"You can't judge by the standards of to-day, Boris Petrovitch; that's

how we look at it now, but at the time we thought very differently. . .

. Now maybe I'd give her a thousand roubles, but then even that ten-

rouble note I did not give her for nothing. It was a bad business! . . .

We must forget it. . . . But here we are. . . ."

The sledge stopped at the cemetery gates. Uzelkov and Shapkin got out of

the sledge, went in at the gate, and walked up a long, broad avenue. The

bare cherry-trees and acacias, the grey crosses and tombstones, were

silvered with hoar-frost, every little grain of snow reflected the

bright, sunny day. There was the smell there always is in cemeteries,

the smell of incense and freshly dug earth. . . .

"Our cemetery is a pretty one," said Uzelkov, "quite a garden!"

"Yes, but it is a pity thieves steal the tombstones. . . . And over

there, beyond that iron monument on the right, Sofya Mihailovna is

buried. Would you like to see?"

The friends turned to the right and walked through the deep snow to the

iron monument.

"Here it is," said Shapkin, pointing to a little slab of white marble.

"A lieutenant put the stone on her grave."

Uzelkov slowly took off his cap and exposed his bald head to the sun.

Shapkin, looking at him, took off his cap too, and another bald patch

gleamed in the sunlight. There was the stillness of the tomb all around

as though the air, too, were dead. The friends looked at the grave,

pondered, and said nothing.

"She sleeps in peace," said Shapkin, breaking the silence. "It's nothing

to her now that she took the blame on herself and drank brandy. You must

own, Boris Petrovitch . . . ."

"Own what?" Uzelkov asked gloomily.

"Why. . . . However hateful the past, it was better than this."

And Shapkin pointed to his grey head.

"I used not to think of the hour of death. . . . I fancied I could have

given death points and won the game if we had had an encounter; but now.

. . . But what's the good of talking!"

Uzelkov was overcome with melancholy. He suddenly had a passionate

longing to weep, as once he had longed for love, and he felt those tears

would have tasted sweet and refreshing. A moisture came into his eyes

and there was a lump in his throat, but . . . Shapkin was standing

beside him and Uzelkov was ashamed to show weakness before a witness. He

turned back abruptly and went into the church.

Only two hours later, after talking to the churchwarden and looking over

the church, he seized a moment when Shapkin was in conversation with the

priest and hastened away to weep. . . . He stole up to the grave

secretly, furtively, looking round him every minute. The little white

slab looked at him pensively, mournfully, and innocently as though a

little girl lay under it instead of a dissolute, divorced wife.

"To weep, to weep!" thought Uzelkov.

But the moment for tears had been missed; though the old man blinked

his eyes, though he worked up his feelings, the tears did not flow nor

the lump come in his throat. After standing for ten minutes, with a

gesture of despair, Uzelkov went to look for Shapkin.

DARKNESS

A YOUNG peasant, with white eyebrows and eyelashes and broad cheekbones,

in a torn sheepskin and big black felt overboots, waited till the

Zemstvo doctor had finished seeing his patients and came out to go home

from the hospital; then he went up to him, diffidently.

"Please, your honour," he said.

"What do you want?"

The young man passed the palm of his hand up and over his nose, looked

at the sky, and then answered:

"Please, your honour. . . . You've got my brother Vaska the blacksmith

from Varvarino in the convict ward here, your honour. . . ."

"Yes, what then?"

"I am Vaska's brother, you see. . . . Father has the two of us: him,

Vaska, and me, Kirila; besides us there are three sisters, and Vaska's a

married man with a little one. . . . There are a lot of us and no one to

work. . . . In the smithy it's nearly two years now since the forge has

been heated. I am at the cotton factory, I can't do smith's work, and

how can father work? Let alone work, he can't eat properly, he can't

lift the spoon to his mouth."

"What do you want from me?"

"Be merciful! Let Vaska go!"

The doctor looked wonderingly at Kirila, and without saying a word

walked on. The young peasant ran on in front and flung himself in a heap

at his feet.

"Doctor, kind gentleman!" he besought him, blinking and again passing

his open hand over his nose. "Show heavenly mercy; let Vaska go home! We

shall remember you in our prayers for ever! Your honour, let him go!

They are all starving! Mother's wailing day in, day out, Vaska's wife's

wailing . . . it's worse than death! I don't care to look upon the light

of day. Be merciful; let him go, kind gentleman!"

