And his handwriting was dreamy, limp like wet silk. An individual called

Kross, probably an insignificant, little man, felt his unimportance so

deeply that he gave full licence to his penknife and carved his name in

deep letters an inch high. I took a pencil out of my pocket

mechanically, and I too scribbled on one of the columns. All that is

irrelevant, however. . . You must forgive me--I don't know how to tell a

story briefly.

"I was sad and a little bored. Boredom, the stillness, and the purring

of the sea gradually brought me to the line of thought we have been

discussing. At that period, towards the end of the 'seventies, it had

begun to be fashionable with the public, and later, at the beginning of

the 'eighties, it gradually passed from the general public into

literature, science, and politics. I was no more than twenty-six at the

time, but I knew perfectly well that life was aimless and had no

meaning, that everything was a deception and an illusion, that in its

essential nature and results a life of penal servitude in Sahalin was

not in any way different from a life spent in Nice, that the difference

between the brain of a Kant and the brain of a fly was of no real

significance, that no one in this world is righteous or guilty, that

everything was stuff and nonsense and damn it all! I lived as though I

were doing a favour to some unseen power which compelled me to live, and

to which I seemed to say: 'Look, I don't care a straw for life, but I am

living!' I thought on one definite line, but in all sorts of keys, and

in that respect I was like the subtle gourmand who could prepare a

hundred appetising dishes from nothing but potatoes. There is no doubt

that I was one-sided and even to some extent narrow, but I fancied at

the time that my intellectual horizon had neither beginning nor end, and

that my thought was as boundless as the sea. Well, as far as I can judge

by myself, the philosophy of which we are speaking has something

alluring, narcotic in its nature, like tobacco or morphia. It becomes a

habit, a craving. You take advantage of every minute of solitude to

gloat over thoughts of the aimlessness of life and the darkness of the

grave. While I was sitting in the summer-house, Greek children with long

noses were decorously walking about the avenues. I took advantage of the

occasion and, looking at them, began reflecting in this style:

"'Why are these children born, and what are they living for? Is there

any sort of meaning in their existence? They grow up, without themselves

knowing what for; they will live in this God-forsaken, comfortless hole

for no sort of reason, and then they will die. . . .'

"And I actually felt vexed with those children because they were walking

about decorously and talking with dignity, as though they did not hold

their little colourless lives so cheap and knew what they were living

for. . . . I remember that far away at the end of an avenue three

feminine figures came into sight. Three young ladies, one in a pink

dress, two in white, were walking arm-in-arm, talking and laughing.

Looking after them, I thought:

"'It wouldn't be bad to have an affair with some woman for a couple of

days in this dull place.'

"I recalled by the way that it was three weeks since I had visited my

Petersburg lady, and thought that a passing love affair would come in

very appropriately for me just now. The young lady in white in the

middle was rather younger and better looking than her companions, and

judging by her manners and her laugh, she was a high-school girl in an

upper form. I looked, not without impure thoughts, at her bust, and at

the same time reflected about her: 'She will be trained in music and

manners, she will be married to some Greek--God help us!--will lead a

grey, stupid, comfortless life, will bring into the world a crowd of

children without knowing why, and then will die. An absurd life!'

"I must say that as a rule I was a great hand at combining my lofty

ideas with the lowest prose.

"Thoughts of the darkness of the grave did not prevent me from giving

busts and legs their full due. Our dear Baron's exalted ideas do not

prevent him from going on Saturdays to Vukolovka on amatory expeditions.

To tell the honest truth, as far as I remember, my attitude to women was

most insulting. Now, when I think of that high-school girl, I blush for

my thoughts then, but at the time my conscience was perfectly

untroubled. I, the son of honourable parents, a Christian, who had

received a superior education, not naturally wicked or stupid, felt not

the slightest uneasiness when I paid women Blutgeld, as the Germans call

it, or when I followed high-school girls with insulting looks. . . . The

trouble is that youth makes its demands, and our philosophy has nothing

in principle against those demands, whether they are good or whether

they are loathsome. One who knows that life is aimless and death

inevitable is not interested in the struggle against nature or the

conception of sin: whether you struggle or whether you don't, you will

die and rot just the same. . . . Secondly, my friends, our philosophy

instils even into very young people what is called reasonableness. The

predominance of reason over the heart is simply overwhelming amongst us.

