CHAPTER III.

SIZING MATERIALS, MIXING, AND MACHINERY.

In a weaving mill there is no more important process than sizing,

and on its satisfactory management depends the quality and quantity

of work turned off, and probably the success of the concern. This is

exemplified by the anxiety of a manufacturer to get hold of those

recipes well known as obtaining good results. The sale of a shirting,

domestic, drill, or heavily sized cloth, absolutely depends on the

satisfactory sizing, whilst the cost of making it is regulated by the

production of the looms. This has been known in many instances to vary

2s. per loom per week, in the use of a good mixing and a bad one.

Cotton warp will not weave well without the previous application of

some strengthening substance. In the loom the tension on the threads

is great, and whilst distended--and therefore in the most favourable

condition for being chafed--the healds with alternate vertical motion,

and the reed with reciprocating horizontal motion, rub the threads

so severely as to fray them to pieces, unless sized. This point was

recognised and counteracted, even in the hand loom days, as mentioned

in Chapter I.

In sizing, the objects are to press into the thread a mixture of

suitable ingredients, so as to strengthen the yarn, smoothen it, and

lay the fibres which project from the surface of the thread, thus

increasing the strength, and at the same time reducing the amount of

fluff at weaving; also to give to the yarn and cloth the requisite

appearance of toughness, strength or body, known technically as the

“feel.” It is in the sizing that the “boardy,” “leathery,” “clothy”

feels or grip are produced.

Another very important object of this process is the introduction into

low classes of cloth of an additional weight of foreign substances.

We have not here to deal with the debated and debateable point of its

honesty or otherwise, but how the object may best be attained; so long

as heavily sized pieces will be bought, so long will they be made,

and no blame can, at all events, be attached to the manufacturer. He

profits not by the weight, unless unscrupulous, for the price obtained

for the piece of cloth is not based on the total weight, but on the

amount of cotton contained in it. Frequently the state of the market

allows a greater profit out of pure sized goods.

The percentage of size put on cotton goods is calculated according to

the increase of weight on the warp only. Thus if the warp in a piece of

cloth be composed of 10lbs. of cotton covered with 4lbs. of size, the

warp will have been sized to the extent of 40 per cent. The amount of

size on cotton warps varies from 3 to 200 per cent. In those classes

of goods which are intended for dyeing or bleaching, and which are

generally sold by the counts of yarn, it is obviously not wise to add

foreign matter to be washed out again, but in those exported goods

which have to be made of a fixed weight, or certain feel, heavy sizing

is adopted. In the chapter treating of cloths, fuller information on

this point is given. Up to 20 per cent. are termed light sized goods,

from this to 50 per cent. medium, and above 50 per cent. heavily sized.

YARN FOR WARPS.

The selection of suitable yarn is obviously important. Warp yarn is

generally stronger than weft, and the hardness is obtained by extra

twisting of the thread: owing to this peculiarity, warp yarn is

generally called “twist.” For heavy sizing purposes, a soft spun twist

is advisable, and one made out of the harder and wiry stapled cottons.

Brazilian is of this character, and is often mixed with American for

“shirting” warps. The spongy and size-absorbent properties are obtained

at the expense of the strength of the yarn, and therefore a good sizing

twist often winds badly. The colour of the warp yarn is not important,

and therefore whiter cottons are often reserved for weft. Fine twists

are spun out of longer and finer cottons forming a close spun thread,

which is used for better classes of cloth lightly sized. Strength and

elasticity are great advantages in twist, and these properties should

be obtained and preserved for the last process of weaving.

SIZING MATERIALS.

Many points distinguish a good size-mixing from a bad one, and the

leading qualifications for a suitable one are adhesive properties--it

is no use sizing warps if the substance falls off at the loom--good

colour, and uniform consistency. Mealy cloth is often produced by lumpy

size. Yarn, even with a heavy coat of size, should remain tenacious,

pliable and smooth.

