The doctor, who did not know how to talk to weeping women, heaved a

sigh, and paced slowly about the drawing-room. There followed a

succession of oppressive pauses interspersed with weeping and the

questions which lead to nothing. The band had already played a

quadrille, a polka, and another quadrille. It got quite dark. In the

adjoining room, the maid lighted the lamp; and all the while the doctor

kept his hat in his hands, and seemed trying to say something. Several

times Olga Ivanovna went off to her son, sat by him for half an hour,

and came back again into the drawing-room; she was continually breaking

into tears and lamentations. The time dragged agonisingly, and it seemed

as though the evening had no end.

At midnight, when the band had played the cotillion and ceased

altogether, the doctor got ready to go.

"I will come again to-morrow," he said, pressing the mother's cold hand.

"You go to bed."

After putting on his greatcoat in the passage and picking up his

walking-stick, he stopped, thought a minute, and went back into the

drawing-room.

"I'll come to-morrow, Olga," he repeated in a quivering voice. "Do you

hear?"

She did not answer, and it seemed as though grief had robbed her of all

power of speech. In his greatcoat and with his stick still in his hand,

the doctor sat down beside her, and began in a soft, tender half-

whisper, which was utterly out of keeping with his heavy, dignified

figure:

"Olga! For the sake of your sorrow which I share. . . . Now, when

falsehood is criminal, I beseech you to tell me the truth. You have

always declared that the boy is my son. Is that the truth?"

Olga Ivanovna was silent.

"You have been the one attachment in my life," the doctor went on, "and

you cannot imagine how deeply my feeling is wounded by falsehood . . . .

Come, I entreat you, Olga, for once in your life, tell me the truth. . .

. At these moments one cannot lie. Tell me that Misha is not my son. I

am waiting."

"He is."

Olga Ivanovna's face could not be seen, but in her voice the doctor

could hear hesitation. He sighed.

"Even at such moments you can bring yourself to tell a lie," he said in

his ordinary voice. "There is nothing sacred to you! Do listen, do

understand me. . . . You have been the one only attachment in my life.

Yes, you were depraved, vulgar, but I have loved no one else but you in

my life. That trivial love, now that I am growing old, is the one

solitary bright spot in my memories. Why do you darken it with

deception? What is it for?"

"I don't understand you."

"Oh my God!" cried Tsvyetkov. "You are lying, you understand very well!"

he cried more loudly, and he began pacing about the drawing-room,

angrily waving his stick. "Or have you forgotten? Then I will remind

you! A father's rights to the boy are equally shared with me by Petrov

and Kurovsky the lawyer, who still make you an allowance for their son's

education, just as I do! Yes, indeed! I know all that quite well! I

forgive your lying in the past, what does it matter? But now when you

have grown older, at this moment when the boy is dying, your lying

stifles me! How sorry I am that I cannot speak, how sorry I am!"

The doctor unbuttoned his overcoat, and still pacing about, said:

"Wretched woman! Even such moments have no effect on her! Even now she

lies as freely as nine years ago in the Hermitage Restaurant! She is

afraid if she tells me the truth I shall leave off giving her money, she

thinks that if she did not lie I should not love the boy! You are lying!

It's contemptible!"

The doctor rapped the floor with his stick, and cried:

"It's loathsome. Warped, corrupted creature! I must despise you, and I

ought to be ashamed of my feeling. Yes! Your lying has stuck in my

throat these nine years, I have endured it, but now it's too much--too

much."

From the dark corner where Olga Ivanovna was sitting there came the

sound of weeping. The doctor ceased speaking and cleared his throat. A

silence followed. The doctor slowly buttoned up his over-coat, and began

looking for his hat which he had dropped as he walked about.

"I lost my temper," he muttered, bending down to the floor. "I quite

lost sight of the fact that you cannot attend to me now. . . . God knows

what I have said. . . . Don't take any notice of it, Olga."

He found his hat and went towards the dark corner.

"I have wounded you," he said in a soft, tender half-whisper, "but once

more I entreat you, tell me the truth; there should not be lying between

us. . . . I blurted it out, and now you know that Petrov and Kurovsky

are no secret to me. So now it is easy for you to tell me the truth."

Olga Ivanovna thought a moment, and with perceptible hesitation, said:

"Nikolay, I am not lying--Misha is your child."

"My God," moaned the doctor, "then I will tell you something more: I

have kept your letter to Petrov in which you call him Misha's father!

Olga, I know the truth, but I want to hear it from you! Do you hear?"

Olga Ivanovna made no reply, but went on weeping. After waiting for an

answer the doctor shrugged his shoulders and went out.

