CHAPTER I

PEEPS AT

INDUSTRIES

RUBBER

PEEPS AT INDUSTRIES

EACH VOLUME CONTAINING 24 PAGES

OF ILLUSTRATIONS FROM PHOTOGRAPHS

Large Crown 8vo., Cloth, Picture Cover

SUGAR

“Miss Browne ... gives a singularly full and an exceedingly interesting

account of the cultivation of the sugar-cane and the sugar-beet in

various countries of the world. This is followed by a lucid account of

the making, the exporting, and the refining of sugar.... Twenty-six

instructive photographs, excellently reproduced, embellish and add

value to the book.”--_Educational News._

“This first volume is certainly a happy beginning. Miss Browne writes

from first-hand knowledge, and she describes the life of the sugar from

the Demerara plantations to the tea-table. The illustrations add to the

charm of the work.”--_Manchester Courier._

RUBBER

“It is interestingly written, free from technicalities, and excellently

illustrated. Those who wish for a 'peep’ at this all-important

industry--which, in spite of ever-recurring discoveries of 'artificial

rubber,’ is likely to continue all-important--cannot do better than

read this little book.”--_Morning Post._

“The twenty-four excellent illustrations add considerably to the

value of the book, which is heartily recommended to anyone desiring a

non-technical account of rubber production”--_Nature._

TEA

“It would be difficult to produce a more comprehensive or more

charmingly interesting story of a world’s great commodity. The work

is a result of experience, observation, information, and illustration

obtained on the spot, and, as such, is remarkable value at the

price.”--_Schoolmaster._

“An interesting little book ... the author has introduced the minimum

of technicalities, and gives the maximum of information.”--_Educational

News._

COCOA

(IN PREPARATION)

PUBLISHED BY A. AND C. BLACK, LTD., 4, 5 AND 6 SOHO SQUARE, LONDON, W. 1.

AGENTS

America THE MACMILLAN COMPANY

64 & 66 Fifth Avenue, NEW YORK

Australasia OXFORD UNIVERSITY PRESS

205 Flinders Lane, MELBOURNE

Canada THE MACMILLAN COMPANY OF CANADA. LTD

St. Martin’s House, 70 Bond Street, TORONTO

India MACMILLAN AND COMPANY, LTD

Macmillan Building, BOMBAY

309 Bow Bazaar Street, CALCUTTA

[Illustration: SMOKING WILD RUBBER ON A PADDLE IN THE BRAZILIAN FOREST.

_Page 26_

_By permission of the Director of the Museum, Para_]

[Illustration]

PEEPS AT INDUSTRIES

RUBBER

BY

EDITH A. BROWNE, F.R.G.S.

CONTAINING

SIXTEEN PAGES OF ILLUSTRATIONS

FROM PHOTOGRAPHS

SECOND EDITION

A. & C. BLACK, LTD.

4, 5 & 6 SOHO SQUARE, LONDON, W. 1

1920

_First Edition published May, 1912_

_Printed in Great Britain._

NOTE

It is astonishing how ignorant is the world as a whole of the great

industries which maintain our oft-boasted civilization, and it is

ignorance of this character which this series of books aims to dispel.

Produced on the same lines as the “Peeps at Many Lands” series, which

has met with such remarkable success, these books will bring the reader

into a complete understanding of all the great industries of the

British Empire and the world at large. Technicalities being avoided,

there are no impedimenta in the way of easy assimilation of the story

and the romance of great manufactures. The reader is taken into the

atmosphere and confronted with the stern realities of each industry,

and when he has laid down the book he will find he has another window

in his house to let in the sunshine of knowledge.

Each of the three volumes already issued, concerned respectively with

tea, sugar, and rubber, has been promoted to a second edition. Such

a reception has encouraged the belief that there is a wide sphere

of usefulness, and power of pleasure-giving, for a series of Peeps

at Industries written from first-hand knowledge. The next book in

the series, now in course of preparation, will deal with cocoa, and

similarly will be a collection of experience, observation, information,

and pictures harvested “on the spot.”

