reply.

[_Enter_ PYLADES, _followed by_ ARKAS,

_with drawn swords_

PYLADES: Do not delay, our friends are putting forth

Their final strength!

ARKAS: They yield; their ship is ours!

THOAS: Let none annoy the foe while we confer.

[ARKAS _retires_.

THOAS: Now, answer me; how dost thou prove thyself

The priestess' brother, Agamemnon's son?

IPHIGENIA: See here, the mark on his right hand impress'd

As of three stars, which on his natal day

Were by the priest declar'd to indicate

Some dreadful deed therewith to be perform'd!

THOAS: E'en though thy words had banish'd every doubt,

Still must our arms decide. I see no peace;

Their purpose, as thou didst thyself confess,

Was to deprive me of Diana's image!

ORESTES: The image shall not be the cause of strife!

We now perceive the error which the god

Threw o'er our minds. His counsel I implor'd;

He answer'd, "Back to Greece the sister bring,

Who in the Tauris sanctuary abides."

To Phoebus' sister we applied the words,

And she referred to thee.

IPHIGENIA: Oh, let thy heart

Be moved by what an honest tongue has spoken.

Look on us, king; an opportunity

For such a noble deed not oft occurs!

THOAS: Then go!

IPHIGENIA: Not so, my king! I cannot part

Without thy blessing, or in anger from thee.

THOAS (_extending his hand_): Fare thee well!

FOOTNOTES:

[B] Goethe's fascinating and noble drama, "Iphigenia in

Tauris," was first written in prose, and recast into verse in 1786.

Inspired partly by his feelings towards Frau von Stein, whom Goethe

"credited with knowing every trait of his being," and partly by the

"Iphigenia in Tauris" of Euripides, the play is totally different from

anything that had as yet come from his pen. Although it lacks some of

the pomp and circumstance of the best Greek tragedy, it is written with

great dignity in the strictest classical form, admirably suggesting

the best in French classical drama. The prominent motive of the piece

is the struggle between truth and falsehood. "It is," one critic has

remarked, "a poetic drama of the soul." On its production at Weimar,

the German public received it indifferently.

GOGOL[C]

The Inspector-General

_Persons in the Play_

ANTON ANTONOVITCH, _governor of a small town_

ANNA ANDREYEVNA, _his wife_

MARYA, _their daughter_

LUKA, _director of schools_

KHELSTAKOV, _a St. Petersburg official_

OSIP, _his servant-man_

BOBCHINSKI _and_ DOBCHINSKI, _independent gentlemen_

A JUDGE, A CHARITY COMMISSIONER, A POSTMASTER

POLICE SUPERINTENDENT and CONSTABLES

A WAITER AT THE INN

ACT I

SCENE.--_A room in the_ GOVERNOR'S _house. The_ GOVERNOR, _a coarse

and ill-educated official, and several functionaries of the

town_.

GOVERNOR (_addressing the functionaries_): I have bad news. An

inspector-general is coming from St. Petersburg. You must see that

your various departments are set in order. The hospital must be tidied

up and the patients must be provided with nice white night-caps. The

school-teachers must coach up the scholars in their subjects.

[_Enter_ BOBCHINSKI _and_ DOBCHINSKI _breathlessly_.

BOBCHINSKI: What an extraordinary incident!

DOBCHINSKI: A startling announcement!

ALL: What is it? What is it?

BOBCHINSKI: I will tell you correctly. After you had received the

letter from St. Petersburg, I ran out to tell the postmaster what it

had announced. On the way Dobchinski pressed me to go into the inn

for refreshment. Into the restaurant came an elegant young man with a

fashionable aspect. The landlord told us he was an official on his way

from Petersburg to Saratov, and that he is acting strangely, for he has

been here more than a fortnight, and pays for nothing.

GOVERNOR: Good lord! Surely it cannot be he! Been here a fortnight?

May heaven help us. You, sirs, get all your departments in proper trim.

In the meantime I will take a stroll round the town, and satisfy myself

that travellers are treated with due respect.

The governor orders the police to see that the street leading to the

inn is well swept. He threatens to punish severely any of the

townspeople who shall dare to bring complaints of any kind to the

visiting official.

ACT II

SCENE.--_A small room in the inn_. OSIP _lying on his master's bed_.

OSIP: Devil take it! I am famishing. It is two months since we left

St. Petersburg. This master of mine has squandered all his money on the

way, and here we are penniless. The old man sends his son money, but

he goes on the racket with it till all is spent, and then he has to

pawn his clothes almost to the last rag. And now this landlord declares

he will let us have nothing more to eat unless we pay in advance. Ah,

there's the knock.

[_He gets off the bed_. KHELSTAKOV _enters_.

KHELSTAKOV: Go down and ask for something to eat.

OSIP: No. The landlord will not let us have it. He says we are

swindlers, and he threatens to have you put in prison.

KHELSTAKOV: Go to the devil! Call the landlord. (OSIP _goes_.) How

fearfully hungry I am. And I was cheated at cards and cleaned right out

at Penza by that infantry captain. What a miserable little town this

is. They give no credit at the provision shops.

[_Enter_ WAITER.

WAITER: The landlord asks what you want.

KHELSTAKOV: Please bring my dinner at once. I must be busy directly

I have dined.

The waiter replies that the landlord refuses to supply anything more,

and seems likely to complain to the governor. But presently dinner is

brought in. To Khlestakov's great consternation Osip announces that

the governor has come and is asking for him.

KHELSTAKOV: What? The landlord has reported me! I'll put on an

aristocratic air, and ask him how he dares----

Governor, entering in trepidation and saluting humbly, astonishes him

by profuse offers of hospitality and entertainment, though when at

first mention is made of taking him to other quarters, the guest in

horror ejaculates that he supposes the gaol is meant, and he asks what

right the governor has to hint at such a thing.

KHELSTAKOV (_indignantly_): How dare you? I--I--I am a government

official at St. Petersburg. I--I--I----

GOVERNOR (_aside_): Good heavens, what a rage he is in! He knows

everything. Those confounded merchants have told him all.

Banging the table, Khlestakov declares he will _not_ go to the

gaol, but will complain to the Minister of the Interior; and the

governor, trembling and terrified, pleads that he has a wife and

little children, and begs that he may not be ruined. The ridiculous

misunderstanding on both sides grows more confused every minute. The

governor pours forth the most abject apologies; declares that if the

people accuse him of oppression and extortion, and even of flogging

women, they are a slandering mob.

KHELSTAKOV: What have I to do with your enemies or the women you have

flogged? Don't attempt to flog me. Now, look here, I will pay this

landlord's account, but just now I have not the money. That is why I am

staying here.

GOVERNOR (_aside_): Sly rogue, trying to mystify me! (_Aloud_) If you

really are short of money, I am ready to serve you at once.

The visitor says that he will in that case borrow 200 roubles, and the

money is readily handed over; in fact, the governor quietly slips in

200 extra roubles. The governor, convinced that the inspector-general

is simply determined to keep up his _incognito_, resolves to act

accordingly, and to tell falsehoods appropriate for mutual deception.

He invites the guest to visit Various institutions, and a round is

made.

ACT III

SCENE.--_A room in the_ GOVERNOR'S _house_. GOVERNOR, KHELSTAKOV, _and

other functionaries_.

KHELSTAKOV: Fine establishments! In other towns they showed me

nothing.

GOVERNOR: In other towns I venture to say that the officials

think most about their own profit; here we only aim at winning the

approbation of the government.

KHELSTAKOV: That lunch was very good! The fish was delicious! Where

was it that we lunched? Was it not at the hospital? I saw the beds,

but there were not many patients. Have the sick recovered?

GOVERNOR: Yes. Since I became governor they all get well like flies,

not so much by doctoring as by honesty and regularity. Thank God,

everything goes satisfactorily here! Another governor would undoubtedly

look after his own advantage; but, believe me, when I lie down to

sleep, my prayer is, "O Thou my Lord, may the government perceive my

zeal and be satisfied." So I have an easy conscience.

KHELSTAKOV: Are there any clubs here where a game at cards could be

had?

GOVERNOR: God forbid! Here such a thing as a card-club is never heard

of. I am disgusted at the sight of a card, and never dealt one in my

life. Once to amuse the children I built a house of cards, and had

accursed dreams all night.

LUKA (_aside_): But the villain cheated me yesterday out of a hundred

roubles!

Introduced to the governor's wife and daughter, Khlestakov addresses

them in the manner of a gallant from the metropolis, and chatters

boastfully of his influence, his position, and his connections.

His house is the first in St. Petersburg. Meantime, the various

functionaries meet in the house of the governor to concert measures

for propitiating this great courtier. They resolve to present him with

a substantial token of regard. With great trepidation they wait on him.

JUDGE (_entering very nervously_): I have the honour to present

myself. I have been judge here since 1816, and have been decorated

with the Vladimir of the Fourth Class.

KHELSTAKOV: What have you there in your hand?

JUDGE (_in bewilderment drops banknotes on the floor_): Nothing.

KHELSTAKOV: How nothing? I see some money has been dropped.

JUDGE (_trembling and aside_): O heaven, I am already before the

tribunal, and they have brought the cart to take me into exile.

Khlestakov picks up the notes, and asks that the money may be lent

him, as he has spent all his cash on the journey. He promises to

return it as soon as he reaches home, but the judge protests that the

honour of lending it is enough, and he begs that there shall be no

injunction against him.

Next to present himself is the postmaster, in full uniform, sword in

hand. After a little conversation with this functionary, Khlestakov

thinks he may just as well borrow of him also, and he forthwith

mentions that a singular thing has happened to him, for he has lost

all his money on the way, and would be glad to be obliged with the

loan of three hundred roubles. It is instantly counted out with

alacrity, and the postmaster hastily retires. Also, in a very nervous

state, Luka, the School Director, the Charity Commissioner, Bobchinski

and Dobchinski, come to pay their homage, and Khlestakov borrows

easily from each in turn.

KHELSTAKOV _(alone):_ There are many officials here; it seems to me,

however, that they take me for a government functionary. What fools! I

must write about it all to Tryapitchkin at Petersburg; he will write

sketches of it in the papers. Here, Osip, bring me paper and ink! I

will just see how much money I have got. Oh, more than a thousand!

While he is writing a letter Osip interrupts him with earnest

assurances that it will be prudent to depart speedily from the town;

for people have been mistaking him for somebody else, and awkward

complications may ensue. It is really time to go. There are splendid

horses here, and these can be secured for the journey. Khlestakov

consents, tells Osip to take the letter to the post, and to obtain

good posthorses. Suddenly some merchants present themselves with

petitions, bringing with them gifts of sugar-loaves and wine. They

pour forth bitter complaints against the governor. They accuse him

of constant and outrageous extortion. They beg Khlestakov to secure

his deposition from office. When they offer the sugar-loaves and the

wine, Khlestakov protests that he cannot accept bribes, but if they

would offer him a loan of three hundred roubles that would be another

matter. They do so and go out.

[_Enter_ MARYA _nervously_.

MARYA: Ach!

KHELSTAKOV: Why are you so frightened?

MARYA: No; I am not frightened. I thought mamma might be here. I am

disturbing you in your important business.

