In the luxuriant growth of legend that sprang up in Rabbinic

The Magic of Jewels and Charms

“A Volume of Absorbing Interest.”—_N. Y. Sun._

THE CURIOUS LORE OF PRECIOUS STONES

BY GEORGE FREDERICK KUNZ,

A.M., PH.D., D.SC.

BEING A DESCRIPTION OF THEIR SENTIMENTS AND FOLKLORE, SUPERSTITIONS,

SYMBOLISM, MYSTICISM, USE IN PROTECTION, PREVENTION, RELIGION AND

DIVINATION, CRYSTAL GAZING, BIRTH-STONES, LUCKY STONES AND TALISMANS,

ASTRAL, ZODIACAL, AND PLANETARY

With 86 illustrations in color, doubletone and line. Octavo.

Handsome cloth binding, gilt top, in a box. $5.00 net. Carriage

charges extra.

This work represents the observations and discoveries during twenty-five

years of collecting on the part of Dr. Kunz, and will be found a rarely

interesting galaxy of anecdote, research, and information upon a

fascinating subject.

J. B. LIPPINCOTT COMPANY

PUBLISHERS PHILADELPHIA

[Illustration:

By courtesy of W. Griggs and Sons, Ltd., London.

MODEL OF A HINDU LADY, ILLUSTRATING THE MODE OF WEARING JEWELRY IN

NORTH INDIA

From the Journal of Indian Art.

]

[Illustration]

The Magic of Jewels and Charms

BY

GEORGE FREDERICK KUNZ

A.M., PH.D., D.SC.

WITH 90 ILLUSTRATIONS IN COLOR, DOUBLETONE AND LINE

[Illustration]

PHILADELPHIA & LONDON

J. B. Lippincott Company

COPYRIGHT, 1915, BY J. B. LIPPINCOTT COMPANY

PRINTED IN UNITED STATES OF AMERICA

TO THE MEMORY OF

THE LATE

PROFESSOR THOMAS EGLESTON, PH.D., LL. D.

OFFICIER DE LA LÉGION D’HONNEUR AND FOUNDER OF THE SCHOOL OF

MINES, COLUMBIA UNIVERSITY, AN ARDENT LOVER OF MINERALS, KEENLY

APPRECIATIVE OF PRECIOUS STONES, AND A KINDLY FRIEND OF THE

AUTHOR, THIS VOLUME IS RESPECTFULLY DEDICATED

Preface

Jewels, gems, stones, superstitions and astrological lore are all so

interwoven in history that to treat of either of them alone would mean

to break the chain of association linking them one with the other.

Beauty of color or lustre in a stone or some quaint form attracts the

eye of the savage, and his choice of material for ornament or adornment

is also conditioned by the toughness of some stones as compared with the

facility with which others can be chipped or polished.

Whereas a gem might be prized for its beauty by a single individual

owner, a stone of curious and suggestive form sometimes claimed the

reverence of an entire tribe, since it was thought to be the abode or

the chosen instrument of some spirit or genius.

Just as the appeal to higher powers for present help in pressing

emergencies preceded the development of a formal religious faith, so

this never-failing need of protectors or healers eventually led to the

attribution of powers of protection to the spirits of men and women who

had led holy lives and about whose history legend had woven a web of

pious imaginations at a time when poetic fancy reigned instead of

historic record. The writer still holds that true sentiment, the

antithesis of superstitious dread, is good for all mankind—sentiment

meaning optimism as truly as superstition stands for pessimism—and that

even the fancies generated by sentiment are helpful to us and make us

happier; and surely happiness often means health, and happiness and

health combined aid to evolve that other member of the triumvirate,

wealth. Do we not often wish for the union of these three supreme

blessings?

At all times and in all periods there have been optimists and

pessimists, the former animated by the life-bringing sentiment of hope,

and the latter oppressed by the death-dealing sense of fear. Let us

always choose a happy medium between a foolish excess of hope and an

unreasonable apprehension of future troubles. The world’s history and

our own experience show us that it is the optimist who has caused the

world to progress, and we should trust and believe that the sentiment of

hope and faith will always animate humanity.

We know that for centuries it has been believed that amber necklaces

protect children from cold. May we not also now add that to pearls the

same qualities are attributed? There must be a reason for this. May not

this belief be ascribed to the circumstance that in the wearing of

either of these gems their virtue consists in the fact that the

necklaces do not cover the neck? In other words, they are worn on the

bare throat and the opinion prevails that an exposed neck means less

liability to cold. For, where the neck is never overheated and then

suddenly chilled, a normal temperature being maintained, there should be

protection from colds and from the many ills resulting from them. As to

pearls, this might serve to illustrate the poetic fancy that these

sea-gems are tears by angels shed to bring mortals joy.

Having collected a large mass of material, ethnological, historical and

legendary, in the course of personal observations and study, it was

decided that the companion volume, the twin sister of “The Curious Lore

of Precious Stones,” need not treat of gems _alone_.

For courtesies, information and illustrations I am indebted to the

following to whom my sincere thanks are due: Prof. T. Wada, of Tokyo,

Japan; Dr. G. O. Clerc, President of the Societe Curalienne des Amis des

Sciences Naturelles, Ekaterineburg, Russia; Dr. Charles Braddock, late

Medical Inspector to the King of Siam; Sir Charles Hercules Reed,

Curator of Archæology, British Museum, London; A. W. Feavearyear,

London; Dr. Peter Jessen, Librarian of the Kunstegewerbe Museum of

Berlin; Miss Belle DaCosta Green; Dr. Berthold Laufer, Oriental

Archæologist, Field Museum of Natural History, Chicago; Dr. Oliver P.