The number and variety of sizing substances render it impossible

to adequately describe the properties and use of each. Mention is

only made of those of greatest use and importance; yet the list is

sufficiently long. They may be divided into four classes--those for

forming the basis or body of the mixing or adhesive substances, those

for rendering the dried size pliable, weight-giving substances, and

antiseptics. In the adhesive substances, _flour_ is of first importance

for medium and heavy sizing. This is manufactured by grinding a portion

of the wheat grain, and the qualities used in sizing are of the better

sort, fully equal to those used for bread-making. For giving body

and adhesiveness to the size, flour is valued, but is found a rather

expensive substance, and rather inclined to mildew. To remove this

latter disadvantage, and also to render flour more suitable for the

purpose for which it is intended, most manufacturers steep it in water

for periods varying from three days to as many months. Practical men

and sizing specialists generally agree, however, that from two to three

weeks is the best length of time for fermentation. On judging the

quality of flour, comparisons of colour and stiffness after boiling are

made; in the latter case equal quantities of each sample should be

taken and treated similarly, both as to amount of water taken and time

allowed for boiling. The best test, however, and one that applies to

all sizing substances, is whether it “goes far” or not in actual use.

_Farina_ is the ground starch of the potato, and largely used in light

sizing on account of its cheapness and convenience for mixing. It

requires the use of a softener with it, generally tallow or wax, to

counteract a harshness which it gives to the twist when used alone.

Two other vegetable substances--sago and rice flours--are used for very

light sizing, especially for fine reeds or coloured work.

_Softeners._--Unless some ingredient with a more or less greasy nature

be mixed with the above substances in sufficient quantities, the

warp is so brittle and harsh as to break frequently in the loom. The

substance most frequently used is tallow (refined animal fats). This is

somewhat expensive, yet its softening properties in heavy sizing are

often introduced into the mixing. The quantity of tallow to each bag of

flour or clay varies according to the quantity of other softeners used.

In using tallow care must be taken to obtain it hard and free from

grit; much wear of clacks and rams may be attributed to gritty matter

in this and other ingredients, especially in china clay.

_Wax_ is a softener used for light sizing with farina. It is of two

kinds: Japan wax, a vegetable substance, of rather yellow colour, and

paraffin wax, clear and semi-transparent, obtained from mineral oils. A

high melting point of wax is a great desideratum, to ensure the mixture

hardening thoroughly on the warp--110° is considered a fair temperature

for wax to bear before melting. For softness, castor oil and glycerine

are occasionally adopted, as is also Irish moss.

_Soap._--A mixture of animal and mineral substances is not generally

used, although a good softener, its frothy nature when boiling

rendering it difficult to deal with. Soap and chloride of magnesium

(so called anti.) should not be used together, as their action on each

other tends to make the size lumpy. One important property of soap,

or rather alkali contained in it, is that it kills any acid developed

in the mixing. Soda has a similar and stronger tendency. Chloride of

magnesium, muriate or chloride of zinc have softening properties, but

those substances will be more fully mentioned in the next group.

_Weight-giving Material._--Next to flour no substance enters into heavy

mixings in such quantity as _china clay_. This is a white earthy matter

found in Devon and Cornwall. After having all stony substances washed

out it is dried and packed in bags for shipment to Runcorn and other

small ports in the neighbourhood of cotton manufacturing districts.

In selecting good qualities, colour and smoothness should be borne

in mind. To use this material to advantage a good knowledge of other

materials is required, so that such ingredients may be used with clay

as to keep the size on the yarn at the loom. When clay is boiling it

is somewhat dangerous to lift up the lid of the boiling beck, this

substance having an unpleasant property of spurting up, possibly on the

face or hands of an attendant.

Metal size is that containing the chlorides of the metals, magnesium

and zinc. Chloride of magnesium, a mineral salt obtained in Germany,

is valued as a weighting and softening compound. It has the peculiar

property of attracting moisture to itself, always causing cloth or any

substance containing it to feel damp. This substance is melted out

of its solid form into a liquid by the application of steam, and is

afterwards stored in a lead-lined tank. Muriate of zinc, or chloride of

zinc, is a substance of importance for weighting, and is also valuable

in checking the growth of mildew.