KHELSTAKOV: But your eyes are more attractive than important

business.

MARYA: You are talking in St. Petersburg style.

KHELSTAKOV: May I venture to be so happy as to offer you a chair?

But no; you should be offered a throne, not a chair! I offer you my

love, which ever since your first glance----

MARYA: Love! I do not understand love!

He kisses her on the shoulder, and, when she rises angrily to go,

falls on his knees. At that moment her mother enters. With a show of

indignation she orders Marya away.

KHELSTAKOV (_kneeling at her feet_): Madame, you see I burn with

love.

ANNA ANDREYEVNA: But permit me, I do not quite comprehend you. If I

am not mistaken, you were making a proposal to my daughter?

KHELSTAKOV: No; I am in love with you.

ANNA ANDREYEVNA: But I am married!

KHELSTAKOV: That is nothing. Let us flee under the canopy of heaven.

I crave your hand!

Marya enters, and seeing Khlestakov on his knees, shrieks. The mother

scolds her for her bad manners, and declares that he was, after

all, asking for the daughter's hand. Then enters the governor. He

breathlessly begins to bewail the base, lying conduct of the merchants

who have been slandering him, and swears he is innocent of oppressing

anybody.

To his profound amazement, Anna informs her husband that the great man

has honoured them by asking for their daughter's hand. On recovering

from his amazement, he sees the couple kissing, and gives them his

blessing. Osip enters at this juncture to say the horses are ready,

and Khlestakov informs the governor that he is only off to visit for a

day a rich uncle. He will quickly return. He presently rides off after

affectionate farewell expressions on both sides.

ACT IV

SCENE.--_As before. The_ GOVERNOR, ANNA ANDREYEVNA, _and_ MARYA. _A

police-officer enters_.

GOVERNOR (_addressing the policeman_): Ivan Karpovitch, summon the

merchants here, brother. Complaining of me, indeed! Cursed lot of Jews!

Little turtle doves! Ascertain who brought petitions; and take care to

let them know how heaven has honoured the governor. His daughter is

going to marry a man without an equal in the world; who can achieve

everything, everything, everything. Let everybody know! Shout it out to

everybody! Ring the bells! Devil take it; now that at length I triumph,

triumph I will!

The police-officer retires. The governor and Anna indulge in roseate

prospects of their coming prosperity. Of course they will not stay

in these mean surroundings, but will remove to St. Petersburg.

Suddenly the merchants enter. The governor receives them with the

utmost indignation, assails them with a shower of vituperation. They

abjectly entreat pardon. They promise to make amends by sending very

handsome presents, and they are enjoined not to forget to do so. The

wedding gifts are to be worthy of the occasion. The merchants retire

crestfallen, and callers stream in with profuse congratulations. Anna,

with studied haughtiness, makes them fully understand that the family

will now be far above them all. All the people secretly express to

each other their hatred and contempt for the governor and his family.

POSTMASTER (_breathlessly entering with an open letter in his hand_):

An astonishing fact, gentlemen! The official which we took for an

inspector-general is not one! I have discovered this from a letter

which he wrote and which I saw was addressed "Post Office Street."

So, as I said to myself that he had been reporting to the authorities

something he had found wrong in the postal department, I felt a

supernatural impulse constraining me to open the letter.

GOVERNOR: You dared to open the letter of so powerful a personage?

POSTMASTER: That is just the joke; that he is neither powerful nor

a personage. I will read the letter. (_Reads_) "I hasten to inform

you, my dear Tryapitchkin, of my experiences. I was cleared out of

everything on the way by an infantry captain, so that an innkeeper

wanted to put me in prison; when, owing to my Petersburg appearance

and dress, the whole town suddenly took me for the governor-general.

So now I am living with the governor, enjoy myself, and flirt with his

wife and daughter. These people all lend me as much money as ever I

please. The governor is as stupid as a grey gelding. The postmaster is

a tippler. The charity commissioner is a pig in a skull-cap."

GOVERNOR: I am crushed--crushed--completely crushed. Catch him!

POSTMASTER: How can we catch him? I, as if purposely, specially

ordered for him the very best post-carriage and three horses.

GOVERNOR: What an old fool I am! I have been thirty years in the

service; not a tradesman nor contractor could cheat me; rogues upon

rogues have I outwitted; three governors-general have I deceived!

ANNA ANDREYEVNA: But this cannot be, Antosha. He is engaged to

Mashenka.

GOVERNOR (_enraged_): Engaged! Rubbish! Look, look; all the world,

all Christendom, all of you look how the governor is fooled! Fool,

fool; old driveller that I am! (_Shakes his fist at himself_) Ah, you

fat-nose! Taking a rag for a man of rank! And now he is jingling his

bells along the road. Who first said he was an inspector-general?

Answer!

[_All point to_ BOBCHINSKI _and_ DOBCHINSKI, _who fall to

accusing each other. A gendarme enters_.

GENDARME: The inspector-general sent by imperial command has

arrived, and requires you to attend him immediately. He awaits you at

the inn.

[_Thunderstruck at this announcement, the whole group

remained as if petrified, and the curtain falls_.

FOOTNOTES:

[C] Nicolai Vasilieyitch Gogol is famous not only as the

prince of Russian humorists, but as the real founder of both the

modern drama and the novel in Russian literature. He was born on

March 31, 1809, in the province of Poltava, in South, or "Little,"

Russia, and died at Moscow on March 3, 1852. His life was replete

with romantic episodes. After a short career on the stage, in St.

Petersburg, followed by the tenure of a minor Government office, he

returned to the South, and at once found his true vocation and achieved

a wide popularity by a collection of stories and sketches of Cossack

life, entitled "Evenings at a Farm House," which appeared in 1830.

Other "Cossack Tales" rapidly followed, including the famous "Taras

Bulba"; in recognition of which, and of his project for writing a

history of Russia in the Middle Ages, he was rewarded with a chair of

history at St. Petersburg. This he held but for a short time, however.

Turning his attention to comedy, Gogol now produced the drama "The

Inspector-General" ("Revizor") in 1836, the play achieving a tremendous

success on the stage in the spring of the same year, whilst in 1842 his

novel entitled "Dead Souls" embodied the fruits of the same idea in

fiction. The play is intended to bring a scathing indictment against

the corruptions and abuses of officialism and administration. The

following epitome has been prepared from the original Russian.

OLIVER GOLDSMITH[D]

She Stoops to Conquer

_Persons in the Play_

MR. HARDCASTLE MARLOW

TONY LUMPKIN KATE HARDCASTLE

HASTINGS SIR CHARLES MARLOW

MRS. HARDCASTLE CONSTANCE NEVILLE

SERVANTS

ACT I

SCENE I.--MR. HARDCASTLE'S _house_. MR. _and_ MRS. HARDCASTLE.

MRS. HARDCASTLE: I vow, Mr. Hardcastle, I hate such old-fashioned

trumpery.

HARDCASTLE: And I love it; old friends, old times, old manners, old

books, old wine, and I believe you'll own I've been pretty fond of an

old wife.

MRS. HARDCASTLE: Oh, you're for ever at your old wife. I'm not so old

as you'd make me. I was twenty when my son Tony was born, and he's not

come to years of discretion yet.

HARDCASTLE: Nor ever will, I dare answer; you've taught him finely.

Alehouse and stable are his only schools.

MRS. HARDCASTLE: Poor boy, anyone can see he's consumptive.

[TONY _is heard hallooing_.

HARDCASTLE: Oh, very consumptive!

[TONY _crosses, and_ MRS. HARDCASTLE _follows him out. Enter_

KATE HARDCASTLE.

HARDCASTLE: Blessings on my pretty innocence! What a quantity of

superfluous silk hast thou got about thee, girl!

KATE: But in the evening I am to wear my housewife's dress to please

you; you know our agreement, sir.

HARDCASTLE: By the bye, I shall have to try your obedience this very

evening. In fact, Kate, I expect the young gentleman I have chosen

to be your husband, this very day; and my old friend his father, Sir

Charles Marlow, soon after him. I shall not control your choice, but I

am told that he is of an excellent understanding.

KATE: Is he?

HARDCASTLE: Very generous.

KATE: I believe I shall like him.

HARDCASTLE: Young and brave.

KATE: I'm sure I shall like him.

HARDCASTLE: And very handsome.

KATE: Say no more; he's mine.

HARDCASTLE: And, to crown all, he's one of the most reserved and

bashful young fellows in the world.

KATE: That word has undone all the rest, still I think I'll have him.

(_Exit_ HARDCASTLE.) Reserved and sheepish. Can't he be cured? (_Enter_

MISS NEVILLE.) I'm glad you came, my dear. I am threatened with a

lover, the son of Sir Charles Marlow.

MISS NEVILLE: The most intimate friend of Mr. Hastings, my admirer;

and such a character. Among ladies of reputation the modestest man

alive, but with others----

MISS HARDCASTLE: And has my mother been courting you for my brother

Tony, as usual? I could almost love him for hating you so.

MISS NEVILLE: It is a good-natured creature at bottom, and I'm sure

would wish to see me married to anyone but himself. [_Exeunt_.

SCENE II.--_An alehouse_. TONY LUMPKIN _carousing with the village

riff-raff_. MARLOW _and_ HASTINGS _arrive, and inquire the

way to_ MR. HARDCASTLE'S _house_. TONY _tells them they

cannot possibly reach the house that night, but directs them

to it as an inn_.

TONY: The old Buck's Head on the hill, one of the best inns in the

whole county. But the landlord is rich and just going to leave off

business; so he wants to be thought a gentleman, and will be for giving

you his company. Ecod, he'll persuade you that his mother was an

alderman, and his aunt a justice of the peace. I'll just step myself,

and show you a piece of the way.

[_Exeunt._

ACT II

SCENE.--_The hall of_ HARDCASTLE'S _house_. MARLOW _and_ HASTINGS

_have just arrived at the supposed inn, and the supposed

innkeeper is paying hospitable attention to their belongings.

Enter_ MARLOW _and_ HASTINGS.

HASTINGS: Upon my word, a very well-looking house; antique, but

creditable.

MARLOW: The usual fate of a large mansion. Having just ruined the

master by good housekeeping, it at last comes to levy contributions as

an inn.

HASTINGS: Good and bad, you have lived pretty much among them; and

yet, with all your experience you have never acquired any show of

assurance. How shall you behave to the lady you have come down to visit?

MARLOW: As I behave to all other ladies. A barmaid, or a milliner--but

to me a modest woman dressed out in her finery is the most tremendous

object in creation. An impudent fellow may counterfeit modesty, but

I'll be hanged if a modest man can counterfeit impudence. I shall bow

very low, answer yes and no, and I don't think I shall venture to look

her in the face. The fact is, I have really come down to forward your

affair, not mine. Miss Neville loves you, the family don't know you, as

my friend you are sure of a reception, and----Here comes mine host to

interrupt us.

[_Enter_ HARDCASTLE.

HARDCASTLE: Heartily welcome once more, gentlemen; which is Mr.

Marlow? Sir, you are heartily welcome.

MARLOW: He has got our names from the servants already.

[MARLOW _and_ HASTINGS _converse together, ostentatiously

ignoring_ HARDCASTLE'S _attempts to join in

with a story of Marlborough at the siege of Denain_.

