"Unhappy!" said the doctor, with a smile of contempt. "Don't utter that

word, it does not concern you. The spendthrift who cannot raise a loan

calls himself unhappy, too. The capon, sluggish from over-feeding, is

unhappy, too. Worthless people!"

"Sir, you forget yourself," shrieked Abogin. "For saying things like

that . . . people are thrashed! Do you understand?"

Abogin hurriedly felt in his side pocket, pulled out a pocket-book, and

extracting two notes flung them on the table.

"Here is the fee for your visit," he said, his nostrils dilating. "You

are paid."

"How dare you offer me money?" shouted the doctor and he brushed the

notes off the table on to the floor. "An insult cannot be paid for in

money!"

Abogin and the doctor stood face to face, and in their wrath continued

flinging undeserved insults at each other. I believe that never in their

lives, even in delirium, had they uttered so much that was unjust,

cruel, and absurd. The egoism of the unhappy was conspicuous in both.

The unhappy are egoistic, spiteful, unjust, cruel, and less capable of

understanding each other than fools. Unhappiness does not bring people

together but draws them apart, and even where one would fancy people

should be united by the similarity of their sorrow, far more injustice

and cruelty is generated than in comparatively placid surroundings.

"Kindly let me go home!" shouted the doctor, breathing hard.

Abogin rang the bell sharply. When no one came to answer the bell he

rang again and angrily flung the bell on the floor; it fell on the

carpet with a muffled sound, and uttered a plaintive note as though at

the point of death. A footman came in.

"Where have you been hiding yourself, the devil take you?" His master

flew at him, clenching his fists. "Where were you just now? Go and tell

them to bring the victoria round for this gentleman, and order the

closed carriage to be got ready for me. Stay," he cried as the footman

turned to go out. "I won't have a single traitor in the house by to-

morrow! Away with you all! I will engage fresh servants! Reptiles!"

Abogin and the doctor remained in silence waiting for the carriage. The

first regained his expression of sleekness and his refined elegance. He

paced up and down the room, tossed his head elegantly, and was evidently

meditating on something. His anger had not cooled, but he tried to

appear not to notice his enemy. . . . The doctor stood, leaning with one

hand on the edge of the table, and looked at Abogin with that profound

and somewhat cynical, ugly contempt only to be found in the eyes of

sorrow and indigence when they are confronted with well-nourished

comfort and elegance.

When a little later the doctor got into the victoria and drove off there

was still a look of contempt in his eyes. It was dark, much darker than

it had been an hour before. The red half-moon had sunk behind the hill

and the clouds that had been guarding it lay in dark patches near the

stars. The carriage with red lamps rattled along the road and soon

overtook the doctor. It was Abogin driving off to protest, to do absurd

things. . . .

All the way home the doctor thought not of his wife, nor of his Andrey,

but of Abogin and the people in the house he had just left. His thoughts

were unjust and inhumanly cruel. He condemned Abogin and his wife and

Paptchinsky and all who lived in rosy, subdued light among sweet

perfumes, and all the way home he hated and despised them till his head

ached. And a firm conviction concerning those people took shape in his

mind.

Time will pass and Kirilov's sorrow will pass, but that conviction,

unjust and unworthy of the human heart, will not pass, but will remain

in the doctor's mind to the grave.

THE EXAMINING MAGISTRATE

A DISTRICT doctor and an examining magistrate were driving one fine

spring day to an inquest. The examining magistrate, a man of five and

thirty, looked dreamily at the horses and said:

"There is a great deal that is enigmatic and obscure in nature; and even

in everyday life, doctor, one must often come upon phenomena which are

absolutely incapable of explanation. I know, for instance, of several

strange, mysterious deaths, the cause of which only spiritualists and

mystics will undertake to explain; a clear-headed man can only lift up

his hands in perplexity. For example, I know of a highly cultured lady

who foretold her own death and died without any apparent reason on the

very day she had predicted. She said that she would die on a certain

day, and she did die."

"There's no effect without a cause," said the doctor. "If there's a

death there must be a cause for it. But as for predicting it there's

nothing very marvellous in that. All our ladies--all our females, in

fact--have a turn for prophecies and presentiments."