Farrington, Field Museum of Natural History, Chicago; Hereward

Carrington, Psychist, New York; Dr. W. Hayes Ward, Archæologist and

Babylonian Scholar; Mrs. Henry Draper, New York; W. W. Blake, Mexico

City, who has done so much to encourage Mexican archæological

investigation; Dr. Edward Forrester Sutton, New York; Dr. W. H. Holmes

of the United States Bureau of Ethnology, Washington; Mr. McNeil M.

Judd, Archæologist, United States National Museum; Dr. Arthur Fairbanks,

Director of the Boston Museum of Fine Arts; Tan Sien Ko, Government

Archæologist of Burma; Dr. Charles C. Abbott, Archæologist, Trenton,

N. J.; Edgar T. Willson, of the Jewelers’ Circular Publishing Co.; Dr.

Edward H. Thompson, Archæologist, of Progreso, Yucatan, Mexico, and

Cambridge, Mass.; Rev. Charles Sadleir of Aurcaria, Chile; Mrs. Nona

Lebour of Corbridge-on-Tyne, England; and Dr. Charles P. Fagnani, Union

Theological Seminary, New York City.

G. F. K.

SEPTEMBER, 1915

Contents

CHAPTER PAGE

I. MAGIC STONES AND ELECTRIC GEMS 1

II. ON METEORITES, OR CELESTIAL STONES 72

III. STONES OF HEALING 118

IV. ON THE VIRTUES OF FABULOUS STONES, CONCRETIONS AND FOSSILS 160

V. SNAKE-STONES AND BEZOARS 201

VI. ANGELS AND MINISTERS OF GRACE 241

VII. ON THE RELIGIOUS USE OF VARIOUS STONES 277

VIII. AMULETS: ANCIENT, MEDIEVAL, AND ORIENTAL 313

IX. AMULETS OF PRIMITIVE PEOPLES AND OF MODERN TIMES 348

X. FACTS AND FANCIES ABOUT PRECIOUS STONES 377

Illustrations

COLOR PLATES

PAGE

MODEL OF A HINDU LADY, ILLUSTRATING THE MODE OF WEARING

JEWELRY IN NORTH INDIA _Frontispiece_.