MARLOW: My good friend, a glass of that punch would help us to carry

on the siege.

HARDCASTLE: Punch sir! (_Aside_) This is the most unaccountable kind

of modesty I ever met with. Well, here, Mr. Marlow, here's to our better

acquaintance.

MARLOW: A very impudent fellow, but a character; I'll humour him.

Sir, my service to you. (_They drink_.) Well, now, what have you in the

house for supper?

HARDCASTLE: For supper! (_Aside_) Was ever such a request to a man in

his own house!

MARLOW: Yes, sir; supper. I begin to feel an appetite.

HARDCASTLE: Sure, such a brazen dog----Sir, I believe the bill of fare

is drawn out; you shall see it. (_The menu is produced and discussed in

scathing terms. Then_ MARLOW _insists on seeing himself that the beds

are properly aired_.) Well, sir, I will attend you. This may be modern

modesty, but I never saw anything so like old-fashioned impudence.

[_Exeunt_ HARDCASTLE _and_ MARLOW.

HASTINGS: This fellow's civilities begin to grow troublesome.

(_Enter_ MISS NEVILLE.) Miss Neville, by all that's happy!

MISS NEVILLE: My dear Hastings!

HASTINGS: But how could I have hoped to meet my dearest Constance

at an inn?

MISS NEVILLE: An inn! You mistake. My aunt, my guardian, lives here.

How could you think this house an inn?

HASTINGS: My friend, Mr. Marlow, and I were directed hither by a

young fellow----

MISS NEVILLE: One of my hopeful cousin's tricks.

HASTINGS: We must keep up the deception with Marlow; else he will

fly.

Hastings has planned to elope with Miss Neville; she wishes first to

get into her own hands her jewelry, which is in Mrs. Hardcastle's

possession. As they complete their plot Marlow enters.

HASTINGS: My dear Marlow, the most fortunate event! Let me present

Miss Constance Neville. She and Miss Hardcastle have just alighted to

take fresh horses. Miss Hardcastle will be here directly. Isn't it

fortunate?

MARLOW: Oh, yes; very fortunate, a most joyful encounter; but

our dresses, George! To-morrow will be every bit as convenient. Let it

be to-morrow.

HASTINGS: Pshaw, man! Courage, courage! It is but the first plunge.

[_Enter_ KATE _as from a walk_. HASTINGS _introduces them_.

KATE (_after a pause_): I am glad of your safe arrival, sir. I am

told you had some accidents by the way.

MARLOW: A few, madam. Yes, we had some. Yes, a good many. But should

be sorry, madam--I mean glad--of any accidents that are so agreeably

concluded. George, sure you won't go?

HASTINGS: You don't consider, man, that we are to manage a little

_tête-à-tête_ of our own.

[_Exeunt_ HASTINGS _and_ MISS NEVILLE.

MARLOW: I am afraid, madam, I--hem--grow tiresome.

KATE: Not at all, sir; there is nothing I like so much as grave

consideration. You were going to observe----

MARLOW: I was about to observe, madam--I was--I protest, I forgot----

KATE: Something about hypocrisy--this age of hypocrisy.

MARLOW: Ah, yes. In this age of hypocrisy there are few who--a--a----

But I see Miss Neville expects us; shall I----

KATE: I'll follow you. If I could teach him a little confidence!

[_Exeunt_.

Mrs. Hardcastle, Miss Neville, Hastings and Tony enter. In pursuance

of their plot, Constance engages Tony in a determined flirtation, to

his extreme disgust, while Hastings wins the heart of Mrs. Hardcastle

by extravagant flatteries. On the pretext of bringing the "dear,

sweet, pretty, provoking, undutiful boy" to a better mind, Hastings

gets rid of the ladies, and then offers to take Miss Neville off

Tony's hands. Tony joyfully engages to help the elopement, and procure

Miss Neville's jewels.

ACT III

SCENE.--_As before. Enter_ TONY _with a casket_.

TONY: Ecod, I've got 'em. Cousin Con's necklaces, bobs and all. My

mother shan't cheat the poor souls out of their fortin. Here's (_enter_

HASTINGS) your sweetheart's jewels. If I hadn't a key to every drawer

in my mother's bureau---- Never you mind me. Zounds, here she comes.

Keep 'em. Morrice! Prance!

[_Exit_ HASTINGS. _Enter_ MISS NEVILLE, _and_ MRS. HARDCASTLE,

_who refuses to let her ward have her jewels_.

MRS. HARDCASTLE: They are missing, I assure you. My son knows they

are missing, and not to be found.

TONY: I can bear witness to that. I'll take my oath on't.

MRS. HARDCASTLE: In the meantime you can use my garnets. [_Exit._

MISS NEVILLE: I detest garnets.

TONY: Don't be a fool! If she gives 'em you, take what you can get.

I've stolen your jewels out of the bureau. She's found it out, ecod,

by the noise. Fly to your spark, and he'll tell you all about it.

Vanish!

[_Exit_ MISS NEVILLE.

Kate has reported Marlow's bashfulness to Hardcastle, who has told

another tale. She has since learnt Marlow's blunder, and that he has

taken her in her "housewife's dress" for the barmaid. She has resolved

to test him in this character. She enters at the same time as Marlow,

who is studying his notebook.

KATE: Did you call, sir?

MARLOW (_not looking up_): No, child.

KATE: Perhaps it was the other gentleman?

MARLOW: No, no, child, I tell you! (_Looking up_.) That is--yes, I

think I did call. I vow, child, you're vastly handsome.

KATE: Oh, la, sir, you'll make me ashamed!

MARLOW: Suppose I should call for a taste of the nectar of your lips?

KATE: Nectar? Nectar? We keep no French wines. (_He tries to kiss

her_.) Pray keep your distance. I'm sure you didn't treat Miss

Hardcastle so. Are you a favourite among the ladies?

MARLOW: Yes, my dear. At the ladies' club up in town they call me

their Agreeable Rattle. Do you ever work, child?

KATE: Ay, sure. There's not a screen or a quilt in the house but

bears witness to that.

MARLOW: You must show me your embroidery.

[_As he seizes her hand_, HARDCASTLE _enters. Exit_ MARLOW.

KATE _persuades her father to give her an hour to clear_

MARLOW'S _character_.

ACT IV

SCENE.--_As before_. HASTINGS _has passed over the jewels to_ MARLOW'S

_care. The unconscious_ MARLOW _has told him that the servant

by his order has placed them in charge of the landlady. Enter_

HARDCASTLE, _solus_.

HARDCASTLE: My house is turned topsy-turvy. His servants are drunk

already. For his father's sake, I'll be calm. (_Enter_ MARLOW.) Mr.

Marlow, sir, the conduct of your servants is insufferable. Their manner

of drinking is setting a very bad example.

MARLOW: I protest, my good friend, that's no fault of mine. They had

my positive orders to drink as much as they could.

HARDCASTLE: Zounds, I shall go distracted! I'll stand it no longer!

I desire that you and your drunken pack shall leave my house directly.

MARLOW: Leave your house? I never heard such cursed impudence. Bring

me my bill.

HARDCASTLE: Nor I, confound me if ever I did!

MARLOW: My bill, I say.

HARDCASTLE: Young man, young man, from your father's letter I

expected a well-bred, modest visitor, not a coxcomb and a bully. But he

will be down here presently, and shall hear more of it. [_Exit._

MARLOW: How's this? Surely I have not mistaken the house? Everything

looks like an inn. The barmaid, too. (_Enter_ KATE.) A word with you,

child. Who are you?

KATE: A poor relation, sir, who looks after the guests.

MARLOW: That is, you're the barmaid of this inn.

KATE: Inn? Oh, la! What brought that into your head? Old Mr.

Hardcastle's house an inn!

MARLOW: Mr. Hardcastle's house? Mr. Hardcastle's? So all's out. I

shall be laughed at over the whole town. To mistake this house of all

others--and my father's old friend. What must he think of me! And may I

be hanged, my dear, but I mistook you for the barmaid. I mistook--but

it's all over. This house I no more show my face in. By heaven,

she weeps! But the difference of our birth, fortune, education--an

honorable connection would be impossible, and I would never harbour a

thought of any other. Farewell. [_Exit_.

KATE: He shall not go, if I have power to detain him. I will

undeceive my father, and he shall laugh him out of his resolution.

[_Exit_.

The second couple are about to take flight without the jewels, by

Tony's help, when he receives a note from Hastings, which--not knowing

its source--he hands to his mother to decipher. She resolves to carry

Miss Neville off forthwith, to place her in charge of her old Aunt

Pedigree, in the coach prepared for the elopement. Tony being ordered

to attend them on horseback, hits on an expedient which he does not

reveal, but contents himself with bidding Hastings meet him two hours

hence in the garden. The party start on their journey.

ACT V

SCENE I.--SIR CHARLES MARLOW _has arrived, and the two elders have been

making merry over the blunder; both are now eager for the

marriage. But they are mystified by_ MARLOW'S _assertion that

he is indifferent to_ MISS HARDCASTLE, _and his assertion is

corroborated by what_ HARDCASTLE _saw_.

SCENE II.--_The back of the garden. Enter_ TONY, _booted and spurred,

meeting_ HASTINGS.

TONY: Ecod, five-and-twenty miles in two hours and a half is no such

bad driving.

HASTINGS: But where are your fellow-passengers? Where have you left

the ladies?

TONY: Why, where I found 'em! Led 'em astray, man. There's not a pond

or a slough within five miles of the place but they can tell the taste

of; and finished with the horsepond at the back of the garden. Mother's

confoundedly frightened, and thinks herself forty miles off. So now, if

your own horses be ready, you can whip off with my cousin, and no one

to budge an inch after you.

HASTINGS: My dear friend, how can I be grateful.

[_Exit_.

TONY: Here she comes--got up from the pond.

[_Enter_ MRS. HARDCASTLE.

MRS. HARDCASTLE: Oh, Tony, I'm killed--shook--battered to death!

That last jolt has done for me. Whereabouts are we?

TONY: Crackskull Common by my guess, forty miles from home. Don't be

afraid. Is that a man galloping behind us? Don't be afraid.

MRS. HARDCASTLE: Oh, there's a man coming! We are undone!

TONY (_aside_): Father-in-law, by all that's unlucky! Hide yourself,

and keep close; if I cough it will mean danger.

[_Enter_ HARDCASTLE.

HARDCASTLE: I am sure I heard voices. What, Tony? Are you back

already? (TONY _laughs_.)

MRS. HARDCASTLE (_running forward_): Oh, lud; he'll murder my poor

boy! Here, good gentleman, whet your rage on me. Take my money, take

my life, good Mr. Highwayman, but spare my child.

HARDCASTLE: Sure, Dorothy, you have lost your wits? This is one of

your tricks, you graceless rogue. Don't you remember me, and the

mulberry-tree, and the horsepond?

MRS. HARDCASTLE: I shall remember it as long as I live. And this is

your doing--you----

TONY: Ecod, mother, all the parish says you've spoilt me, so you may

take the fruits on't. [_Exeunt_.