"Just so, but my lady, doctor, was quite a special case. There was

nothing like the ladies' or other females' presentiments about her

prediction and her death. She was a young woman, healthy and clever,

with no superstitions of any sort. She had such clear, intelligent,

honest eyes; an open, sensible face with a faint, typically Russian look

of mockery in her eyes and on her lips. There was nothing of the fine

lady or of the female about her, except--if you like-- her beauty! She was

graceful, elegant as that birch tree; she had wonderful hair. That she

may be intelligible to you, I will add, too, that she was a person of

the most infectious gaiety and carelessness and that intelligent, good

sort of frivolity which is only found in good-natured, light-hearted

people with brains. Can one talk of mysticism, spiritualism, a turn for

presentiment, or anything of that sort, in this case? She used to laugh

at all that."

The doctor's chaise stopped by a well. The examining magistrate and the

doctor drank some water, stretched, and waited for the coachman to

finish watering the horses.

"Well, what did the lady die of?" asked the doctor when the chaise was

rolling along the road again.

"She died in a strange way. One fine day her husband went in to her and

said that it wouldn't be amiss to sell their old coach before the spring

and to buy something rather newer and lighter instead, and that it might

be as well to change the left trace horse and to put Bobtchinsky (that

was the name of one of her husband's horses) in the shafts.

"His wife listened to him and said:

"'Do as you think best, but it makes no difference to me now. Before the

summer I shall be in the cemetery.'

"Her husband, of course, shrugged his shoulders and smiled.

"'I am not joking,' she said. 'I tell you in earnest that I shall soon

be dead.'

"'What do you mean by soon?'

"'Directly after my confinement. I shall bear my child and die.'

"The husband attached no significance to these words. He did not believe

in presentiments of any sort, and he knew that ladies in an interesting

condition are apt to be fanciful and to give way to gloomy ideas

generally. A day later his wife spoke to him again of dying immediately

after her confinement, and then every day she spoke of it and he laughed

and called her a silly woman, a fortune-teller, a crazy creature. Her

approaching death became an idée fixé with his wife. When her husband

would not listen to her she would go into the kitchen and talk of her

death to the nurse and the cook.

"'I haven't long to live now, nurse,' she would say. 'As soon as my

confinement is over I shall die. I did not want to die so early, but it

seems it's my fate.'

"The nurse and the cook were in tears, of course. Sometimes the priest's

wife or some lady from a neighbouring estate would come and see her and

she would take them aside and open her soul to them, always harping on

the same subject, her approaching death. She spoke gravely with an

unpleasant smile, even with an angry face which would not allow any

contradiction. She had been smart and fashionable in her dress, but now

in view of her approaching death she became slovenly; she did not read,

she did not laugh, she did not dream aloud. What was more she drove with

her aunt to the cemetery and selected a spot for her tomb. Five days

before her confinement she made her will. And all this, bear in mind,

was done in the best of health, without the faintest hint of illness or

danger. A confinement is a difficult affair and sometimes fatal, but in

the case of which I am telling you every indication was favourable, and

there was absolutely nothing to be afraid of. Her husband was sick of

the whole business at last. He lost his temper one day at dinner and

asked her:

"'Listen, Natasha, when is there going to be an end of this silliness?'

"'It's not silliness, I am in earnest.'

"'Nonsense, I advise you to give over being silly that you may not feel

ashamed of it afterwards.'

"Well, the confinement came. The husband got the very best midwife from

the town. It was his wife's first confinement, but it could not have

gone better. When it was all over she asked to look at her baby. She

looked at it and said:

"'Well, now I can die.'

"She said good-bye, shut her eyes, and half an hour later gave up her

soul to God. She was fully conscious up to the last moment. Anyway when

they gave her milk instead of water she whispered softly:

"'Why are you giving me milk instead of water?'

"So that is what happened. She died as she predicted."

The examining magistrate paused, gave a sigh and said:

"Come, explain why she died. I assure you on my honour, this is not

invented, it's a fact."

The doctor looked at the sky meditatively.

"You ought to have had an inquest on her," he said.

"Why?"

"Why, to find out the cause of her death. She didn't die because she had

predicted it. She poisoned herself most probably."

The examining magistrate turned quickly, facing the doctor, and screwing

up his eyes, asked:

"And from what do you conclude that she poisoned herself?"

"I don't conclude it, but I assume it. Was she on good terms with her

husband?"

