THE KITTEN.

By Joanna Baillie.

Wanton drole, whose harmless play

Beguiles the rustic's closing day,

When drawn the evening fire about,

Sit aged Crone and thoughtless Lout,

And child upon his three-foot stool,

Waiting till his supper cool;

And Maid whose cheek outblooms the rose,

As bright the blazing faggot glows,

Who, bending to the friendly light,

Plies her task with busy sleight;

Come, show thy tricks and sportive graces,

Thus circled round with merry faces.

Backward coil'd and couching low,

With glaring eyeballs watch thy foe,

The housewife's spindle whirling round,

Or thread, or straw, that on the ground

Its shadow throws, by urchin sly

Held out to lure thy roving eye;

Then, onward stealing fiercely spring

Upon the futile, faithless thing.

Now, wheeling round with bootless skill,

Thy bo-peep tail provokes thee still,

As oft beyond thy curving side

Its getty tip is seen to glide;

Till from thy centre starting far

Thou sidelong rear'st with rump in air,

Erected stiff, and gait awry,

Like Madam in her tantrums high:

Though ne'er a Madam of them all,

Whose silken kirtle sweeps the hall,

More varied trick and whim displays,

To catch the admiring stranger's gaze.

Doth power in measured verses dwell,

All thy vagaries wild to tell?

Ah no! the start, the jet, the bound,

The giddy scamper round and round,

With leap, and jerk, and high curvet,

And many a whirling somerset,

(Permitted by the modern Muse

Expression technical to use,)

These mock the deftest rhymester's skill,

But poor in art, though rich in will.

The featest tumbler, stage-bedight,

To thee is but a clumsy wight,

Who every limb and sinew strains

To do what costs thee little pains,

For which, I trow, the gaping crowd

Requites him oft with plaudits loud;

But, stopped the while thy wanton play,

Applauses, too, thy feats repay;

For then beneath some urchin's hand,

With modest pride thou tak'st thy stand,

While many a stroke of fondness glides

Along thy back and tabby sides.

Dilated swells thy glossy fur,

And loudly sings thy busy pur;

As timing well the equal sound,

Thy clutching feet bepat the ground,

And all their harmless claws disclose,

Like prickles of an early rose;

While softly from thy whiskered cheek

Thy half-closed eyes peer mild and meek.

But, not alone by cottage fire

Do rustics rude thy feats admire;

The learned sage, whose thoughts explore

The widest range of human lore,

Or, with unfettered fancy, fly

Through airy heights of poesy,

Pausing, smiles with altered air

To see thee climb his elbow chair,

Or, struggling on the mat below,

Hold warfare with his slipper'd toe.

The widow'd dame, or lonely maid,

Who in the still but cheerless shade

Of home unsocial, spends her age,

And rarely turns a lettered page;

Upon her hearth for thee lets fall

The rounded cork, or paper ball,

Nor chides thee on thy wicked watch

The ends of ravelled skein to catch,

Buts lets thee have thy wayward will,

Perplexing oft her sober skill.

Even he, whose mind of gloomy bent,

In lonely tower or prison pent,

Reviews the wit of former days,

And loaths the world and all its ways;

What time the lamps unsteady gleam

Doth rouse him from his moody dream,

Feels as thou gambol'st round his seat,

His heart with pride less fiercely beat,

And smiles, a link in thee to find

That joins him to his living kind.

Whence hast thou then, thou witless puss,

The magic power to charm us thus?

Is it, that in thy glaring eye,

And rapid movements, we descry,

While we at ease, secure from ill,

The chimney corner snugly fill,

A lion, darting on his prey,

A tiger, at his ruthless play?

Or, is it that in thee we trace,

With all thy varied wanton grace,

An emblem view'd with kindred eye,

Of tricksey, restless infancy?

Ah! many a lightly-sportive child,

Who hath, like thee our wits beguil'd,

To dull and sober manhood grown,

With strange recoil our hearts disown.

Even so, poor Kit! must thou endure,

When thou becom'st a cat demure,

Full many a cuff, and angry word,

Chid roughly from the tempting board,

And yet for that, thou hast, I ween,

So oft our favoured playmate been,

Soft be the change which thou shalt prove,

When time hath spoil'd thee of our love;

Still be thou deemed by housewife fat,

A comely, careful, mousing cat;

Whose dish is for the public good,

Replenish'd oft with sav'ry food.

Nor when thy span of life is past,

Be thou to pond or dunghill cast,

But gently borne on good man's spade,

Beneath the decent sod be laid,

And children show with glist'ning eyes,

The place where poor old Pussy lies.

The Rural Magazine, and Literary Evening Fire-Side, Vol. 1 No. 11 (1820) · 第 32 / 40 题