Mildew, as may be seen under a microscope, is a species of fungus--a

vegetable growing under certain conditions favourable to its

development. If warp or cloth is sized or finished damp, then stored

in a dry room for a considerable time, mildew may be expected,

unless antiseptics have been used. An antiseptic is a substance

tending to destroy vegetable life, and of antiseptics muriate of zinc

and carbolic acid are the most suitable for sizing purposes. As

chloride of magnesium does not prevent mildew, indeed, its use being

rather favourable to the development of that evil, the name anti, or

antiseptic, usually given to it is misleading. It is very important

that a manufacturer should take every precaution to prevent mildew

by the use of real antiseptics, especially when using such sizing

materials as flour, tallow, or any other which readily mildews. It may

be mentioned that the maker of the cloth is liable for any damage done

in this respect, if the cause can be found in defective sizing, even

though the growth may not be seen until the goods have arrived abroad.

The before-mentioned chlorides are greatly dependent on the weather,

and also on the situation of a shed, for their good weaving properties.

In case of east winds, extremely dry or cold atmospheric conditions,

or in a dry shed twist sized with magnesium, zinc or china clay, is

rendered brittle first. Numerous other materials are used by a few

manufacturers, but they do not require an extended notice. Dividing

them into the four classes previously mentioned, we may refer to:--1st,

maize, starch, tapioca, dextrin, and gum; 2nd, oils, compositions,

spermaceti, curd soap, Irish moss, cocoanut oil; 3rd, French chalk,

Epsom salts; whilst soda is used to prevent iron-mould, and blue to

take away a yellow tinge from the size mixing.

SIZE MIXING.

Mixing is performed in becks--wooden tanks fitted with dashers,

constantly revolving and stirring the mixture. To each beck pumps are

attached so as to force the size to another beck to complete the mixing

process; or, if the mixing is ready for use, to pump it to the size box

of the slasher frame.

A set of becks generally consists of four--two about 4 by 8 feet, and

two each 4 feet square, while for heavy sizing a copper or copper-lined

boiling pan is used. This latter is fixed at a higher level than the

becks for convenience in transferring the boiled size to the becks.

Considering that a mixing made from a fixed quantity of certain

ingredients is not generally used for percentages ranging more than

15 per cent., and that different mixings are required all the way up

to 150 or 200 per cent., whilst at the same time not more than two or

three manufacturers may use exactly similar mixings even for the same

degree of weighting, it will readily be seen that the mixings employed

in the cotton trade are innumerable. This difference has been caused

by the jealous care taken by a sizer to preserve to himself the recipe

of his own mixing, and rightly so. Thus, new mixings have had to be

adopted by new firms, the correct quantity of each ingredient having

to be fixed by repeated experiments; and as the true properties of

each substance have not been, and are not yet, well understood among

manufacturers according to scientific investigation, the differences

of opinion, and consequent differences of recipes, are very great.

Nor is it to the ingredients that these opinions are confined, but to

the order of putting each into the beck, the times of fermenting and

boiling, and many other details.

It is somewhat difficult to satisfactorily determine beforehand the

amount of weight which can be obtained from a mixing. An instrument,

really a hydrometer, but often, from the name of its inventor, dubbed

a “Twaddle,” is sometimes used; but unless a fixed temperature is

always taken, these instruments are not reliable, as a mixing twaddles

differently at different heats. Indeed, from the varying results

obtained, a twaddle cannot be said to be of much practical use in

sizing. A better system, perhaps, is to take the proportion of solid

or semi-solid matters in a mixing as against the weight of water, and

compare it with the ratio of another mixing which is known to give a

certain percentage. Thus, if one mixing of 3lb. of solid matter to a

gallon (10lb.) of water gives 25 per cent., then a mixing with 6lb.

solids to the gallon may roughly be said to put in 50 per cent. Heavy

liquids, such as zinc and solution of magnesium chloride, will have to

be reckoned partially as liquids, in consequence of the evaporation

which will take place on drying at the cylinders; and the softeners,

from their inability to retain liquids as well as the starches, will

not be calculated as having the same weighting power. Magnesium may

be reckoned as having one-third of its weight in solids, and zinc at

one-half.

