When you take up the favorite uncut periodical of the month, you like

to skirmish about the advertisements and tease yourself with dipping in

here and there before you plunge into the serial novel. It was absurd,

but my first visit in Athens was to the building of the Quadrennial

Exposition of the Industry and Art of Greece,—a long, painted wooden

structure, decked with flags, and called, I need not say, the Olympium.

To enter this imitation of a country fair at home, was the rudest shock

one could give to the sentiment of antiquity, and perhaps a dangerous

experiment, however strong in the mind might be the subtone of

Acropolis. The Greek gentleman who accompanied me said that the

exhibition was a great improvement over the one four years before. It

was, in fact, a very hopeful sign of the prosperity of the new state;

there was a good display of cereals and fruits, of silk and of jewelry,

and various work in gold and silver,—the latter all from Corfu; but

from the specimens of the fine arts, in painting and sculpture, I think

the ancient Greeks have not much to fear or to hope from the modern; and

the books, in printing and binding, were rude enough. But the specimens

from the mines and quarries of Greece could not be excelled elsewhere;

the hundred varieties of exquisite marbles detained us long; there

were some polished blocks, lovely in color, and you might almost say in

design, that you would like to frame and hang as pictures on the wall.

Another sign of the decadence of the national costume, perhaps more

significant than its disappearance in the streets, was its exhibition

here upon lay figures. I saw a countryman who wore it sneaking round one

of these figures, and regarding it with the curiosity of a savage who

for the first time sees himself in a mirror. Since the revolution the

Albanian has been adopted as the Grecian costume, in default of anything

more characteristic, and perhaps because it would puzzle one to say

of what race the person calling himself a modern Greek is. But the

ridiculous fustanella is nearly discarded; it is both inconvenient and

costly; to make one of the proper fulness requires forty yards of cotton

cloth; this is gathered at the waist, and hangs in broad pleats to the

knees, and it is starched so stiffly that it stands out like a half-open

Chinese umbrella. As the garment cannot be worn when it is the least

soiled, and must be done up and starched two or three times a week, the

wearer finds it an expensive habit; and in the whole outfit—the

jacket and sleeves may be a reminiscence of defensive armor—he has the

appearance of a landsknecht above and a ballet-girl below.

Nearly as rare in the streets as this dress are the drooping red caps

with tassels of blue. The women of Athens whom we saw would not take a

premium anywhere for beauty; but we noticed here and there one who wore

upon her dark locks the long hanging red fez and gold tassel, who might

have attracted the eye of a roving poet, and been passed down to the

next age as the Maid of Athens. The Athenian men of the present are a

fine race; we were constantly surprised by noble forms and intelligent

faces. That they are Greek in feature or expression, as we know the

Greek from coins and statuary, we could not say. Perhaps it was only the

ancient Lacedemonian rivalry that prompted the remark of a gentleman in

Athens, who was born in Sparta, that there is not a drop of the ancient

Athenian blood in Athens. There are some patrician families in the city

who claim this honorable descent, but it is probable that Athens is less

Greek than any other town in the kingdom; and that if there remain any

Hellenic descendants they must be sought in remote districts of the

Morea. If we trusted ourselves to decide by types of face, we should say

that the present inhabitants of Athens were of Northern origin, and that

their relation to the Greeks was no stronger than that of Englishmen

to the ancient Britons. That the people who now inhabit Attica and the

Peloponnesus are descendants of the Greeks whom the Romans conquered,

I suppose no one can successfully claim; that they are all from the

Slavonians, who so long held and almost exclusively occupied the Greek

mainland, it is equally difficult to prove. All we know is, that

the Greek language has survived the Byzantine anarchy, the Slavonic

conquest, the Frank occupation; and that the nimble wit, the

acquisitiveness and inquisitiveness, the cunning and craft of the modern

Greek, seem to be the perversion of the nobler and yet not altogether

dissimilar qualities which made the ancient Greeks the leaders of the

human race. And those who ascribe the character of a people to climate

and geographical position may expect to see the mongrel inheritors of

the ancient soil moulded, by the enduring influences of nature,

into homogeneity, and reproduce in a measure a copy of that splendid

civilization of whose ruins they are now unappreciative possessors.

Beyond the temporary Olympium, the eye is caught by the Arch of Hadrian,

and fascinated by the towering Corinthian columns of the Olympicum or

Temple of Jupiter. Against the background of Hymettus and the blue

sky stood fourteen of these beautiful columns, all that remain of

the original one hundred and twenty-four, but enough to give us an

impression of what was one of the most stately buildings of antiquity.