CONTENTS

CHAPTER PAGE

I. THE ROMANCE OF RUBBER 1

II. THE ROMANCE OF RUBBER (_continued_) 6

III. THE HISTORY OF RUBBER 10

IV. WE VISIT A SERINGAL 17

V. WE GO WITH A SERINGUEIRO ON HIS ROUND 21

VI. MAKING PARA RUBBER IN THE FOREST 26

VII. DIFFERENT KINDS OF WILD RUBBER 29

VIII. DIFFERENT KINDS OF WILD RUBBER (_continued_) 33

IX. DIFFERENT KINDS OF WILD RUBBER (_continued_) 37

X. KINDRED PRODUCTS TO RUBBER 41

XI. THE STORY OF PLANTATION RUBBER 49

XII. HISTORIC DEVELOPMENTS 56

XIII. THE RUBBER BOOM 60

XIV. WILD RUBBER _v._ PLANTATION RUBBER 64

XV. MAKING A RUBBER PLANTATION 69

XVI. LIFE ON A RUBBER PLANTATION 74

XVII. WE VISIT A RAW-RUBBER FACTORY 80

XVIII. RUBBER GOODS 84

LIST OF ILLUSTRATIONS

1. SMOKING WILD RUBBER ON A PADDLE IN THE BRAZILIAN FOREST

_Frontispiece_

FACING PAGE

2. TAPPING THE WILD RUBBER-TREES IN THE FOREST NEAR PARA,

BRAZIL 17

3. A BALATA BLEEDERS’ CAMP 24

4. NATIVE COAGULATING JELUTONG 33

5. TAPPING A RUBBER-VINE, BELGIAN CONGO 40

6. (1) TAPPING RUBBER-VINE; (2) EXTRACTING GUTTA-PERCHA, NEW

GUINEA 43

7. BALATA BLEEDERS LEAVING SPROSTONS’ STELLING AT ROCKSTONE,

BRITISH GUIANA 46

8. (1) CEARA RUBBER-TREE IN CEYLON; (2) PARA RUBBER-TREES,

TWENTY-SEVEN MONTHS OLD, CEYLON 57

9. (1) WEEDING YOUNG RUBBER IN MALAYA; (2) LOADING RUBBER IN

MALAYA 64

10. (1) PARA RUBBER SEEDS AND PODS; (2) TAMIL COOLIE PLANTING

RUBBER 67

11. CARRYING LATEX TO FACTORY, IN MALAYA 70

12. TAMIL WOMAN TAPPING RUBBER-TREE UNDER SUPERVISION OF A

KANGANY, ON A CEYLON ESTATE 81

13. MAKING RUBBER BISCUITS 83

14. MAKING CRÊPE RUBBER ON A CEYLON ESTATE 86

15. SAMPLING BOLIVIAN RUBBER AT BULL WHARF, LONDON 88

16. TAKING LATEX TO THE FACTORY BY BULLOCK-CART IN MALAYA 76

RUBBER

CHAPTER I

THE ROMANCE OF RUBBER

There is a wish that has so taken possession of us that it is

beginning to make our hearts ache. Happily, we are living in the

everything-is-possible days of Once Upon a Time. Directly that wish

begins seriously to worry us, Mother Witch realizes that here is a case

in which her services are needed, and forthwith she hurries to our

midst to see what she can do to make us happy and content.

“Carry us away on your broomstick,” we beg, “to some new land, where

we can see people using something which we know nothing whatever about

at present, but which will one day bring to pass a great revolution

throughout the whole wide world.”

Says Mother Witch:

“You civilized mortals have yet so many lands to discover, so much

to learn from the folk who dwell therein. I could take you to many

a strange country where you would see the mere savage turning the

simplest of Nature’s gifts to marvellous account. Some day more

extraordinary uses will be found for these same things by the only kind

of people you think clever. But when that day dawns, such things will

soon become common, and their power of usefulness will quickly come

to be taken as a matter of course. In this way is all wonder being

banished from the earth by the civilization you’re so pleased to call

wise. But I’m not here to preach to you. Come, I will take you to a

country where everything is yet as Dame Nature made it. It is a country

full of possibilities, abounding in natural wonders whose discovery may

create many and many a mighty change in the everyday life of the world

at large. More than this, I will promise you nothing. You shall see

what you see. Let us away.”

We are whisked across the sea. At length we are hovering over a

seemingly boundless forest, which appears to defy even a single ray

of light to pry into its secrets. As we get nearer to the treetops,

we notice that parts of the country beneath us are open to the sky.

A river, inset with islands and sandbanks, completely severs the

forest; a goodly number of streams fight their way into it on either

side, now boiling with rage as their passage is interfered with by a

stubborn array of rocks, now dashing headlong over a sheer precipice,

now corkscrewing a long way round to avoid impenetrable barriers;

and, in addition to the breaches made in the forest fortress by these

waters, there are patches of grassland openly rejoicing in the sun.

Mother Witch assures us that in parts of its course the chief river is

five, ten, or even as much as fifteen miles wide; that the sandbanks

and islands we see in it are of enormous size; that the patches of

grassland cover acres and acres of ground. Of course, she knows what

she is talking about, so, in accepting her word about the size of the

openings, we are better able to realize the immensity of the mass.