JADE BELL OF THE K’IEN-LUNG PERIOD (1731–1795) 143

1, 1½. EMERALD THAT BELONGED TO THE DEPOSED SULTAN OF

TURKEY. 2. ALMANDITE GARNET. 3. SARDONYX IDOL-EYE OF

A BABYLONIAN BULL. 4. AQUAMARINE SEAL 159

ILLUSTRATING PRECIOUS STONES AND MINERALS USED FOR

SEALS IN ANCIENT ASSYRIA AND BABYLONIA 242

PERFORATED JADE DISK CALLED _Ts’ang Pi_, A CHINESE

SYMBOL OF THE DEITY HEAVEN (T’IEN) 302

TURQUOISE INCRUSTED OBJECTS, PROBABLY AMULETS, FOUND AT

PUEBLO BONITO, NEW MEXICO 353

HILT OF JEWELLED SWORD GIVEN BY THE GREEKS OF THE

UNITED STATES ON EASTER DAY, 1913, TO THE CROWN

PRINCE OF GREECE, LATER KING CONSTANTINE XII 370

DOUBLETONES

INDIAN MEDICINE-MEN 18

CHALCEDONY AND AGATE PEBBLES FROM PESCADERO BEACH, SAN

MATEO COUNTY, CALIFORNIA 30

PEBBLE BEACH, REDONDO, LOS ANGELES COUNTY, CALIFORNIA 30

HINDU WEARING A COLLECTION OF ANCESTRAL PEBBLES AS

AMULETS 37

KILLING A DRAGON TO EXTRACT ITS PRECIOUS STONE 45

NATURALLY MARKED STONE 45

A SIMPLE APPARATUS FOR ILLUSTRATING THE ELECTRIC

PROPERTIES OF THE TOURMALINE 54

NECKLACE OF FACETED AMBER BEADS 63

VIGNETTE FROM THE “LAPIDARIO DE ALFONSO X, CODICE

ORIGINAL” 69

THE “MADONNA DI FOLIGNO,” BY RAPHAEL 73

THE KAABA AT MECCA 84

“AHNIGHITO,” THE GREAT CAPE YORK METEORITE, WEIGHING

MORE THAN 36½ TONS 96

“THE WOMAN,” CAPE YORK METEORITE 97

“THE DOG,” CAPE YORK METEORITE 98

TWO VIEWS OF THE WILLAMETTE METEORITE NOW IN THE

AMERICAN MUSEUM OF NATURAL HISTORY, NEW YORK CITY 99

FLINT AMULETS OF THE PREDYNASTIC PERIOD, EGYPT 108

THE “ORTUS SANITATIS” OF JOHANNIS DE CUBA, PUBLISHED AT

STRASSBURG IN 1483 122

FAMOUS PEARL NECKLACE OF THE UNFORTUNATE EMPRESS

CARLOTTA, WIDOW OF EMPEROR MAXIMILIAN OF MEXICO 126

JADE TONGUE AMULETS FOR THE DEAD. CHINESE 139

FRONTISPIECE OF MUSEUM WORMIANUM 141

ANCIENT PERSIAN RELIC KNOWN AS THE “CUP OF CHOSROES” 154

BEZOARS OF EMPEROR RUDOLPH II, NOW IN THE HOFMUSEUM,

VIENNA 216

FRONTISPIECE AND TITLE-PAGE OF FRANCESCO REDI’S

“EXPERIMENTA NATURALIA,” AMSTERDAM 1675, AND TWO

SPECIMEN PAGES OF THIS TREATISE 232

FORMS OF TABASHEER 233

SPECIMENS OF TABASHEER 235

ZODIAC MOHURS, COINED BY THE MOGUL SOVEREIGN SHAH

JEHAN, ABOUT 1628 246

THE MEDIEVAL CONCEPTION OF THE COSMOS, THE SUCCESSIVE

SPHERES OF THE PLANETS, INCLUDING THE SUN, AND BEYOND

THESE THE CRYSTALLINE HEAVEN AND THE EMPYREAN 248

THE ANGEL RAPHAEL REFUSING THE GIFTS OFFERED BY TOBIT 250

SANTA BARBARA 258

BLOODSTONE MEDALLION, SHOWING THE SANTA CASA OF LORETO

CARRIED BY ANGELS TO DALMATIA FROM GALILEE 267

CHINESE JADE AMULETS FOR THE DEAD 283

LA MADONNA DELLA SALUTE, BY OTTAVIANO NELLI 287

CEREMONY ANNUALLY OBSERVED IN THE MOGUL EMPIRE OF

WEIGHING THE SOVEREIGN AGAINST PRECIOUS METALS,

JEWELS AND OTHER VALUABLE OBJECTS, WHICH WERE

DISTRIBUTED AS GIFTS 301

THE SACRED WELL OF CHICHEN ITZÁ 307

CARVED AND WORKED STONES FROM THE SACRED WELL AT

CHICHEN ITZÁ, YUCATAN, MEXICO 308

EYE-AGATES 315

TYPES OF EGYPTIAN SEALS AND SCARABS IN THE MURCH

COLLECTION, METROPOLITAN MUSEUM OF ART, NEW YORK 316

COLOSSAL SCARAB IN BLACK GRANITE, BRITISH MUSEUM 320

A MEDIEVAL SPELL 328

FROM A PORTRAIT OF QUEEN ELIZABETH 337

COMPLETE VIEW OF THE ANCIENT JADE GIRDLE-PENDANT (FROM

KU YÜ T’U P’U) 341

TIBETAN WOMAN WITH COMPLETE JEWELRY 343

“THE LIGHT OF THE EAST” 345

INDIAN MEDICINE-MAN 354

HEI-TIKI AMULETS OF NEW ZEALAND 362

JEWELLED SWORD GIVEN BY THE GREEKS OF THE UNITED

STATES, ON EASTER DAY, 1913, TO CROWN PRINCE

CONSTANTINE, LATER KING CONSTANTINE XII OF GREECE.

TOP OF SCABBARD, SHOWING DIDRACHM OF ALEXANDER THE

GREAT 373

SIDE VIEW OF HILT 373

“THE LEGEND OF THE MOONSTONE,” AUTOGRAPHED FOR THIS

WORK BY THE AUTHOR OF THE POEM, DR. EDWARD FORRESTER

SUTTON 386

CLEOPATRA DISSOLVING HER PRICELESS PEARL AT THE BANQUET

TO MARK ANTONY 394

LINE CUTS

TITLE-PAGE OF ONE OF THE EARLIEST TREATISES ON

METEORITES 91

TYPES OF CERAUNIA OR “THUNDER-STONES” 111

INTERIOR OF FIFTEENTH CENTURY PHARMACY 122

EXTRACTING TOAD-STONE 162

TOAD-STONES. NATURAL CONCRETIONS OF CLAYSTONE AND

LIMONITE 163

TYPES OF CHELONIÆ (TORTOISE-STONES). NATURAL

CONCRETIONS 171

CHELIDONIUS, OR “SWALLOW-STONES” 172

ÆTITES 175

EXTRACTING AN ALECTORIUS 179

ALECTORIUS 180

LAPIS MANATI 182

LAPIS MALACENSIS, STONE OF THE HEDGEHOG OR PORCUPINE 183

LAPIS JUDAICUS. PENTREMITE HEADS 187

GLOSSOPETRÆ. FOSSIL SHARK’S TEETH 188

BELEMNITES. FOSSILIZED BONY END OF EXTINCT CUTTLE-FISH 191

BRONTIA. FOSSIL SEA-URCHINS 193

TROCHITES } FOSSIL

} CRINOID 194

ENASTROS } STEMS

BUCARDITES TRIPLEX 195

TYPES OF OMBRIA (FOSSIL SEA-URCHINS) 196

CORNU AMMONIS (FOSSIL NAUTILUS) 197

SPECIMENS OF ASTROITES (ASTERIA), OR FOSSIL CORAL 199

APPLICATION OF A BEZOAR TO CURE A VICTIM OF POISONING 202

MONKEY BEZOAR 204

1. HEDGE-HOGSTONE FROM MALACCA. 2, 3. SPURIOUS STONES

OF THIS TYPE MANUFACTURED IN CEYLON. 205

CALCULI TAKEN FROM BLADDER OF POPE PIUS V 220

TYPES OF THE OVUM ANGUINUM. ECHINITES (SEA-URCHINS) 222

COBRA DE CAPELLO 236

CANADIAN INDIAN MEDICINE-MAN 357

THE BIRTH OF THE OPAL 374

EAST INDIAN BAROQUE PEARL 392

The Magic of Jewels and Charms

I

Magic Stones and Electric Gems

While the precious and semi-precious stones were often worn as amulets

or talismans, the belief in the magic quality of mineral substances was

not confined to them, but was also held in regard to large stone masses

of peculiar form, or having strange markings or indentations; moreover,

many small stones, possessing neither worth nor beauty, were thought to

exert a certain magical influence upon natural phenomena. An occult

power of this sort was also attributed by tradition to some mythical

stones, the origin of this fancy being frequently explicable by the

quality really inherent in some known mineral bearing a designation

closely similar to that bestowed upon the imaginary stone.