"Are you stupid or out of your senses?" asked the doctor angrily. "How

can I let him go? Why, he is a convict."

Kirila began crying. "Let him go!"

"Tfoo, queer fellow! What right have I? Am I a gaoler or what? They

brought him to the hospital for me to treat him, but I have as much

right to let him out as I have to put you in prison, silly fellow!"

"But they have shut him up for nothing! He was in prison a year before

the trial, and now there is no saying what he is there for. It would

have been a different thing if he had murdered someone, let us say, or

stolen horses; but as it is, what is it all about?"

"Very likely, but how do I come in?"

"They shut a man up and they don't know themselves what for. He was

drunk, your honour, did not know what he was doing, and even hit father

on the ear and scratched his own cheek on a branch, and two of our

fellows--they wanted some Turkish tobacco, you see-began telling him to

go with them and break into the Armenian's shop at night for tobacco.

Being drunk, he obeyed them, the fool. They broke the lock, you know,

got in, and did no end of mischief; they turned everything upside down,

broke the windows, and scattered the flour about. They were drunk, that

is all one can say! Well, the constable turned up . . . and with one

thing and another they took them off to the magistrate. They have been a

whole year in prison, and a week ago, on the Wednesday, they were all

three tried in the town. A soldier stood behind them with a gun . . .

people were sworn in. Vaska was less to blame than any, but the gentry

decided that he was the ringleader. The other two lads were sent to

prison, but Vaska to a convict battalion for three years. And what for?

One should judge like a Christian!"

"I have nothing to do with it, I tell you again. Go to the authorities."

"I have been already! I've been to the court; I have tried to send in a

petition--they wouldn't take a petition; I have been to the police

captain, and I have been to the examining magistrate, and everyone says,

'It is not my business!' Whose business is it, then? But there is no one

above you here in the hospital; you do what you like, your honour."

"You simpleton," sighed the doctor, "once the jury have found him

guilty, not the governor, not even the minister, could do anything, let

alone the police captain. It's no good your trying to do anything!"

"And who judged him, then?"

"The gentlemen of the jury. . . ."

"They weren't gentlemen, they were our peasants! Andrey Guryev was one;

Aloshka Huk was one."

"Well, I am cold talking to you. . . ."

The doctor waved his hand and walked quickly to his own door. Kirila was

on the point of following him, but, seeing the door slam, he stopped.

For ten minutes he stood motionless in the middle of the hospital yard,

and without putting on his cap stared at the doctor's house, then he

heaved a deep sigh, slowly scratched himself, and walked towards the

gate.

"To whom am I to go?" he muttered as he came out on to the road. "One

says it is not his business, another says it is not his business. Whose

business is it, then? No, till you grease their hands you will get

nothing out of them. The doctor says that, but he keeps looking all the

while at my fist to see whether I am going to give him a blue note.

Well, brother, I'll go, if it has to be to the governor."

Shifting from one foot to the other and continually looking round him in

an objectless way, he trudged lazily along the road and was apparently

wondering where to go. . . . It was not cold and the snow faintly

crunched under his feet. Not more than half a mile in front of him the

wretched little district town in which his brother had just been tried

lay outstretched on the hill. On the right was the dark prison with its

red roof and sentry-boxes at the corners; on the left was the big town

copse, now covered with hoar-frost. It was still; only an old man,

wearing a woman's short jacket and a huge cap, was walking ahead,

coughing and shouting to a cow which he was driving to the town.

"Good-day, grandfather," said Kirila, overtaking him.

"Good-day. . . ."

"Are you driving it to the market?"

"No," the old man answered lazily.

"Are you a townsman?"

They got into conversation; Kirila told him what he had come to the

hospital for, and what he had been talking about to the doctor.

"The doctor does not know anything about such matters, that is a sure

thing," the old man said to him as they were both entering the town;

"though he is a gentleman, he is only taught to cure by every means, but

to give you real advice, or, let us say, write out a petition for

you--that he cannot do. There are special authorities to do that. You

have been to the justice of the peace and to the police captain--they are

no good for your business either."

"Where am I to go?"

"The permanent member of the rural board is the chief person for

peasants' affairs. Go to him, Mr. Sineokov."

"The one who is at Zolotovo?"

"Why, yes, at Zolotovo. He is your chief man. If it is anything that has

to do with you peasants even the police captain has no authority against

him."

"It's a long way to go, old man. . . . I dare say it's twelve miles and

may be more."