Miss Neville thinks better of the elopement, and resolves to appeal

to Mr. Hardcastle's influence with his wife. This improved plan is

carried to a successful issue, with great satisfaction to Tony Lumpkin.

SCENE III.--_The hall_. SIR CHARLES MARLOW _and_ HARDCASTLE _witness,

from concealment, the formal proposal of_ MARLOW _to make

the supposed "poor relation" his wife. They break in_.

SIR CHARLES: Charles, Charles, how thou hast deceived me! Is this

your indifference?

HARDCASTLE: Your cold contempt? Your formal interview? What have you

to say?

MARLOW: That I'm all amazement. What does it mean?

HARDCASTLE: It means that you say and unsay things at pleasure; that

you can address a lady in private and deny it in public; that you have

one story for us and another for my daughter.

MARLOW: Daughter? This lady your daughter? Oh, the devil! Oh--!

KATE: In which of your characters may we address you? The faltering

gentleman who looks on the ground and hates hypocrisy, or the bold,

forward Agreeable Rattle of the ladies' club?

MARLOW: Zounds, this is worse than death! I must be gone.

HARDCASTLE: But you shall not! I see it was all a mistake. She'll

forgive you; we'll all forgive you. Courage, man! And if she makes as

good a wife as she has a daughter, I don't believe you'll ever repent

your bargain. So now to supper. To-morrow we shall gather all the poor

of this parish about us; the mistakes of the night shall be crowned

with a merry morning.

FOOTNOTES:

[D] The Life of Goldsmith, by John Forster, may be found in

Volume IX of the WORLD'S GREATEST BOOKS (see also Vol. IV, p. 275).

"The Mistakes of a Night, or She Stoops to Conquer," appeared at Covent

Garden, in March, 1773. So convinced was George Colman that the public

would endure nothing but sentiment, that he could hardly be induced to

accept the play, and was extremely nervous about its success, almost

until the fall of the curtain on the first night. Nevertheless, its

success was immediate and decisive, and it became established as a

stock piece. The play loses nothing by the suppression of sentimental

passages between Hastings and Miss Neville, without which Colman

would certainly have declined it altogether. Apart from the main

argument--the wooing of Kate Hardcastle--the plot turns on the points

that Tony Lumpkin is the son of Mrs. Hardcastle by her first marriage,

and that Constance Neville is her niece and ward, not her husband's.

HEINRICH HEINE[E]

Atta Troll

_A Summer Night's Dream_

I

In the valley lies attractive Cauterets. The shining houses

Gay with balconies, and on them

Stand fair ladies loudly laughing.

Laughing as they look beneath them

On the brightly swarming market,

Where are dancing bear and she-bear

To the droning of the bagpipes.

Atta Troll and his good lady,

Whom the people call black Mumma,

Are the dancers; the Biscayans

Shout aloud in admiration.

Atta Troll, who once paraded

Like a mighty lord of deserts,

Free upon the mountain summit,

Dances in the vale to rabble!

Both the music and the laughter

Quickly cease, and shrieking loudly,

From the market fly the people,

And the ladies they are fainting.

Yes, the slavish chain that bound him

Suddenly hath rent asunder

Atta Troll. And, wildly springing,

Up the rocks he nimbly clambers.

In the empty market standing,

All alone are left black Mumma

And the keeper. Wild with fury

On the ground his hat he dashes.

On the wretched poor black Mumma

Falls this much-enraged one's fury

Doubly down at last; he beats her,

Then he calls her Queen Christina.

II

In the vale of Ronceval

Not far off from Roland's cleft,

And by savage fir-trees hidden,

Lies the cave of Atta Troll.

In the bosom of his family,

There he rests from all his hardships.

Tender meeting! All his young ones

Found he in the well-loved cavern:

Well-licked, lady-like young bears,

Blonde their hair, like parson's daughters;

Brown the boys, the youngest only

With the single ear is black.

Gladly now relates the old one

What he's in the world experienced,

Of the overwhelming plaudits

Reaped by his great skill in dancing.

Overcome by self-laudation,

Now he calls on deeds to witness

That he is no wretched boaster,

That he's really great at dancing.

III

In the caverns with his offspring,

Sick at heart, upon his back lies

Atta Troll; in meditation

Licks his paws, and, licking, growls:

"Mumma, Mumma, pearl of blackness,

Whom I fished from out life's ocean,

Is it thus that in life's ocean

I am forced again to lose thee!

"Might I only once more sniffle

That sweet odour, the peculiar,

Of my black, my darling Mumma,

Fragrant as the scent of roses!

"But, alas! my Mumma pineth

In the fetters of those rascals,

Who, the name of Men assuming,

Call themselves Creation's lords.

"Mankind, are ye any better

Than we others, just because ye

Boiled and baked devour your victuals?

In a raw state we eat ours.

"Children," grumbles Atta Troll,

"Children, we must seize the future!

If each bear but thought as I do,

We should soon subdue the tyrants.

"Let the boar but form alliance

With the horse, the elephant

Coil his trunk with love fraternal

Round the valiant bullock's horn;

"Bear and wolf of every colour,

Goat and monkey; even hares, too,

Let them work awhile together,

And the victory cannot fail us.

"Equal rights for all God's creatures,

Be our fundamental maxim;

Absolutely no distinction

In belief, or skin, or smell.

"Strict equality! Ev'ry jackass

Competent for highest office;

On the other hand, the lion

Trotting with the corn to grind."

IV

Many an honest, virtuous burgher

Lives on earth in evil odour,

Whilst your princely people reek of

Lavender and ambergris.

Therefore do not make wry faces,

Gentle reader, if the cave of

Atta Troll should not remind you

Of the spices of Arabia.

Tarry with me in the steamy

Confines in the dismal odour,

Where the hero to his youngest

Speaks as if from out a cloud:

"Ever shun men's ways of thinking!

Not a creature that is decent

Can be found among these creatures.

Even Germans, once much better,

"In primeval times our cousins,

These alike are now degen'rate:

Traitors to their creed and godless,

Now they preach e'en atheism!

"Only be no atheist,

Like a non-bear who respects not

His great Maker--Yes, a Maker

Hath this universe created.

"Yonder in the starred pavilion,

On the golden throne of power,

World-controlling and majestic,

Sits a giant Polar bear.

"At his feet are sitting gentle

Sainted bears, who in their life-time

Uncomplaining suffered; in their

Paws the palm of martyrdom.

"Shall I ever, drunk with heaven,

Yonder in the starred pavilion,

With the Glory, with the palm-branch,

Dance before the throne of God?"

V

Figures twain, morose and baleful,

And on all-fours slowly creeping,

Break themselves a gloomy passage

Through the underwood at midnight.

That is Atta Troll, the father,

And his son, young Master One-Ear.

"This old stone"--growls Atta Troll--

"Is the altar, where the Druids

"In the days of superstition

Human sacrifices butchered.

Oh, the overwhelming horror!

Shedding blood to honour God!

"Now indeed far more enlightened

Are these men--they only murder

Now from selfishness and grasping.

Each one plunders for himself!

"Nature never yet created

Owners, no--for void of pockets,

Not a pocket in our fur coats,

We were born, the whole of us.

"Only man, that smooth-skinned being,

Could in borrowed wool, so artful,

Dress himself, or could, so artful,

Thus provide himself with pockets.

"Be the mortal foe of all such

Fierce oppressors, reconcileless,

To the end of thy existence--

Swear it, swear it here, my son!"

And the youngest swore as once did

Hannibal. The moon illumined

With her yellow light the Blood-stone,

And the pair of misanthropes.

VI

I was early one fine morning

With Lascaro setting forward

On the bear-hunt. And at mid-day

We arrived at Pont-d'Espagne.

Evening shades were dark'ning round us

When we reached the wretched hostel,

Where the Ollea-Podrida

Steamed up from the dirty soup-dish.

Corresponding to the kitchen

Was the bed. It swarmed with insects,

Just as if it had been peppered!--

Bugs are man's most mortal foe.

What a raving with these poets,

E'en the tame ones! Why, they never

Cease to sing and say, that Nature

Is the Maker's mighty temple.

Well, so be it, charming people!

But confess that in this temple

All the stairs are slightly awkward.

Miserably bad the stairs!

Close beside me strides Lascaro,

Pale and long, just like a taper;

Never speaking, never smiling,

He, the dead son of a witch.

Yes, 'tis said, he is a dead one,

Long defunct, although his mother,

Old Uraka, by enchantments

Keeps him living to appearance.

In the little fishing cottage,

On the Lac-de-Gobe we met with

Shelter and some trout for dinner;

And they tasted quite delicious.

If the stuff I drank was really

Wine, at this same Lac-de-Gobe,

I know not. I think in Brunswick

They would simply call it swipes.

VII

From the sunny golden background

Smile the violet mountain peaks,

On the ridge there clings a village,

Like a boldly ventured birds'-nest.

Having climbed there, 'twas apparent

That the old ones wing had taken,

And behind were tarrying only

All the young brood, not yet fledged.

Nearly all that day I lingered

With the children, and we chatted

Quite familiar. They were curious

Who I was, what I was doing?

"Germany, dear friends"--so said I--

"Is the land where I was born;

Bears live there in any number,

And I took to hunting bears.

"There I drew the skin for many

Over very bearish ears;

And between them I was sometimes

Roughly by their bear claws handled.

"But with merely unlicked blockheads

Every day to be contending

In my well-loved home, at last I

Found to be too much for me.

"So at last have journeyed hither,

Seeking out some better sport;

I intend to try my prowess

On the mighty Atta Troll."

VIII

Like a narrow street the valley,

And its name is Spectre Hollow;

Rugged crags rise up abruptly

Either side of giddy heights.

On a dizzy, steep projection,

Peeping downwards, like a watch-tower,

Stands Uraka's daring cottage;

Thither I Lascaro followed.

With his mother he took counsel,

Using secret signs as language,

How might Atta Troll be tempted,

How he might be put to death.

For right well had we his traces

Followed up. And now no longer

Dare escape be thought of. Numbered

Are thy days, O Atta Troll!

What Uraka as her lawful

Business followed, that was honest;

For she dealt in mountain simples

And she also sold stuffed birds.

Full of all these natural wonders

Was the hut. The smell was dreadful

Of the henbane, cuckoo-flowers,

Dandelion and deadmen's fingers.

Vultures, too, a large collection,

Carefully arranged on all sides,

With the wings at full extended

And the most enormous beaks.

Was't the odour of the foolish

Plants which stupefied my senses?

Strange sensations crept about me

At the sight of all these birds.

IX

Argonauts without a ship,

Who on foot the mountain traverse,

And instead of golden fleeces

Only look to win a bear-skin

Ah, we are but sorry devils!

Heroes of a modern pattern,

And there's not a classic poet

Would in song immortalise us!

And for all that we have suffered

Mighty hardships! What a shower

Overtook us on the summit,

And no tree and no _fiacre_!

Tired to death, and out of humour,

Like two well-drenched poodles, once more,

Very late at night, we clambered

To the witch's hut above.

Shivering, and with teeth a-chatter,

Near the hearth I stood awhile;

Then, as though the warmth o'ercame me,

Sank at last upon the straw.

How the roaring of the chimney

Terrified me. Like the moaning

Of poor, wretched, dried-up souls--

Quite familiar seemed the voices.