To certain stones has been attributed the power to produce musical

tones, the most famous example being the so-called “Vocal Memnon” of

Thebes. This colossal statue was said to emit a melodious sound when the

sun rose, and according to Greek legend this sound was a greeting given

by Memnon to his mother, the Dawn. It appears, however, that the statue

was a respecter of persons, for when the Emperor Hadrian presented

himself before it, he is said to have heard the sound three times,

whereas common mortals heard it but once, or at most twice, while

occasionally the statue withheld its greeting altogether. A modern

traveller relates a personal experience that may cast a side-light upon

this matter. His visit to Thebes was made in the evening, but a fellah

who was standing near the statue asked him whether he wished to hear the

musical sound. Of course the reply was in the affirmative. Thereupon the

man climbed up the side of the colossal figure and hid himself behind

the elbow. In a moment sharp metallic sounds became audible; not a

single sound, but several in succession. Knowing from their quality that

they could not proceed from the stone, the traveller asked his

donkey-boy for an explanation and was told that the man was striking an

iron bar. In ancient times the priests probably performed this or a

similar trick in a much more skilful way than did the poor fellah, so

that the mystery of the statue was carefully guarded.[1]

The river Hydaspes was said to furnish a “musical stone.” When the moon

was waxing, this stone gave forth a melodious sound.[2] This should be

understood in the sense that when the stone was struck at that season

the sound was different from what it was at other times—a fanciful idea

based on some supposed sympathy between the stone and the moon. As

moonstones are rarely larger than a silver dollar, they would not emit a

sound upon being struck, and it is probably a rock known as “chinkstone”

(phonolite) that is referred to, an igneous rock, very hard and

resonant, that has been found in elongated and flat pebbles of large

size; they ring with the resonance of bells when struck. A sonorous

stone at Megara is reported by Pausanias[3]; when struck, it emitted the

sound of the chord of a lyre. This was explained by the tale that, while

helping Alcathous to build the walls of his city, the god Apollo had

rested his lyre on the stone.

The term sarcophagus is to us so clear and precise in its significance,

that we do not stop to think that its etymology reveals it as literally

meaning body-devourer. Tradition taught that a stone of this type was to

be found near Assos in Lycia, Asia Minor, and also in some parts of the

Orient. If attached to the body of a living person it would eat away the

flesh. Another type, already noted by Theophrastus in the third century

B.C., had the power of petrifying any object placed within receptacles

made from it. If a dead person were buried in a “sarcophagus” of this

material the body would not be consumed, but would, on the contrary, be

turned to stone, even the shoes of the corpse and any utensils buried

with it, would undergo a like wonderful change. Possibly actual

observations of changes in the bodies of those long buried, their

partial disintegration in some cases, and their hardening in others, may

have given rise to the fancy that the stone receptacle in which they had

reposed was directly the cause of this, whether it implied destruction

or petrifaction.[4]

Of the substance named galactite, Pliny gives some details. He states

that it came from the Nile, was of the color and had the odor of milk,

and when moistened and scraped produced a juice resembling milk. The

liquid derived from the galactite when taken as a potion by nurses was

said to increase the flow of milk. If a galactite were bound to a

child’s arm the effect was to promote the secretion of saliva. To these

favorable effects must be added an unfavorable one, namely, loss of

memory, which was said to befall occasionally those who wore the stone.

A kind of “emerald with white veinings” was sometimes called galactite,

and another variety had alternate red and white stripes or veins.[5]

Perhaps this “emerald” was a variety of jade, or a banded jasper.

This so-called galactite, which enjoyed such an extraordinary reputation

in ancient and medieval times, is not, properly speaking, a stone, but a

nitrate of lime. The strange and famous relics of the Virgin preserved

in many old churches and called “the Virgin’s milk,” were merely

solutions of this nitrate. Possibly pieces of this so-called galactite

were sometimes found by pilgrims in the grotto of Bethlehem, and were

supposed to be petrified milk.[6] As everything in this sacred spot was

regarded as connected in some way with the miraculous birth of Christ,

it is easy to understand why the devout pilgrims came to believe that

the milky-hued substance represented the milk of the Virgin, which had

been preserved for future ages in this extraordinary way.

A kind of galactite, evidently a finely deposited form of carbonate of

lime and perhaps absorbent, is mentioned by Conrad Gesner.[7] This was

found on the Pilatus Mountain, Lake Lucerne, and is described by Gesner

as being a “fungous and friable” substance, white and exceedingly light

in weight. The natives called it _Mondmilch_ (moonmilk) and it was sold

in the pharmacies of Lucerne. The powder was used by physicians in the

treatment of ulcers, and, like all the other galactites, it was supposed

to increase the flow of milk and to develop the breasts. Besides this it

was credited with somniferous virtues.

An old Mohammedan tradition, cited by Ibn Kadho Shobah in his Tarik

al-Jafthi, relates that Noah, after the deluge, on setting out with the

members of his family to settle and populate the regions to the eastward

and northward of Mt. Ararat, confided to their care a miraculous stone

known to the Turks as _jiude-tash_, to the Persians as _senkideh_ and to

the Arabs as _hajer al-mathar_, or the “rain-stone.” On it was impressed

the word Aadhem or Aazem, the great name of God, by virtue of which

whosoever possessed this stone could cause rain to fall whenever he

pleased. In the long lapse of time this particular “precious” stone was

lost, but some of the Turks were said to have certain stones endowed

with a like power, and the more superstitious among these Turks solemnly

asseverated that their “rain-stones” could beget progeny by a mysterious

kind of generation.[8]

Among the many stones or concretions endowed by medieval belief with

wonderful powers, may be reckoned the “rain-making” stones. Some of

these were to be found in Karmania, south of Khorassan. The miraculous

effect was produced by rubbing one against another. The Arabic author

who reports this declares that this rain-making power was a well-known

fact. He adds that similar stones might be secured from near Toledo in

Spain and also in the “land of Kimar,” inhabited by Turkish tribes.[9]