"I will come to-morrow," he called from the passage.

All the way home, as he sat in his carriage, he was shrugging his

shoulders and muttering:

"What a pity that I don't know how to speak! I haven't the gift of

persuading and convincing. It's evident she does not understand me since

she lies! It's evident! How can I make her see? How?"

TOO EARLY!

THE bells are ringing for service in the village of Shalmovo. The sun is

already kissing the earth on the horizon; it has turned crimson and will

soon disappear. In Semyon's pothouse, which has lately changed its name

and become a restaurant--a title quite out of keeping with the wretched

little hut with its thatch torn off its roof, and its couple of dingy

windows--two peasant sportsmen are sitting. One of them is called Filimon

Slyunka; he is an old man of sixty, formerly a house-serf, belonging to

the Counts Zavalin, by trade a carpenter. He has at one time been

employed in a nail factory, has been turned off for drunkenness and

idleness, and now lives upon his old wife, who begs for alms. He is thin

and weak, with a mangy-looking little beard, speaks with a hissing

sound, and after every word twitches the right side of his face and

jerkily shrugs his right shoulder. The other, Ignat Ryabov, a sturdy,

broad-shouldered peasant who never does anything and is everlastingly

silent, is sitting in the corner under a big string of bread rings. The

door, opening inwards, throws a thick shadow upon him, so that Slyunka

and Semyon the publican can see nothing but his patched knees, his long

fleshy nose, and a big tuft of hair which has escaped from the thick

uncombed tangle covering his head. Semyon, a sickly little man, with a

pale face and a long sinewy neck, stands behind his counter, looks

mournfully at the string of bread rings, and coughs meekly.

"You think it over now, if you have any sense," Slyunka says to him,

twitching his cheek. "You have the thing lying by unused and get no sort

of benefit from it. While we need it. A sportsman without a gun is like

a sacristan without a voice. You ought to understand that, but I see you

don't understand it, so you can have no real sense. . . . Hand it over!"

"You left the gun in pledge, you know!" says Semyon in a thin womanish

little voice, sighing deeply, and not taking his eyes off the string of

bread rings. "Hand over the rouble you borrowed, and then take your

gun."

"I haven't got a rouble. I swear to you, Semyon Mitritch, as God sees

me: you give me the gun and I will go to-day with Ignashka and bring it

you back again. I'll bring it back, strike me dead. May I have happiness

neither in this world nor the next, if I don't."

"Semyon Mitritch, do give it," Ignat Ryabov says in his bass, and his

voice betrays a passionate desire to get what he asks for.

"But what do you want the gun for?" sighs Semyon, sadly shaking his

head. "What sort of shooting is there now? It's still winter outside,

and no game at all but crows and jackdaws."

"Winter, indeed," says Slyunka, hooing the ash out of his pipe with his

finger, "it is early yet of course, but you never can tell with the

snipe. The snipe's a bird that wants watching. If you are unlucky, you

may sit waiting at home, and miss his flying over, and then you must

wait till autumn. . . . It is a business! The snipe is not a rook. . . .

Last year he was flying the week before Easter, while the year before we

had to wait till the week after Easter! Come, do us a favour, Semyon

Mitritch, give us the gun. Make us pray for you for ever. As ill-luck

would have it, Ignashka has pledged his gun for drink too. Ah, when you

drink you feel nothing, but now . . . ah, I wish I had never looked at

it, the cursed vodka! Truly it is the blood of Satan! Give it us, Semyon

Mitritch!"

"I won't give it you," says Semyon, clasping his yellow hands on his

breast as though he were going to pray. "You must act fairly,

Filimonushka. . . . A thing is not taken out of pawn just anyhow; you

must pay the money. . . . Besides, what do you want to kill birds for?

What's the use? It's Lent now--you are not going to eat them."

Slyunka exchanges glances with Ryabov in embarrassment, sighs, and says:

"We would only go stand-shooting."

"And what for? It's all foolishness. You are not the sort of man to

spend your time in foolishness. . . . Ignashka, to be sure, is a man of

no understanding, God has afflicted him, but you, thank the Lord, are an

old man. It's time to prepare for your end. Here, you ought to go to the

midnight service."

The allusion to his age visibly stings Slyunka. He clears his throat,

wrinkles up his forehead, and remains silent for a full minute.

"I say, Semyon Mitritch," he says hotly, getting up and twitching not

only in his right cheek but all over his face. "It's God's truth. . . .

May the Almighty strike me dead, after Easter I shall get something from

Stepan Kuzmitch for an axle, and I will pay you not one rouble but two!

May the Lord chastise me! Before the holy image, I tell you, only give

me the gun!"

