In the past when I was younger my friends and relations had known what

to do with me: some of them used to advise me to volunteer for the army,

others to get a job in a pharmacy, and others in the telegraph

department; now that I am over twenty-five, that grey hairs are

beginning to show on my temples, and that I have been already in the

army, and in a pharmacy, and in the telegraph department, it would seem

that all earthly possibilities have been exhausted, and people have

given up advising me, and merely sigh or shake their heads.

"What do you think about yourself?" my father went on. "By the time they

are your age, young men have a secure social position, while look at

you: you are a proletarian, a beggar, a burden on your father!"

And as usual he proceeded to declare that the young people of to-day

were on the road to perdition through infidelity, materialism, and self-

conceit, and that amateur theatricals ought to be prohibited, because

they seduced young people from religion and their duties.

"To-morrow we shall go together, and you shall apologize to the

superintendent, and promise him to work conscientiously," he said in

conclusion. "You ought not to remain one single day with no regular

position in society."

"I beg you to listen to me," I said sullenly, expecting nothing good

from this conversation. "What you call a position in society is the

privilege of capital and education. Those who have neither wealth nor

education earn their daily bread by manual labour, and I see no grounds

for my being an exception."

"When you begin talking about manual labour it is always stupid and

vulgar!" said my father with irritation. "Understand, you dense fellow-

understand, you addle-pate, that besides coarse physical strength you

have the divine spirit, a spark of the holy fire, which distinguishes

you in the most striking way from the ass or the reptile, and brings you

nearer to the Deity! This fire is the fruit of the efforts of the best

of mankind during thousands of years. Your great-grandfather Poloznev,

the general, fought at Borodino; your grandfather was a poet, an orator,

and a Marshal of Nobility; your uncle is a schoolmaster; and lastly, I,

your father, am an architect! All the Poloznevs have guarded the sacred

fire for you to put it out!"

"One must be just," I said. "Millions of people put up with manual

labour."

"And let them put up with it! They don't know how to do anything else!

Anybody, even the most abject fool or criminal, is capable of manual

labour; such labour is the distinguishing mark of the slave and the

barbarian, while the holy fire is vouchsafed only to a few!"

To continue this conversation was unprofitable. My father worshipped

himself, and nothing was convincing to him but what he said himself.

Besides, I knew perfectly well that the disdain with which he talked of

physical toil was founded not so much on reverence for the sacred fire

as on a secret dread that I should become a workman, and should set the

whole town talking about me; what was worse, all my contemporaries had

long ago taken their degrees and were getting on well, and the son of

the manager of the State Bank was already a collegiate assessor, while

I, his only son, was nothing! To continue the conversation was

unprofitable and unpleasant, but I still sat on and feebly retorted,

hoping that I might at last be understood. The whole question, of

course, was clear and simple, and only concerned with the means of my

earning my living; but the simplicity of it was not seen, and I was

talked to in mawkishly rounded phrases of Borodino, of the sacred fire,

of my uncle a forgotten poet, who had once written poor and artificial

verses; I was rudely called an addlepate and a dense fellow. And how I

longed to be understood! In spite of everything, I loved my father and

my sister and it had been my habit from childhood to consult them-a

habit so deeply rooted that I doubt whether I could ever have got rid of

it; whether I were in the right or the wrong, I was in constant dread of

wounding them, constantly afraid that my father's thin neck would turn

crimson and that he would have a stroke.

"To sit in a stuffy room," I began, "to copy, to compete with a

typewriter, is shameful and humiliating for a man of my age. What can

the sacred fire have to do with it?"

"It's intellectual work, anyway," said my father. "But that's enough;

let us cut short this conversation, and in any case I warn you: if you

don't go back to your work again, but follow your contemptible

propensities, then my daughter and I will banish you from our hearts. I

shall strike you out of my will, I swear by the living God!"

With perfect sincerity to prove the purity of the motives by which I

wanted to be guided in all my doings, I said:

"The question of inheritance does not seem very important to me. I shall

renounce it all beforehand."

For some reason or other, quite to my surprise, these words were deeply

resented by my father. He turned crimson.