This temple, which was begun by Pisistratus, was not finished till

Hadrian's time, or until the worship of Jupiter had become cold and

sceptical. The columns stand upon a terrace overlooking the bed of

the Hissus; there coffee is served, and there we more than once sat at

sundown, and saw the vast columns turn from rose to gray in the fading

light.

Athens, like every other city of Europe in this age of science and

Christianity, was full of soldiers; we saw squads of them drilling here

and there, their uniforms sprinkled the streets and the cafés, and

their regimental bands enlivened the town. The Greeks, like all the rest

of us, are beating their pruning-hooks into spears and preparing for

the millennium. If there was not much that is peculiar to interest us in

wandering about among the shops, and the so-called, but unroofed and not

real, bazaars, there was much to astonish us in the size and growth of

a city of over fifty thousand inhabitants, in forty years, from the heap

of ruins and ashes which the Turks left it. When the venerable American

missionaries, Dr. Hill and his wife, came to the city, they were obliged

to find shelter in a portion of a ruined tower, and they began their

labors literally in a field of smoking desolation. The only attractive

shops are those of the antiquity dealers, the collectors of coins,

vases, statuettes, and figurines. Of course the extraordinary demand for

these most exquisite mementos of a race of artists has created a host of

imitations, and set an extravagant and fictitious price upon most of the

articles, a price which the professor who lets you have a specimen as

a favor, or the dealer who calmly assumes that he has gathered the last

relics of antiquity, mentions with equal equanimity. I looked in the

face of a handsome graybeard, who asked me two thousand francs for a

silver coin, which he said was a Solon, to see if there was any guile in

his eye; but there was not. I cannot but hope that this race which has

learned to look honest will some time become so.

Late in the afternoon we walked around the south side of the Acropolis,

past the ruins of theatres that strew its side, and ascended by the

carriage-road to the only entrance, at the southwest end of the hill,

towards the Piræus. We pass through a gate pierced in the side wall,

and come to the front of the Propylæa, the noblest gateway ever built.

At the risk of offending the travelled, I shall try in a paragraph to

put the untravelled reader in possession of the main features of this

glorious spot.

The Acropolis is an irregular oblong hill, the somewhat uneven summit of

which is about eleven hundred feet long by four hundred and fifty feet

broad at its widest. The hill is steep on all sides, and its final

spring is perpendicular rock, in places a hundred and fifty feet high.

It is lowest at the southwest end, where it dips down, and, by a rocky

neck, joins the Areopagus, or Mars Hill. Across this end is built

the Propylæa, high with reference to the surrounding country, and

commanding the view, but low enough not to hide from a little distance

the buildings on the summit. This building, which is of the Doric order,

and of pure Pentelic marble, was the pride of the Athenians. Its entire

front is about one hundred and seventy feet; this includes the central

portico (pierced with five entrances, the centre one for carriages) and

the forward projecting north and south wings. In the north wing was the

picture-gallery; the south wing was never completed to correspond, but

the balance is preserved by the little Temple of the Wingless Victory,

which from its ruins has been restored to its original form and beauty.

The Propylæa is approached by broad flights of marble steps, which were

defended by fortifications on the slope of the hill. The distant reader

may form a little conception of the original splendor of this gateway

from its cost, which was nearly two and a half millions of dollars, and

by remembering that it was built under the direction of Pericles at a

time when the cost of a building represented its real value, and not the

profits of city officials and contractors.

Passing slowly between the columns, and with many a backward glance over

the historic landscape, lingering yet lest we should abruptly break the

spell, we came into the area. Straight before us, up the red rock,

ran the carriage-road, seamed across with chisel-marks to prevent

the horses' hoofs from slipping, and worn in deep ruts by heavy

chariot-wheels. In the field before us a mass of broken marble; on the

right the creamy columns of the Parthenon; on the left the irregular

but beautiful Ionic Erechtheum. The reader sees that the entrance was

contrived so that the beholder's first view of the Parthenon should be

at the angle which best exhibits its exquisite proportions.

We were alone. The soldier detailed to watch that we did not carry off

any of the columns sat down upon a broken fragment by the entrance, and

let us wander at our will. I am not sure that I would, if I could,

have the temples restored. There is an indescribable pathos in these

fragments of columns and architraves and walls, in these broken

sculptures and marred inscriptions, which time has softened to the

loveliest tints, and in these tottering buildings, which no human skill,

if it could restore the pristine beauty, could reanimate with the Greek

idealism.