_For Light Sizing._--Taking a pure size, say 8 to 10 per cent., farina

and wax or tallow is generally used as being the cheapest, and at

the same time most suitable mixing. The ingredients are generally

combined in the same beck that they are boiled in; for 10 per cent. the

following may be used: 200lb. farina, 20lb. wax, 200 gallons water. By

the addition of clay, the same may be made serviceable up to 25 per

cent.

_For Medium Sizing_, say 50 per cent.--Flour, clay softener and

chlorides are used--say flour 480lb., clay 224lb., tallow 60lb.,

chloride of magnesium (so-called anti) 5 gallons, zinc 2 gallons, soda

8lb., water 150 gallons in all. It is mixed as described for 100 per

cent.

For 100 per cent.--1lb. of size for 1lb. of warp. Similar ingredients

are used, but different proportions. Flour 560lb., clay 560lb., tallow

130lb. (or other softener), chloride of magnesium 20 gallons, chloride

of zinc 10 gallons, soda 10lb., and blue.

The flour is steeped alone for three weeks, at the end of which

time the zinc is added to it with soda and boiled, then the other

ingredients, which had been previously heated in the boiling pan, are

lowered into the flour and the whole boiled together.

For 150 per cent. put still more clay and magnesium to the same

quantity of other substances, adding some specially prepared softening

grease, or adhesive size mixture.

The mixing of size requires constant care and supervision; for

variations in the quality of materials, in the weather, or in time

of storage or steepage necessitate changes in the proportions of

ingredients to obtain correct and unvarying weights.

SIZING MACHINERY.

The slasher is the machine generally used for applying the size to

the yarn; the usual name for the process is taping, a word derived

from the old tape frame in use 30 years ago, and handed down to its

successor, the slasher. One sizing frame is required for 300 looms,

the width of the frame being adapted to the size of beam required for

the loom; this is a few inches wider than the cloth. A common size is

a 9/8; this makes warps 54 inches wide between the flanges, the drying

cylinder face being 60 inches wide; a 6/4 is 60 inches beam and 66

inches on face; an 8/4 = 78 inches and 84 inches respectively.

A sizing frame is of great length, and in three portions--at the back

the creel, in the centre the drying, and in front the headstock. (See

Plate IV.)

[Illustration: PLATE IV.--SLASHER SIZING MACHINE. _To face p. 40._]