Direct feeling, inspiration--everything is choked by petty analysis.

Where there is reasonableness there is coldness, and cold people--it's no

use to disguise it--know nothing of chastity. That virtue is only known

to those who are warm, affectionate, and capable of love. Thirdly, our

philosophy denies the significance of each individual personality. It's

easy to see that if I deny the personality of some Natalya Stepanovna,

it's absolutely nothing to me whether she is insulted or not. To-day one

insults her dignity as a human being and pays her Blutgeld, and next day

thinks no more of her.

"So I sat in the summer-house and watched the young ladies. Another

woman's figure appeared in the avenue, with fair hair, her head

uncovered and a white knitted shawl on her shoulders. She walked along

the avenue, then came into the summer-house, and taking hold of the

parapet, looked indifferently below and into the distance over the sea.

As she came in she paid no attention to me, as though she did not notice

me. I scrutinised her from foot to head (not from head to foot, as one

scrutinises men) and found that she was young, not more than five-and-

twenty, nice-looking, with a good figure, in all probability married and

belonging to the class of respectable women. She was dressed as though

she were at home, but fashionably and with taste, as ladies are, as a

rule, in N.

"'This one would do nicely,' I thought, looking at her handsome figure

and her arms; 'she is all right. . . . She is probably the wife of some

doctor or schoolmaster. . . .'

"But to make up to her--that is, to make her the heroine of one of those

impromptu affairs to which tourists are so prone--was not easy and,

indeed, hardly possible. I felt that as I gazed at her face. The way she

looked, and the expression of her face, suggested that the sea, the

smoke in the distance, and the sky had bored her long, long ago, and

wearied her sight. She seemed to be tired, bored, and thinking about

something dreary, and her face had not even that fussy, affectedly

indifferent expression which one sees in the face of almost every woman

when she is conscious of the presence of an unknown man in her vicinity.

"The fair-haired lady took a bored and passing glance at me, sat down on

a seat and sank into reverie, and from her face I saw that she had no

thoughts for me, and that I, with my Petersburg appearance, did not

arouse in her even simple curiosity. But yet I made up my mind to speak

to her, and asked: 'Madam, allow me to ask you at what time do the

waggonettes go from here to the town?'

"'At ten or eleven, I believe. . . .'"

"I thanked her. She glanced at me once or twice, and suddenly there was

a gleam of curiosity, then of something like wonder on her passionless

face. . . . I made haste to assume an indifferent expression and to fall

into a suitable attitude; she was catching on! She suddenly jumped up

from the seat, as though something had bitten her, and examining me

hurriedly, with a gentle smile, asked timidly:

"'Oh, aren't you Ananyev?'

"'Yes, I am Ananyev,' I answered.

"'And don't you recognise me? No?'

"I was a little confused. I looked intently at her, and--would you

believe it?--I recognised her not from her face nor her figure, but from

her gentle, weary smile. It was Natalya Stepanovna, or, as she was

called, Kisotchka, the very girl I had been head over ears in love with

seven or eight years before, when I was wearing the uniform of a high-

school boy. The doings of far, vanished days, the days of long ago. . .

. I remember this Kisotchka, a thin little high-school girl of fifteen

or sixteen, when she was something just for a schoolboy's taste, created

by nature especially for Platonic love. What a charming little girl she

was! Pale, fragile, light--she looked as though a breath would send her

flying like a feather to the skies--a gentle, perplexed face, little

hands, soft long hair to her belt, a waist as thin as a

wasp's--altogether something ethereal, transparent like moonlight--in

fact, from the point of view of a high-school boy a peerless beauty. . .

. Wasn't I in love with her! I did not sleep at night. I wrote verses. .

. . Sometimes in the evenings she would sit on a seat in the park while

we schoolboys crowded round her, gazing reverently; in response to our

compliments, our sighing, and attitudinising, she would shrink nervously

from the evening damp, screw up her eyes, and smile gently, and at such

times she was awfully like a pretty little kitten. As we gazed at her

every one of us had a desire to caress her and stroke her like a cat,

hence her nickname of Kisotchka.