The Oriental rain-stones noted by pseudo-Aristotle and by many other

Arabic writers of medieval times, can be paralleled by similar

rain-making or rain-inducing stones in many other parts of the world and

among many primitive peoples even in modern times. The rain-makers of

the African tribe of Wahumas, dwelling in the region bordering on the

great Albert Nyanza Lake in Central Africa, use a black stone in the

course of their magic rites. This is put into a vessel and water poured

over it; the pulverized roots of certain herbs and some blood drawn from

the veins of a black goat are then mixed with the water, and the

resulting liquid mixture is thrown up into the air by the

rain-maker.[10] The sorcerers among the Dieri in Central Australia place

such trust in the efficacy of these conjurations as to believe that all

rainfalls are produced thereby, generally through the intermediate

action of ancestral spirits. If rain falls in a locality where no

proceedings of the kind have taken place, then it is supposed that they

have been initiated in some contiguous territory, a merely spontaneous

and natural rainfall being out of the question. The clouds indeed

generate the rain, but it will not be brought to the earth except by

magic art. In the complicated magic ceremonies of these Dieri

rain-makers, two large stones are employed; after a ceremonial, in the

course of which the blood drawn from the two chief sorcerers is smeared

over the bodies of the others, the stones are borne away by these two

sorcerers for a distance of about twenty miles, and there put far up on

the highest tree that can be found, the object evidently being to bring

them as near to the clouds as possible.[11]

Rock-crystal as a rain-compeller finds honor among the wizards of the

Ta-ta-thi tribe in New South Wales, Australia. To bring down rain from

the sky one of them will break off a fragment from a crystal and cast it

heavenward, enwrapping the rest of the crystal in feathers. After

immersing these with their enclosure in water, and leaving them to soak

for a while, the whole is removed and buried in the earth, or hidden

away in some safe place.[12] The widely spread fancy that rock-crystal

is simply congealed water may have something to do with the choosing of

this stone as a rain-maker.

Sumatrans of Kota Gadanz use a stone whose form roughly resembles that

of a cat in their invocations of rain, a live black cat being supposed

in some parts of this island to have certain rain-producing virtues.[13]

Perhaps the electric fur of the animal may have suggested a connection

with thunder-storms. Stones of this type, indeed a great many of those

to which magic properties are attributed, are in many cases smeared with

the blood of fowls, or have incense offered to them, this treatment of

such stones being observed by the peasants in Scandinavia and other

parts of Europe as well as in the Far East.

Stone crosses have sometimes been utilized as rain-bringers, as in the

case of one belonging to St. Mary’s Church in the Island of Uist, one of

the outer Hebrides, off the Scottish coast. When drought prevailed here

the peasants would set up this cross which usually lay flat on the

ground, in the confident belief that rain would ensue. Of course, sooner

or later, it was sure to come, and then the cross, having done its duty,

was quietly replaced in its former horizontal position.[14]

A mysterious stone mentioned in Rabbinical legend is called the

_shamir_. This word occurs three times in the Old Testament (Jer. xvii,

1; Ezek. iii, 9; Zech. vii, 12), and in each signifies a material noted

for its hardness. In the first of these passages there is express

indication that the _shamir_ was a pointed object used for engraving,

and the word is translated “diamond” in our Bible; in the two other

cases it is rendered “adamant” and “adamantine stone,” respectively,

thus leaving the determination of the substance an open question.

However, as it is almost certain that the Hebrews were not familiar with

the diamond, _shamir_ most probably signifies one of the varieties of

corundum, the next hardest mineral to the diamond, and extensively used

in classic times for engraving on softer stones.

In the luxuriant growth of legend that sprang up in Rabbinical times,

the _shamir_ is not forgotten. It is said to have been the seventh of

the ten marvels created at the end of the sixth day of creation. In

size, it is described as being not larger than a barley-corn, but it had

the power to split up the hardest substances, if brought in contact with

them, or even in their neighborhood. Some of the legends ascribe to it

even more wonderful magic powers, so that, like Aladdin’s lamp, great

buildings could be constructed by its help, Solomon having used it in

the erection of the temple and other buildings. The etymology of the

word indicates a pointed object, similar to our diamond-point, but in

legend it is almost invariably described as a small worm, probably

because of a fancied connection between this word and another

designating a species of worm. Many have associated the Hebrew _shamir_

with the Greek σμίρις, or emery.

The Hebrew _shamir_ and the Greek ἀδάμας were both used metaphorically

of hardness of heart and implacability. The Hebrew prophet Zechariah

(vii, 12) says of the disobedient Jews that “they made their hearts as

an adamant stone” (_shamir_), and the Greek poet Theocritus (fl. 228

B.C.) calls Pluto, the god of the infernal regions, “the _adamas_ in

Hades.” This clearly shows that invincible hardness was the common

characteristic of the material designated by these words. However, it

appears probable that while _shamir_ signifies a form of corundum, the

word _adamas_, as used by the early Greek writers, denoted a hard,

metallic substance. Possibly, when iron first became known to the

Greeks, the adjective ἀδαμάντινος, “indomitable,” was applied to it, and

later the noun _adamas_ was formed from this adjective and was used by

the poets to signify an imaginary substance even harder than iron;

hence, when the diamond became known in Greek lands, its extreme

hardness suggested the application to it of this name.[15]