For, in a bird’s-eye view, all the features of a landscape are seen in

proportion; and as we look from aloft at this country we have come to

visit, the outstanding feature is a wilderness which Nature designed as

a citadel wherein she could reign supreme, and which, since the days of

the Great Beginning of all things, she has fortified against any human

desire to interfere with her own imagination and power of achievement.

We drop to earth in this country, landing in the heart of the

forest. Now there is no trace of an outlet to be seen. Surely we are

prisoners--but which of us, at this moment, would care to escape,

even were we shown a way? In the wildest revels of dreamland we

have never beheld anything so luxuriously beautiful as the scene of

reality which now surrounds us. Multitudes of giant trees burst the

bonds of thickly tangled undergrowth, only to be fettered again up to

their very summits, a hundred feet or more above our heads, by the

endless twistings and turnings of gnarled vines and stout-stemmed

creepers. Clinging to the trees are choice orchids, weird in form

and fantastic of colour; the dense undergrowth of browns and greens

is thickly patterned with brilliant blooms; from the rich overgrowth

hang vivid-hued floral streamers and festoons; gaily plumed birds are

roosting amidst deepest shadows; bright blue butterflies are holding

carnival in odd spots, whither stray rays of the blazing sun have been

able to penetrate through chinks in the leaf-thatched, flower-strewn

vault.

Evidently there are people living within these forest confines; for

see, a tawny form is breaking through the bush. Come, let us hide

quickly.

“This naked savage might be a cannibal!”

Possibly, but not for that reason alone have we slipped into a nook

where we can watch him without risk of being discovered. Primitive man

is frequently more shy than dangerous; if this aboriginal caught sight

of us, perchance he would quickly plunge out of sight.

“Why does he go about with a parrot perched on his right forefinger?”

The bird is his favourite pet, and master and parrot like to be

together as much as do you and your dog.

“Why does he carry that very long bit of cane? And he doesn’t seem to

have a bow with him, so of what use are those arrows in that pouch

which is strung round his waist?”

The long cane is a very simple weapon called a “blowpipe”; the arrows

are the missiles for it. Whenever yon savage sees anything he wants to

kill, he loads his pipe, puts it to his lips, blows, and out flies an

arrow with terrific force and deadly aim.

Maybe this son of the wilds is out on a hunting jaunt on behalf of

his tribe. Just as likely he is taking a walk; for quite possibly he

has been suffering of late from an attack of wander-thirst--a common

complaint among barbarians, to whom freedom is one of the most blessed

possessions in life--so he has left the camp to roam it off. Weeks,

months even, may elapse before he returns to his fellows. Meanwhile, he

can easily supply all his wants, for he can shoot his meat, trap his

fish, and gather an abundance of tasty and nutritious nuts and roots.

Also, he can amuse himself by making a fine collection of pretty seeds

and gay feathers, wherewith to adorn himself on the next festival

occasion at the camp.

Like all his fellows, he is an enterprising savage in that he is

constantly on the lookout for forest products which can be turned to

account in everyday life. See him now stopping to try the sap of a

certain tree. With a flint axehead he probes the bark, when out oozes

a thick white fluid, some of which drops on his hand. He rubs thumb

against fingers to get it off, whereupon it gets thicker and thicker,

and finally breaks loose as a bit of something solid. He experiments

with this strange gift of the forest, and finds that it will stretch

and rebound. He collects more of the sap, catching it this time in the

palm of one hand. Into this liquid he drops the first little pellet he

made, and proceeds to roll it round and round therein with his free

hand. Soon the freshly collected sap begins to solidify on the pellet,

and his treasure grows appreciably bigger. We watch this interesting

experiment repeated time after time. The pellet has grown into a

fair-sized ball; suddenly that ball slips from the grasp of the man

who is so intelligently playing at work. Surely it is bewitched; for

the moment it touches the ground, it tries to jump into the air. Why,

if only he had known what was going to happen, if only he had stooped

down a second earlier, he might have caught it before it again fell

to earth. No wonder he looks pleased; he has discovered a new product

that can be made into a plaything. He notes the kind of tree which has

supplied him with the material for his highly amusing toy; then he

picks up his blowpipe, calls his parrot back to its travelling perch,

and goes his way.

Yes, certainly we will follow this interesting discoverer, but first we

must ask Mother Witch to borrow for us some of those magic cloaks which

render the wearer invisible; for, as I have told you, were yon son of

the wilds to see us, one way or another our adventures might be brought

to an untimely end.

Rubber · 第 1 / 18 章