Supposing a warp is required of 2480 ends--three beams, each 504, will

be taken together with two of 484 each; these are placed in the creel

in two levels, and the narrower ones are placed at the back. If they

were in front of the broader ones the sheet of warp would overhang the

narrow beams. The ends are gathered in one sheet, the layers from the

hinder beams passing over the top beams and under the bottom ones, all

leaving the creel after passing under the foremost beam and travelling

into the sow box. Two contiguous boxes or troughs are used for holding

the size--the one farther from the creel, called the size box,

receiving the mixture directly from the beck, a regulating valve being

fixed on the inlet pipe to prevent the box becoming too full. The sow

box is the larger one, and receives the size from an aperture in the

bottom of the size box, as well as from a separate pipe. In the bottom

of the sow box is fixed a boiling pipe of elliptical form, perforated

with small holes, through which steam is forced into the size, causing

it to boil, and thus always be in the fittest state for application to

the yarn. At about half the height of the box two pairs of rollers are

fixed, the back pair having the bottom one of wood, and the top one

of iron, covered with flannel and cloth; the front bottom roller, or

finisher, is of copper, having resting on it a heavy iron one, likewise

covered with several layers of flannel and two of cotton cloth. On the

firm and even surface of these rollers depends, to a great extent, the

quality of the sizing. Between the wooden roller and the end of the

box nearest the creel is a copper immersion roller, its use being to

lower or raise the warp in the size by means of a rack and pinion. The

warp ends coming up from the beams pass under the immersion roller,

thus being soaked under the surface of the boiling size, thence between

the first and second pairs of rollers--the object of these being to

press out all superfluous size and imbed into the thread that which is

required. Immersing the thread deeply is advantageous for heavy sizing,

although, by simply dipping it, the fluid only attaches itself to the

outside of the thread. Better results could be obtained by pressing the

yarn whilst under the surface. An example of the hollow india-rubber

ball illustrates this. If a punctured or slit ball be immersed in

water, without pressure, little or no fluid enters it; but if, whilst

under, it is squeezed, the air is expelled, and, on expanding, the

surrounding water enters, filling the cavity. Similar results can be

obtained by expelling the air from the interstices of the yarn whilst

under the size, and patents have been taken out for suitable apparatus.

This point is worthy the attention of machinists. Unless well boiled,

size retains a granular nature, causing faulty cloth; to obviate this,

many machinists insert between the size beck and the sizing frame an

extra boiling apparatus, so arranged by the intervention of pipes to

boil the size under pressure, impinging steam against the particles of

size as they enter the box, thus breaking the globules. After boiling

thus, the size enters the box in the ordinary way. To lay the fibres on

the yarn a few sizers have recourse to revolving brushes acting on the

thread directly after passing the finisher roller. These revolve about

700 revolutions per minute, considerably faster than the warp speed.

They are considered advisable for fine reeds and fancy goods.

Adverting to the process of sizing the warp, we come now to the drying;

this is done by means of two tin or copper cylinders about 7 feet and

4 feet diameter respectively, the larger one being nearer the front

of the frame (see Plate). Steam at a low pressure is admitted to

these, and both are enclosed in a wooden case. The sheet of warp passes

over the smaller cylinder without touching it, and round the larger

one; leaving this at the bottom, the twist is next led over the small

cylinder and passes to the front of the frame under both. Thirteen or

fourteen yards of warp are always drying. Although the moisture has

been expelled, the twist is now in a very hot state, and on its passage

into the headstock a couple of fans are used for cooling purposes.

Systems of drying by currents of air have been introduced, but seem to

take no hold in the cotton industry. It is important that the surface

of the drying cylinders be kept smooth.

[Illustration: FIG. 12.]

The headstock of the slasher consists of framework, holding the rods

and reed necessary for separating the sized threads, and the apparatus

for winding the yarn on the weavers’ beam. This latter operation

comprises the driving of the whole machine, as all the actuating power

is transmitted from the headstock by the pull exerted at the front of

the machine. By iron rods the sheet of warp is repeated horizontally

into as many layers as there are back beams; then, by means of an

expanding comb, the rods are separated vertically; thus each being

sundered from its fellows, no possibility of “sticking” remains. The

split rods are shown in Plate IV.

The most effective mode of winding the yarn on the beam is shown in

section at Fig. 12.

[Illustration: FIG. 13.]

Power is received by the main shaft carrying the cone drum, and

transmitted by a strap cone drum; this in turn drives by a pinion the

wheel fixed on the friction roller (the largest of the three rollers

at the upper part of Fig. 12), which is thus positive driven. It also

drives the beam shaft, but not positively; the only connection between

the cog wheel A, Fig. 13, and the shaft on which A rides loose, is by

means of the friction plates L, between A and B, and A and C.

Unless these are compressed so as to clip a felt washer, the beam is

not driven at all, so that it is very easy for the sizer to regulate

the tension at which his yarn shall be wound by moving the weight H on

the lever G, which presses the positive driven plates B and C against

the friction driven plates L L, bringing them into closer contact and

thus speeding the beam, consequently tightening the yarn.

The friction roller is a shade larger in diameter than the finishing

roller in the sow box, and is connected with it by a long side shaft,

each roller revolving at the same speed; the yarn is consequently kept

sufficiently tight during the whole process.

In the old style of frame, without the above-mentioned friction,

cone drums were used for regulating the speed of the warp. As the

beam increased in diameter, one revolution meant a greater length of

twist wound on, and the strap had to be moved along the cone drums to

diminish the number of revolutions of the beam per minute, and thus

keep the speed of the sheet of warp constant.