An Arab legend concerning the fabled _shamir_ stone is related by

Cazwini in his cosmography. When King Solomon set about building the

temple in Jerusalem, he commanded Satan to dress the stones that were to

be used, but the work was performed with such demoniac energy that the

people round about complained bitterly of the dreadful noise. To remedy

this trouble, Solomon sought the council of the leading scribes and also

that of the evil spirits known as Ifrites and Jinns. None of them,

however, was able to help him in this difficulty, but one of them

advised him to question an apostate named Sahr, who sometimes had

special knowledge of such things. When called upon for his opinion, Sahr

declared that he knew of a stone that would do the work required, but

did not know where it could be found; nevertheless he believed that, by

a stratagem, he could secure possession of it. He thereupon ordered that

an eagle’s nest with its eggs should be brought to him, and also a

bottle-shaped vessel made of very strong glass. Into this he slipped the

eggs, put them back into the nest, and had nest and eggs replaced where

they had been found. When the eagle returned to the nest it encountered

this obstacle. In vain it struck at the vessel with claws and beak;

after repeated efforts it flew away, but came back on the second day

holding a piece of stone in its beak, which it let fall upon the vessel,

breaking the latter into two halves without producing any sound. Upon

this, Solomon, who knew the language of beasts and birds, asked the

eagle where it had secured the stone. The bird answered: “O Prophet of

God, in a mountain in the West called the Samur Mountain.” This was

indication enough to the wise king who, summoning the Jinns to his aid,

soon had in Jerusalem a plentiful supply of these _samûr_, or _shamir_

stones, with which the work of shaping and polishing the blocks for the

temple was noiselessly performed.[16]

Full and precise directions are given by the old authorities as to the

proper way to secure possession of the stone called _corvia_. On the

Calends, or first day of April, eggs are to be taken out of a crow’s

nest and boiled until they are quite hard; they are then to be allowed

to cool off and are replaced in the nest. The female bird notes that the

eggs have been tampered with and flies away in search of the

corvia-stone. When she has found it, she bears it to the nest, and as

soon as it touches the eggs they become fresh and fertile again. This is

the auspicious moment for securing the stone, which must be quickly

taken from the nest else it would lose its virtue.[17] The lucky owner

of the stone is promised increase of wealth and honors, and the power to

read the future.

The fabled gem-bearing dragons of India were said to have sometimes

fallen victims to the enchanter’s art. Certain mystic characters were

woven in thread of gold upon a scarlet cloth, and this cloth was spread

by the hunters before the dragon’s den. When the creature emerged, his

eyes were fascinated by the strange letters in which the enchanter had

infused a wonderful soporific power. Hypnotized by the sight, the dragon

would fall into a deep slumber and the hunters would rush upon him and

sever his head from his body. Within the head were found gems of

brilliant hue, some of these possessing the power of rendering the

wearer invisible.[18]

The “Gem of Sovranty,” or the “Gem of the King of Kings,” may have been

a purely poetic Hindu fancy, or possibly may have been the diamond. Its

surpassing quality is emphasized by the declaration that though the

earth produced the sapphire, the cat’s-eye, the topaz, the ruby, and the

two mystic gems, the favorite of the sun, and the favorite of the moon,

the Gem of the King of Kings was acknowledged to be the chief of all

“for the sheen of that jewel spreads round about for a league on every

side.” To King Milinda the following question was put: “Suppose that on

the disappearance of a sovran overlord, the mystic Gem of Sovranty lay

concealed in a cleft on the mountain peak, and that on another sovran

overlord arriving at the supreme dignity it should appear to him, would

you say, O King, that the gem was produced by him?” “Certainly not,

sir,” replied the monarch, “the gem would be in its original condition.

But it had received, as it were, a new birth through him.”[19]

The Arabian author, Ibn Al-Beithar (b. ca. 1197 A.D.), describes a stone

called in Arabic _hajer al-kelb_, or “dog-stone.” These stones had such

attraction for dogs of a certain breed that when cast before them they

would snap them up, bite them, and hold them in their jaws. The

magicians saw in this a proof that the stones would produce enmity and

ill-will among men. Having selected seven such stones they marked them

with the names of any persons between whom they wished to stir up

strife. The seven stones were then thrown one by one before a dog of the

requisite species, and, after he had bitten them, two were chosen and

were placed in water of which the persons who were to be set at variance

were sure to drink. We are assured that the experiment had the desired

evil result.[20]

In ancient times there was found in the river Meander a stone

satirically named _sophron_, “temperate.” If it were placed upon the

breast of any one, he immediately became enraged and killed one of his

parents; however, after having appeased the Mother of the Gods, he was

cured of his temporary madness.[21]

A most singular stone is described by Thomas de Cantimpré under the name

of “piropholos.” This substance, according to Konrad von Megenberg’s

version, was taken from the heart of a man who had been poisoned,

“because the heart of such a man cannot be burned in fire.” If the heart

were kept for nine years in fire this wonderful stone was produced. It

gave protection from lightning, but its principal virtue was to guard

the wearer from sudden death; indeed, we are told that a man could not

die so long as he held this stone in his hand. However, it did not

preserve him from disease, but only prolonged his life. The stone was

said to be of a light and bright red color.[22]

After enumerating all the well-known precious stones, Volmar, in his

“Steinbuch,” proceeds to relate that there is one which produces

blindness, another that enables the wearer to understand the language of

birds, still another that saves people from drowning, and, finally, one

of such sovereign power that it brings back the dead to life. However,

we are told that because of the miraculous virtues of these stones God

hides them so well that no man can obtain them.[23] About a century

earlier Saint Hildegard of Bingen wrote that “just as a poisonous herb

placed on a man’s skin will produce ulceration,” by an analogous though

contrary effect “certain precious stones will, if placed on the skin,

confer health and sanity by their virtue.”[24]

Persian records tell of a “royal stone” found in the head of the _ouren

bad_, a kind of eagle; this preserved the wearer from the attacks of

venomous reptiles. If a deadly poison had been administered to a person,

he would be immediately cured by taking one drachm’s weight of the

stone. It thus appears that its virtues were those of the far-famed

bezoar.[25] Persia evidently had good store of “wonderworkers” of this

kind, for the Persian romance entitled “Hatim Tai and the Benevolent

Lady,” written about the beginning of the eighteenth century, recites

the marvellous virtue of a stone called the _Shah-muhra_. If this were

fastened on the arm the wearer became endowed with miraculous vision and

all the gold and precious stones beneath the earth’s surface were

revealed to him.[26]