"H'm, not altogether. There had been misunderstandings soon after their

marriage. There were unfortunate circumstances. She had found her

husband on one occasion with a lady. She soon forgave him however."

"And which came first, her husband's infidelity or her idea of dying?"

The examining magistrate looked attentively at the doctor as though he

were trying to imagine why he put that question.

"Excuse me," he said, not quite immediately. "Let me try and remember."

The examining magistrate took off his hat and rubbed his forehead. "Yes,

yes . . . it was very shortly after that incident that she began talking

of death. Yes, yes."

"Well, there, do you see? . . . In all probability it was at that time

that she made up her mind to poison herself, but, as most likely she did

not want to kill her child also, she put it off till after her

confinement."

"Not likely, not likely! . . . it's impossible. She forgave him at the

time."

"That she forgave it quickly means that she had something bad in her

mind. Young wives do not forgive quickly."

The examining magistrate gave a forced smile, and, to conceal his too

noticeable agitation, began lighting a cigarette.

"Not likely, not likely," he went on. "No notion of anything of the sort

being possible ever entered into my head. . . . And besides . . . he was

not so much to blame as it seems. . . . He was unfaithful to her in

rather a queer way, with no desire to be; he came home at night somewhat

elevated, wanted to make love to somebody, his wife was in an

interesting condition . . . then he came across a lady who had come to

stay for three days--damnation take her-- an empty-headed creature, silly

and not good-looking. It couldn't be reckoned as an infidelity. His wife

looked at it in that way herself and soon . . . forgave it. Nothing more

was said about it. . . ."

"People don't die without a reason," said the doctor.

"That is so, of course, but all the same . . . I cannot admit that she

poisoned herself. But it is strange that the idea has never struck me

before! And no one thought of it! Everyone was astonished that her

prediction had come to pass, and the idea . . . of such a death was far

from their mind. And indeed, it cannot be that she poisoned herself!

No!"

The examining magistrate pondered. The thought of the woman who had died

so strangely haunted him all through the inquest. As he noted down what

the doctor dictated to him he moved his eyebrows gloomily and rubbed his

forehead.

"And are there really poisons that kill one in a quarter of an hour,

gradually, without any pain?" he asked the doctor while the latter was

opening the skull.

"Yes, there are. Morphia for instance."

"H'm, strange. I remember she used to keep something of the sort . . . .

But it could hardly be."

On the way back the examining magistrate looked exhausted, he kept

nervously biting his moustache, and was unwilling to talk.

"Let us go a little way on foot," he said to the doctor. "I am tired of

sitting."

After walking about a hundred paces, the examining magistrate seemed to

the doctor to be overcome with fatigue, as though he had been climbing

up a high mountain. He stopped and, looking at the doctor with a strange

look in his eyes, as though he were drunk, said:

"My God, if your theory is correct, why it's. . . it was cruel, inhuman!

She poisoned herself to punish some one else! Why, was the sin so great?

Oh, my God! And why did you make me a present of this damnable idea,

doctor!"

The examining magistrate clutched at his head in despair, and went on:

"What I have told you was about my own wife, about myself. Oh, my God! I

was to blame, I wounded her, but can it have been easier to die than to

forgive? That's typical feminine logic--cruel, merciless logic. Oh, even

then when she was living she was cruel! I recall it all now! It's all

clear to me now!"

As the examining magistrate talked he shrugged his shoulders, then

clutched at his head. He got back into the carriage, then walked again.

The new idea the doctor had imparted to him seemed to have overwhelmed

him, to have poisoned him; he was distracted, shattered in body and

soul, and when he got back to the town he said good-bye to the doctor,

declining to stay to dinner though he had promised the doctor the

evening before to dine with him.

BETROTHED I

IT was ten o'clock in the evening and the full moon was shining over the

garden. In the Shumins' house an evening service celebrated at the

request of the grandmother, Marfa Mihalovna, was just over, and now

Nadya--she had gone into the garden for a minute--could see the table

being laid for supper in the dining-room, and her grandmother bustling

about in her gorgeous silk dress; Father Andrey, a chief priest of the

cathedral, was talking to Nadya's mother, Nina Ivanovna, and now in the

evening light through the window her mother for some reason looked very

young; Andrey Andreitch, Father Andrey's son, was standing by listening

attentively.