Sleep completely overcame me

In the end, and then in place of

Waking phantasm, rose before me

Quite a wholesome, firm-set dream.

And I dreamed the little cottage

Suddenly became a ballroom.

Carried up aloft on pillars

And by chandeliers illumined.

Then invisible musicians

Struck up from "Robert le Diable"

That ungodly dance of nuns;

I was walking all alone there.

But at last the portals open

Of themselves, and then come marching,

Measured footsteps, slow and solemn,

Most extraordinary guests.

Nothing now but bears and spectres,

Walking upright, every he-bear

On the arm a ghost conducted,

Muffled in a long white shroud.

Sometimes in the dance's bustle,

Tore a bear the burial garment

Off the head of his companion;

Lo! a death's-head came to view.

But at last sounds forth a joyous

Crashing of the horns and cymbals;

And the kettle-drums they thunder,

And there came the galopade.

This I did not dream the end of--

For a most ill-mannered bruin

Trod upon my favourite corn,

So that, shrieking out, I woke.

X

In the cavern, with his offspring,

Atta Troll lies, and he slumbers

With the snoring of the righteous;

But at last he wakes up yawning.

"Children!"--sighs he, whilst are trickling

Tears from those large eyes unbidden--

"Children! Finished is my earthly

Pilgrimage, and we must part.

"Just at mid-day whilst I slumbered

Came a dream, which has its meaning.

Then my spirit sweetly tasted

Omens of my coming death.

"On the world and fate reflecting,

Yawning I had fallen asleep,

When I dreamed that I was lying

Underneath a lofty tree.

"From the tree's o'erspreading branches

Dribbled down transparent honey.

Joyous blinking, up above me

Seven little bears I noticed.

"Tender, graceful little creatures,

Rosy coloured were their fur coats,

As they clambered; from their shoulders

Just like silk two wings were sprouting.

"And with soft and supernatural

Flute-like voices they were singing!

While thus singing, icy coldness

Crept throughout my skin, and flame-like

"From my skin my soul departed;

Soared in brightness up to heaven."

Thus in tender words and falt'ring

Grunted Atta Troll. His ears then

Pricked themselves and strangely worked,

And from his repose he started,

Trembling, and with rapture bellowing,

"Children, do ye hear those sounds?

"Is it not the voice melodious

Of your mother? Oh, I know it,

'Tis the growling of my Mumma!

Mumma! Yes, my own black Mumma!"

Atta Troll, whilst these words utt'ring,

Like a madman headlong bounded

From the cavern to destruction!

Ah! he rushed upon his doom!

In the vale of Ronceval,

On the very spot where whilom

Charlemagne's peerless nephew

Gasped away his fleeting spirit,

There fell also Atta Troll,

Fell through treason, like the other,

Whom the traitor, knighthood's Judas,

Ganelon of Mainz, betrayed.

XI

Four gigantic men in triumph

Brought along the slaughtered Bear.

Upright sat he in an armchair,

Like a patient at the hot-wells.

That same day soon after skinning

Atta Troll, they up to auction

Put the skin. For just a hundred

Francs a furrier purchased it.

Elegantly then he trimmed it,

And he edged it round with scarlet,

And again he sold it quickly

Just for double what it cost.

So, at last, third hand possessed it--

Julietta, and at Paris

It reposes in her chamber,

Serving as a bed-side carpet.

What of Mumma? Ah, the Mumma

Is a poor weak woman! Frailty

Is her name! Alas, the women

Are as so much porcelain frail.

When the hand of Fate had parted

Mumma from her noble husband,

Neither did she die of sorrow,

Nor succumb to melancholy.

And at last a fixed appointment,

And for life a safe provision,

Far away she found at Paris

In the famed Jardin des Plantes.

Sunday last as I was walking

In the gardens with Julietta,

By the railing round the bear-pit--

Gracious Heavens! What saw we there!

'Twas a powerful desert bear

From Siberia, snow-white coated,

Playing there an over-tender,

Amorous game with some black she-bear.

And, by Jupiter! 'twas Mumma!

'Twas the wife of Atta Troll!

I remember her distinctly

By the moist eye's tender glances.

XII

Where in heaven, Master Louis,

Have you all this crazy nonsense

Scraped together? Such the question

Of the Cardinal of Este,

After having read the poem

Of Rolando's frenzied doings,

Which Ariosto with submission

To his Eminence dedicated.

Yes, Varnhagen, worthy friend,

Yes, I see the same words nearly

On thy lips this moment hanging

With the same sarcastic smile.

"Sounds this not like youthful visions,

Which I once dreamt with Chamisso

And Brentano and Fouqué,

On those deep-blue moonlight evenings?"

Yes, my friend, it is the echo

Of those long-forgotten dream-days;

Only that a modern trilling

Mingles with the ancient cadence.

Other seasons, other songsters!

Other songsters, other ditties!

What a cackling, as of geese, which

Once preserved the Capitol!

Other seasons, other songsters!

Other songsters, other ditties!

I might take a pleasure also

In them had I other ears!

FOOTNOTES:

[E] Heinrich Heine was born on December 13, 1797, at

Düsseldorf, the son of Jewish parents. After quitting school he was

sent to Frankfort to the banking establishment of an uncle, but a

commercial career failed to appeal to him, and in 1819 he entered the

University of Bonn, with a view of studying for law. His thoughts,

however, were given to poetry; and 1822 saw the publication of his

first volume of poems. Up to this time he was largely dependent upon

the generosity of his uncle. Thus, in order to fulfil his obligations,

he entered the University of Göttingen, where he obtained his degree of

law, having previously qualified himself for practice by renouncing the

Jewish faith for Christianity. A voluminous prose-writer, a wonderful

satirist, and an ardent politician, Heine's present-day fame rests

largely on his poetry, and especially the wonderful lyrical pieces.

"Atta Troll" (1846), which has been described as the "Swan-song of

Romanticism," was written in the hey-day of his activities, and

admirably conveys something of the temper and genius of its many-sided

author. Heine died on February 17. 1856.

HOMER[F]

The Iliad

_I.--Of the Wrath of Achilles; and of Hector_

Achilles' baneful wrath resound, O goddess, that impos'd

Infinite sorrows on the Greeks, and many brave souls loos'd.

From breasts heroic; sent them far to that invisible cave

That no light comforts; and their limbs to dogs and vultures gave;

To all which Jove's will gave effect; from whom strife first begun

Betwixt Atrides, king of men, and Thetis' god-like son.

To appease Phoebus, Agamemnon restored the captive daughter of the

sun-god's priest, allotted to him for spoil; but took Briseis from

Achilles to replace her. Achilles vowed to render no more aid to the

Greeks, telling his mother, the sea-nymph Thetis, what had befallen,

calling on Jove to aid his vengeance.

So Peleus' son, swift-foot Achilles, at his swift ship sate,

Burning in wrath, nor ever came to councils of estate

That make men honour'd, never trod the fierce embattled field,

But kept close, and his lov'd heart pined, what fight and cries

could yield,

Thirsting at all parts to the host.

To satisfy Thetis, Jupiter sent a false dream to Agamemnon, the king

of men, persuading him that Troy should now fall to his attack.

Beguiled by the dream, Agamemnon set forth in battle array the whole

Greek host, save that Achilles and his followers were absent. And the

whole host of Troy came forth to meet them. Then Menelaus challenged

Paris to single combat; for the twain were the cause of the war,

seeing that Paris had stolen away Helen, the wife of Menelaus. Truce

was struck while the combat should take place. Paris hurled his

javelin, but did not pierce his foe's shield; Menelaus, having called

on Jove,

Shook and threw his lance; which struck through Paris' shield,

And with the strength he gave to it, it made the curets yield,

His coat of mail, his breast; yet he prevented sable death.

This taint he followed with his sword, drawn from a silver sheath,

Which lifting high, he struck his helm full where the plume did stand,

On which it piecemeal brake, and fell from his unhappy hand ...

"Lo, now my lance hath missed his end, my sword in shivers flew,

And he 'scapes all." With this again he rushed upon his guest,

And caught him by the horse-hair plume that dangled on his crest,

With thought to drag him to the Greeks; which he had surely done,

And so, besides the victory, had wondrous glory won.

But Cyprian Venus brake the string; and so the victor's palm

Was, for so full a man at arms, only an empty helm.

That then he swung about his head, and cast among his friends,

Who scrambled and took it up with shouts. Again then he intends

To force the life-blood of his foe, and ran on him amain,

With shaken jav'lin; when the queen that lovers love, again

Attended and now ravish'd him from that encounter quite,

With ease, and wondrous suddenly; for she, a goddess, might.

She hid him in a cloud of gold, and never made him known

Till in his chamber fresh and sweet she gently set him down.

Thereupon the truce was treacherously broken by Pandarus, who, incited

by Minerva, wounded Menelaus with an arrow; and the armies closed with

each other. Great deeds were done by Diomedes on the Greek side. But

Hector had gone back to Troy to rouse Paris; on the walls his wife

Andromache saw him.

She ran to Hector, and with her, tender of heart and hand,

Her son borne in his nurse's arms; when, like a heavenly sign

Compact of many golden stars, the princely child did shine.

Hector, though grief bereft his speech, yet smiled upon his joy.

Andromache cried out, mix'd hands, and to the strength of Troy

Thus wept forth her affection: "O noblest in desire!

Thy mind inflamed with other's good will set thyself on fire.

Nor pitiest thou my son, nor wife, that must thy widow be

If now thou issue; all the field will only run on thee."

"Nay," answered he; "but in this fire must Hector's trial shine;

Here must his country, father, friends, be made in him divine.

Yet such a stormy day shall come (in mind and soul I know),

When sacred Troy shall shed her towers for tears of overthrow;

When Priam, all his birth and power, shall in those tears be drown'd.

But neither Troy's posterity so much my soul doth wound,

Priam nor Hecuba herself, nor all my brother's woes,

(Who, though so many, and so good must all be food for foes),

As thy sad state; when some rude Greek shall lead thee weeping hence,

These free days clouded, and a night of captive violence

Loading thy temples, out of which thine eyes must never see,

But spin the Greek wives webs of task, and their fetch-water be."

This said, he reached to take his son; who of his arms afraid,

And then the horse-hair plume, with which he was so overlaid,

Nodded so horribly, he cling'd back to his nurse and cried.

Laughter affected his great sire, who doff'd and laid aside

His fearful helm, that on the earth cast round about its light;

Then took and kiss'd his loving son. "Afflict me not, dear wife,

With these vain griefs. He doth not live that can disjoin my life

And this firm bosom, but my fate; and fate whose wings can fly?

Noble, ignoble, fate controls. Once born, the best must die."

II.--_Of the Battle by the Ships_

After this, Hector fought with Ajax, and neither had the better. And

after that the Greeks set a rampart and a ditch about their ships.