"Don't dare to talk to me like that, stupid!" he shouted in a thin,

shrill voice. "Wastrel!" and with a rapid, skilful, and habitual

movement he slapped me twice in the face. "You are forgetting yourself."

When my father beat me as a child I had to stand up straight, with my

hands held stiffly to my trouser seams, and look him straight in the

face. And now when he hit me I was utterly overwhelmed, and, as though I

were still a child, drew myself up and tried to look him in the face. My

father was old and very thin but his delicate muscles must have been as

strong as leather, for his blows hurt a good deal.

I staggered back into the passage, and there he snatched up his

umbrella, and with it hit me several times on the head and shoulders; at

that moment my sister opened the drawing-room door to find out what the

noise was, but at once turned away with a look of horror and pity

without uttering a word in my defence.

My determination not to return to the Government office, but to begin a

new life of toil, was not to be shaken. All that was left for me to do

was to fix upon the special employment, and there was no particular

difficulty about that, as it seemed to me that I was very strong and

fitted for the very heaviest labour. I was faced with a monotonous life

of toil in the midst of hunger, coarseness, and stench, continually

preoccupied with earning my daily bread. And-who knows?-as I returned

from my work along Great Dvoryansky Street, I might very likely envy

Dolzhikov, the engineer, who lived by intellectual work, but, at the

moment, thinking over all my future hardships made me light-hearted. At

times I had dreamed of spiritual activity, imagining myself a teacher, a

doctor, or a writer, but these dreams remained dreams. The taste for

intellectual pleasures-for the theatre, for instance, and for reading-

was a passion with me, but whether I had any ability for intellectual

work I don't know. At school I had had an unconquerable aversion for

Greek, so that I was only in the fourth class when they had to take me

from school. For a long while I had coaches preparing me for the fifth

class. Then I served in various Government offices, spending the greater

part of the day in complete idleness, and I was told that was

intellectual work. My activity in the scholastic and official sphere had

required neither mental application nor talent, nor special

qualifications, nor creative impulse; it was mechanical. Such

intellectual work I put on a lower level than physical toil; I despise

it, and I don't think that for one moment it could serve as a

justification for an idle, careless life, as it is indeed nothing but a

sham, one of the forms of that same idleness. Real intellectual work I

have in all probability never known.

Evening came on. We lived in Great Dvoryansky Street; it was the

principal street in the town, and in the absence of decent public

gardens our beau monde used to use it as a promenade in the evenings.

This charming street did to some extent take the place of a public

garden, as on each side of it there was a row of poplars which smelt

sweet, particularly after rain, and acacias, tall bushes of lilac, wild-

cherries and apple-trees hung over the fences and palings. The May

twilight, the tender young greenery with its shifting shades, the scent

of the lilac, the buzzing of the insects, the stillness, the warmth-how

fresh and marvellous it all is, though spring is repeated every year! I

stood at the garden gate and watched the passers-by. With most of them I

had grown up and at one time played pranks; now they might have been

disconcerted by my being near them, for I was poorly and unfashionably

dressed, and they used to say of my very narrow trousers and huge,

clumsy boots that they were like sticks of macaroni stuck in boats.

Besides, I had a bad reputation in the town because I had no decent

social position, and used often to play billiards in cheap taverns, and

also, perhaps, because I had on two occasions been hauled up before an

officer of the police, though I had done nothing whatever to account for

this.

In the big house opposite someone was playing the piano at Dolzhikov's.

It was beginning to get dark, and stars were twinkling in the sky. Here

my father, in an old top-hat with wide upturned brim, walked slowly by

with my sister on his arm, bowing in response to greetings.

"Look up," he said to my sister, pointing to the sky with the same

umbrella with which he had beaten me that afternoon. "Look up at the

sky! Even the tiniest stars are all worlds! How insignificant is man in

comparison with the universe!"