For ten centuries or more, countless thousands, although feeling assured

of spiritual immortality, were none the less eager to have eternal youth

and vigor and the power to peer into the future. Hence Ponce de Leon’s

quest for the “Fountain of Youth” in our Florida. But in addition to

this, there has ever been an intense desire to find something by means

of which gold could be made out of the baser metals, for youth and

vigor, if coupled with poverty, are only half-blessings. The search for

the “Philosopher’s Stone” appears to have been a more or less aimless

pursuit of this end; but there can be no doubt that this search led to

the discovery of many new substances and reactions, and helped to lay

the foundation of our modern chemistry. Whether the conscious aim of the

alchemist was the discovery of an actual stone, or merely the discovery

of some process for turning a valueless substance into one of great

value, is not clearly ascertainable from the purposely vague and obscure

treatises on alchemy.

The “Philosopher’s Stone,” the fond dream of so many who delved into

nature’s mysteries in the past, does not seem so improbable to-day as it

did twenty years ago. The recent discovery of the element radium, which

is produced from the element uranium, and the story of the strange and

protean changes of radium into helium, neon and argon, according to the

environment in which it is placed, have given the death-blow to the old

idea of the immutability of the elements. Still, while we have been

allowed this peep into the storehouse of nature’s secrets, and are

growing to believe that in eons of time the various different elements

may have been evolved, successively, from one another, the power to

provoke this change at will and in a brief space of time is as yet

withheld from us, and may never be given to us, just as little as the

power to send messages to the distant spheres, whose bulk, density and

composition we can estimate with a considerable degree of accuracy.

Numerous specimens still exist of what is alleged to be artificial gold

made by the alchemists of a past age. Of all these the most striking is

a large medallion, bearing in relief the heads of Emperor Leopold and

his ancestors of the House of Hapsburg. It is related that on the name

day of the emperor in 1677, this medallion, originally of silver and

weighing 7250 grains, was transmuted into gold by Wenzel Seiler, a noted

alchemist of that time. This wonder was performed in full view of the

emperor and his courtiers, by dipping the medallion in a solution. As

there are four notches on the edge, it has been conjectured that these

were made to secure material for testing the quality of the transformed

metal. However, the simple test of specific gravity shows that the metal

cannot be gold, for according to Bauer’s calculation made in 1883, the

medallion has a specific gravity of 12.67, between that of silver (10.5)

and that of gold (19.27). This might indicate that in some unexplained

way the alchemist had succeeded in precipitating a coating of gold upon

the face of the object. It seems probable that the deception was soon

discovered, for Seiler, who had been knighted on September 16, 1676, was

exiled by order of Emperor Leopold, not long after the date on which the

supposed transmutation is said to have taken place.

An exceedingly rare medal, and one of great interest to students of

alchemy, was struck in 1647 by order of Emperor Ferdinand III from gold

produced in his presence by Johann Peter Hofmann, a master of the

alchemical art. A specimen of this medal is in the Imperial Cabinet of

Coins in Vienna.[27] On the obverse, around two shields, one bearing

eight fleurs-de-lis and the other the figure of a lion, are two hermetic

inscriptions: LILIA CUM NIVEO COPULANTUR FULVA LEONE (yellow lilies lie

down with the snow-white lion), and SIC LEO MANSUESCET SIC LILIA FULVA

VIRESCENT (thus will the lion be tamed and thus will the yellow lilies

flourish). Around a crown surmounting the two shields appear the initial

letters I. P. H. V. N. F., indicating Latin words the sense of which is

“Johannes Petrus Hofmann a Nurembergian subject made it,” and also the

letters T G V L, intended to signify _tinturæ guttæ v. libram_, or “five

drops of the tincture [transmuted] a pound.” The reverse has Latin words

denoting that iron was the base of this tincture, the symbols used for

lead, tin, copper, mercury, silver and gold being each accompanied by a

cryptic declaration that Mars (iron) had controlled the respective

metal.[28]

Besides the “Philosopher’s Stone,” the chief object of their quest, the

alchemists believed that several other stones possessing magic virtues

could be produced. Among these was the “angelical stone,” which gave

power to see the angels in dreams and visions, and also the “mineral

stone,” a substance by means of which common flints could be transmuted

into diamonds, rubies, sapphires, emeralds, etc.[29] Possibly some

alchemists were glass-makers, and fused the quartz with various mineral

salts into imitations of the gems, having the colors, but not the

hardness or other properties.

One of the strangest fancies as to the medicinal efficacy of stones is

that held by the native Australians, who believe that “crystals” are

embedded in the bodies of their medicine-men. This belief is encouraged

by the medicine-men themselves; indeed, they are supposed only to retain

their power so long as these _atnongara_ or _ultunda_ stones remain in

their bodies, and a share of their might can be transmitted by

transferring certain of the stones from their own bodies to that of

another. The ceremony proceeds as follows:[30]

The Nung-gara [medicine-men] then withdrew from their bodies a number

of small clear crystals called Ultunda which were placed one by one,

as they were extracted, in the hollow of a spear-thrower. When a

sufficient number had been withdrawn, the Nung-gara directed the man

who had come with them to clasp the candidate from behind and to hold

him tightly. Then each of them picked up some crystals, and taking

hold of a leg, gripped the stones firmly and pressed them slowly and

strongly along the front of the leg and then up the body as high as

the breast-bone. This was repeated three times, the skin being scored

at intervals with scratches, from which blood flowed. By this means

the magic crystals are supposed to be forced into the body of the

man.... After which each of them pressed a crystal on the head of the

novice and struck it hard, the idea being to drive it into the skull,

the scalp being made to bleed during the process....