Numerous presses are used to get a hard beam with a greater number

of cuts on it. Although, when extremely hard, the weaving is more

difficult, the advantage of fewer gaitings of beams in the shop,

doffings at the size frame, and less waste is adequate compensation.

These presses generally consist of one or two rollers resting on a

stand under the beam in the frame. By weighted levers the stand and

rollers are forced upwards against the beam, and keep it hard whilst

winding. Figs. 14 and 15 represent plan and section of this presser.

The duties of the slasher, or, as he is more frequently called, the

taper, are to keep the size of proper boil and density, so as to obtain

a constant weight of cut, to keep the twist pieced, and doff the beams

when filled. In some operations it is necessary to stop the frame

for a few minutes, and although the stopping handle is connected with

the cylinder steam pipe to prevent further admission of steam to the

cylinders, these remain so hot as to brown the twist.

[Illustration: FIG. 14.]

[Illustration: FIG. 15.]

SLOW MOTION.

A slow motion is usually fixed on new frames, and as will be seen from

Fig. 16, it is a simple and effective method for preventing brown or

hard places in the warp by running the machine very slowly instead of

stopping it completely. A thin pulley rides on a collar on the main

shaft of the frame, and by the gearing shown (Fig. 16) drives the

driven cone far slower than its usual speed. Obviously the fast and

slow motions could not be both connected with the driven cone by fixed

gearing, and consequently, to enable the slow motion to be put in gear

only after the fast speed is out of action, the shaft only drives a

plate carrying a ratchet pawl. The ratchet wheel is on the driven cone

shaft, and as the pawl only overtakes the wheel when the latter is

almost stopped, the desired end is obtained.

[Illustration: FIG. 16.]

MARKING MOTION.

To enable the weaver to finish the piece when a required length has

been woven the warp is marked at the sizing frame at a certain length.

This is generally done for plain goods by means of a measuring roller

14·4 inches in circumference, round which the twist passes. On the end

of this is a tin roller wheel driving a change wheel or stud wheel.

By means of a worm on the same stud the motion is transferred to a

bell wheel of 45 teeth, which drives a marking cam so arranged as to

gradually lift and suddenly drop a hammer, which smits the warp against

a block soaked in some colouring matter.

To get the wheels for a certain length, say the stud wheel, multiply

the length of mark desired in inches by tin roller wheel, and divide by

the bell wheel and the circumference of tin roller.

[Illustration: FIG. 17.--DHOOTIE MARKER.]

To get the tin roller wheel, multiply the circumference of measuring

roller by bell wheel and by stud wheel, dividing by length of mark

required. To prove this the length of mark may be obtained from the

wheels, say stud wheel 105 and tin roller wheel 45.

(14·4 × 45 × 105)/45 = 1512 inches, or 42 yards.

In marking dhooties, in addition to the smit for the end of the piece,

additional smits have to be made where the heading for each scarf has

to be inserted. Usually this is done by having an additional train

of wheels and an extra marker, called a dhootie-marker, to strike 3,

4, or 6, etc., times for the cut-marker’s once. In Fig. 17 a special

arrangement is shown. The usual wheels are shown at _h_, the worm _i_,

the bell wheel _k_, the bell shaft cut-mark hammer _m_. The other

wheels and the marker _n_ refer to the dhootie mark; _b_ is fixed to

the stud and drives _c_ with _d_, a pinion on another stud; the wheels

_e_, _f_ and _g_ complete the train, and on the same shaft as _g_ a cam

_o_ operates the dhootie-marker. This is arranged to strike any number

of times for once of the cut-marker, regulated by the number of teeth

in the change wheel _f_, 10 teeth in which give one mark to a cut mark,

30 give three marks to a cut, 100 ten marks to a cut, and so on by

somewhat similar systems for higher numbers.

TAPE DRESSING.