"One who needs something will go seventy."

"That is so. . . . Should I send in a petition to him, or what?"

"You will find out there. If you should have a petition the clerk will

write you one quick enough. The permanent member has a clerk."

After parting from the old man Kirila stood still in the middle of the

square, thought a little, and walked back out of the town. He made up

his mind to go to Zolotovo.

Five days later, as the doctor was on his way home after seeing his

patients, he caught sight of Kirila again in his yard. This time the

young peasant was not alone, but with a gaunt, very pale old man who

nodded his head without ceasing, like a pendulum, and mumbled with his

lips.

"Your honour, I have come again to ask your gracious mercy," began

Kirila. "Here I have come with my father. Be merciful, let Vaska go! The

permanent member would not talk to me. He said: 'Go away!'"

"Your honour," the old man hissed in his throat, raising his twitching

eyebrows, "be merciful! We are poor people, we cannot repay your honour,

but if you graciously please, Kiryushka or Vaska can repay you in work.

Let them work."

"We will pay with work," said Kirila, and he raised his hand above his

head as though he would take an oath. "Let him go! They are starving,

they are crying day and night, your honour!"

The young peasant bent a rapid glance on his father, pulled him by the

sleeve, and both of them, as at the word of command, fell at the

doctor's feet. The latter waved his hand in despair, and, without

looking round, walked quickly in at his door.

THE BEGGAR

"KIND sir, be so good as to notice a poor, hungry man. I have not tasted

food for three days. I have not a five-kopeck piece for a night's

lodging. I swear by God! For five years I was a village schoolmaster and

lost my post through the intrigues of the Zemstvo. I was the victim of

false witness. I have been out of a place for a year now."

Skvortsov, a Petersburg lawyer, looked at the speaker's tattered dark

blue overcoat, at his muddy, drunken eyes, at the red patches on his

cheeks, and it seemed to him that he had seen the man before.

"And now I am offered a post in the Kaluga province," the beggar

continued, "but I have not the means for the journey there. Graciously

help me! I am ashamed to ask, but . . . I am compelled by

circumstances."

Skvortsov looked at his goloshes, of which one was shallow like a shoe,

while the other came high up the leg like a boot, and suddenly

remembered.

"Listen, the day before yesterday I met you in Sadovoy Street," he said,

"and then you told me, not that you were a village schoolmaster, but

that you were a student who had been expelled. Do you remember?"

"N-o. No, that cannot be so!" the beggar muttered in confusion. "I am a

village schoolmaster, and if you wish it I can show you documents to

prove it."

"That's enough lies! You called yourself a student, and even told me

what you were expelled for. Do you remember?"

Skvortsov flushed, and with a look of disgust on his face turned away

from the ragged figure.

"It's contemptible, sir!" he cried angrily. "It's a swindle! I'll hand

you over to the police, damn you! You are poor and hungry, but that does

not give you the right to lie so shamelessly!"

The ragged figure took hold of the door-handle and, like a bird in a

snare, looked round the hall desperately.

"I . . . I am not lying," he muttered. "I can show documents."

"Who can believe you?" Skvortsov went on, still indignant. "To exploit

the sympathy of the public for village schoolmasters and students--it's

so low, so mean, so dirty! It's revolting!"

Skvortsov flew into a rage and gave the beggar a merciless scolding. The

ragged fellow's insolent lying aroused his disgust and aversion, was an

offence against what he, Skvortsov, loved and prized in himself:

kindliness, a feeling heart, sympathy for the unhappy. By his lying, by

his treacherous assault upon compassion, the individual had, as it were,

defiled the charity which he liked to give to the poor with no

misgivings in his heart. The beggar at first defended himself, protested

with oaths, then he sank into silence and hung his head, overcome with

shame.

"Sir!" he said, laying his hand on his heart, "I really was . . . lying!

I am not a student and not a village schoolmaster. All that's mere

invention! I used to be in the Russian choir, and I was turned out of it

for drunkenness. But what can I do? Believe me, in God's name, I can't

get on without lying--when I tell the truth no one will give me anything.

With the truth one may die of hunger and freeze without a night's

lodging! What you say is true, I understand that, but . . . what am I to

do?"

"What are you to do? You ask what are you to do?" cried Skvortsov, going

close up to him. "Work--that's what you must do! You must work!"

"Work. . . . I know that myself, but where can I get work?"