And he said this in a tone that suggested that it was particularly

agreeable and flattering to him that he was so insignificant. How

absolutely devoid of talent and imagination he was! Sad to say, he was

the only architect in the town, and in the fifteen to twenty years that

I could remember not one single decent house had been built in it. When

any one asked him to plan a house, he usually drew first the reception

hall and drawing-room: just as in old days the boarding-school misses

always started from the stove when they danced, so his artistic ideas

could only begin and develop from the hall and drawing-room. To them he

tacked on a dining-room, a nursery, a study, linking the rooms together

with doors, and so they all inevitably turned into passages, and every

one of them had two or even three unnecessary doors. His imagination

must have been lacking in clearness, extremely muddled, curtailed. As

though feeling that something was lacking, he invariably had recourse to

all sorts of outbuildings, planting one beside another; and I can see

now the narrow entries, the poky little passages, the crooked staircases

leading to half-landings where one could not stand upright, and where,

instead of a floor, there were three huge steps like the shelves of a

bath-house; and the kitchen was invariably in the basement with a brick

floor and vaulted ceilings. The front of the house had a harsh, stubborn

expression; the lines of it were stiff and timid; the roof was low-

pitched and, as it were, squashed down; and the fat, well-fed-looking

chimneys were invariably crowned by wire caps with squeaking black

cowls. And for some reason all these houses, built by my father exactly

like one another, vaguely reminded me of his top-hat and the back of his

head, stiff and stubborn-looking. In the course of years they have grown

used in the town to the poverty of my father's imagination. It has taken

root and become our local style.

This same style my father had brought into my sister's life also,

beginning with christening her Kleopatra (just as he had named me

Misail). When she was a little girl he scared her by references to the

stars, to the sages of ancient times, to our ancestors, and discoursed

at length on the nature of life and duty; and now, when she was twenty-

six, he kept up the same habits, allowing her to walk arm in arm with no

one but himself, and imagining for some reason that sooner or later a

suitable young man would be sure to appear, and to desire to enter into

matrimony with her from respect for his personal qualities. She adored

my father, feared him, and believed in his exceptional intelligence.

It was quite dark, and gradually the street grew empty. The music had

ceased in the house opposite; the gate was thrown wide open, and a team

with three horses trotted frolicking along our street with a soft tinkle

of little bells. That was the engineer going for a drive with his

daughter. It was bedtime.

I had my own room in the house, but I lived in a shed in the yard, under

the same roof as a brick barn which had been built some time or other,

probably to keep harness in; great hooks were driven into the wall. Now

it was not wanted, and for the last thirty years my father had stowed

away in it his newspapers, which for some reason he had bound in half-

yearly volumes and allowed nobody to touch. Living here, I was less

liable to be seen by my father and his visitors, and I fancied that if I

did not live in a real room, and did not go into the house every day to

dinner, my father's words that I was a burden upon him did not sound so

offensive.

My sister was waiting for me. Unseen by my father, she had brought me

some supper: not a very large slice of cold veal and a piece of bread.

In our house such sayings as: "A penny saved is a penny gained," and

"Take care of the pence and the pounds will take care of themselves,"

and so on, were frequently repeated, and my sister, weighed down by

these vulgar maxims, did her utmost to cut down the expenses, and so we

fared badly. Putting the plate on the table, she sat down on my bed and

began to cry.

"Misail," she said, "what a way to treat us!"

She did not cover her face; her tears dropped on her bosom and hands,

and there was a look of distress on her face. She fell back on the

pillow, and abandoned herself to her tears, sobbing and quivering all

over.

"You have left the service again . . ." she articulated. "Oh, how awful

it is!"

"But do understand, sister, do understand . . . ." I said, and I was

overcome with despair because she was crying.

As ill-luck would have it, the kerosene in my little lamp was exhausted;

it began to smoke, and was on the point of going out, and the old hooks

on the walls looked down sullenly, and their shadows flickered.

"Have mercy on us," said my sister, sitting up. "Father is in terrible

distress and I am ill; I shall go out of my mind. What will become of

you?" she said, sobbing and stretching out her arms to me. "I beg you, I

implore you, for our dear mother's sake, I beg you to go back to the

office!"

"I can't, Kleopatra!" I said, feeling that a little more and I should

give way. "I cannot!"

