"This is strange, and ... funny," he murmured, shrugging his shoulders

and smiling ironically. "He is to blame all round, and now I've ruined

her, eh? What an innocent lamb! Did he say those very words to you: that

I ruined your mother?"

"Yes, but ... you said that you wouldn't get offended."

"I'm not offended, and ... and it's none of your business! No, it ...

it's quite funny though. I fell, into the trap, yet I'm to be blamed as

well."

The bell rang. The boy dashed from his place and ran out. In a minute a

lady entered the room with a little girl. It was Olga Ivanovna,

Alyosha's mother. After her, hopping, humming noisily, and waving his

hands, followed Alyosha.

"Of course, who is there to accuse except me?" he murmured, sniffing.

"He's right, he's the injured husband."

"What's the matter?" asked Olga Ivanovna.

"What's the matter! Listen to the kind of sermon your dear husband

preaches. It appears I'm a scoundrel and a murderer, I've ruined you and

the children. All of you are unhappy, and only I am awfully happy!

Awfully, awfully happy!"

"I don't understand, Nicolai! What is it?"

"Just listen to this young gentleman," Byelyaev said, pointing to

Alyosha.

Alyosha blushed, then became pale suddenly and his whole face was

twisted in fright.

"Nicolai Ilyich," he whispered loudly. "Shh!"

Olga Ivanovna glanced in surprise at Alyosha, at Byelyaev, and then

again at Alyosha.

"Ask him, if you please," went on Byelyaev. "That stupid fool Pelagueia

of yours, takes them to sweet-shops and arranges meetings with their

dear father there. But that's not the point. The point is that the dear

father is a martyr, and I'm a murderer, I'm a scoundrel, who broke the

lives of both of you...."

"Nicolai Ilyich!" moaned Alyosha. "You gave your word of honour!"

"Ah, let me alone!" Byelyaev waved his hand. "This is something more

important than any words of honour. The hypocrisy revolts me, the lie!"

"I don't understand," muttered Olga Ivanovna, and tears began to glimmer

in her eyes. "Tell me, Lyolka,"--she turned to her son, "Do you see your

father?"

Alyosha did not hear and looked with horror at Byelyaev.

"It's impossible," said the mother. "I'll go and ask Pelagueia."

Olga Ivanovna went out.

"But, but you gave me your word of honour," Alyosha said trembling all

over.

Byelyaev waved his hand at him and went on walking up and down. He was

absorbed in his insult, and now, as before, he did not notice the

presence of the boy. He, a big serious man, had nothing to do with boys.

And Alyosha sat down in a corner and in terror told Sonya how he had

been deceived. He trembled, stammered, wept. This was the first time in

his life that he had been set, roughly, face to face with a lie. He had

never known before that in this world besides sweet pears and cakes and

expensive watches, there exist many other things which have no name in

children's language. A GENTLEMAN FRIEND

When she came out of the hospital the charming Vanda, or, according to

her passport, "the honourable lady-citizen Nastasya Kanavkina," found

herself in a position in which she had never been before: without a roof

and without a son. What was to be done?

First of all, she went to a pawnshop to pledge her turquoise ring, her

only jewellery. They gave her a rouble for the ring ... but what can you

buy for a rouble? For that you can't get a short jacket ? la mode, or

an elaborate hat, or a pair of brown shoes; yet without these things she

felt naked. She felt as though, not only the people, but even the horses

and dogs were staring at her and laughing at the plainness of her

clothes. And her only thought was for her clothes; she did not care at

all what she ate or where she slept.

"If only I were to meet a gentleman friend...." she thought. "I could

get some money ... Nobody would say 'No,' because...."

But she came across no gentleman Mends. It's easy to find them of nights

in the Renaissance, but they wouldn't let her go into the Renaissance in

that plain dress and without a hat. What's to be done? After a long time

of anguish, vexed and weary with walking, sitting, and thinking, Vanda

made up her mind to play her last card: to go straight to the rooms of

some gentleman friend and ask him for money.

"But who shall I go to?" she pondered. "I can't possibly go to Misha ...

he's got a family.... The ginger-headed old man is at his office...."

Vanda recollected Finkel, the dentist, the converted Jew, who gave her a

bracelet three months ago. Once she poured a glass of beer on his head

at the German dub. She was awfully glad that she had thought of Finkel.