"In the course of the seven or eight years since we had met, Kisotchka

had greatly changed. She had grown more robust and stouter, and had

quite lost the resemblance to a soft, fluffy kitten. It was not that her

features looked old or faded, but they had somehow lost their brilliance

and looked sterner, her hair seemed shorter, she looked taller, and her

shoulders were quite twice as broad, and what was most striking, there

was already in her face the expression of motherliness and resignation

commonly seen in respectable women of her age, and this, of course, I

had never seen in her before. . . . In short, of the school-girlish and

the Platonic her face had kept the gentle smile and nothing more. . . .

"We got into conversation. Learning that I was already an engineer,

Kisotchka was immensely delighted.

"'How good that is!' she said, looking joyfully into my face. 'Ah, how

good! And how splendid you all are! Of all who left with you, not one

has been a failure--they have all turned out well. One an engineer,

another a doctor, a third a teacher, another, they say, is a celebrated

singer in Petersburg. . . . You are all splendid, all of you. . . . Ah,

how good that is!'

"Kisotchka's eyes shone with genuine goodwill and gladness. She was

admiring me like an elder sister or a former governess. 'While I looked

at her sweet face and thought, It wouldn't be bad to get hold of her to-

day!'

"'Do you remember, Natalya Stepanovna,' I asked her, 'how I once brought

you in the park a bouquet with a note in it? You read my note, and such

a look of bewilderment came into your face. . . .'

"'No, I don't remember that,' she said, laughing. 'But I remember how

you wanted to challenge Florens to a duel over me. . . .'

"'Well, would you believe it, I don't remember that. . . .'

"'Well, that's all over and done with . . .' sighed Kisotchka. 'At one

time I was your idol, and now it is my turn to look up to all of you. .

. .'

"From further conversation I learned that two years after leaving the

high school, Kisotchka had been married to a resident in the town who

was half Greek, half Russian, had a post either in the bank or in the

insurance society, and also carried on a trade in corn. He had a strange

surname, something in the style of Populaki or Skarandopulo. . . .

Goodness only knows--I have forgotten. . . . As a matter of fact,

Kisotchka spoke little and with reluctance about herself. The

conversation was only about me. She asked me about the College of

Engineering, about my comrades, about Petersburg, about my plans, and

everything I said moved her to eager delight and exclamations of, 'Oh,

how good that is!'

"We went down to the sea and walked over the sands; then when the night

air began to blow chill and damp from the sea we climbed up again. All

the while our talk was of me and of the past. We walked about until the

reflection of the sunset had died away from the windows of the summer

villas.

"'Come in and have some tea,' Kisotchka suggested. 'The samovar must

have been on the table long ago. . . . I am alone at home,' she said, as

her villa came into sight through the green of the acacias. 'My husband

is always in the town and only comes home at night, and not always then,

and I must own that I am so dull that it's simply deadly.'

"I followed her in, admiring her back and shoulders. I was glad that she

was married. Married women are better material for temporary love

affairs than girls. I was also pleased that her husband was not at home.

At the same time I felt that the affair would not come off. . . .

"We went into the house. The rooms were smallish and had low ceilings,

and the furniture was typical of the summer villa (Russians like having

at their summer villas uncomfortable heavy, dingy furniture which they

are sorry to throw away and have nowhere to put), but from certain

details I could observe that Kisotchka and her husband were not badly

off, and must be spending five or six thousand roubles a year. I

remember that in the middle of the room which Kisotchka called the

dining-room there was a round table, supported for some reason on six

legs, and on it a samovar and cups. At the edge of the table lay an open

book, a pencil, and an exercise book. I glanced at the book and

recognised it as 'Malinin and Burenin's Arithmetical Examples.' It was

open, as I now remember, at the 'Rules of Compound Interest.'

"'To whom are you giving lessons?' I asked Kisotchka.

"'Nobody,' she answered. 'I am just doing some. . . . I have nothing to

do, and am so bored that I think of the old days and do sums.'

"'Have you any children?'

"'I had a baby boy, but he only lived a week.'

"We began drinking tea. Admiring me, Kisotchka said again how good it

was that I was an engineer, and how glad she was of my success. And the

more she talked and the more genuinely she smiled, the stronger was my

conviction that I should go away without having gained my object. I was

a connoisseur in love affairs in those days, and could accurately gauge

my chances of success. You can boldly reckon on success if you are

tracking down a fool or a woman as much on the look out for new

experiences and sensations as yourself, or an adventuress to whom you

are a stranger. If you come across a sensible and serious woman, whose

face has an expression of weary submission and goodwill, who is

genuinely delighted at your presence, and, above all, respects you, you

may as well turn back. To succeed in that case needs longer than one

day.

