She looked around her in terror. Did any one know how defenceless she

was? Surely some one must have noticed her. The other children were

gibbering in their animal innocence. The sailors, their knives half

concealed, grinned at each other or cursed. Otto, his brows knotted,

stood with his eyes fixed on the steamer.

She feared everybody, she hated everybody.

Margaret was whispering something to Edward, and he nodded. Again

panic seized her. What was Margaret telling him? Had she told every

one? Did they all know? Were they all playing with her, deceiving

her by pretending not to know, waiting their own time to burst their

revelation on her and punish her in some quite unimaginably awful way?

_Had_ Margaret told? If she crept up behind Margaret now, and pushed

her in the sea, might she yet be in time?--But even as she thought it,

she seemed to see Margaret rising waist-high out of the waves, telling

the whole story to everybody in a calm, dispassionate voice, and

climbing back on board.

In another flash she saw the fat, comfortable person of her mother,

standing at the door of Ferndale, abusing the cook.

Again her eyes roamed round the sinister reality of the schooner. She

suddenly felt sick to death of it all: tired, beyond words tired.

Why must she be chained for ever to this awful life? Could she never

escape, never get back to the ordinary life little girls lead, with

their papas and mamas and ... birthday cakes?

Otto called her. She went to him obediently: though with a presentiment

that it was to her execution. He turned, and called Margaret too.

She was in a more attentive mood than she had been the other night with

the captain, Heaven knows! But Otto was too preoccupied to notice how

frightened her eyes were.

Jonsen had no easy task on the steamer: but Otto did not greatly relish

his own. He did not know how to begin--and everything depended on his

success.

‘See here,’ he burst out. ‘You’re going to England.’

Emily shot him a quick glance. ‘Yes?’ she said at last: her voice

showing merely a polite interest.

‘The captain has gone onto that steamboat to arrange about it.’

‘Aren’t we staying with you any longer, then?’

‘No,’ said Otto: ‘you’re going home on that steamboat.’

‘Shan’t we see you any more, then?’ Emily pursued.

‘No,’ said Otto: ‘--Well, some day, perhaps.’

‘Are they all going, or only us two?’

‘Why, all of you, of course!’

‘Oh. I didn’t know.’

There was an awkward silence, while Otto wondered how to tackle the

real problem.

‘Had we better go and get ready?’ asked Margaret.

‘Now listen!’ Otto interrupted her. ‘When you get on board, they’ll ask

you all about everything. They’ll want to know how you got here.’

‘Are we to tell them?’

Otto was astonished she took his point so readily.

‘No,’ he said. ‘The captain and me don’t want you to. We want you to

keep it a secret, do you see?’

‘What _are_ we to say, then?’ Emily asked.

‘Tell them ... you were captured by pirates, and then ... they put you

ashore at a little port in Cuba----’

‘--Where the Fat Woman was?’

‘--Yes. And then we came along, and took you on board our schooner,

which was going to America, to save you from the pirates.’

‘I see,’ said Emily.

‘You’ll say that, and keep the ... other a secret?’ Otto asked

anxiously.

Emily gave him her peculiar, gentle stare.

‘Of course!’ she said.

Well, he had done his best: but Otto felt heavy at heart. That little

cherub! He didn’t believe she could keep a secret for ten seconds.

‘Now: do you think you can make the little ones understand?’

‘Oh yes, I’ll tell them,’ said Emily easily. She considered for a

moment: ‘I don’t suppose they remember much anyway. Is that all?’

‘That’s all,’ said Otto: and they walked away.

‘What was he saying?’ Margaret asked. ‘What was it all about?’

‘Oh shut up!’ said Emily rudely. ‘It’s nothing to do with you!’

But inwardly she did not know whether she was on her head or her heels.

Were they really going to let her escape? Weren’t they just tantalising

her, meaning to stop her at the last moment? Were they handing her

over to strangers, who had come to hang her for murder? Was her mother

perhaps on that steamer, come to save her? But she loved Jonsen

and Otto: how could she bear to part with them? The dear, familiar

schooner.... All these thoughts in her head at once! But she dealt

firmly enough with the Liddlies:

‘Come on!’ she said. ‘We’re going on that steamer.’

‘Are _we_ to do the fighting?’ Edward asked, timorously enough.

‘There isn’t going to be any fighting,’ said Emily.

‘Will there be another circus?’ asked Laura.

Then she told them they were to change ships again.