"He'll be certain to give me some, if only I find him in..." she

thought, on her way to him. "And if he won't, then I'll break every

single thing there."

She had her plan already prepared. She approached the dentist's door.

She would run up the stairs, with a laugh, fly into his private room and

ask for twenty-five roubles.... But when she took hold of the bell-pull,

the plan went clean out of her head. Vanda suddenly began to be afraid

and agitated, a thing which had never happened to her before. She was

never anything but bold and independent in drunken company; but now,

dressed in common clothes, and just like any ordinary person begging a

favour, she felt timid and humble.

"Perhaps he has forgotten me..." she thought, not daring to pull the

bell. "And how can I go up to him in a dress like this? As if I were a

pauper, or a dowdy respectable..."

She rang the bell irresolutely.

There were steps behind the door. It was the porter.

"Is the doctor at home?" she asked.

She would have been very pleased now if the porter had said "No," but

instead of answering he showed her into the hall, and took her jacket.

The stairs seemed to her luxurious and magnificent, but what she noticed

first of all in all the luxury was a large mirror in which she saw a

ragged creature without an elaborate hat, without a modish jacket, and

without a pair of brown shoes. And Vanda found it strange that, now that

she was poorly dressed and looking more like a seamstress or a

washerwoman, for the first time she felt ashamed, and had no more

assurance or boldness left. In her thoughts she began to call herself

Nastya Kanavkina, instead of Vanda as she used.

"This way, please!" said the maid-servant, leading her to the private

room. "The doctor will be here immediately.... Please, take a seat."

Vanda dropped into an easy chair.

"I'll say: 'Lend me ...'" she thought. "That's the right thing, because

we are acquainted. But the maid must go out of the room.... It's awkward

in front of the maid.... What is she standing there for?"

In five minutes the door opened and Finkel entered--a tall, swarthy,

convert Jew, with fat cheeks and goggle-eyes. His cheeks, eyes, belly,

fleshy hips--were all so full, repulsive, and coarse! At the Renaissance

and the German club he used always to be a little drunk, to spend a lot

of money on women, patiently put up with all their tricks--for instance,

when Vanda poured the beer on his head, he only smiled and shook his

finger at her--but now he looked dull and sleepy; he had the pompous,

chilly expression of a superior, and he was chewing something.

"What is the matter?" he asked, without looking at Vanda. Vanda glanced

at the maid's serious face, at the blown-out figure of Finkel, who

obviously did not recognise her, and she blushed.

"What's the matter?" the dentist repeated, irritated.

"To ... oth ache...." whispered Vanda.

"Ah ... which tooth ... where?"

Vanda remembered she had a tooth with a hole.

"At the bottom ... to the right," she said.

"H'm ... open your mouth."

Finkel frowned, held his breath, and began to work the aching tooth

loose.

"Do you feel any pain?" he asked, picking at her tooth with some

instrument.

"Yes, I do...." Vanda lied. "Shall I remind him?" she thought, "he'll be

sure to remember.... But ... the maid ... what is she standing there

for?"

Finkel suddenly snorted like a steam-engine straight into her mouth, and

said:

"I don't advise you to have a stopping.... Anyhow the tooth is quite

useless."

Again he picked at the tooth for a little, and soiled Vanda's lips and

gums with his tobacco-stained fingers. Again he held his breath and

dived into her mouth with something cold....

Vanda suddenly felt a terrible pain, shrieked and seized Finkel's

hand....

"Never mind...." he murmured. "Don't be frightened.... This tooth isn't

any use."

And his tobacco-stained fingers, covered with blood, held up the

extracted tooth before her eyes. The maid came forward and put a bowl to

her lips.

"Rinse your mouth with cold water at home," said Finkel. "That will make

the blood stop."

He stood before her in the attitude of a man impatient to be left alone

at last.

"Good-bye ..." she said, turning to the door.

"H'm! And who's to pay me for the work?" Finkel asked laughingly.

"Ah ... yes!" Vanda recollected, blushed and gave the dentist the rouble

she had got for the turquoise ring.

When she came into the street she felt still more ashamed than before,

but she was not ashamed of her poverty any more. Nor did she notice any

more that she hadn't an elaborate hat or a modish jacket. She walked

along the street spitting blood and each red spittle told her about her

life, a bad, hard life; about the insults she had suffered and had still

to suffer-to-morrow, a week, a year hence--her whole life, till death....