"Gi-ive it," Ryabov says in his growling bass; they can hear him

breathing hard, and it seems that he would like to say a great deal, but

cannot find the words. "Gi-ive it."

"No, brothers, and don't ask," sighs Semyon, shaking his head

mournfully. "Don't lead me into sin. I won't give you the gun. It's not

the fashion for a thing to be taken out of pawn and no money paid.

Besides--why this indulgence? Go your way and God bless you!"

Slyunka rubs his perspiring face with his sleeve and begins hotly

swearing and entreating. He crosses himself, holds out his hands to the

ikon, calls his deceased father and mother to bear witness, but Semyon

sighs and meekly looks as before at the string of bread rings. In the

end Ignashka Ryabov, hitherto motionless, gets up impulsively and bows

down to the ground before the innkeeper, but even that has no effect on

him.

"May you choke with my gun, you devil," says Slyunka, with his face

twitching, and his shoulders, shrugging. "May you choke, you plague, you

scoundrelly soul."

Swearing and shaking his fists, he goes out of the tavern with Ryabov

and stands still in the middle of the road.

"He won't give it, the damned brute," he says, in a weeping voice,

looking into Ryabov's face with an injured air.

"He won't give it," booms Ryabov.

The windows of the furthest huts, the starling cote on the tavern, the

tops of the poplars, and the cross on the church are all gleaming with a

bright golden flame. Now they can see only half of the sun, which, as it

goes to its night's rest, is winking, shedding a crimson light, and

seems laughing gleefully. Slyunka and Ryabov can see the forest lying, a

dark blur, to the right of the sun, a mile and a half from the village,

and tiny clouds flitting over the clear sky, and they feel that the

evening will be fine and still.

"Now is just the time," says Slyunka, with his face twitching. "It would

be nice to stand for an hour or two. He won't give it us, the damned

brute. May he . . ."

"For stand-shooting, now is the very time . . ." Ryabov articulated, as

though with an effort, stammering.

After standing still for a little they walk out of the village, without

saying a word to each other, and look towards the dark streak of the

forest. The whole sky above the forest is studded with moving black

spots, the rooks flying home to roost. The snow, lying white here and

there on the dark brown plough-land, is lightly flecked with gold by the

sun.

"This time last year I went stand-shooting in Zhivki," says Slyunka,

after a long silence. "I brought back three snipe."

Again there follows a silence. Both stand a long time and look towards

the forest, and then lazily move and walk along the muddy road from the

village.

"It's most likely the snipe haven't come yet," says Slyunka, "but may be

they are here."

"Kostka says they are not here yet."

"Maybe they are not, who can tell; one year is not like another. But

what mud!"

"But we ought to stand."

"To be sure we ought--why not?"

"We can stand and watch; it wouldn't be amiss to go to the forest and

have a look. If they are there we will tell Kostka, or maybe get a gun

ourselves and come to-morrow. What a misfortune, God forgive me. It was

the devil put it in my mind to take my gun to the pothouse! I am more

sorry than I can tell you, Ignashka."

Conversing thus, the sportsmen approach the forest. The sun has set and

left behind it a red streak like the glow of a fire, scattered here and

there with clouds; there is no catching the colours of those clouds:

their edges are red, but they themselves are one minute grey, at the

next lilac, at the next ashen.

In the forest, among the thick branches of fir-trees and under the birch

bushes, it is dark, and only the outermost twigs on the side of the sun,

with their fat buds and shining bark, stand out clearly in the air.

There is a smell of thawing snow and rotting leaves. It is still;

nothing stirs. From the distance comes the subsiding caw of the rooks.

"We ought to be standing in Zhivki now," whispers Slyunka, looking with

awe at Ryabov; "there's good stand-shooting there."

Ryabov too looks with awe at Slyunka, with unblinking eyes and open

mouth.

"A lovely time," Slyunka says in a trembling whisper. "The Lord is

sending a fine spring . . . and I should think the snipe are here by

now. . . . Why not? The days are warm now. . . . The cranes were flying

in the morning, lots and lots of them."

Slyunka and Ryabov, splashing cautiously through the melting snow and

sticking in the mud, walk two hundred paces along the edge of the forest

and there halt. Their faces wear a look of alarm and expectation of

something terrible and extraordinary. They stand like posts, do not

speak nor stir, and their hands gradually fall into an attitude as

though they were holding a gun at the cock. . . .

A big shadow creeps from the left and envelops the earth. The dusk of

evening comes on. If one looks to the right, through the bushes and tree

trunks, there can be seen crimson patches of the after-glow. It is still

and damp. . . .