One of the Nung-gara then withdrew from his skull just behind his ear

(that is, he told the novice that he kept it there) a thin and sharp

Ultunda, and taking up some dust from the ground, dried the man’s

tongue with it, and then, pulling it out as far as possible, he made

with the stone an incision almost half an inch in length.

The _mesticas_ of the Malays represent a class of stones differing in

important respects from the various types of bezoars. A principal

distinction is that the _mesticas_ are not supposed to owe their origin

to pathological conditions in the organism wherein they occur, but

rather to a superabundance of the normal and healthy constituents of the

animal or plant. It is probably due to this that the virtues of these

particular concretions are rather talismanic than therapeutic, and that

they are believed to endow the finder, or one who receives them by gift,

with courage, immunity from injury, and also with cunning and shrewdness

in the affairs of life. Especially by warriors are these stones highly

valued, for they are supposed to protect the wearer from wounds; indeed,

this belief sometimes went so far as to lead the Malays to think that

absolute invulnerability was conferred on one who carried several of

them bound so closely to the skin that in some cases they even

penetrated the flesh. The typical _mestica_ is described as a hard

stone, brilliant but seldom transparent; it is found in the flesh or

fat, in the heart or on the legs of animals, and also sometimes in

plants.[31]

Rumphius declares that many extraordinary cases were related of warriors

who could not be injured by any weapons until the _mestica_ had been cut

out of their flesh, wherein it had become embedded. Indeed, he states

that Dutch officers of proved veracity had confidently asserted that

they had encountered such men among their native antagonists. While

Rumphius feels himself therefore forced to admit the truth of the

invulnerability of these men, he hastens to add that such powers could

not be inherent in any piece of stone, but must owe their origin to

diabolical agencies.[32] The fact that the Mohammedans had their

_mesticas_ blessed by the priests of their faith, and burned incense

beneath them on Fridays, the Mohammedan equivalent of the Christian

Sunday, did not probably shake the belief of Rumphius that the Devil had

something to do with these substances.

The medicine-men of the Kainugá Indians of Paraguay mutter incantations

over the bodies of the sick, and then, after many struggles and

contortions, proceed to extract stones from their mouths, claiming that

they have taken the patient’s disease into their own bodies, the stones

being regarded as the seat of the ailment. In one case, the medicine-man

produced five of these stones before the patient admitted that his pain

was relieved. After the cure was completed the sorcerer was clever

enough to feign extreme exhaustion, as though his vital forces had been

subjected to a tremendous strain.[33]

[Illustration:

INDIAN MEDICINE-MEN

From “Histoire Générale des Cérémonies Religieuses de tous les Peuples

du Monde,” by Abbé Banier and Abbé Mascrier, Paris, 1741.

]

In British New Guinea similar tactics are resorted to by the native

doctors. A native who was suffering from lumbago fully believed the tale

that his disease was caused by a stone embedded in his flesh. When the

sorcerer made passes over this man’s back and then exhibited a stone

which he pretended to have taken thence, the sufferer was convinced that

the disease had left his body, and he began to feel relief. When

examined, his back showed some superficial cuts at the spot where the

stone was said to have been extracted. In another case, however, when a

child was to be operated upon in a like way, the child’s father became

suspicious and seized the operator’s hands before they came into contact

with the little one’s body; the result being that the disease-laden

stone was found concealed in the operator’s hand.[34]

Pebble-mania or lithomania is an inherent trait in all mankind. From the

most primitive man to the most modern, especially those of optimistic

and investigating tendencies, this trait is present in a greater or

lesser degree. That is, curious people would collect pebbles for their

bright colors, or markings, for their transparency or translucence, and

those of an investigating turn of mind, under the impression that the

find was perhaps a diamond or a gem of some kind. In modern times this

kind of collecting has developed into a regular industry, pebbles found

on the shores of the United States and which are either pure white,

transparent or translucent quartz, being cut and offered for sale. These

pebbles are gathered, and are valuable to those who make a business of

selling them, because the white opaque pebbles become translucent after

cutting, or rather, during the process of cutting, and they are then

passed off for moonstones, which are worth from one-third to one-half

more than the cost of cutting the quartz pebbles, the purchaser being

led to believe that he is getting a moonstone, although this could not

be possible, since moonstones have never been found on either the

eastern or the western coast of the United States. As for the cut

moonstones which are brought back by the tourist, under the impression

that he is getting native material and workmanship, these all come from

Europe.

Pebble-mania is not confined to mankind alone. Birds and animals possess

it. The magpie picks up and hides away bright objects, including odd

pebbles, or carries them to its nest. The stones known as _ætites_ were

said to be found in eagles’ nests, although they may have been swallowed

by the birds for digestive purposes, just as the hen’s crop is full of

stones, many of them being transparent, a proof that the fowl had been

attracted by them, and had swallowed these in preference to other,

duller ones. Notable instances of transparent pebbles are the

_alectorii_, or “cock-stones.”

The great Italian goldsmith and sculptor, Benvenuto Cellini (1500–1574),

relates that when a youth he often shot cranes with his arquebuse, and

that in several instances he found in their entrails not only fine

turquoises, but also fragments of the so-called plasma-emerald and even

occasionally small pearls. This serves to indicate that the pretty

exterior of such objects exerted an influence upon these birds in some

degree analogous to the impressions aroused in mankind on viewing

them.[35]

In seventeenth century Denmark there seems to have been no lack of

“magic stones,” for it is related that one day as King Christian II was

strolling along the beach, he picked up a shining pebble by the aid of

which he could render himself invisible at will. Similar power was said

to exist in stones that could be found in ant-hills if hot water were

thrown onto them on St. Walpurgis Day, or St. Hans’ Day. The Danes of

the time also shared in the belief that the stone from the lapwing

preserved from illness and sorrow as did the “swallow’s-stone” as

well.[36]

The magic of jewels and charms · 第 1 / 34 段