And yet, as we sat upon the western steps of the temple dedicated to

Pallas Athene, I could imagine what this area was, say in the August

days of the great Panathenaic festival, when the gorgeous procession,

which I saw filing along the Via Sacra, returning from Eleusis, swept

up these broad steps, garlanded with flowers and singing the hymn to the

protecting goddess. This platform was not then a desolate stone heap,

but peopled with almost living statues in bronze and marble, the

creations of the genius of Phidias, of Praxiteles, of Lycius,

of Clecetas, of Myron; there, between the two great temples, but

overtopping them both, stood the bronze figure of Minerva Promachus,

cast by Phidias out of the spoils of Marathon, whose glittering helmet

and spear-point gladdened the returning mariner when far at sea, and

defied the distant watcher on the Acropolis of Corinth. First in the

procession come the sacrificial oxen, and then follow in order a band

of virgins, the quadriga, each drawn by four noble steeds, the élite

of the Athenian youth on horseback, magistrates, daughters of noble

citizens bearing vases and pateræ, men carrying trays of offerings,

flute-players and the chorus, singers. They pass around to the entrance

of the Parthenon, which is toward the east, and those who are permitted

enter the naos and come into the presence of the gold-ivory statue

of Minerva. The undraped portions of this statue show the ivory; the

drapery was of solid gold, made so that it could be removed in time

of danger from a public enemy. The golden plates weighed ten thousand

pounds. This work of Phidias, since it was celebrated as the perfection

of art by the best judges of art, must have been as exquisite in its

details as it was harmonious in its proportions; but no artist of our

day would dare to attempt to construct a statue in that manner. In its

right, outstretched hand it held a statue of Victory, four cubits

high; and although it was erected nearly five hundred years before the

Christian era, we are curious to notice the already decided influence of

Egyptian ideas in the figure of the sphinx surmounting the helmet of the

goddess.

The sun was setting behind the island of Salamis. There was a rosy

glow on the bay of Phalerum, on the sea to the south, on the side of

Hymettus, on the yellow columns of the Parthenon, on the Temple of the

Wingless Victory, and on the faces of the ever-youthful Caryatides

in the portico of the Erechtheum, who stand reverently facing the

Parthenon, worshipping now only the vacant pedestal of Athene the

Protector. What overpowering associations throng the mind as one looks

off upon the crooked strait of Salamis, down upon the bare rock of the

Areopagus; upon the Pnyx and the bema, where we know Demosthenes, Solon,

Themistocles, Pericles, Aristides, were wont to address the populace who

crowded up from this valley, the Agora, the tumultuous market-place, to

listen; upon the Museum Hill, crowned by the monument of Philopappus,

pierced by grottos, one of which tradition calls the prison of

Socrates,—the whole history of Athens is in a nutshell! Yet if one

were predetermined to despise this mite of a republic in the compass of

a quart measure, he could not do it here. A little of Cæsar's dust

outweighs the world. We are not imposed upon by names. It was, it could

only have been, in comparison with modern naval engagements, a petty

fight in the narrow limits of that strait, and yet neither the Persian

soldiers who watched it from the Acropolis and in terror saw the ships

of Xerxes flying down the bay, nor the Athenians, who had abandoned

their citadel and trusted their all to the “wooden walls” of

their ships, could have imagined that the result was laden with such

consequences. It gives us pause to think what course all subsequent

history would have taken, what would be the present complexion of the

Christian system itself, if on that day Asiatic barbarism had rendered

impossible the subsequent development of Grecian art and philosophy.

We waited on the Acropolis for the night and the starlight and the

thousand lights in the city spread below, but we did not stay for the

slow coming of the midnight moon over Hymettus.

On Sunday morning we worshipped with the Greeks in the beautiful Russian

church; the interior is small but rich, and is like a private parlor;

there are no seats, and the worshippers stand or kneel, while gilded

and painted figures of saints and angels encompass them. The ceremony

is simple, but impressive. The priests are in gorgeous robes of blue

and silver; choir-boys sing soprano, and the bass, as it always is in

Russian churches, is magnificent. A lady, tall, elegant, superb, in

black faced and trimmed with a stuff of gold, sweeps up to the desks,

kisses the books and the crucifix, and then stands one side crossing

herself. We are most of us mortal, and all, however rich in apparel,

poor sinners one day in the week. No one of the worshippers carries

a prayer-book. There is reading behind the screen, and presently the

priests bring out the elements of communion and exhibit them, the one

carrying the bread in a silver vessel on his head, and the other the

wine. The central doors are then closed on the mysterious consecration.