"Why not?" my sister went on. "Why not? Well, if you can't get on with

the Head, look out for another post. Why shouldn't you get a situation

on the railway, for instance? I have just been talking to Anyuta

Blagovo; she declares they would take you on the railway-line, and even

promised to try and get a post for you. For God's sake, Misail, think a

little! Think a little, I implore you."

We talked a little longer and I gave way. I said that the thought of a

job on the railway that was being constructed had never occurred to me,

and that if she liked I was ready to try it.

She smiled joyfully through her tears and squeezed my hand, and then

went on crying because she could not stop, while I went to the kitchen

for some kerosene. II

Among the devoted supporters of amateur theatricals, concerts and

tableaux vivants for charitable objects the Azhogins, who lived in their

own house in Great Dvoryansky Street, took a foremost place; they always

provided the room, and took upon themselves all the troublesome

arrangements and the expenses. They were a family of wealthy landowners

who had an estate of some nine thousand acres in the district and a

capital house, but they did not care for the country, and lived winter

and summer alike in the town. The family consisted of the mother, a

tall, spare, refined lady, with short hair, a short jacket, and a flat-

looking skirt in the English fashion, and three daughters who, when they

were spoken of, were called not by their names but simply: the eldest,

the middle, and the youngest. They all had ugly sharp chins, and were

short-sighted and round-shouldered. They were dressed like their mother,

they lisped disagreeably, and yet, in spite of that, infallibly took

part in every performance and were continually doing something with a

charitable object-acting, reciting, singing. They were very serious and

never smiled, and even in a musical comedy they played without the

faintest trace of gaiety, with a businesslike air, as though they were

engaged in bookkeeping.

I loved our theatricals, especially the numerous, noisy, and rather

incoherent rehearsals, after which they always gave a supper. In the

choice of the plays and the distribution of the parts I had no hand at

all. The post assigned to me lay behind the scenes. I painted the

scenes, copied out the parts, prompted, made up the actors' faces; and I

was entrusted, too, with various stage effects such as thunder, the

singing of nightingales, and so on. Since I had no proper social

position and no decent clothes, at the rehearsals I held aloof from the

rest in the shadows of the wings and maintained a shy silence.

I painted the scenes at the Azhogins' either in the barn or in the yard.

I was assisted by Andrey Ivanov, a house painter, or, as he called

himself, a contractor for all kinds of house decorations, a tall, very

thin, pale man of fifty, with a hollow chest, with sunken temples, with

blue rings round his eyes, rather terrible to look at in fact. He was

afflicted with some internal malady, and every autumn and spring people

said that he wouldn't recover, but after being laid up for a while he

would get up and say afterwards with surprise: "I have escaped dying

again."

In the town he was called Radish, and they declared that this was his

real name. He was as fond of the theatre as I was, and as soon as

rumours reached him that a performance was being got up he threw aside

all his work and went to the Azhogins' to paint scenes.

The day after my talk with my sister, I was working at the Azhogins'

from morning till night. The rehearsal was fixed for seven o'clock in

the evening, and an hour before it began all the amateurs were gathered

together in the hall, and the eldest, the middle, and the youngest

Azhogins were pacing about the stage, reading from manuscript books.

Radish, in a long rusty-red overcoat and a scarf muffled round his neck,

already stood leaning with his head against the wall, gazing with a

devout expression at the stage. Madame Azhogin went up first to one and

then to another guest, saying something agreeable to each. She had a way

of gazing into one's face, and speaking softly as though telling a

secret.

"It must be difficult to paint scenery," she said softly, coming up to

me. "I was just talking to Madame Mufke about superstitions when I saw

you come in. My goodness, my whole life I have been waging war against

superstitions! To convince the servants what nonsense all their terrors

are, I always light three candles, and begin all my important

undertakings on the thirteenth of the month."

