The first to move and break the silence was the husband. He stepped up

to Groholsky and, screwing his face into a senseless grimace like a

smile, gave him his hand. Groholsky shook the soft perspiring hand and

shuddered all over as though he had crushed a cold frog in his fist.

"Good evening," he muttered.

"How are you?" the husband brought out in a faint husky, almost

inaudible voice, and he sat down opposite Groholsky, straightening his

collar at the back of his neck.

Again, an agonising silence followed . . . but that silence was no

longer so stupid. . . . The first step, most difficult and colourless,

was over.

All that was left now was for one of the two to depart in search of

matches or on some such trifling errand. Both longed intensely to get

away. They sat still, not looking at one another, and pulled at their

beards while they ransacked their troubled brains for some means of

escape from their horribly awkward position. Both were perspiring. Both

were unbearably miserable and both were devoured by hatred. They longed

to begin the tussle but how were they to begin and which was to begin

first? If only she would have gone out!

"I saw you yesterday at the Assembly Hall," muttered Bugrov (that was

the husband's name).

"Yes, I was there . . . the ball . . . did you dance?"

"M'm . . . yes . . . with that . . . with the younger Lyukovtsky . . . .

She dances heavily. . . . She dances impossibly. She is a great

chatterbox." (Pause.) "She is never tired of talking."

"Yes. . . . It was slow. I saw you too. . ."

Groholsky accidentally glanced at Bugrov. . . . He caught the shifting

eyes of the deceived husband and could not bear it. He got up quickly,

quickly seized Bugrov's hand, shook it, picked up his hat, and walked

towards the door, conscious of his own back. He felt as though thousands

of eyes were looking at his back. It is a feeling known to the actor who

has been hissed and is making his exit from the stage, and to the young

dandy who has received a blow on the back of the head and is being led

away in charge of a policeman.

As soon as the sound of Groholsky's steps had died away and the door in

the hall creaked, Bugrov leapt up, and after making two or three rounds

of the drawing-room, strolled up to his wife. The kittenish face

puckered up and began blinking its eyes as though expecting a slap. Her

husband went up to her, and with a pale, distorted face, with arms,

head, and shoulders shaking, stepped on her dress and knocked her knees

with his.

"If, you wretched creature," he began in a hollow, wailing voice, "you

let him come here once again, I'll. . . . Don't let him dare to set his

foot. . . . I'll kill you. Do you understand? A-a-ah . . . worthless

creature, you shudder! Fil-thy woman!"

Bugrov seized her by the elbow, shook her, and flung her like an

indiarubber ball towards the window. . . .

"Wretched, vulgar woman! you have no shame!"

She flew towards the window, hardly touching the floor with her feet,

and caught at the curtains with her hands.

"Hold your tongue," shouted her husband, going up to her with flashing

eyes and stamping his foot.

She did hold her tongue, she looked at the ceiling, and whimpered while

her face wore the expression of a little girl in disgrace expecting to

be punished.

"So that's what you are like! Eh? Carrying on with a fop! Good! And your

promise before the altar? What are you? A nice wife and mother. Hold

your tongue!"

And he struck her on her pretty supple shoulder. "Hold your tongue, you

wretched creature. I'll give you worse than that! If that scoundrel

dares to show himself here ever again, if I see you--listen!--with that

blackguard ever again, don't ask for mercy! I'll kill you, if I go to

Siberia for it! And him too. I shouldn't think twice about it! You can

go, I don't want to see you!"

Bugrov wiped his eyes and his brow with his sleeve and strode about the

drawing-room, Liza sobbing more and more loudly, twitching her shoulders

and her little turned up nose, became absorbed in examining the lace on

the curtain.

"You are crazy," her husband shouted. "Your silly head is full of

nonsense! Nothing but whims! I won't allow it, Elizaveta, my girl! You

had better be careful with me! I don't like it! If you want to behave

like a pig, then . . . then out you go, there is no place in my house

for you! Out you pack if. . . . You are a wife, so you must forget these

dandies, put them out of your silly head! It's all foolishness! Don't

let it happen again! You try defending yourself! Love your husband! You

have been given to your husband, so you must love him. Yes, indeed! Is

one not enough? Go away till . . . . Torturers!"

Bugrov paused; then shouted:

"Go away I tell you, go to the nursery! Why are you blubbering, it is

your own fault, and you blubber! What a woman! Last year you were after

Petka Totchkov, now you are after this devil. Lord forgive us! . . .

Tfoo, it's time you understood what you are! A wife! A mother! Last year

there were unpleasantnesses, and now there will be unpleasantnesses. . .