"Oh, how terrible it is!" she whispered. "My God, how terrible!"

But the next day she was at the Renaissance and she danced there. She

wore a new, immense red hat, a new jacket ? la mode and a pair of brown

shoes. She was treated to supper by a young merchant from Kazan.

OVERWHELMING SENSATIONS

This happened not so very long ago in the Moscow Circuit Court. The

jurymen, left in court for the night, before going to bed, began a

conversation about overwhelming sensations. It was occasioned by

someone's recollection of a witness who became a stammerer and turned

grey, owing, as he said, to one dreadful moment. The jurymen decided

before going to bed that each one of them should dig into his memories

and tell a story. Life is short; but still there is not a single man who

can boast that he had not had some dreadful moments in his past.

One juryman related how he was nearly drowned. A second told how one

night he poisoned his own child, in a place where there was neither

doctor nor chemist, by giving the child white copperas in mistake for

soda. The child did not die, but the father nearly went mad. A third,

not an old man, but sickly, described his two attempts to commit

suicide. Once he shot himself; the second time he threw himself in front

of a train.

The fourth, a short, stout man, smartly dressed, told the following

story:

"I was no more than twenty-two or twenty-three years old, when I fell

head over heels in love with my present wife and proposed to her. Now, I

would gladly give myself a thrashing for that early marriage; but

then--well, I don't know what would have happened to me if Natasha had

refused. My love was most ardent, the kind described in novels as mad,

passionate, and so on. My happiness choked me, and I did not know how to

escape from it. I bored my father, my friends, the servants by

continually telling them how desperately I was in love. Happy people are

quite the most tiresome and boring. I used to be awfully exasperating.

Even now I'm ashamed.

"At the time I had a newly-called barrister among my friends. The

barrister is now known all over Russia, but then he was only at the

beginning of his popularity, and he was not rich or famous enough to

have the right not to recognise a friend when he met him or not to raise

his hat. I used to go and see him once or twice a week.

"When I came, we used both to stretch ourselves upon the sofas and begin

to philosophise.

"Once I lay on the sofa, harping on the theme that there is no more

ungrateful profession than a barrister's. I tried to show that after the

witnesses have been heard the Court can easily dispense with the Crown

Prosecutor and the barrister, because they are equally unnecessary and

only hindrances. If an adult juryman, sound in spirit and mind, is

convinced that this ceiling is white, or that Ivanov is guilty, no

Demosthenes has the power to fight and overcome his conviction. Who can

convince me that my moustache is carroty when I know it is black? When I

listen to an orator I may perhaps get sentimental and even shed a tear,

but my rooted convictions, for the most part based on the obvious and on

facts, will not be changed an atom. My friend the barrister contended

that I was still young and silly and was talking childish nonsense. In

his opinion an obvious fact when illumined by conscientious experts

became still more obvious. That was his first point. His second was that

a talent is a force, an elemental power, a hurricane, that is able to

turn even stones to dust, not to speak of such trifles as the

convictions of householders and small shopkeepers. It is as hard for

human frailty to struggle against a talent as it is to look at the sun

without being blinded or to stop the wind. By the power of the word one

single mortal converts thousands of convinced savages to Christianity.

Ulysses was the most convinced person in the world, but he was all

submission before the Syrens, and so on. All history is made up of such

instances. In life we meet them at every turn. And so it ought to be;

otherwise a clever person of talent would not be preferred before the

stupid and untalented.

"I persisted and continued to argue that a conviction is stronger than

any talent, though, speaking frankly, I myself could not define what

exactly is a conviction and what is a talent. Probably I talked only for

the sake of talking.

"'Take even your own case' ... said the barrister. 'You are convinced

that your fiancée is an angel and that there's not a man in all the

town happier than you. I tell you, ten or twenty minutes would be quite

enough for me to make you sit down at this very table and write to break

off the engagement.'

"I began to laugh.

"'Don't laugh. I'm talking seriously,' said my friend. 'If I only had

the desire, in twenty minutes you would be happy in the thought that you

have been saved from marriage. My talent is not great, but neither are

you strong?'

"'Well, try, please,' I said.

"'No, why should I? I only said it in passing. You're a good boy. It

would be a pity to expose you to such an experiment. Besides, I'm not in

the mood, to-day.'