"There's no sound of them," whispers Slyunka, shrugging with the cold

and sniffing with his chilly nose.

But frightened by his own whisper, he holds his finger up at some one,

opens his eyes wide, and purses up his lips. There is a sound of a light

snapping. The sportsmen look at each other significantly, and tell each

other with their eyes that it is nothing. It is the snapping of a dry

twig or a bit of bark. The shadows of evening keep growing and growing,

the patches of crimson gradually grow dim, and the dampness becomes

unpleasant.

The sportsmen remain standing a long time, but they see and hear

nothing. Every instant they expect to see a delicate leaf float through

the air, to hear a hurried call like the husky cough of a child, and the

flutter of wings.

"No, not a sound," Slyunka says aloud, dropping his hands and beginning

to blink. "So they have not come yet."

"It's early!"

"You are right there."

The sportsmen cannot see each other's faces, it is getting rapidly dark.

"We must wait another five days," says Slyunka, as he comes out from

behind a bush with Ryabov. "It's too early!"

They go homewards, and are silent all the way.

THE COSSACK

MAXIM TORTCHAKOV, a farmer in southern Russia, was driving home from

church with his young wife and bringing back an Easter cake which had

just been blessed. The sun had not yet risen, but the east was all

tinged with red and gold and had dissipated the haze which usually, in

the early morning, screens the blue of the sky from the eyes. It was

quiet. . . . The birds were hardly yet awake . . . . The corncrake

uttered its clear note, and far away above a little tumulus, a sleepy

kite floated, heavily flapping its wings, and no other living creature

could be seen all over the steppe.

Tortchakov drove on and thought that there was no better nor happier

holiday than the Feast of Christ's Resurrection. He had only lately been

married, and was now keeping his first Easter with his wife. Whatever he

looked at, whatever he thought about, it all seemed to him bright,

joyous, and happy. He thought about his farming, and thought that it was

all going well, that the furnishing of his house was all the heart could

desire--there was enough of everything and all of it good; he looked at

his wife, and she seemed to him lovely, kind, and gentle. He was

delighted by the glow in the east, and the young grass, and his

squeaking chaise, and the kite. . . . And when on the way, he ran into a

tavern to light his cigarette and drank a glass, he felt happier still.

"It is said, 'Great is the day,'" he chattered. "Yes, it is great! Wait

a bit, Lizaveta, the sun will begin to dance. It dances every Easter. So

it rejoices too!"

"It is not alive," said his wife.

"But there are people on it!" exclaimed Tortchakov, "there are really!

Ivan Stepanitch told me that there are people on all the planets--on the

sun, and on the moon! Truly . . . but maybe the learned men tell

lies--the devil only knows! Stay, surely that's not a horse? Yes, it is!"

At the Crooked Ravine, which was just half-way on the journey home,

Tortchakov and his wife saw a saddled horse standing motionless, and

sniffing last year's dry grass. On a hillock beside the roadside a red-

haired Cossack was sitting doubled up, looking at his feet.

"Christ is risen!" Maxim shouted to him. "Wo-o-o!"

"Truly He is risen," answered the Cossack, without raising his head.

"Where are you going?"

"Home on leave."

"Why are you sitting here, then?"

"Why . . . I have fallen ill . . . I haven't the strength to go on."

"What is wrong?"

"I ache all over."

"H'm. What a misfortune! People are keeping holiday, and you fall sick!

But you should ride on to a village or an inn, what's the use of sitting

here!"

The Cossack raised his head, and with big, exhausted eyes, scanned

Maxim, his wife, and the horse.

"Have you come from church?" he asked.

"Yes."

"The holiday found me on the high road. It was not God's will for me to

reach home. I'd get on my horse at once and ride off, but I haven't the

strength. . . . You might, good Christians, give a wayfarer some Easter

cake to break his fast!"

"Easter cake?" Tortchakov repeated, "That we can, to be sure. . . .

Stay, I'll. . . ."

Maxim fumbled quickly in his pockets, glanced at his wife, and said:

"I haven't a knife, nothing to cut it with. And I don't like to break

it, it would spoil the whole cake. There's a problem! You look and see

if you haven't a knife?"

The Cossack got up groaning, and went to his saddle to get a knife.

"What an idea," said Tortchakov's wife angrily. "I won't let you slice

up the Easter cake! What should I look like, taking it home already cut!

Ride on to the peasants in the village, and break your fast there!"

The wife took the napkin with the Easter cake in it out of her husband's

hands and said:

"I won't allow it! One must do things properly; it's not a loaf, but a

holy Easter cake. And it's a sin to cut it just anyhow."