. Tfoo!"

Bugrov heaved a loud sigh, and the air was filled with the smell of

sherry. He had come back from dining and was slightly drunk . . . .

"Don't you know your duty? No! . . . you must be taught, you've not been

taught so far! Your mamma was a gad-about, and you . . . you can

blubber. Yes! blubber away. . . ."

Bugrov went up to his wife and drew the curtain out of her hands.

"Don't stand by the window, people will see you blubbering. . . . Don't

let it happen again. You'll go from embracing to worse trouble. You'll

come to grief. Do you suppose I like to be made a fool of? And you will

make a fool of me if you carry on with them, the low brutes. . . . Come,

that's enough. . . . Don't you. . . . Another time. . . . Of course I .

. Liza . . . stay. . . ."

Bugrov heaved a sigh and enveloped Liza in the fumes of sherry.

"You are young and silly, you don't understand anything. . . . I am

never at home. . . . And they take advantage of it. You must be

sensible, prudent. They will deceive you. And then I won't endure it. .

. . Then I may do anything. . . . Of course! Then you can just lie down,

and die. I . . . I am capable of doing anything if you deceive me, my

good girl. I might beat you to death. . . . And . . . I shall turn you

out of the house, and then you can go to your rascals."

And Bugrov (horribile dictu) wiped the wet, tearful face of the

traitress Liza with his big soft hand. He treated his twenty-year-old

wife as though she were a child.

"Come, that's enough. . . . I forgive you. Only God forbid it should

happen again! I forgive you for the fifth time, but I shall not forgive

you for the sixth, as God is holy. God does not forgive such as you for

such things."

Bugrov bent down and put out his shining lips towards Liza's little

head. But the kiss did not follow. The doors of the hall, of the dining-

room, of the parlour, and of the drawing-room all slammed, and Groholsky

flew into the drawing-room like a whirlwind. He was pale and trembling.

He was flourishing his arms and crushing his expensive hat in his hands.

His coat fluttered upon him as though it were on a peg. He was the

incarnation of acute fever. When Bugrov saw him he moved away from his

wife and began looking out of the other window. Groholsky flew up to

him, and waving his arms and breathing heavily and looking at no one, he

began in a shaking voice:

"Ivan Petrovitch! Let us leave off keeping up this farce with one

another! We have deceived each other long enough! It's too much! I

cannot stand it. You must do as you like, but I cannot! It's hateful and

mean, it's revolting! Do you understand that it is revolting?"

Groholsky spluttered and gasped for breath.

"It's against my principles. And you are an honest man. I love her! I

love her more than anything on earth! You have noticed it and . . . it's

my duty to say this!"

"What am I to say to him?" Ivan Petrovitch wondered.

"We must make an end of it. This farce cannot drag on much longer! It

must be settled somehow."

Groholsky drew a breath and went on:

"I cannot live without her; she feels the same. You are an educated man,

you will understand that in such circumstances your family life is

impossible. This woman is not yours, so . . . in short, I beg you to

look at the matter from an indulgent humane point of view. . . . Ivan

Petrovitch, you must understand at last that I love her--love her more

than myself, more than anything in the world, and to struggle against

that love is beyond my power!"

"And she?" Bugrov asked in a sullen, somewhat ironical tone.

"Ask her; come now, ask her! For her to live with a man she does not

love, to live with you is . . . is a misery!"

"And she?" Bugrov repeated, this time not in an ironical tone.

"She . . . she loves me! We love each other, Ivan Petrovitch! Kill us,

despise us, pursue us, do as you will, but we can no longer conceal it

from you. We are standing face to face--you may judge us with all the

severity of a man whom we . . . whom fate has robbed of happiness!"

Bugrov turned as red as a boiled crab, and looked out of one eye at

Liza. He began blinking. His fingers, his lips, and his eyelids

twitched. Poor fellow! The eyes of his weeping wife told him that

Groholsky was right, that it was a serious matter.

"Well!" he muttered. "If you. . . . In these days. . . . You are always.

. . ."

"As God is above," Groholsky shrilled in his high tenor, "we understand

you. Do you suppose we have no sense, no feeling? I know what agonies I

am causing you, as God's above! But be indulgent, I beseech you! We are

not to blame. Love is not a crime. No will can struggle against it. . .

. Give her up to me, Ivan Petrovitch! Let her go with me! Take from me

what you will for your sufferings. Take my life, but give me Liza. I am

ready to do anything. . . . Come, tell me how I can do something to make

up in part at least! To make up for that lost happiness, I can give you

other happiness. I can, Ivan Petrovitch; I am ready to do anything! It

would be base on my part to leave you without satisfaction. . . . I

understand you at this moment."