Also, Agamemnon would have bidden the Greeks depart altogether, but

Diomedes withstood him. And in the fighting that followed, Agamemnon

showed himself the best man among the Greeks, seeing that neither

Achilles nor Diomedes joined the fray; and the Trojans had the better,

driving the Greeks back to the rampart, and bursting through, so that

they were like to have burnt the Greek ships where they lay, led on by

Hector. To and fro swayed the tide of battle; for while Jove slept,

Neptune and Juno gave force and courage to the Greeks, and the Trojans

were borne back; Hector being sore hurt with a stone cast by Ajax. But

Jove, awaking, restored Hector's strength, sending Apollo to him. Then

Apollo and Hector led

The Trojan forces. The Greeks stood. A fervent clamour spread

The air on both sides as they joined. Out flew the shafts and darts,

Some falling short, but other some found butts in breasts and hearts.

As long as Phoebus held but out his horrid shield, so long

The darts flew raging either way, and death grew both ways strong.

But when the Greeks had seen his face, and who it was that shook

The bristled targe, known by his voice, then all their strength forsook

Their nerves and minds. And then look how a goodly herd of neat,

Or wealthy flock of sheep, being close, and dreadless at their meat,

In some black midnight, suddenly, and not a keeper near,

A brace of horrid bears rush in, and then fly here and there.

The poor affrighted flocks or herds, so every way dispersed

The heartless Grecians, so the Sun their headlong chase reversed

To headlong flight, and that day rais'd with all grace Hector's head.

... When Hector saw his sister's son lie slaughtered in the sand,

He called to all his friends, and prayed they would not in that strait

Forsake his nephew, but maintain about his corse the fight,

And save it from the spoil of Greece.

The archery of Teucer, brother of Ajax, was dealing destruction among

the Trojans, when Jove broke the bow-string; and thereafter the god

stirred

With such addition of his spirit the spirit Hector bore

To burn the fleet, that of itself was hot enough before.

But now he fared like Mars himself, so brandishing his lance

As through the deep shades of a wood a raging fire should glance,

Held up to all eyes by a hill; about his lips a foam

Stood, as when th' ocean is enraged; his eyes were overcome

With fervour, and resembled flames, set off by his dark brows,

And from his temples his bright helm abhorred lightnings throws.

He, girt in fire borne for the fleet, still rushed at every troop,

And fell upon it like a wave, high raised, that then doth stoop

Out from the clouds, grows as it stoops with storms, then down doth

come And cuff a ship, when all her sides are hid in brackish foam,

Strong gales still raging in her sails, her sailors' minds dismay'd,

Death being but little from their lives; so Jovelike Hector fray'd

And plied the Greeks, who knew not what would chance, for all their

guards. And as the baneful king of beasts, leapt in to oxen herds Fed

in the meadows of a fen exceeding great, the beasts In number infinite,

'mongst whom (their herdsmen wanting breasts To fight with lions for

the price of a black ox's life) He here and there jumps first and last,

in his bloodthirsty strife; Chased and assaulted, and at length down in

the midst goes one, And all the rest 'sperst through the fen; so now

all Greece was gone.

On the Grecian side Ajax

Stalked here and there, and in his hand a huge great bead-hook held,

Twelve cubits long, and full of iron. And then again there grew

A bitter conflict at the fleet. You would have said none drew

A weary breath, nor ever did, they laid so freshly on.

It seemed that even Ajax would be overborne. But Patroclus, the loved

friend of Achilles, saw this destruction coming upon the Greeks, and

he earnestly besought Achilles, if he would not be moved to sally

forth to the rescue himself, to suffer him to go out against the

Trojans, bearing the arms of Achilles and leading his Myrmidons into

the fray. Which leave Achilles granted him.

FOOTNOTES:

[F] Of the personality of Homer, the maker of the "Iliad" and

the "Odyssey," those great epic poems which were the common heritage

of all Greeks, we have no knowledge. Tradition pictures him as blind

and old. Seven cities claimed to be his birthplace. Probably he lived

in the ninth century B.C., since the particular stages of social life

which he portrays probably belong to that era. Beyond this, all is

conjecture. The poems were not written down till a later date, when

their authorship was already a matter of tradition; and when what

we may call the canon of the text of the epics was laid down in the

sixth century B.C., it may be readily supposed that they were not in

the exact form which the master-poet himself had given them. Hence

the ingenuity of the modern commentator has endeavoured to resolve

Homer into an indefinite number of ballad-mongers, whose ballads were

edited into their existing unity. On the whole, this view may be called

Teutonic. Of the "Iliad," it suffices to say that it relates events

immediately preceding the fall of Troy, at the close of the tenth year

of the siege undertaken by the Greeks on account of the abduction of

Helen from Menelaus by Paris. Of Chapman's translation we shall speak

in the introduction to the "Odyssey."

_III_.--_Of Patroclus, and the Rousing of Achilles_

Bearing the armour of Achilles, save the spear which none other could

wield, Patroclus sped forth, leading the Myrmidons.

And when ye see upon a mountain bred

A den of wolves about whose hearts unmeasured strengths are fed,

New come from currie of a stag, their jaws all blood-besmeared,

And when from some black-water fount they all together herd,

There having plentifully lapped with thin and thrust-out tongues

The top and clearest of the spring, go, belching from their lungs

The clottered gore, look dreadfully, and entertain no dread,

Their bellies gaunt, all taken up with being so rawly fed;

Then say that such in strength and look, were great Achilles' men

Now ordered for the dreadful fight.

The Trojans, taking Patroclus for Achilles, were now driven before

him and the other Grecian chiefs. Patroclus slew Sarpedon, king of

Lycia, and the fight raged furiously about the corse. The Trojans

fled, Patroclus pursued. At last Phoebus Apollo smote his armour from

him; Euphorbus thrust him through from behind, and Hector slew him.

Ajax and Menelaus came to rescue Patroclus' body; Hector fled, but

had already stripped off the armour of Achilles, which he now put on

in place of his own. Again the battle waxed furious about the dead

Patroclus until Menelaus and Meriones bore the corpse while the two

Ajaces stood guard.

Now, when the ill news was brought to Achilles, he fell into a great

passion of grief; which lamentation Thetis, his mother, heard from

the sea-deeps; and came to him, bidding him not go forth to the war

till she had brought him new armour from Vulcan. Nevertheless, at the

bidding of Iris, he arose:

And forth the wall he stepped and stood, and sent abroad his voice;

Which Pallas far-off echoed, who did betwixt them noise

Shrill tumult to a topless height. His brazen voice once heard, The

minds of all were startled, so they yielded. Thrice he spake, And

thrice, in heat of all the charge, the Trojans started back.

In this wise was the dead Patroclus brought back to Achilles. But

Thetis went to Vulcan and besought him, and he wrought new armour for

Achilles--a shield most marvellous, and a cuirass and helmet--which

she bore to her son. And the wrath of Achilles against Agamemnon was

assuaged; and they two were reconciled at a gathering of the chiefs.

And when by the counsel of Ulysses they had all well broken their

fast, the Greeks went forth to the battle, Achilles leading. Now, in

this contest, by Jove's decree, all the Olympian gods were suffered to

take part.

And thus the bless'd gods both sides urged; they all stood in the

midst

And brake contention to their hosts. And over all their heads

The gods' king in abhorred claps his thunder rattled out.

Beneath them, Neptune tossed the earth; the mountains round about

Bowed with affright and shook their heads, Jove's hill the earthquake

felt,

Steep Ida trembling at her roots, and all her fountains spilt,

With crannied brows; the infernal king, that all things frays, was

fray'd

When this black battle of the gods was joining. Thus array'd

'Gainst Neptune Phoebus with winged shafts, 'gainst Mars the blue-eyed

maid,

'Gainst Juno Phoebe, whose white hands bore stinging darts of gold,

Her side armed with a sheaf of shafts, and (by the birth two-fold

Of bright Latona) sister-twin to him that shoots so far. Against

Latona, Hermes stood, grave guard in peace and war Of human beings.

Against the god whose empire is on fire, The wat'ry godhead, that

great flood, to show whose pow'r entire In spoil as th' other, all his

streams on lurking whirlpits trod, Xanthus by gods, by men Scamander

called. Thus god 'gainst god Entered the field.

_IV_.--_Of Achilles and Hector_

Now Achilles fell upon the Trojan host, slaying one after another of

their mighty men; but Æneas and Hector the gods shielded from him.

Twelve he took captive, to sacrifice at the funeral of Patroclus. And

he would have stormed into Troy itself but that Phoebus deceived him,

and all the Trojans fled within the walls save Hector. But when he saw

Achilles coming, cold fear shook Hector from his stand.

No more stay now, all posts we've left, he fled in fear the hand

Of that Fear-Master, who, hawk-like, air's swiftest passenger,

That holds a timorous dove in chase, and with command doth bear

His fiery onset, the dove hastes, the hawk comes whizzing on.

This way and that he turns and winds and cuffs the pigeon:

So urged Achilles Hector's flight.

They ran thrice about the walls, until Hector, beguiled by Athene in

the form of his brother Deiphobus, stayed to fight Achilles. Having

cast his lance in vain,

Then forth his sword flew, sharp and broad, and bore a deadly weight,

With which he rushed in. And look how an eagle from her height

Stoops to the rapture of a lamb, or cuffs a timorous hare;

So fell in Hector; and at him Achilles.

Achilles smote Hector through with his javelin, and thus death closed

his eyes. Then, in his wrath for the death of Patroclus, Achilles

bound the dead Hector by his feet to his chariot,

And scourged on his horse that freely flew;

A whirlwind made of startled dust drave with them as they drew,

With which were all his black-brown curls knotted in heaps and fill'd.

Which piteous sight was seen from the walls by Priam and Hecuba; but

Andromache did not know that Hector had stayed without, until the

clamour flew

Up to her turret; then she shook; her work fell from her hand,

And up she started, called her maids; she needs must understand

That ominous outcry. "Come," said she; then fury-like she went,

Two women, as she willed, at hand, and made her quick ascent

Up to the tower and press of men, her spirit in uproar. Round

She cast her greedy eye, and saw her Hector slain, and bound

T'Achilles' chariot, manlessly dragged to the Grecian fleet.

Black night struck through her, under her trance took away her feet.

Thus all Troy mourned; but Achilles dragged the slain Hector to the

slain Patroclus, and did despite to his body in his wrath; and made

ready to hold high obsequies for his friend. And on the morrow

They raised a huge pile, and to arms went every Myrmidon,

Charged by Achilles; chariots and horse were harnessed,

Fighters and charioteers got up, and they the sad march led,

A cloud of infinite foot behind. In midst of all was borne

Patroclus' person by his peers.

Fit feastings were held, and games with rich prizes, racings and

wrestlings, wherein the might of Ajax could not overcome the skill

of Ulysses, nor his skill the might of Ajax. Then Thetis by the will

of the gods bade Achilles cease from his wrath against Hector; and

suffer the Trojans to redeem his body for a ransom. And Iris came to

Priam where the old king sate: the princesses his seed, the princesses

his sons' fair wives, all mourning by. She bade him offer ransom

to Achilles; and then, guided by Hermes, Priam came to the tent of

Achilles, bearing rich gifts, and he kneeled before him, clasping his

knees, and besought him, saying:

"Pity an old man like thy sire, different in only this,

That I am wretcheder, and bear that weight of miseries

That never man did, my cursed lips enforced to kiss that hand

That slew my children." At his feet he laid his reverend head.

Achilles' thoughts now with his sire, now with his friend were fed.