"Well, Cossack, don't be angry," laughed Tortchakov. "The wife forbids

it! Good-bye. Good luck on your journey!"

Maxim shook the reins, clicked to his horse, and the chaise rolled on

squeaking. For some time his wife went on grumbling, and declaring that

to cut the Easter cake before reaching home was a sin and not the proper

thing. In the east the first rays of the rising sun shone out, cutting

their way through the feathery clouds, and the song of the lark was

heard in the sky. Now not one but three kites were hovering over the

steppe at a respectful distance from one another. Grasshoppers began

churring in the young grass.

When they had driven three-quarters of a mile from the Crooked Ravine,

Tortchakov looked round and stared intently into the distance.

"I can't see the Cossack," he said. "Poor, dear fellow, to take it into

his head to fall ill on the road. There couldn't be a worse misfortune,

to have to travel and not have the strength. . . . I shouldn't wonder if

he dies by the roadside. We didn't give him any Easter cake, Lizaveta,

and we ought to have given it. I'll be bound he wants to break his fast

too."

The sun had risen, but whether it was dancing or not Tortchakov did not

see. He remained silent all the way home, thinking and keeping his eyes

fixed on the horse's black tail. For some unknown reason he felt

overcome by depression, and not a trace of the holiday gladness was left

in his heart. When he had arrived home and said, "Christ is risen" to

his workmen, he grew cheerful again and began talking, but when he had

sat down to break the fast and had taken a bite from his piece of Easter

cake, he looked regretfully at his wife, and said:

"It wasn't right of us, Lizaveta, not to give that Cossack something to

eat."

"You are a queer one, upon my word," said Lizaveta, shrugging her

shoulders in surprise. "Where did you pick up such a fashion as giving

away the holy Easter cake on the high road? Is it an ordinary loaf? Now

that it is cut and lying on the table, let anyone eat it that likes--your

Cossack too! Do you suppose I grudge it?"

"That's all right, but we ought to have given the Cossack some. . . .

Why, he was worse off than a beggar or an orphan. On the road, and far

from home, and sick too."

Tortchakov drank half a glass of tea, and neither ate nor drank anything

more. He had no appetite, the tea seemed to choke him, and he felt

depressed again. After breaking their fast, his wife and he lay down to

sleep. When Lizaveta woke two hours later, he was standing by the

window, looking into the yard.

"Are you up already?" asked his wife.

"I somehow can't sleep. . . . Ah, Lizaveta," he sighed. "We were unkind,

you and I, to that Cossack!"

"Talking about that Cossack again!" yawned his wife. "You have got him

on the brain."

"He has served his Tsar, shed his blood maybe, and we treated him as

though he were a pig. We ought to have brought the sick man home and fed

him, and we did not even give him a morsel of bread."

"Catch me letting you spoil the Easter cake for nothing! And one that

has been blessed too! You would have cut it on the road, and shouldn't I

have looked a fool when I got home?"

Without saying anything to his wife, Maxim went into the kitchen,

wrapped a piece of cake up in a napkin, together with half a dozen eggs,

and went to the labourers in the barn.

"Kuzma, put down your concertina," he said to one of them. "Saddle the

bay, or Ivantchik, and ride briskly to the Crooked Ravine. There you

will see a sick Cossack with a horse, so give him this. Maybe he hasn't

ridden away yet."

Maxim felt cheerful again, but after waiting for Kuzma for some hours,

he could bear it no longer, so he saddled a horse and went off to meet

him. He met him just at the Ravine.

"Well, have you seen the Cossack?"

"I can't find him anywhere, he must have ridden on."

"H'm . . . a queer business."

Tortchakov took the bundle from Kuzma, and galloped on farther. When he

reached Shustrovo he asked the peasants:

"Friends, have you seen a sick Cossack with a horse? Didn't he ride by

here? A red-headed fellow on a bay horse."

The peasants looked at one another, and said they had not seen the

Cossack.

"The returning postman drove by, it's true, but as for a Cossack or

anyone else, there has been no such."

Maxim got home at dinner time.

"I can't get that Cossack out of my head, do what you will!" he said to

his wife. "He gives me no peace. I keep thinking: what if God meant to

try us, and sent some saint or angel in the form of a Cossack? It does

happen, you know. It's bad, Lizaveta; we were unkind to the man!"

"What do you keep pestering me with that Cossack for?" cried Lizaveta,

losing patience at last. "You stick to it like tar!"

"You are not kind, you know . . ." said Maxim, looking into his wife's

face.

And for the first time since his marriage he perceived that he wife was

not kind.

Project Gutenberg Compilation of Short Stories by Chekhov · 第 164 / 212 段