Bugrov waved his hand as though to say, 'For God's sake, go away.' His

eyes began to be dimmed by a treacherous moisture--in a moment they would

see him crying like a child.

"I understand you, Ivan Petrovitch. I will give you another happiness,

such as hitherto you have not known. What would you like? I have money,

my father is an influential man. . . . Will you? Come, how much do you

want?"

Bugrov's heart suddenly began throbbing. . . . He clutched at the window

curtains with both hands. . . .

"Will you have fifty thousand? Ivan Petrovitch, I entreat you. . . .

It's not a bribe, not a bargain. . . . I only want by a sacrifice on my

part to atone a little for your inevitable loss. Would you like a

hundred thousand? I am willing. A hundred thousand?"

My God! Two immense hammers began beating on the perspiring temples of

the unhappy Ivan Petrovitch. Russian sledges with tinkling bells began

racing in his ears. . . .

"Accept this sacrifice from me," Groholsky went on, "I entreat you! You

will take a load off my conscience. . . . I implore you!"

My God! A smart carriage rolled along the road wet from a May shower,

passed the window through which Bugrov's wet eyes were looking. The

horses were fine, spirited, well-trained beasts. People in straw hats,

with contented faces, were sitting in the carriage with long fishing-

rods and bags. . . . A schoolboy in a white cap was holding a gun. They

were driving out into the country to catch fish, to shoot, to walk about

and have tea in the open air. They were driving to that region of bliss

in which Bugrov as a boy--the barefoot, sunburnt, but infinitely happy

son of a village deacon--had once raced about the meadows, the woods, and

the river banks. Oh, how fiendishly seductive was that May! How happy

those who can take off their heavy uniforms, get into a carriage and fly

off to the country where the quails are calling and there is the scent

of fresh hay. Bugrov's heart ached with a sweet thrill that made him

shiver. A hundred thousand! With the carriage there floated before him

all the secret dreams over which he had gloated, through the long years

of his life as a government clerk as he sat in the office of his

department or in his wretched little study. . . . A river, deep, with

fish, a wide garden with narrow avenues, little fountains, shade,

flowers, arbours, a luxurious villa with terraces and turrets with an

Aeolian harp and little silver bells (he had heard of the existence of

an Aeolian harp from German romances); a cloudless blue sky; pure limpid

air fragrant with the scents that recall his hungry, barefoot, crushed

childhood. . . . To get up at five, to go to bed at nine; to spend the

day catching fish, talking with the peasants. . . . What happiness!

"Ivan Petrovitch, do not torture me! Will you take a hundred thousand?"

"H'm . . . a hundred and fifty thousand!" muttered Bugrov in a hollow

voice, the voice of a husky bull. He muttered it, and bowed his head,

ashamed of his words, and awaiting the answer.

"Good," said Groholsky, "I agree. I thank you, Ivan Petrovitch . . . .

In a minute. . . . I will not keep you waiting. . . ."

Groholsky jumped up, put on his hat, and staggering backwards, ran out

of the drawing-room.

Bugrov clutched the window curtains more tightly than ever. . . . He was

ashamed . . . . There was a nasty, stupid feeling in his soul, but, on

the other hand, what fair shining hopes swarmed between his throbbing

temples! He was rich!

Liza, who had grasped nothing of what was happening, darted through the

half-opened door trembling all over and afraid that he would come to her

window and fling her away from it. She went into the nursery, laid

herself down on the nurse's bed, and curled herself up. She was

shivering with fever.

Bugrov was left alone. He felt stifled, and he opened the window. What

glorious air breathed fragrance on his face and neck! It would be good

to breathe such air lolling on the cushions of a carriage . . . . Out

there, far beyond the town, among the villages and the summer villas,

the air was sweeter still. . . . Bugrov actually smiled as he dreamed of

the air that would be about him when he would go out on the verandah of

his villa and admire the view. A long while he dreamed. . . . The sun

had set, and still he stood and dreamed, trying his utmost to cast out

of his mind the image of Liza which obstinately pursued him in all his

dreams.

"I have brought it, Ivan Petrovitch!" Groholsky, re-entering, whispered

above his ear. "I have brought it--take it. . . . Here in this roll there

are forty thousand. . . . With this cheque will you kindly get twenty

the day after to-morrow from Valentinov? . . . Here is a bill of

exchange . . . a cheque. . . . The remaining thirty thousand in a day or

two. . . . My steward will bring it to you."

