FIVE

In the park of the château, near the banks of the Loire, great ragged

trees reach out across the sky, cutting off the faint light of the

stars. It is midnight. Indistinctly from the direction of the château

comes a baying of deerhounds. It passes overhead through the middle

air, with trampling and the sound of horns, then dies away into the

distance. The ghost of Tibault de Champagne, first hereditary Count

Blois, a black hunter followed by black dogs, is chasing the stag. Each

midnight, so the people of that country say, the grim old baron rides

by with a full pack.

Count Tibault had a castle there by the Loire, and for centuries his

descendants used it as a hunting resort. In 1397 it passed into the

hands of Louis d'Orléans. Francis I, a king of the house of Orléans,

who knew the abandoned structure in his boyhood, developed in the

country round this castle his well known passion for the chase, and

that is why he chose the ruined feudal stronghold in the heart of a

great forest for the site of his royal palace, when he might have built

on any one of a hundred lovely spots not far away along the Loire.

The king's taste did not please his courtiers, who were less found

of hunting and solitude. They would have preferred a large city, or

at least some fertile valley nearby. Chambord was a palace in the

wilderness. It could not be seen from a distance, and the view from its

windows was only a dreary wood. The building has been described as a

dream from the Arabian Nights come true.

Louis XIV made many alterations in the château. He ordered Mansart to

construct rooms enough for the accommodation of a large court, and the

architect, after racking his brains over the problem, cut up the roof

for projecting windows in that style which has since become known as

the Mansard roof. The principal door of the court is also Mansart's

work.

In 1793 the revolutionists sold everything of value that could be moved

from the château, and Chambord was stripped of its glory in a few days.

It has never been completely restored. Though by no means a ruin today,

the château suffers for lack of the magnificent furnishings for which

it was originally designed.

[Illustration: CITY HALL, NEW YORK]

_City Hall, New York_

The Mentor: Beautiful Buildings of the World, Serial no. 33 · 第 24 / 26 题