"And by evening light Kisotchka seemed even more charming than by day.

She attracted me more and more, and apparently she liked me too, and the

surroundings were most appropriate: the husband not at home, no servants

visible, stillness around. . . . Though I had little confidence in

success, I made up my mind to begin the attack anyway. First of all it

was necessary to get into a familiar tone and to change Kisotchka's

lyrically earnest mood into a more frivolous one.

"'Let us change the conversation, Natalya Stepanovna,' I began. 'Let us

talk of something amusing. First of all, allow me, for the sake of old

times, to call you Kisotchka.'

"She allowed me.

"'Tell me, please, Kisotchka,' I went on, 'what is the matter with all

the fair sex here. What has happened to them? In old days they were all

so moral and virtuous, and now, upon my word, if one asks about anyone,

one is told such things that one is quite shocked at human nature. . . .

One young lady has eloped with an officer; another has run away and

carried off a high-school boy with her; another--a married woman--has run

away from her husband with an actor; a fourth has left her husband and

gone off with an officer, and so on and so on. It's a regular epidemic!

If it goes on like this there won't be a girl or a young woman left in

your town!'

"I spoke in a vulgar, playful tone. If Kisotchka had laughed in response

I should have gone on in this style: 'You had better look out,

Kisotchka, or some officer or actor will be carrying you off!' She would

have dropped her eyes and said: 'As though anyone would care to carry me

off; there are plenty younger and better looking . . . .' And I should

have said: 'Nonsense, Kisotchka--I for one should be delighted!' And so

on in that style, and it would all have gone swimmingly. But Kisotchka

did not laugh in response; on the contrary, she looked grave and sighed.

"'All you have been told is true,' she said. 'My cousin Sonya ran away

from her husband with an actor. Of course, it is wrong. . . . Everyone

ought to bear the lot that fate has laid on him, but I do not condemn

them or blame them. . . . Circumstances are sometimes too strong for

anyone!'

"'That is so, Kisotchka, but what circumstances can produce a regular

epidemic?'

"'It's very simple and easy to understand,' replied Kisotchka, raising

her eyebrows. 'There is absolutely nothing for us educated girls and

women to do with ourselves. Not everyone is able to go to the

University, to become a teacher, to live for ideas, in fact, as men do.

They have to be married. . . . And whom would you have them marry? You

boys leave the high-school and go away to the University, never to

return to your native town again, and you marry in Petersburg or Moscow,

while the girls remain. . . . To whom are they to be married? Why, in

the absence of decent cultured men, goodness knows what sort of men they

marry--stockbrokers and such people of all kinds, who can do nothing but

drink and get into rows at the club. . . . A girl married like that, at

random. . . . And what is her life like afterwards? You can understand:

a well-educated, cultured woman is living with a stupid, boorish man; if

she meets a cultivated man, an officer, an actor, or a doctor--well, she

gets to love him, her life becomes unbearable to her, and she runs away

from her husband. And one can't condemn her!'

"'If that is so, Kisotchka, why get married?' I asked.

"'Yes, of course,' said Kisotchka with a sigh, 'but you know every girl

fancies that any husband is better than nothing. . . . Altogether life

is horrid here, Nikolay Anastasyevitch, very horrid! Life is stifling

for a girl and stifling when one is married. . . . Here they laugh at

Sonya for having run away from her husband, but if they could see into

her soul they would not laugh. . . .'"

Azorka began barking outside again. He growled angrily at some one, then

howled miserably and dashed with all his force against the wall of the

hut. . . . Ananyev's face was puckered with pity; he broke off his story

and went out. For two minutes he could be heard outside comforting his

dog. "Good dog! poor dog!"

"Our Nikolay Anastasyevitch is fond of talking," said Von Schtenberg,

laughing. "He is a good fellow," he added after a brief silence.