Dolzhikov's daughter came in, a plump, fair beauty, dressed, as people

said, in everything from Paris. She did not act, but a chair was set for

her on the stage at the rehearsals, and the performances never began

till she had appeared in the front row, dazzling and astounding everyone

with her fine clothes. As a product of the capital she was allowed to

make remarks during the rehearsals; and she did so with a sweet

indulgent smile, and one could see that she looked upon our performance

as a childish amusement. It was said she had studied singing at the

Petersburg Conservatoire, and even sang for a whole winter in a private

opera. I thought her very charming, and I usually watched her through

the rehearsals and performances without taking my eyes off her.

I had just picked up the manuscript book to begin prompting when my

sister suddenly made her appearance. Without taking off her cloak or

hat, she came up to me and said:

"Come along, I beg you."

I went with her. Anyuta Blagovo, also in her hat and wearing a dark

veil, was standing behind the scenes at the door. She was the daughter

of the Assistant President of the Court, who had held that office in our

town almost ever since the establishment of the circuit court. Since she

was tall and had a good figure, her assistance was considered

indispensable for tableaux vivants, and when she represented a fairy or

something like Glory her face burned with shame; but she took no part in

dramatic performances, and came to the rehearsals only for a moment on

some special errand, and did not go into the hall. Now, too, it was

evident that she had only looked in for a minute.

"My father was speaking about you," she said drily, blushing and not

looking at me. "Dolzhikov has promised you a post on the railway-line.

Apply to him to-morrow; he will be at home."

I bowed and thanked her for the trouble she had taken.

"And you can give up this," she said, indicating the exercise book.

My sister and she went up to Madame Azhogin and for two minutes they

were whispering with her looking towards me; they were consulting about

something.

"Yes, indeed," said Madame Azhogin, softly coming up to me and looking

intently into my face. "Yes, indeed, if this distracts you from serious

pursuits"-she took the manuscript book from my hands-"you can hand it

over to someone else; don't distress yourself, my friend, go home, and

good luck to you."

I said good-bye to her, and went away overcome with confusion. As I went

down the stairs I saw my sister and Anyuta Blagovo going away; they were

hastening along, talking eagerly about something, probably about my

going into the railway service. My sister had never been at a rehearsal

before, and now she was most likely conscience-stricken, and afraid her

father might find out that, without his permission, she had been to the

Azhogins'!

I went to Dolzhikov's next day between twelve and one. The footman

conducted me into a very beautiful room, which was the engineer's

drawing-room, and, at the same time, his working study. Everything here

was soft and elegant, and, for a man so unaccustomed to luxury as I was,

it seemed strange. There were costly rugs, huge arm-chairs, bronzes,

pictures, gold and plush frames; among the photographs scattered about

the walls there were very beautiful women, clever, lovely faces, easy

attitudes; from the drawing-room there was a door leading straight into

the garden on to a verandah: one could see lilac-trees; one could see a

table laid for lunch, a number of bottles, a bouquet of roses; there was

a fragrance of spring and expensive cigars, a fragrance of happiness-and

everything seemed as though it would say: "Here is a man who has lived

and laboured, and has attained at last the happiness possible on earth."

The engineer's daughter was sitting at the writing-table, reading a

newspaper.

"You have come to see my father?" she asked. "He is having a shower

bath; he will be here directly. Please sit down and wait."

I sat down.

"I believe you live opposite?" she questioned me, after a brief silence.

"Yes."

"I am so bored that I watch you every day out of the window; you must

excuse me," she went on, looking at the newspaper, "and I often see your

sister; she always has such a look of kindness and concentration."

Dolzhikov came in. He was rubbing his neck with a towel.

"Papa, Monsieur Poloznev," said his daughter.

"Yes, yes, Blagovo was telling me," he turned briskly to me without

giving me his hand. "But listen, what can I give you? What sort of posts

have I got? You are a queer set of people!" he went on aloud in a tone

as though he were giving me a lecture. "A score of you keep coming to me

every day; you imagine I am the head of a department! I am constructing

a railway-line, my friends; I have employment for heavy labour: I need

mechanics, smiths, navvies, carpenters, well-sinkers, and none of you

can do anything but sit and write! You are all clerks."

Project Gutenberg Compilation of Short Stories by Chekhov · 第 141 / 212 段