"We sat down to supper. The wine and thoughts of Natasha and my love

utterly filled me with a sense of youth and happiness. My happiness was

so infinitely great that the green-eyed barrister opposite me seemed so

unhappy, so little, so grey!"

"'But do try,' I pressed him. 'I beg you.'

"The barrister shook his head and knit his brows. Evidently I had begun

to bore him.

"'I know,' he said, 'that when the experiment is over you will thank me

and call me saviour, but one must think of your sweetheart too. She

loves you, and your refusal would make her suffer. But what a beauty she

is 'I envy you.'

"The barrister sighed, swallowed some wine, and began to speak of what a

wonderful creature my Natasha was. He had an uncommon gift for

description. He could pour out a whole heap of words about a woman's

eyelashes or her little finger. I listened to him with delight.

"'I've seen many women in my life-time;' he said, 'but I give you my

word of honour, I tell you as a friend, your Natasha Andreevna is a gem,

a rare girl! Of course, there are defects, even a good many, I grant

you, but still she is charming.'

"And the barrister began to speak of the defects of my sweetheart. Now I

quite understand it was a general conversation about women, one about

their weak points in general; but it appeared to me then as though he

was speaking only of Natasha. He went into raptures about her snub-nose,

her excited voice, her shrill laugh, her affectation--indeed, about

everything I particularly disliked in her. All this was in his opinion

infinitely amiable, gracious and feminine. Imperceptibly he changed from

enthusiasm first to paternal edification, then to a light, sneering

tone.... There was no Chairman of the Bench with us to stop the

barrister riding the high horse. I hadn't a chance of opening my

mouth--and what could I have said? My friend said nothing new, his truths

were long familiar. The poison was not at all in what he said, but

altogether in the devilish form in which he said it. A form of Satan's

own invention! As I listened to him I was convinced that one and the

same word had a thousand meanings and nuances according to the way it is

pronounced and the turn given to the sentence. I certainly cannot

reproduce the tone or the form. I can only say that as I listened to my

friend and paced from corner to corner of my room, I was revolted,

exasperated, contemptuous according as he felt. I even believed him

when, with tears in his eyes, he declared to me that I was a great man,

deserving a better fate, and destined in the future to accomplish some

remarkable exploit, from which I might be prevented by my marriage.

"'My dear friend,' he exclaimed, firmly grasping my hand, 'I implore

you, I command you: stop before it is too late. Stop! God save you from

this strange and terrible mistake! My friend, don't ruin your youth.'

"Believe me or not as you will, but finally I sat down at the table and

wrote to my sweetheart breaking off the engagement. I wrote and rejoiced

that there was still time to repair my mistake. When the envelope was

sealed I hurried into the street to put it in a pillar box. The

barrister came with me.

"'Splendid! Superb!' he praised me when my letter to Natasha disappeared

into the darkness of the pillar-box. 'I congratulate you with all my

heart. I'm delighted for your sake.'

"After we had gone about ten steps together, the barrister continued:

"'Of course, marriage has its bright side too. I, for instance, belong

to the kind of men for whom marriage and family life are everything.'

"He was already describing his life: all the ugliness of a lonely

bachelor existence appeared before me.

"He spoke with enthusiasm of his future wife, of the pleasures of an

ordinary family life, and his transports were so beautiful and sincere

that I was in absolute despair by the time we reached his door.

"'What are you doing with me, you damnable man?' I said panting. 'You've

ruined me! Why did you make me write that cursed letter? I love her! I

love her!'

"And I swore that I was in love. I was terrified of my action. It

already seemed wild and absurd to me. Gentlemen, it is quite impossible

to imagine a more overwhelming sensation than mine at that moment! If a

kind man had happened to slip a revolver into my hand I would have put a

bullet through my head gladly.

"'Well, that's enough, enough!' the advocate said, patting my shoulder

and beginning to laugh. 'Stop crying! The letter won't reach your

sweetheart. It was I, not you, wrote the address on the envelope, and I

muddled it up so that they won't be able to make anything of it at the

post-office. But let this be a lesson to you. Don't discuss things you

don't understand.'"

"Now, gentlemen, next, please."

The fifth juryman had settled himself comfortably and already opened his

mouth to begin his story, when we heard the dock striking from Spaisky

Church-tower.