The tape dressing machine--the predecessor of the slasher--is still

used in Scotland, being suited to the light fabrics principally

made there. The back beams are placed in a creel at one level and

the ends pass through a reed at the back of the frame. The sheet is

then immersed in size, and passes between a pair of slowly revolving

circular brushes, afterwards being dried by a fan, and also on a small

cylinder. There is no friction, and the yarn is wound on the beam after

being split by the rods and reed.

BALL SIZING.

Only one system of sizing in addition to those referred to requires

description, and that is ball sizing, the process following ball

warping, described in the previous chapter. The warps are uncoiled from

the ball, and run into a large vat of size, at the bottom of which

the warp remains some time, passing over and under some eight or ten

rollers until thoroughly soaked. The superfluous size is expelled by

passing the warp between rollers, when it is removed to another machine

for drying purposes. This has 12 cylinders 2 feet in diameter, and of

considerable width, heated by steam. Between these cylinders the warp

is flattened and dried, after which it is again balled and placed in

a cloth for a short time to become “mellowed;” even yet it has one

process to undergo--beaming. Here the warp is taken, the ends sundered

out and run over a frame to the weaver’s beam. The reader will readily

see that the extra processes of balling after warping, and beaming

after sizing, as well as two machines required _for_ sizing, are

sufficient to explain the fact that ball systems are dying out, and not

only for this reason, but also because of the uncertainty as to what

extent goods can be weighted, the percentages being very irregular. The

warps are often streaky also, but the thread preserves a rounder and

stronger formation than at the slasher frame.

LOOMING AND DRAWING.

[Illustration: FIG. 18.]

[Illustration: FIG. 19.]

[Illustration: FIG. 20.]

The weaver’s beam, as made at the sizing frame, contains from 500 to

1000 yards of warp, according to the counts of yarn and number of

ends. It is not yet ready for the loom, as the healds and reed have to

be attached. If new healds and reed are used each end must be drawn

through an eye of one of the healds and through a dent in the reed.

In this case the operation is performed by a drawer-in, who, with

hooks at one side of the gears, draws the ends through, which are

presented to him by a reacher at the opposite side. In case of healds

having been used before with similar draft, counts per inch, etc., a

loomer or twister-in is required, who, with an adroit twirl, pieces

each end on the new beam to a corresponding one which has been left in

the heald from an old beam. These men are remunerated for plain work

at so much per 1000 ends, the drawer having more for the same number

of ends. The order in which the ends are drawn through the healds is

most important, although for plain and simple fancy work one system

is generally adopted; for fancier cloths the difference of draft is

great, and regulates to a great extent the kind of figure produced on

the cloth. These healds and reed are required in the loom, being of

great importance with regard to the proper interlacing and guidance

of the ends. The healds, sometimes called heddles or gears, are of

cotton or worsted, and are used in making the shed for the passage of

the shuttle. The usual form is a loop, tied through which is a second

loop, knotted so as to leave a quarter-inch eye. Fig. 18 explains

the structure. The healds are knit in a special machine, and when

finished show the loops ten inches deep, connected with a braid running

along the top and bottom. The eyes are closely or sparsely arranged,

according to the counts of reed for which the healds are intended.

Staves are inserted in the top and bottom loops, and a set of healds

consists of three or more staves. Plain could be woven by two staves,

but four are almost always employed. The ends of warp are drawn through

the healds, one through each eye. The method of separating the warp to

form a shed is apparent. For example, suppose a warp of 2000 ends be

drawn on four healds, each having 500 eyes, and two of these healds be

raised whilst the other couple is depressed, a shed of two equal parts

will be formed.

Metallic healds are being introduced, we believe, satisfactorily. The

loops and eyes are of wire, sliding on bars attached to the staves

(Fig. 19). A set of healds may be used for different counts of reeds.

The reed, comb or ravel (Fig. 20) is an arrangement of dents--pieces

of flattened or polished wire four or five inches long fixed between

strips of wood by pitched band. The dents are closer or not as the reed

is finer or coarser in counts. Generally, two ends are drawn through

each split or dent.

[Illustration: Decoration]

Cotton Manufacturing · 第 3 / 9 章