Returning to the hut, the engineer filled up our glasses and, smiling

and stroking his chest, went on:

"And so my attack was unsuccessful. There was nothing for it, I put off

my unclean thoughts to a more favourable occasion, resigned myself to my

failure and, as the saying is, waved my hand. What is more, under the

influence of Kisotchka's voice, the evening air, and the stillness, I

gradually myself fell into a quiet sentimental mood. I remember I sat in

an easy chair by the wide-open window and glanced at the trees and

darkened sky. The outlines of the acacias and the lime trees were just

the same as they had been eight years before; just as then, in the days

of my childhood, somewhere far away there was the tinkling of a wretched

piano, and the public had just the same habit of sauntering to and fro

along the avenues, but the people were not the same. Along the avenues

there walked now not my comrades and I and the object of my adoration,

but schoolboys and young ladies who were strangers. And I felt

melancholy. When to my inquiries about acquaintances I five times

received from Kisotchka the answer, 'He is dead,' my melancholy changed

into the feeling one has at the funeral service of a good man. And

sitting there at the window, looking at the promenading public and

listening to the tinkling piano, I saw with my own eyes for the first

time in my life with what eagerness one generation hastens to replace

another, and what a momentous significance even some seven or eight

years may have in a man's life!

"Kisotchka put a bottle of red wine on the table. I drank it off, grew

sentimental, and began telling a long story about something or other.

Kisotchka listened as before, admiring me and my cleverness. And time

passed. The sky was by now so dark that the outlines of the acacias and

lime trees melted into one, the public was no longer walking up and down

the avenues, the piano was silent and the only sound was the even murmur

of the sea.

"Young people are all alike. Be friendly to a young man, make much of

him, regale him with wine, let him understand that he is attractive and

he will sit on and on, forget that it is time to go, and talk and talk

and talk. . . . His hosts cannot keep their eyes open, it's past their

bedtime, and he still stays and talks. That was what I did. Once I

chanced to look at the clock; it was half-past ten. I began saying good-

bye.

"'Have another glass before your walk,' said Kisotchka.

"I took another glass, again I began talking at length, forgot it was

time to go, and sat down. Then there came the sound of men's voices,

footsteps and the clank of spurs.

"'I think my husband has come in . . . .' said Kisotchka listening.

"The door creaked, two voices came now from the passage and I saw two

men pass the door that led into the dining-room: one a stout, solid,

dark man with a hooked nose, wearing a straw hat, and the other a young

officer in a white tunic. As they passed the door they both glanced

casually and indifferently at Kisotchka and me, and I fancied both of

them were drunk.

"'She told you a lie then, and you believed her!' we heard a loud voice

with a marked nasal twang say a minute later. 'To begin with, it wasn't

at the big club but at the little one.'

"'You are angry, Jupiter, so you are wrong . . . .' said another voice,

obviously the officer's, laughing and coughing. 'I say, can I stay the

night? Tell me honestly, shall I be in your way?'

"'What a question! Not only you can, but you must. What will you have,

beer or wine?'

"They were sitting two rooms away from us, talking loudly, and

apparently feeling no interest in Kisotchka or her visitor. A

perceptible change came over Kisotchka on her husband's arrival. At

first she flushed red, then her face wore a timid, guilty expression;

she seemed to be troubled by some anxiety, and I began to fancy that she

was ashamed to show me her husband and wanted me to go.

"I began taking leave. Kisotchka saw me to the front door. I remember

well her gentle mournful smile and kind patient eyes as she pressed my

hand and said:

"'Most likely we shall never see each other again. Well, God give you

every blessing. Thank you!'

"Not one sigh, not one fine phrase. As she said good-bye she was holding

the candle in her hand; patches of light danced over her face and neck,

as though chasing her mournful smile. I pictured to myself the old

Kisotchka whom one used to want to stroke like a cat, I looked intently

at the present Kisotchka, and for some reason recalled her words:

'Everyone ought to bear the lot that fate has laid on him.' And I had a

pang at my heart. I instinctively guessed how it was, and my conscience

whispered to me that I, in my happiness and indifference, was face to

face with a good, warm-hearted, loving creature, who was broken by

suffering.

"I said good-bye and went to the gate. By now it was quite dark. In the

south the evenings draw in early in July and it gets dark rapidly.

Towards ten o'clock it is so dark that you can't see an inch before your

nose. I lighted a couple of dozen matches before, almost groping, I

found my way to the gate.

Project Gutenberg Compilation of Short Stories by Chekhov · 第 157 / 212 段