"Nonsense. You are young, strong, and healthy, and could always find

work if you wanted to. But you know you are lazy, pampered, drunken! You

reek of vodka like a pothouse! You have become false and corrupt to the

marrow of your bones and fit for nothing but begging and lying! If you

do graciously condescend to take work, you must have a job in an office,

in the Russian choir, or as a billiard-marker, where you will have a

salary and have nothing to do! But how would you like to undertake

manual labour? I'll be bound, you wouldn't be a house porter or a

factory hand! You are too genteel for that!"

"What things you say, really . . ." said the beggar, and he gave a

bitter smile. "How can I get manual work? It's rather late for me to be

a shopman, for in trade one has to begin from a boy; no one would take

me as a house porter, because I am not of that class . . . . And I could

not get work in a factory; one must know a trade, and I know nothing."

"Nonsense! You always find some justification! Wouldn't you like to chop

wood?"

"I would not refuse to, but the regular woodchoppers are out of work

now."

"Oh, all idlers argue like that! As soon as you are offered anything you

refuse it. Would you care to chop wood for me?"

"Certainly I will. . ."

"Very good, we shall see. . . . Excellent. We'll see!" Skvortsov, in

nervous haste; and not without malignant pleasure, rubbing his hands,

summoned his cook from the kitchen.

"Here, Olga," he said to her, "take this gentleman to the shed and let

him chop some wood."

The beggar shrugged his shoulders as though puzzled, and irresolutely

followed the cook. It was evident from his demeanour that he had

consented to go and chop wood, not because he was hungry and wanted to

earn money, but simply from shame and amour propre, because he had been

taken at his word. It was clear, too, that he was suffering from the

effects of vodka, that he was unwell, and felt not the faintest

inclination to work.

Skvortsov hurried into the dining-room. There from the window which

looked out into the yard he could see the woodshed and everything that

happened in the yard. Standing at the window, Skvortsov saw the cook and

the beggar come by the back way into the yard and go through the muddy

snow to the woodshed. Olga scrutinized her companion angrily, and

jerking her elbow unlocked the woodshed and angrily banged the door

open.

"Most likely we interrupted the woman drinking her coffee," thought

Skvortsov. "What a cross creature she is!"

Then he saw the pseudo-schoolmaster and pseudo-student seat himself on a

block of wood, and, leaning his red cheeks upon his fists, sink into

thought. The cook flung an axe at his feet, spat angrily on the ground,

and, judging by the expression of her lips, began abusing him. The

beggar drew a log of wood towards him irresolutely, set it up between

his feet, and diffidently drew the axe across it. The log toppled and

fell over. The beggar drew it towards him, breathed on his frozen hands,

and again drew the axe along it as cautiously as though he were afraid

of its hitting his golosh or chopping off his fingers. The log fell over

again.

Skvortsov's wrath had passed off by now, he felt sore and ashamed at the

thought that he had forced a pampered, drunken, and perhaps sick man to

do hard, rough work in the cold.

"Never mind, let him go on . . ." he thought, going from the dining-room

into his study. "I am doing it for his good!"

An hour later Olga appeared and announced that the wood had been chopped

up.

"Here, give him half a rouble," said Skvortsov. "If he likes, let him

come and chop wood on the first of every month. . . . There will always

be work for him."

On the first of the month the beggar turned up and again earned half a

rouble, though he could hardly stand. From that time forward he took to

turning up frequently, and work was always found for him: sometimes he

would sweep the snow into heaps, or clear up the shed, at another he

used to beat the rugs and the mattresses. He always received thirty to

forty kopecks for his work, and on one occasion an old pair of trousers

was sent out to him.

When he moved, Skvortsov engaged him to assist in packing and moving the

furniture. On this occasion the beggar was sober, gloomy, and silent; he

scarcely touched the furniture, walked with hanging head behind the

furniture vans, and did not even try to appear busy; he merely shivered

with the cold, and was overcome with confusion when the men with the

vans laughed at his idleness, feebleness, and ragged coat that had once

been a gentleman's. After the removal Skvortsov sent for him.

"Well, I see my words have had an effect upon you," he said, giving him

a rouble. "This is for your work. I see that you are sober and not

disinclined to work. What is your name?"

"Lushkov."

"I can offer you better work, not so rough, Lushkov. Can you write?"

"Yes, sir."

"Then go with this note to-morrow to my colleague and he will give you

some copying to do. Work, don't drink, and don't forget what I said to

you. Good-bye."