At the end of the service the holy elements are brought out, the

communicants press up, kiss the cross, take a piece of bread, and then

turn and salute their friends, and break up in a cheerful clatter of

talk. In contrast to this, we attended afterwards the little meeting,

in an upper chamber, of the Greek converts of the American Mission,

and listened to a sermon in Greek which inculcated the religion of

New England,—a gospel which, with the aid of schools, makes slow but

hopeful progress in the city of the unknown God.

The longer one remains in Athens the more he will be impressed with two

things: the one is the perfection of the old art and civilization, and

what must have been the vivacious, joyous life of the ancient Athenians,

in a climate so vital, when this plain was a garden, and these beautiful

hills were clad with forests, and the whispers of the pine answered the

murmurs of the sea; the other is the revival of letters and architecture

and culture, visible from day to day, in a progress as astonishing as

can be seen in any Occidental city. I cannot undertake to describe,

not even to mention, the many noble buildings, either built or in

construction, from the quarries of Pentelicus,—the University, the

Academy, the new Olympium,—all the voluntary contributions of wealthy

Greeks, most of them merchants in foreign cities, whose highest ambition

seems to be to restore Athens to something of its former splendor. It is

a point of honor with every Greek, in whatever foreign city he may

live and die, to leave something in his last will for the adornment or

education of the city of his patriotic devotion. In this, if in nothing

else, they resemble the ancient patriots who thought no sacrifice too

costly for the republic. Among the ruins we find no palaces, no sign

that the richest citizen used his wealth in ostentatious private

mansions. Although some of the Greek merchants now build for themselves

elegant villas, the next generation will see the evidences of their

wealth rather in the public buildings they have erected. In this little

city the University has eighty professors and over twelve hundred

students, gathered from all parts of Greece; there are in the city forty

lady teachers with eight hundred female pupils; and besides these there

are two gymnasiums and several graded schools. Professors and teachers

are well paid, and the schools are free, even to the use of books. The

means flow from the same liberality, that of the Greek merchants, who

are continually leaving money for new educational foundations. There is

but one shadow upon this hopeful picture, and that is the bigotry of the

Greek church, to which the government yields. I do not now speak of

the former persecutions suffered by the Protestant missionaries, but

recently the schools for girls opened by Protestants, and which have

been of the highest service in the education of women, have been obliged

to close or else “conform” to the Greek religion and admit priestly

teachers. At the time of our visit, one of the best of them, that

of Miss Kyle of New York, was only tolerated from week to week under

perpetual warnings, and liable at any moment to be suppressed by the

police. This narrow policy is a disgrace to the government, and if it

is continued must incline the world to hope that the Greeks will never

displace the Moslems in Constantinople.

In the front of the University stands a very good statue of the

scholar-patriot Korais, and in the library we saw the busts of other

distinguished natives and foreigners. The library, which is every day

enriched by private gifts, boasts already over one hundred and thirty

thousand volumes. As we walked through the rooms, the director said

that the University had no bust of an American, though it had often been

promised one. I suggested one of Lincoln. No, he wanted Washington; he

said he cared to have no other. I did not tell him that Washington

was one of the heroes of our mythic period, that we had filled up a

tolerably large pantheon since then, and that a century in America was

as good as a thousand years in Byzantium. But I fell into something of a

historic revery over the apparent fact that America is as yet to Greece

nothing but the land of Washington, and I rather liked the old-fashioned

notion, and felt sure that there must be somewhere in the United States

an antiquated and rich patriot who remembered Washington and would like

to send a marble portrait of our one great man to the University of

Athens.

XXIX.—ELEUSIS, PLATO'S ACADEME, ETC.

THERE was a nightingale who sang and sobbed all night in the garden

before the hotel, and only ceased her plaintive reminiscence of Athenian

song and sorrow with the red dawn. But this is a sad world of contrasts.

Called upon the balcony at midnight by her wild notes, I saw,—how can

I ever say it?—upon the balcony below, a white figure advance, and

with a tragic movement of haste, if not of rage, draw his garment of

the night over his head and shake it out over the public square; and I

knew—for the kingdom of knowledge comes by experience as well as

by observation—that the lively flea was as wakeful in Greece as the

nightingale.