Moved by compassion, and by the message which Thetis had brought

him, Achilles accepted the ransom, and suffered Priam to bear away

the body, granting a twelve days' truce. And Troy mourned for him,

Andromache lamenting and Hecuba, his mother. And on this wise spake

Helen herself.

"O Hector, all my brothers more were not so loved of me

As thy most virtues. Not my lord I held so dear as thee,

That brought me hither; before which I would I had been brought

To ruin; for what breeds that wish, which is the mischief wrought

By my access, yet never found one harsh taunt, one word's ill

From thy sweet carriage. Twenty years do now their circles fill

Since my arrival; all which time thou didst not only bear

Thyself without check, but all else that my lord's brothers were.

Their sisters' lords, sisters themselves, the queen, my mother-in-law

(The king being never but most mild) when thy man's spirit saw

Sour and reproachful, it would still reprove their bitterness

With sweet words and thy gentle soul."

So the body of Hector was laid upon the fire, and was burnt; and his

ashes were gathered into an urn of gold and laid in a grave.

The Odyssey[G]

_I_.--_How Ulysses Came to Phæacia, and of Nausicaa_

Years had passed since the fall of Troy, yet alone Ulysses came not

to his home in Ithaca. Therefore many suitors came to woo his wife

Penelope, devouring his substance with riotous living, sorely grieving

her heart, and that of her young son, Telemachus. But Ulysses the

nymph Calypso had held for seven years an unwilling guest in the

island of Ogygia. And now the gods were minded to bring home the man--

That wandered wondrous far, when he the town

Of sacred Troy had sacked and shivered down;

The cities of a world of nations

With all their manners, minds, and fashions

He was and knew; at sea felt many woes,

Much care sustained to save from overthrows

Himself and friends in their retreat for home;

But so their fates he could not overcome.

Then came Pallas Athene to Telemachus, and bade him take ship that he

might get tidings of his sire. And he spake words of reproach to the

company of suitors. To whom

Antinous only in this sort replied:

"High-spoken, and of spirit unpacified,

How have you shamed us in this speech of yours!

Will you brand us for an offence not ours?

Your mother, first in craft, is first in cause.

Three years are past, and near the fourth now draws,

Since first she mocked the peers Achaian;

All she made hope, and promised every man."

The suitors suffered Telemachus to depart, though they repented after;

and he came with Athene, in disguise of Mentor, to Nestor at Pylos,

and thence to Menelaus at Sparta, who told him how he had laid hold on

Proteus, the seer, and learnt from him first of the slaying of his own

brother Agamemnon; and, secondly, concerning Ulysses,

Laertes' son; whom I beheld

In nymph Calypso's palace, who compell'd

His stay with her, and since he could not see

His country earth, he mourned incessantly.

Laden with rich gifts, Telemachus set out on his return home, while

the suitors sought to way-lay him. And, meantime. Calypso, warned

by Hermes, let Ulysses depart from Ogygia on a raft. Which, being

overwhelmed by storms, he yet made shore on the isle of Phæacia;

where, finding shelter, he fell asleep. But Pallas visited the

Princess Nausicaa in a dream.

Straight rose the lovely morn, that up did raise

Fair-veiled Nausicaa, whose dream her praise

To admiration took.

She went with her maidens, with raiment for cleansing, to the river,

where, having washed the garments,

They bathed themselves, and all with glittering oil

Smoothed their white skins, refreshing then their toil

With pleasant dinner. Then Nausicaa,

With other virgins did at stool-ball play,

Their shoulder-reaching head-tires laying by.

Nausicaa, with wrists of ivory,

The liking stroke struck, singing first a song,

As custom ordered, and, amidst the throng,

Nausicaa, whom never husband tamed,

Above them all in all the beauties flamed.

The queen now for the upstroke, struck the ball

Quite wide off th' other maids, and made it fall

Amidst the whirlpools. At which, out-shrieked all,

And with the shriek did wise Ulysses wake;

Who, hearing maidish voices, from the brake

Put hasty head out; and his sight did press

The eyes of soft-haired virgins ... Horrid was

His rough appearance to them; the hard pass

He had at sea stuck by him. All in flight

The virgins scattered, frighted with this sight.

All but Nausicaa fled; but she stood fast;

Pallas had put a boldness in her breast,

And in her fair limbs tender fear compress'd.

And still she stood him, as resolved to know

What man he was, or out of what should grow

His strange repair to them. Then thus spake he;

"Let me beseech, O queen, this truth of thee,

Are you of mortal or the deified race?

If of the gods that th' ample heavens embrace,

I can resemble you to none alive

So near as Cynthia, chaste-born birth of Jove.

If sprung of humans that inhabit earth,

Thrice blest are both the authors of your birth;

But most blest he that hath the gift to engage

Your bright neck in the yoke of marriage."

He prayed her then for some garment, and that she would show him the

town. Then she, calling her maidens, they brought for him food and oil

and raiment, and went apart while he should cleanse and array himself.

And Pallas wrought in him a grace full great

From head to shoulders, and as sure did seat

His goodly presence. As he sat apart,

Nausicaa's eyes struck wonder through her heart;

He showed to her till now not worth the note;

But now he seemed as he had godhead got.

Then, fearing the gossip of the market-place, she bade him follow

afoot with her maidens, giving him directions how he should find her

father's palace, which entering,

"Address suit to my mother, that her mean

May make the day of your redition seen.

For if she once be won to wish you well,

Your hope may instantly your passport seal,

And thenceforth sure abide to see your friends,

Fair house, and all to which your heart contends."

Nausicaa and her maidens went forward, Ulysses following after a time;

whom Pallas met, and told him of the King Alcinous and the Queen

Arete. Then he, being wrapped in a cloud which she had set about him,

entered unmarked; and, the cloud vanishing, embraced the knees of

Arete in supplication, as one distressed by many labours. And they all

received him graciously. Now, as they sat at meat, a bard sang of the

fall of Troy; and Alcinous, the king, marked how Ulysses wept at the

tale; and then Ulysses told them who he was, and of his adventures, on

this wise.

_II_.--_Ulysses Tells of his Wanderings_

After many wanderings, we came to the isle of the Cyclops, and I, with

twelve of my men, to his cave. He coming home bespake us.

"Ho! guests! What are ye? Whence sail ye these seas?

Traffic or rove ye, and, like thieves, oppress

Poor strange adventurers, exposing so

Your souls to danger, and your lives to woe?"

"Reverence the gods, thou greatest of all that live,

We suppliants are." "O thou fool," answered he,

"To come so far, and to importune me

With any god's fear or observed love!

We Cyclops care not for your goat-fed Jove

Nor other blest ones; we are better far.

To Jove himself dare I bid open war."

The Cyclop devoured two sailors, and slept. I slew him not sleeping--

For there we all had perished, since it past

Our powers to lift aside a log so vast

As barred all our escape.

At morn, he drove forth the flocks, but barred the entry again, having

devoured two more of my comrades. But we made ready a great stake for

thrusting out his one eye. And when he came home at night, driving in

all his sheep,

Two of my soldiers more

At once he snatched up, and to supper went.

Then dared I words to him, and did present

A bowl of wine with these words: "Cyclop! take

A bowl of wine." "Thy name, that I may make

A hospitable gift; for this rich wine

Fell from the river, that is more divine,

Of nectar and ambrosia." "Cyclop, see,

My name is No-Man." Cruel answered he.

"No-Man! I'll eat thee last of all thy friends."

He slept; we took the spar, made keen before,

And plunged it in his eye. Then did he roar

In claps like thunder.

Other Cyclops gathered, to inquire who had harmed him; but he--

"by craft, not might,

No-Man hath given me death." They then said right,

"If no man hurt thee, and thyself alone,

That which is done to thee by Jove is done."

Then groaning up and down, he groping tried

To find the stone, which found, he put aside,

But in the door sat, feeling if he could,

As the sheep issued, on some man lay hold.

But we, ranging the sheep three abreast, were borne out under their

bellies, and drove them in haste down to our ship; and having put out,

I cried aloud:

"Cyclop! if any ask thee who imposed

Th' unsightly blemish that thine eye enclosed,

Say that Ulysses, old Laertes' son,

Whose seat is Ithaca, who hath won

Surname of city-razer, bored it out."

At this he brayed so loud that round about

He drove affrighted echoes through the air

In burning fury; and the top he tare

From off a huge rock, and so right a throw

Made at our ship that just before the prow

It overflew and fell, missed mast and all

Exceeding little; but about the fall

So fierce a wave it raised that back it bore

Our ship, so far it almost touched the shore.

So we escaped; but the Cyclop stirred up against us the wrath of his

father Neptune. Thereafter we came to the caves of Æolus, lord of the

winds, and then to the land of the giants called Laestrygones, whence

there escaped but one ship of all our company.

Then to the isle of Ææa we attained,

Where fair-haired, dreadful, eloquent Circe reigned.

Then I sent a company, led by Eurylochus, to search the land.

These in a dale did Circe's house descry;

Before her gates hill-wolves and lions lie;

Which, with her virtuous drugs, so tame she made

That wolf nor lion would no man invade

With any violence, but all arose,

Their huge, long tails wagged, and in fawns would close,

As loving dogs. Amaz'd they stay'd at gate,

And heard within the goddess elevate

A voice divine, as at her web she wrought,

Subtle and glorious and past earthly thought.

She called them in, but Eurylochus, abiding without, saw her feast

them, and then turn them with her wand into swine. From him hearing

these things I hastened thither. But Hermes met me, and gave me of the

herb Moly, to be a protection against her spells, and wise counsel

withal. So when she had feasted me she touched me with her wand.

I drew my sword, and charged her, as I meant

To take her life. When out she cried, and bent

Beneath my sword her knees, embracing mine,

And full of tears, said, "Who, of what high line

Art thou? Deep-souled Ulysses must thou be."

Then I, "O Circe, I indeed am he.

Dissolve the charms my friends' forced forms enchain,

And show me here those honoured friends like men."

Now she restored them, and knowing the will of the gods, made good

cheer for us all, so that we abode with her for one year. Nor might

we depart thence till I had made journey to the abode of Hades to get

speech of Tiresias the Seer. Whereby I saw made shades of famous folk,

past recounting. Thence returning, Circe suffered us to be gone; with

warning of perils before us, and of how we should avoid them.

First to the Sirens. Whoso hears the call

Of any Siren, he will so despise

Both wife and children, for their sorceries,

That never home turns his affection's stream,

Nor they take joy in him nor he in them.

Next monstrous Scylla. Six long necks look out

Of her rank shoulders; every neck doth let

A ghastly head out; every head, three set,

Thick thrust together, of abhorred teeth,

And every tooth stuck with a sable death;

Charybdis, too, whose horrid throat did draw

The brackish sea up. These we saw

And escaped only in part. Then came they to the island where are

fed the Oxen of the Sun; and because his comrades would slay them,

destruction came upon them, and Ulysses alone came alive to the isle

of Calypso.

_III_.--_How Ulysses Came Back to Ithaca_

Now, when Ulysses had made an end, it pleased Alcinous and all the

Phæacians that they should speed him home with many rich gifts. So

they set him in a ship, and bore him to Ithaca, and laid him on

the shore, yet sleeping, with all the goodly gifts about him, and

departed. But he, waking, wist not where he was till Pallas came

to him. Who counselled him how he should deal with the Wooers, and

disguised him as a man ancient and worn.