Skvortsov, pleased that he had put a man in the path of rectitude,

patted Lushkov genially on the shoulder, and even shook hands with him

at parting.

Lushkov took the letter, departed, and from that time forward did not

come to the back-yard for work.

Two years passed. One day as Skvortsov was standing at the ticket-office

of a theatre, paying for his ticket, he saw beside him a little man with

a lambskin collar and a shabby cat's-skin cap. The man timidly asked the

clerk for a gallery ticket and paid for it with kopecks.

"Lushkov, is it you?" asked Skvortsov, recognizing in the little man his

former woodchopper. "Well, what are you doing? Are you getting on all

right?"

"Pretty well. . . . I am in a notary's office now. I earn thirty-five

roubles."

"Well, thank God, that's capital. I rejoice for you. I am very, very

glad, Lushkov. You know, in a way, you are my godson. It was I who

shoved you into the right way. Do you remember what a scolding I gave

you, eh? You almost sank through the floor that time. Well, thank you,

my dear fellow, for remembering my words."

"Thank you too," said Lushkov. "If I had not come to you that day, maybe

I should be calling myself a schoolmaster or a student still. Yes, in

your house I was saved, and climbed out of the pit."

"I am very, very glad."

"Thank you for your kind words and deeds. What you said that day was

excellent. I am grateful to you and to your cook, God bless that kind,

noble-hearted woman. What you said that day was excellent; I am indebted

to you as long as I live, of course, but it was your cook, Olga, who

really saved me."

"How was that?"

"Why, it was like this. I used to come to you to chop wood and she would

begin: 'Ah, you drunkard! You God-forsaken man! And yet death does not

take you!' and then she would sit opposite me, lamenting, looking into

my face and wailing: 'You unlucky fellow! You have no gladness in this

world, and in the next you will burn in hell, poor drunkard! You poor

sorrowful creature!' and she always went on in that style, you know. How

often she upset herself, and how many tears she shed over me I can't

tell you. But what affected me most--she chopped the wood for me! Do you

know, sir, I never chopped a single log for you--she did it all! How it

was she saved me, how it was I changed, looking at her, and gave up

drinking, I can't explain. I only know that what she said and the noble

way she behaved brought about a change in my soul, and I shall never

forget it. It's time to go up, though, they are just going to ring the

bell."

Lushkov bowed and went off to the gallery.

A STORY WITHOUT A TITLE

IN the fifth century, just as now, the sun rose every morning and every

evening retired to rest. In the morning, when the first rays kissed the

dew, the earth revived, the air was filled with the sounds of rapture

and hope; while in the evening the same earth subsided into silence and

plunged into gloomy darkness. One day was like another, one night like

another. From time to time a storm-cloud raced up and there was the

angry rumble of thunder, or a negligent star fell out of the sky, or a

pale monk ran to tell the brotherhood that not far from the monastery he

had seen a tiger--and that was all, and then each day was like the next.

The monks worked and prayed, and their Father Superior played on the

organ, made Latin verses, and wrote music. The wonderful old man

possessed an extraordinary gift. He played on the organ with such art

that even the oldest monks, whose hearing had grown somewhat dull

towards the end of their lives, could not restrain their tears when the

sounds of the organ floated from his cell. When he spoke of anything,

even of the most ordinary things--for instance of the trees, of the wild

beasts, or of the sea--they could not listen to him without a smile or

tears, and it seemed that the same chords vibrated in his soul as in the

organ. If he were moved to anger or abandoned himself to intense joy, or

began speaking of something terrible or grand, then a passionate

inspiration took possession of him, tears came into his flashing eyes,

his face flushed, and his voice thundered, and as the monks listened to

him they felt that their souls were spell-bound by his inspiration; at

such marvellous, splendid moments his power over them was boundless, and

if he had bidden his elders fling themselves into the sea, they would

all, every one of them, have hastened to carry out his wishes.

His music, his voice, his poetry in which he glorified God, the heavens

and the earth, were a continual source of joy to the monks. It sometimes

happened that through the monotony of their lives they grew weary of the

trees, the flowers, the spring, the autumn, their ears were tired of the

sound of the sea, and the song of the birds seemed tedious to them, but

the talents of their Father Superior were as necessary to them as their

daily bread.

Project Gutenberg Compilation of Short Stories by Chekhov · 第 9 / 212 段