Groholsky, pink and excited, with all his limbs in motion, laid before

Bugrov a heap of rolls of notes and bundles of papers. The heap was big,

and of all sorts of hues and tints. Never in the course of his life had

Bugrov seen such a heap. He spread out his fat fingers and, not looking

at Groholsky, fell to going through the bundles of notes and bonds. . .

.

Groholsky spread out all the money, and moved restlessly about the room,

looking for the Dulcinea who had been bought and sold.

Filling his pockets and his pocket-book, Bugrov thrust the securities

into the table drawer, and, drinking off half a decanter full of water,

dashed out into the street.

"Cab!" he shouted in a frantic voice.

At half-past eleven that night he drove up to the entrance of the Paris

Hotel. He went noisily upstairs and knocked at the door of Groholsky's

apartments. He was admitted. Groholsky was packing his things in a

portmanteau, Liza was sitting at the table trying on bracelets. They

were both frightened when Bugrov went in to them. They fancied that he

had come for Liza and had brought back the money which he had taken in

haste without reflection. But Bugrov had not come for Liza. Ashamed of

his new get-up and feeling frightfully awkward in it, he bowed and stood

at the door in the attitude of a flunkey. The get-up was superb. Bugrov

was unrecognisable. His huge person, which had never hitherto worn

anything but a uniform, was clothed in a fresh, brand-new suit of fine

French cloth and of the most fashionable cut. On his feet spats shone

with sparkling buckles. He stood ashamed of his new get-up, and with his

right hand covered the watch-chain for which he had, an hour before,

paid three hundred roubles.

"I have come about something," he began. "A business agreement is beyond

price. I am not going to give up Mishutka. . . ."

"What Mishutka?" asked Groholsky.

"My son."

Groholsky and Liza looked at each other. Liza's eyes bulged, her cheeks

flushed, and her lips twitched. . . .

"Very well," she said.

She thought of Mishutka's warm little cot. It would be cruel to exchange

that warm little cot for a chilly sofa in the hotel, and she consented.

"I shall see him," she said.

Bugrov bowed, walked out, and flew down the stairs in his splendour,

cleaving the air with his expensive cane. . . .

"Home," he said to the cabman. "I am starting at five o'clock to-morrow

morning. . . . You will come; if I am asleep, you will wake me. We are

driving out of town." II

It was a lovely August evening. The sun, set in a golden background

lightly flecked with purple, stood above the western horizon on the

point of sinking behind the far-away tumuli. In the garden, shadows and

half-shadows had vanished, and the air had grown damp, but the golden

light was still playing on the tree-tops. . . . It was warm. . . . Rain

had just fallen, and made the fresh, transparent fragrant air still

fresher.

I am not describing the August of Petersburg or Moscow, foggy, tearful,

and dark, with its cold, incredibly damp sunsets. God forbid! I am not

describing our cruel northern August. I ask the reader to move with me

to the Crimea, to one of its shores, not far from Feodosia, the spot

where stands the villa of one of our heroes. It is a pretty, neat villa

surrounded by flower-beds and clipped bushes. A hundred paces behind it

is an orchard in which its inmates walk. . . . Groholsky pays a high

rent for that villa, a thousand roubles a year, I believe. . . . The

villa is not worth that rent, but it is pretty. . . . Tall, with

delicate walls and very delicate parapets, fragile, slender, painted a

pale blue colour, hung with curtains, portières, draperies, it suggests

a charming, fragile Chinese lady. . . .

On the evening described above, Groholsky and Liza were sitting on the

verandah of this villa. Groholsky was reading Novoye Vremya and drinking

milk out of a green mug. A syphon of Seltzer water was standing on the

table before him. Groholsky imagined that he was suffering from catarrh

of the lungs, and by the advice of Dr. Dmitriev consumed an immense

quantity of grapes, milk, and Seltzer water. Liza was sitting in a soft

easy chair some distance from the table. With her elbows on the parapet,

and her little face propped on her little fists, she was gazing at the

villa opposite. . . . The sun was playing upon the windows of the villa

opposite, the glittering panes reflected the dazzling light. . . .

Beyond the little garden and the few trees that surrounded the villa

there was a glimpse of the sea with its waves, its dark blue colour, its

immensity, its white masts. . . . It was so delightful! Groholsky was

reading an article by Anonymous, and after every dozen lines he raised

his blue eyes to Liza's back. . . . The same passionate, fervent love

was shining in those eyes still. . . . He was infinitely happy in spite

of his imaginary catarrh of the lungs. . . . Liza was conscious of his

eyes upon her back, and was thinking of Mishutka's brilliant future, and

she felt so comfortable, so serene . . . .