It was still and cool in the garden, and dark peaceful shadows lay on

the ground. There was a sound of frogs croaking, far, far away beyond

the town. There was a feeling of May, sweet May! One drew deep breaths

and longed to fancy that not here but far away under the sky, above the

trees, far away in the open country, in the fields and the woods, the

life of spring was unfolding now, mysterious, lovely, rich and holy

beyond the understanding of weak, sinful man. And for some reason one

wanted to cry.

She, Nadya, was already twenty-three. Ever since she was sixteen she had

been passionately dreaming of marriage and at last she was engaged to

Andrey Andreitch, the young man who was standing on the other side of

the window; she liked him, the wedding was already fixed for July 7, and

yet there was no joy in her heart, she was sleeping badly, her spirits

drooped. . . . She could hear from the open windows of the basement

where the kitchen was the hurrying servants, the clatter of knives, the

banging of the swing door; there was a smell of roast turkey and pickled

cherries, and for some reason it seemed to her that it would be like

that all her life, with no change, no end to it.

Some one came out of the house and stood on the steps; it was Alexandr

Timofeitch, or, as he was always called, Sasha, who had come from Moscow

ten days before and was staying with them. Years ago a distant relation

of the grandmother, a gentleman's widow called Marya Petrovna, a thin,

sickly little woman who had sunk into poverty, used to come to the house

to ask for assistance. She had a son Sasha. It used for some reason to

be said that he had talent as an artist, and when his mother died

Nadya's grandmother had, for the salvation of her soul, sent him to the

Komissarovsky school in Moscow; two years later he went into the school

of painting, spent nearly fifteen years there, and only just managed to

scrape through the leaving examination in the section of architecture.

He did not set up as an architect, however, but took a job at a

lithographer's. He used to come almost every year, usually very ill, to

stay with Nadya's grandmother to rest and recover.

He was wearing now a frock-coat buttoned up, and shabby canvas trousers,

crumpled into creases at the bottom. And his shirt had not been ironed

and he had somehow all over a look of not being fresh. He was very thin,

with big eyes, long thin fingers and a swarthy bearded face, and all the

same he was handsome. With the Shumins he was like one of the family,

and in their house felt he was at home. And the room in which he lived

when he was there had for years been called Sasha's room. Standing on

the steps he saw Nadya, and went up to her.

"It's nice here," he said.

"Of course it's nice, you ought to stay here till the autumn."

"Yes, I expect it will come to that. I dare say I shall stay with you

till September."

He laughed for no reason, and sat down beside her.

"I'm sitting gazing at mother," said Nadya. "She looks so young from

here! My mother has her weaknesses, of course," she added, after a

pause, "but still she is an exceptional woman."

"Yes, she is very nice . . ." Sasha agreed. "Your mother, in her own way

of course, is a very good and sweet woman, but . . . how shall I say? I

went early this morning into your kitchen and there I found four

servants sleeping on the floor, no bedsteads, and rags for bedding,

stench, bugs, beetles . . . it is just as it was twenty years ago, no

change at all. Well, Granny, God bless her, what else can you expect of

Granny? But your mother speaks French, you know, and acts in private

theatricals. One would think she might understand."

As Sasha talked, he used to stretch out two long wasted fingers before

the listener's face.

"It all seems somehow strange to me here, now I am out of the habit of

it," he went on. "There is no making it out. Nobody ever does anything.

Your mother spends the whole day walking about like a duchess, Granny

does nothing either, nor you either. And your Andrey Andreitch never

does anything either."

Nadya had heard this the year before and, she fancied, the year before

that too, and she knew that Sasha could not make any other criticism,

and in old days this had amused her, but now for some reason she felt

annoyed.

"That's all stale, and I have been sick of it for ages," she said and

got up. "You should think of something a little newer."

He laughed and got up too, and they went together toward the house. She,

tall, handsome, and well-made, beside him looked very healthy and

smartly dressed; she was conscious of this and felt sorry for him and

for some reason awkward.

"And you say a great deal you should not," she said. "You've just been

talking about my Andrey, but you see you don't know him."

"My Andrey. . . . Bother him, your Andrey. I am sorry for your youth."