"Twelve...." one of the jurymen counted. "To which class, gentlemen,

would you assign the sensations which our prisoner at the bar is now

feeling? The murderer passes the night here in a prisoner's cell, either

lying or sitting, certainly without sleeping and all through the

sleepless night listens to the striking of the hours. What does he think

of? What dreams visit him?"

And all the jurymen suddenly forgot about overwhelming sensations. The

experience of their friend, who once wrote the letter to his Natasha,

seemed unimportant, and not even amusing. Nobody told any more stories;

but they began to go to bed quietly, in silence. EXPENSIVE LESSONS

It is a great bore for an educated person not to know foreign languages.

Vorotov felt it strongly, when on leaving the university after he had

got his degree he occupied himself with a little scientific research.

"It's awful!" he used to say, losing his breath (for although only

twenty-six he was stout, heavy, and short of breath). "It's awful.

Without knowing languages I'm like a bird without wings. I'll simply

have to chuck the work."

So he decided, come what might, to conquer his natural laziness and to

study French and German, and he began to look out for a teacher.

One winter afternoon, as Vorotov sat working in his study, the servant

announced a lady to see him.

"Show her in," said Vorotov.

And a young lady, exquisitely dressed in the latest fashion, entered the

study. She introduced herself as Alice Ossipovna Enquette, a teacher of

French, and said that a friend of Vorotov's had sent her to him.

"Very glad! Sit down!" said Vorotov, losing his breath, and clutching at

the collar of his night shirt. (He always worked in a night shirt in

order to breathe more easily.) "You were sent to me by Peter

Sergueyevich? Yes.... Yes ... I asked him.... Very glad!"

While he discussed the matter with Mademoiselle Enquette he glanced at

her shyly, with curiosity. She was a genuine Frenchwoman, very elegant,

and still quite young. From her pale and languid face, from her short,

curly hair and unnaturally small waist, you would not think her more

than eighteen, but looking at her broad, well-developed shoulders, her

charming back and severe eyes, Vorotov decided that she was certainly

not less than twenty-three, perhaps even twenty-five; but then again it

seemed to him that she was only eighteen. Her face had the cold,

business-like expression of one who had come to discuss a business

matter. Never once did she smile or frown, and only once a look of

perplexity flashed into her eyes, when she discovered that she was not

asked to teach children but a grown up, stout young man.

"So, Alice Ossipovna," Vorotov said to her, "you will give me a lesson

daily from seven to eight o'clock in the evening. With regard to your

wish to receive a rouble a lesson, I have no objection at all. A

rouble--well, let it be a rouble...."

And he went on asking her if she wanted tea or coffee, if the weather

was fine, and, smiling good naturedly, stroking the tablecloth with the

palm of his hand, he asked her kindly who she was, where she had

completed her education, and how she earned her living.

In a cold, business-like tone Alice Ossipovna answered that she had

completed her education at a private school, and had then qualified as a

domestic teacher, that her father had died recently of scarlet fever,

her mother was alive and made artificial flowers, that she, Mademoiselle

Enquette, gave private lessons at a pension in the morning, and from one

o'clock right until the evening she taught in respectable private

houses.

She went, leaving a slight and almost imperceptible perfume of a woman's

dress behind her. Vorotov did not work for a long time afterwards but

sat at the table stroking the green cloth and thinking.

"It's very pleasant to see girls earning their own living," he thought.

"On the other hand it is very unpleasant to realise that poverty does

not spare even such elegant and pretty girls as Alice Ossipovna; she,

too, must struggle for her existence. Rotten luck!..."

Having never seen virtuous Frenchwomen he also thought that this

exquisitely dressed Alice Ossipovna, with her well-developed shoulders

and unnaturally small waist was in all probability, engaged in something

else besides teaching.

Next evening when the clock pointed to five minutes to seven, Alice

Ossipovna arrived, rosy from the cold; she opened Margot (an elementary

text-book) and began without any preamble:

"The French grammar has twenty-six letters. The first is called A, the

second B...."

"Pardon," interrupted Vorotov, smiling, "I must warn you, Mademoiselle,

that you will have to change your methods somewhat in my case. The fact

is that I know Russian, Latin and Greek very well. I have studied

comparative philology, and it seems to me that we may leave out Margot

and begin straight off to read some author." And he explained to the

Frenchwoman how grown-up people study languages.

Project Gutenberg Compilation of Short Stories by Chekhov · 第 194 / 212 段