She was not so much interested by the sea, and the glittering reflection

on the windows of the villa opposite as by the waggons which were

trailing up to that villa one after another.

The waggons were full of furniture and all sorts of domestic articles.

Liza watched the trellis gates and big glass doors of the villa being

opened and the men bustling about the furniture and wrangling

incessantly. Big armchairs and a sofa covered with dark raspberry

coloured velvet, tables for the hall, the drawing-room and the dining-

room, a big double bed and a child's cot were carried in by the glass

doors; something big, wrapped up in sacking, was carried in too. A grand

piano, thought Liza, and her heart throbbed.

It was long since she had heard the piano, and she was so fond of it.

They had not a single musical instrument in their villa. Groholsky and

she were musicians only in soul, no more. There were a great many boxes

and packages with the words: "with care" upon them carried in after the

piano.

They were boxes of looking-glasses and crockery. A gorgeous and

luxurious carriage was dragged in, at the gate, and two white horses

were led in looking like swans.

"My goodness, what riches!" thought Liza, remembering her old pony which

Groholsky, who did not care for riding, had bought her for a hundred

roubles. Compared with those swan-like steeds, her pony seemed to her no

better than a bug. Groholsky, who was afraid of riding fast, had

purposely bought Liza a poor horse.

"What wealth!" Liza thought and murmured as she gazed at the noisy

carriers.

The sun hid behind the tumuli, the air began to lose its dryness and

limpidity, and still the furniture was being driven up and hauled into

the house. At last it was so dark that Groholsky left off reading the

newspaper while Liza still gazed and gazed.

"Shouldn't we light the lamp?" said Groholsky, afraid that a fly might

drop into his milk and be swallowed in the darkness.

"Liza! shouldn't we light the lamp? Shall we sit in darkness, my angel?"

Liza did not answer. She was interested in a chaise which had driven up

to the villa opposite. . . . What a charming little mare was in that

chaise. Of medium size, not large, but graceful. . . . A gentleman in a

top hat was sitting in the chaise, a child about three, apparently a

boy, was sitting on his knees waving his little hands. . . . He was

waving his little hands and shouting with delight.

Liza suddenly uttered a shriek, rose from her seat and lurched forward.

"What is the matter?" asked Groholsky.

"Nothing. . . I only . . . I fancied. . . ."

The tall, broad-shouldered gentleman in the top hat jumped out of the

chaise, lifted the boy down, and with a skip and a hop ran gaily in at

the glass door. The door opened noisily and he vanished into the

darkness of the villa apartments.

Two smart footmen ran up to the horse in the chaise, and most

respectfully led it to the gate. Soon the villa opposite was lighted up,

and the clatter of plates, knives, and forks was audible. The gentleman

in the top hat was having his supper, and judging by the duration of the

clatter of crockery, his supper lasted long. Liza fancied she could

smell chicken soup and roast duck. After supper discordant sounds of the

piano floated across from the villa. In all probability the gentleman in

the top hat was trying to amuse the child in some way, and allowing it

to strum on it.

Groholsky went up to Liza and put his arm round her waist.

"What wonderful weather!" he said. "What air! Do you feel it? I am very

happy, Liza, very happy indeed. My happiness is so great that I am

really afraid of its destruction. The greatest things are usually

destroyed, and do you know, Liza, in spite of all my happiness, I am not

absolutely . . . at peace. . . . One haunting thought torments me . . .

it torments me horribly. It gives me no peace by day or by night. . . ."

"What thought?"

"An awful thought, my love. I am tortured by the thought of your

husband. I have been silent hitherto. I have feared to trouble your

inner peace, but I cannot go on being silent. Where is he? What has

happened to him? What has become of him with his money? It is awful!

Every night I see his face, exhausted, suffering, imploring. . . . Why,

only think, my angel--can the money he so generously accepted make up to

him for you? He loved you very much, didn't he?"

"Very much!"

"There you see! He has either taken to drink now, or . . . I am anxious

about him! Ah, how anxious I am! Should we write to him, do you think?

We ought to comfort him . . . a kind word, you know."

Groholsky heaved a deep sigh, shook his head, and sank into an easy

chair exhausted by painful reflection. Leaning his head on his fists he

fell to musing. Judging from his face, his musings were painful.

"I am going to bed," said Liza; "it's time."

Liza went to her own room, undressed, and dived under the bedclothes.

She used to go to bed at ten o'clock and get up at ten. She was fond of

her comfort.

Project Gutenberg Compilation of Short Stories by Chekhov · 第 161 / 212 段