I. ON BOOKS OF ADVENTURE

Books of sporting, travel, and adventure in countries little known to

the average reader naturally fall in two classes-neither, with a very

few exceptions, of great value. One class is perhaps the logical result

of the other.

Of the first type is the book that is written to make the most of far

travels, to extract from adventure the last thrill, to impress the

awestricken reader with a full sense of the danger and hardship the

writer has undergone. Thus, if the latter takes out quite an ordinary

routine permit to go into certain districts, he makes the most of

travelling in “closed territory,” implying that he has obtained an

especial privilege, and has penetrated where few have gone before him.

As a matter of fact, the permit is issued merely that the authorities

may keep track of who is where. Anybody can get one. This class of

writer tells of shooting beasts at customary ranges of four and five

hundred yards. I remember one in especial who airily and as a matter

of fact killed all his antelope at such ranges. Most men have shot

occasional beasts at a quarter mile or so, but not airily nor as

a matter of fact: rather with thanksgiving and a certain amount of

surprise. The gentleman of whom I speak mentioned getting an eland at

seven hundred and fifty yards. By chance I happened to mention this to a

native Africander.

“Yes,” said he, “I remember that; I was there.”

This interested me-and I said so.

“He made a long shot,” said I.

“A GOOD long shot,” replied the Africander.

“Did you pace the distance?”

He laughed. “No,” said he, “the old chap was immensely delighted. 'Eight

hundred yards if it was an inch!' he cried.”

“How far was it?”

“About three hundred and fifty. But it was a long shot, all right.”

And it was! Three hundred and fifty yards is a very long shot. It is

over four city blocks-New York size. But if you talk often enough and

glibly enough of “four and five hundred yards,” it does not sound like

much, does it?

The same class of writer always gets all the thrills. He speaks of

“blanched cheeks,” of the “thrilling suspense,” and so on down the gamut

of the shilling shocker. His stuff makes good reading; there is no

doubt of that. The spellbound public likes it, and to that extent it has

fulfilled its mission. Also, the reader believes it to the letter-why

should he not? Only there is this curious result: he carries away in

his mind the impression of unreality, of a country impossible to

be understood and gauged and savoured by the ordinary human mental

equipment. It is interesting, just as are historical novels, or the

copper-riveted heroes of modern fiction, but it has no real relation

with human life. In the last analysis the inherent untruth of the

thing forces itself on him. He believes, but he does not apprehend; he

acknowledges the fact, but he cannot grasp its human quality. The affair

is interesting, but it is more or less concocted of pasteboard for his

amusement. Thus essential truth asserts its right.

All this, you must understand, is probably not a deliberate attempt

to deceive. It is merely the recrudescence under the stimulus of a

brand-new environment of the boyish desire to be a hero. When a man

jumps back into the Pleistocene he digs up some of his ancestors'

cave-qualities. Among these is the desire for personal adornment. His

modern development of taste precludes skewers in the ears and polished

wire around the neck; so he adorns himself in qualities instead. It is

quite an engaging and diverting trait of character. The attitude of mind

it both presupposes and helps to bring about is too complicated for my

brief analysis. In itself it is no more blameworthy than the small boy's

pretence at Indians in the back yard; and no more praiseworthy than

infantile decoration with feathers.

In its results, however, we are more concerned. Probably each of us has

his mental picture that passes as a symbol rather than an idea of the

different continents. This is usually a single picture-a deep river,

with forest, hanging snaky vines, anacondas and monkeys for the east

coast of South America, for example. It is built up in youth by chance

reading and chance pictures, and does as well as a pink place on the

map to stand for a part of the world concerning which we know nothing at

all. As time goes on we extend, expand, and modify this picture in the

light of what knowledge we may acquire. So the reading of many books

modifies and expands our first crude notions of Equatorial Africa. And

the result is, if we read enough of the sort I describe above, we build

the idea of an exciting, dangerous, extra-human continent, visited by

half-real people of the texture of the historical-fiction hero, who have

strange and interesting adventures which we could not possibly imagine

happening to ourselves.

This type of book is directly responsible for the second sort. The

author of this is deadly afraid of being thought to brag of his

adventures. He feels constantly on him the amusedly critical eye of the

old-timer. When he comes to describe the first time a rhino dashed in

his direction, he remembers that old hunters, who have been so charged

hundreds of times, may read the book. Suddenly, in that light, the

adventure becomes pitifully unimportant. He sets down the fact that “we

met a rhino that turned a bit nasty, but after a shot in the shoulder

decided to leave us alone.” Throughout he keeps before his mind's eye

the imaginary audience of those who have done. He writes for them,

to please them, to convince them that he is not “swelled head,” nor

“cocky,” nor “fancies himself,” nor thinks he has done, been, or seen

anything wonderful. It is a good, healthy frame of mind to be in; but

it, no more than the other type, can produce books that leave on the

minds of the general public any impression of a country in relation to a

real human being.

As a matter of fact, the same trouble is at the bottom of both failures.

The adventure writer, half unconsciously perhaps, has been too much

occupied play-acting himself into half-forgotten boyhood heroics. The

more modest man, with even more self-consciousness, has been thinking of

how he is going to appear in the eyes of the expert. Both have thought

of themselves before their work. This aspect of the matter would

probably vastly astonish the modest writer.

If, then, one is to formulate an ideal toward which to write, he might

express it exactly in terms of man and environment. Those readers

desiring sheer exploration can get it in any library: those in search

of sheer romantic adventure can purchase plenty of it at any book-stall.

But the majority want something different from either of these. They

want, first of all, to know what the country is like-not in vague and

grandiose “word paintings,” nor in strange and foreign sounding words

and phrases, but in comparison with something they know. What is it

nearest like-Arizona? Surrey? Upper New York? Canada? Mexico? Or is it

totally different from anything, as is the Grand Canyon? When you look

out from your camp-any one camp-how far do you see, and what do you

see?-mountains in the distance, or a screen of vines or bamboo near

hand, or what? When you get up in the morning, what is the first thing

to do? What does a rhino look like, where he lives, and what did you do

the first time one came at you? I don't want you to tell me as though I

were either an old hunter or an admiring audience, or as though you were

afraid somebody might think you were making too much of the matter. I

want to know how you REALLY felt. Were you scared or nervous? or did you

become cool? Tell me frankly just how it was, so I can see the thing as

happening to a common everyday human being. Then, even at second-hand

and at ten thousand miles distance, I can enjoy it actually, humanly,

even though vicariously, speculating a bit over my pipe as to how I

would have liked it myself.

Obviously, to write such a book the author must at the same time sink

his ego and exhibit frankly his personality. The paradox in this is only

apparent. He must forget either to strut or to blush with diffidence.

Neither audience should be forgotten, and neither should be exclusively

addressed. Never should he lose sight of the wholesome fact that old

hunters are to read and to weigh; never should he for a moment slip

into the belief that he is justified in addressing the expert alone. His

attitude should be that many men know more and have done more than he,

but that for one reason or another these men are not ready to transmit

their knowledge and experience.

To set down the formulation of an ideal is one thing: to fulfil it is

another. In the following pages I cannot claim a fulfilment, but only an

attempt. The foregoing dissertation must be considered not as a promise,

but as an explanation. No one knows better than I how limited my

African experience is, both in time and extent, bounded as it is by East

Equatorial Africa and a year. Hundreds of men are better qualified than

myself to write just this book; but unfortunately they will not do it.

The Land of Footprints · 第 2 / 44 题