They were already sitting down to supper as the young people went into

the dining-room. The grandmother, or Granny as she was called in the

household, a very stout, plain old lady with bushy eyebrows and a little

moustache, was talking loudly, and from her voice and manner of speaking

it could be seen that she was the person of most importance in the

house. She owned rows of shops in the market, and the old-fashioned

house with columns and the garden, yet she prayed every morning that God

might save her from ruin and shed tears as she did so. Her daughter-in-

law, Nadya's mother, Nina Ivanovna, a fair-haired woman tightly laced

in, with a pince-nez, and diamonds on every finger, Father Andrey, a

lean, toothless old man whose face always looked as though he were just

going to say something amusing, and his son, Andrey Andreitch, a stout

and handsome young man with curly hair looking like an artist or an

actor, were all talking of hypnotism.

"You will get well in a week here," said Granny, addressing Sasha. "Only

you must eat more. What do you look like!" she sighed. "You are really

dreadful! You are a regular prodigal son, that is what you are."

"After wasting his father's substance in riotous living," said Father

Andrey slowly, with laughing eyes. "He fed with senseless beasts."

"I like my dad," said Andrey Andreitch, touching his father on the

shoulder. "He is a splendid old fellow, a dear old fellow."

Everyone was silent for a space. Sasha suddenly burst out laughing and

put his dinner napkin to his mouth.

"So you believe in hypnotism?" said Father Andrey to Nina Ivanovna.

"I cannot, of course, assert that I believe," answered Nina Ivanovna,

assuming a very serious, even severe, expression; "but I must own that

there is much that is mysterious and incomprehensible in nature."

"I quite agree with you, though I must add that religion distinctly

curtails for us the domain of the mysterious."

A big and very fat turkey was served. Father Andrey and Nina Ivanovna

went on with their conversation. Nina Ivanovna's diamonds glittered on

her fingers, then tears began to glitter in her eyes, she grew excited.

"Though I cannot venture to argue with you," she said, "you must admit

there are so many insoluble riddles in life!"

"Not one, I assure you."

After supper Andrey Andreitch played the fiddle and Nina Ivanovna

accompanied him on the piano. Ten years before he had taken his degree

at the university in the Faculty of Arts, but had never held any post,

had no definite work, and only from time to time took part in concerts

for charitable objects; and in the town he was regarded as a musician.

Andrey Andreitch played; they all listened in silence. The samovar was

boiling quietly on the table and no one but Sasha was drinking tea. Then

when it struck twelve a violin string suddenly broke; everyone laughed,

bustled about, and began saying good-bye.

After seeing her fiancé out, Nadya went upstairs where she and her

mother had their rooms (the lower storey was occupied by the

grandmother). They began putting the lights out below in the dining-

room, while Sasha still sat on drinking tea. He always spent a long time

over tea in the Moscow style, drinking as much as seven glasses at a

time. For a long time after Nadya had undressed and gone to bed she

could hear the servants clearing away downstairs and Granny talking

angrily. At last everything was hushed, and nothing could be heard but

Sasha from time to time coughing on a bass note in his room below. II

When Nadya woke up it must have been two o'clock, it was beginning to

get light. A watchman was tapping somewhere far away. She was not

sleepy, and her bed felt very soft and uncomfortable. Nadya sat up in

her bed and fell to thinking as she had done every night in May. Her

thoughts were the same as they had been the night before, useless,

persistent thoughts, always alike, of how Andrey Andreitch had begun

courting her and had made her an offer, how she had accepted him and

then little by little had come to appreciate the kindly, intelligent

man. But for some reason now when there was hardly a month left before

the wedding, she began to feel dread and uneasiness as though something

vague and oppressive were before her.

"Tick-tock, tick-tock . . ." the watchman tapped lazily. ". . . Tick-

tock."

Through the big old-fashioned window she could see the garden and at a

little distance bushes of lilac in full flower, drowsy and lifeless from

the cold; and the thick white mist was floating softly up to the lilac,

trying to cover it. Drowsy rooks were cawing in the far-away trees.

"My God, why is my heart so heavy?"

Perhaps every girl felt the same before her wedding. There was no

knowing! Or was it Sasha's influence? But for several years past Sasha

had been repeating the same thing, like a copybook, and when he talked

he seemed naïve and queer. But why was it she could not get Sasha out

of her head? Why was it?

Project Gutenberg Compilation of Short Stories by Chekhov · 第 17 / 212 段