Then Ulysses sought and found the faithful swine-herd Eumæus, who made

him welcome, not knowing who he was, and told him of the ill-doing of

the suitors. But Pallas went and brought back Telemachus from Sparata,

evading the Wooers' ambush.

Out rushed amazed Eumæus, and let go

The cup to earth, that he had laboured so,

Cleansed for the neat wine, did the prince surprise,

Kissed his fair forehead, both his lovely eyes,

And wept for joy. Then entering, from his seat

His father rose to him; who would not let

The old man remove, but drew him back, and prest

With earnest terms his sitting, saying, "Guest,

Take here your seat again."

Eumæus departing, Pallas restored Ulysses to his own likeness, and he

made himself known to Telemachus, and instructed him.

"Go them for home, and troop up with the Wooers,

Thy will with theirs joined, power with their rude powers;

And after shall the herdsmen guide to town

My steps, my person wholly overgrown

With all appearance of a poor old swain,

Heavy and wretched. If their high disdain

Of my vile presence made them my desert

Affect with contumelies, let thy loved heart

Beat in fixed confines of thy bosom still,

And see me suffer, patient of their ill.

But when I give the sign, all th' arms that are

Aloft thy roof in some near room prepare--

Two swords, two darts, two shields, left for us twain.

But let none know Ulysses near again."

But when air's rosy birth, the morn, arose,

Telemachus did for the turn dispose

His early steps; went on with spritely pace,

And to the Wooers studied little grace ...

And now the king and herdsman from the field

Drew nigh the town; when in the yard there lay

A dog called Argus, which, before his way

Assumed for Ilion, Ulysses bred,

Yet stood his pleasure then in little stead,

As being too young, but, growing to his grace,

Young men made choice of him for every chase,

Or of their wild goats, of their hares, or harts;

But, his king gone, and he, now past his parts,

Lay all abjectly on the stable's store

Before the ox-stall, and mules' stable-door,

To keep the clothes cast from the peasants' hands

While they laid compass on Ulysses' lands,

The dog, with ticks (unlook'd to) overgrown.

But by this dog no sooner seen but known

Was wise Ulysses; who now enter'd there.

Up went his dog's laid ears, coming near,

Up he himself rose, fawned, and wagged his stern,

Couch'd close his ears, and lay so; nor discern

Could ever more his dear-loved lord again.

Ulysses saw it, nor had power t'abstain From

shedding tears; but (far-off seeing his swain)

His grief dissembled.... Then they entered in

And left poor Argus dead; his lord's first sight

Since that time twenty years bereft his sight.

Telemachus welcomed the wayworn suppliant; the feasting Wooers, too,

sent him portions of meat, save Antinous, who

Rapt up a stool, with which he smit

The king's right shoulder, 'twixt his neck and it.

He stood him like a rock. Antinous' dart

Stirred not Ulysses, who in his great heart

Deep ills projected.

The very Wooers were wroth. Which clamour Penelope hearing, she sent

for Eumæus, and bade him summon the stranger to her; but he would

not come till evening, by reason of the suitors, from whom he had

discourteous treatment.

Now Ulysses coming to Penelope, did not discover himself, but told

her made-up tales of his doings; as, how he had seen Ulysses, and of

a robe he had worn which Penelope knew for one she had given him; so

that she gave credence to his words. Then she bade call the ancient

nurse Euryclea, that she might wash the stranger's feet. But by a scar

he came to be discovered by the aged dame. Her he charged with silence

and to let no ear in all the court more know his being there. As for

Penelope, she told him of her intent to promise herself to the man who

could wield Ulysses' bow, knowing well that none had the strength and

skill.

_IV.--Of the Doom of the Suitors_

On the morrow came Penelope to the Wooers, bearing the bow of her lord.

Her maids on both sides stood; and thus she spake:

"Hear me, ye Wooers, that a pleasure take

To do me sorrow, and my house invade

To eat and drink, as if 'twere only made

To serve your rapines, striving who shall frame

Me for his wife. And since 'tis made a game,

I here propose divine Ulysses' bow

For that great master-piece, to which ye row.

He that can draw it with least show to strive,

And through these twelve axe-heads an arrow drive,

Him will I follow, and this house forego."

Whereat the herd Eumæus wept for woe.

Then Telemachus set up the axe-heads, and himself made vain essay, the

more to tempt the Wooers. And while they after him strove all vainly,

Ulysses went out and bespake Eumæus and another herd, Philoetius.

"I am your lord; through many a sufferance tried

Arrived now here, whom twenty years have held

Forth from my home. Of all the company

Now serving here besides, not one but you

Mine ear hath witnessed willing to bestow

Their wishes of my life, so long held dead.

The curious Wooers will by no means give

The offer of the bow and arrow leave

To come at me; spite then their pride, do thou,

My good Eumæus, bring both shaft and bow

To my hands' proof; and charge the maids before

That instantly they shut the door.

Do thou, Philoetius, keep their closure fast."

Then Ulysses claiming to make trial of the bow, the Wooers would have

denied him; but Penelope would not; whereas Telemachus made a vow that

it was for himself and none other to decide, and the guest should make

trial. But he, handling it while they mocked, with ease

Drew the bow round. Then twanged he up the string,

That as a swallow in the air doth sing,

So sharp the string sung when he gave it touch,

Once having bent and drawn it. Which so much

Amazed the Wooers, that their colours went

And came most grievously. And then Jove rent

The air with thunder; which at heart did cheer

The now-enough-sustaining traveller.

Then through the axes at the first hole flew

The steel-charged arrow. Straightway to him drew

His son in complete arms....

"Now for us

There rests another mark more hard to hit,

And such as never man before hath smit;

Whose full point likewise my hands shall assay,

And try if Phoebus will give me his day."

He said, and off his bitter arrow thrust

Right at Antinous, that struck him just

As he was lifting up the bowl, to show

That 'twixt the cup and lip much ill may grow.

Then the rest cried out upon him with threats, while they made vain

search for weapons in the hall.

He, frowning, said, "Dogs, see in me the man

Ye all held dead at Troy. My house it is

That thus ye spoil, and thus your luxuries

Fill with my women's rapes; in which ye woo

The wife of one that lives, and no thought show

Of man's fit fear, or gods', your present fame,

Or any fair sense of your future name;

And, therefore, present and eternal death

Shall end your base life."

Then the Wooers made at Ulysses and Telemachus, who smote down first

Eurymachus and then Amphinomus. But a way to the armoury having

been left, the Wooers got arms by aid of a traitor; whom Eumæus and

Philoetius smote, and then came to Ulysses and his son. Moreover,

Pallas also came to their help; so that the Wooers, being routed--

Ulysses and his son the flyers chased

As when, with crooked beaks and seres, a cast

Of hill-bred eagles, cast off at some game,

That yet their strengths keep, but, put up, in flame

The eagle stoops; from which, along the field

The poor fowls make wing this and that way yield

Their hard-flown pinions, then the clouds assay

For 'scape or shelter, their forlorn dismay

All spirit exhaling, all wings strength to carry

Their bodies forth, and, truss'd up, to the quarry

Their falconers ride in, and rejoice to see

Their hawks perform a flight so fervently;

So in their flight Ulysses with his heir

Did stoop and cuff the Wooers, that the air

Broke in vast sighs, whose heads they shot and cleft,

The pavement boiling with the souls they reft.

Now all the Wooers were slain, and they of the household that were

their accomplices; and the chamber was purified.

Then first did tears ensue

Her rapt assurance; when she ran and spread

Her arms about his neck, kiss'd oft his head.

He wept for joy, t'enjoy a wife so fit

For his grave mind, that knew his depth of wit.

But as for the Wooers, Hermes gathered the souls of them together,

and, as bats gibbering in a cavern rise, so came they forth gibbering

and went down to the House of Hades.

FOOTNOTES:

[G] Of the "Odyssey" it may be said with certainty that its

composition was later than that of the "Iliad," but it cannot be

affirmed that both poems were not composed within the life-time of one

man. It may be claimed that the best criticism declines to reject the

identity of authorship of the poet of the "Iliad" and the poet of the

"Odyssey," while admitting the probability that the work of other poets

was incorporated in his. We have given our readers the translation by

George Chapman, Shakespeare's contemporary, with which may be compared

the fine modern prose translation by Professor Butcher and Mr. Andrew

Lang. On the other hand, Alexander Pope's verse rendering has nothing

Homeric about it. It may be regretted that Chapman did not in the

"Odyssey" retain the swinging metre which he used in the "Iliad." The

poem relates the adventures of Odysseus (latinised into Ulysses) on his

homeward voyages, after the fall of Troy.

HORACE[H]

Poems

_Satires_

HUMAN DISCONTENT

Whence is it, sir, that none contented lives

With the fair lot which prudent reason gives,

Or chance presents, yet all with envy view

The schemes that others variously pursue?

Broken with toils, with ponderous arms oppressed,

The soldier thinks the merchant solely blest.

In opposite extreme, when tempests rise,

"War is a better choice," the merchant cries.

When early clients thunder at his gate,

Te barrister applauds the rustic's fate;

While, by _sub-poenas_ dragged from home, the clown

Thinks the supremely happy dwell in town!

Not to be tedious, mark the moral aim

Of these examples. Should some god proclaim,

"Your prayers are heard: you, soldier, to your seas;

You, lawyer, take that envied rustic's ease,--

Each to his several part--What! Ha! not move

Even to the bliss you wished!" And shall not Jove,

With cheeks inflamed and angry brow, forswear

A weak indulgence to their future prayer?

AVARICE

Some, self-deceived, who think their lust of gold

Is but a love of fame, this maxim hold,

"No fortune is enough, since others rate

Our worth proportioned to a large estate."

Say, for their cure what arts would you employ?

Let them be wretched, and their choice enjoy.

Would you the real use of riches know?

Bread, herbs, and wine are all they can bestow.

Or add, what nature's deepest wants supplies;

These and no more thy mass of money buys.

But with continual watching almost dead,

Housebreaking thieves, and midnight fires to dread,

Or the suspected slave's untimely flight

With the dear pelf--if this be thy delight,

Be it my fate, so heaven in bounty please,

Still to be poor of blessings such as these!

A PARAGON OF INCONSISTENCY

Nothing was of a piece in the whole man:

Sometimes he like a frightened coward ran,

Whose foes are at his heels; now soft and slow

He moved, like folks who in procession go.

Now with two hundred slaves he crowds his train;

Now walks with ten. In high and haughty strain,

At morn, of kings and governors he prates;

At night, "A frugal table, O ye Fates,

A little shell the sacred salt to hold,

And clothes, though coarse, to keep from me the cold."

Yet give this wight, so frugally content,

A thousand pounds, 'tis every penny spent

Within the week! He drank the night away

Till rising dawn, then snored out all the day.

Sure, such a various creature ne'er was known.

But have you, sir, no vices of your own?

ON JUDGING FRIENDS

The World's Greatest Books — Volume 17 — Poetry and Drama · 第 6 / 10 章