In the morning the north-wind arose,—it seems to blow constantly

from Boeotia at this time of the year,—but the day was bright and

sparkling, and we took carriage for Eleusis. It might have been such a

morning—for the ancient Athenians always anticipated the dawn in their

festivals—that the Panathenaic processions moved along this very Via

Sacra to celebrate the Mysteries of Ceres at Eleusis. All the hills

stood in clear outline,—long Pentelicus and the wavy lines of Parnes

and Corydallus; we drove over the lovely and fertile plain, amid the

olive-orchards of the Kephissus, and up the stony slope to the narrowing

Pass of Daphne, a defile in Mt. Ægaleos; but we sought in vain the

laurel grove, or a single specimen of that tree whose twisted trunk and

outstretched arms express the struggle of vanishing humanity. Passing

on our right the Chapel of St. Elias, on a commanding eminence, and

traversing the level plateau of the rocky gorge, we alighted at the

Monastery of Daphne, whose half-ruined cloister and chapel occupy the

site of a temple of Apollo. We sat for half an hour in its quiet, walled

churchyard, carpeted with poppies and tender flowers of spring, amid the

remains of old columns and fragments of white marble, sparkling amid the

green grass and blue violets, and looked upon the blue bay of Eleusis

and Salamis, and the heights of Megara beyond. Surely nature has a

tenderness for such a spot; and I fancied that even the old dame who

unlocked for us the chapel and its cheap treasures showed us with some

interest, in a carving here and a capital there, the relics of a former

religion, and perhaps mingled with her adoration of the Virgin and the

bambino a lurking regard for Venus and Apollo. A mile beyond, at the

foot of a rocky precipice, are pointed out the foundations of a temple

of Venus, where the handbook assured us doves had been found carved

in white marble; none were left, however, for us, and we contented

ourselves with reading on the rock Phile Aphrodite, and making a vain

effort to recall life to this sterile region.

Enchanting was the view as we drove down the opening pass to the bay,

which spreads out a broad sheet, completely landlocked by the irregular

bulk of Salamis Island. When we emerged through the defile we turned

away from the narrow strait where the battle was fought, and from the

“rocky brow” on which Xerxes sat, a crowned spectator of his

ruin, and swept around the circular shore, past the Rheiti, or

salt-springs,—clear, greenish pools,—and over the level Thriasian

Plain. The bay of Eleusis, guarded by the lofty amphitheatre of

mountains, the curving sweep of Ægaleos and Kithæron, and by Salamis,

is like a lovely lake, and if anywhere on earth there could be peace,

you would say it would be on its sunny and secluded shores. Salamis

appears only a bare and rocky island, but the vine still flourishes in

the scant soil, and from its wild-flowers the descendants of the Attic

bees make honey as famous as that of two thousand years ago.

Across the bay, upon a jutting rocky point, above which rises the crown

of its Acropolis, lies the straggling, miserable village of Eleusis.

Our first note of approach to it was an ancient pavement, and a few

indistinguishable fragments of walls and columns. In a shallow stream

which ran over the stones the women of the town were washing clothes;

and throngs of girls were filling their pails of brass at an old well,

as of old at the same place did the daughters of Keleos. Shriller tones

and laughter mingled with their incessant chatter as we approached, and

we thought,—perhaps it was imagination,—a little wild defiance

and dislike. I had noticed already in Athens, and again here, the

extraordinary rapidity with which the Greeks in conversation exchange

words; I think they are the fastest talkers in the world. And the Greek

has a hard, sharp, ringing, metallic sound; it is staccato. You can see

how easily Aristophanes imitated the brittle-brattle of frogs. I have

heard two women whose rapid, incessant cackle sounded exactly like

the conversation of hens. The sculptor need not go further than these

nut-brown maids for classic forms; the rounded limbs, the generous bust,

the symmetrical waist, which fashion has not made an hour-glass to mark

the flight of time and health. The mothers of heroes were of this mould;

although I will not say that some of them were not a trifle stout for

grace, and that their well-formed faces would not have been improved by

the interior light of a little culture. Their simple dress was a white,

short chemise, that left the legs bare, a heavy and worked tunic, like

that worn by men, and a colored kerchief tied about the head. Many

of the men of the village wore the fustanella and the full Albanian

costume.

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