When Captain Jonsen came back, mopping the sweat from his polished

forehead with a big cotton handkerchief, he seemed in a terrible hurry.

As for the children, they were so excited they were ready to tumble

into the boat: in such a flurry they nearly tumbled into the sea

instead. _Now_ they knew why they had been washed and combed.

It did not seem at first as if there was going to be any difficulty

about getting them started. But it was Rachel who began the break-away.

‘My babies! My babies!’ she shrieked, and began running all over the

ship, routing out bits of rag, fuzzy rope-ends, paint-pots ... her arms

were soon full.

‘Here, you can’t take all that junk!’ dissuaded Otto.

‘Oh but my darlings, I can’t leave you behind!’ cried Rachel piteously.

Out rushed the cook, just in time to retrieve his ladle--and a

battle-royal began.

Naturally, Jonsen was on tenterhooks to be gone. But it was essential

they should part on good terms.

José was lifting Laura over the side.

‘_Darling_ José!’ she burst out suddenly, and twined her arms tightly

round his neck.

At that Harry and Edward, who were already in the boat, scrambled back

on deck. They had forgotten to say good-bye. And so each child said

good-bye to each pirate, kissing him and lavishing endearments on him.

‘Go on! Go on!’ muttered Jonsen impatiently.

Emily flung herself in his arms, sobbing as if her heart would break.

‘Don’t make me go!’ she begged. ‘Let me stay with you always, always!’

She clung tight to the lapels of his coat, hiding her face in his

chest: ‘Oh, I _don’t_ want to go!’

Jonsen was strangely moved: for a moment, almost toyed with the idea.

But the others were already in the boat.

‘Come on!’ said Otto, ‘or they’ll go without you!’

‘Wait! Wait!’ shrieked Emily, and was over the side and in the boat in

a flash.

Jonsen shook his head confusedly. For this last time, she had him

puzzled.

But now, as they rowed across to the steamer, all the children stood up

in the boat, in danger of tumbling out, and cried:

‘Good-bye! Good-bye!’

‘Adios!’ cried the pirates, waving sentimental hands, and guffawing

secretly to each other.

‘C-c-come and see us in England!’ came Edward’s clear treble.

‘Yes!’ cried Emily. ‘Come and stay with us! All of you!--_Promise_

you’ll come and stay with us!’

‘All right!’ shouted Otto. ‘We’ll come!’

‘Come _soon_!’

‘My babies!’ wailed Rachel. ‘I’ve lost ’most all my babies!’

But now they were alongside the steamer: and soon they were mounting a

rope ladder to her deck.

What a long way up it was! But at last they were all on board.

The little boat returned to the schooner.

The children never once looked after it.

And well might they forget it. For exciting as it had been to go onto a

ship of any kind for the first time, to find themselves on this steamer

was infinitely more so. The luxury of it! The white paint! The doors!

The windows! The stairs! The brass!--A fairy palace, no: but a mundane

wonder of a quite unimagined kind.

But they had little time now to take in the details. All the

passengers, wild with curiosity, were gathered round them in a ring. As

the dirty, dishevelled little mites were handed one by one on board, a

gasp went up. The story of the capture of the _Clorinda_ by as fiendish

a set of buccaneers as any in the past that roamed the same Caribbean

was well known: and how the little innocents on board her had been

taken and tortured to death before the eyes of the impotent captain. To

see now face to face the victims of so foul a murder was for them too a

thrill of the first water.

The tension was first broken by a beautiful young lady in a muslin

dress. She sank on her knees beside little Harry, and folded him in her

delicate arms.

‘The little angel!’ she murmured. ‘You poor little man, what horrors

you have been through! How will you ever forget them?’

As if that were the signal, all the lady passengers fell on the

astonished children and pitied them: while the men, less demonstrative,

stood around with lumps in their throats.

Bewildered at first, it was not long before they rose to the

occasion--as children generally will, when they find themselves the

butt of indiscriminate adoration. Bless you, they were kings and

queens! They were so sleepy they could hardly keep their eyes open: but

they were not going to bed, not they! They had never been treated like

this before. Heaven alone knew how long it would last. Best not waste a

minute of it.

It was not long before they ceased even to be surprised, became

convinced that it was all their right and due. They were very important

people--quite unique.

Only Emily stood apart, shy, answering questions uncomfortably. She did

not seem to be able to throw herself into her importance with the same

zest as the others.

Even the passengers’ children joined in the fuss and admiration:

perhaps realising the opportunity which the excitement gave of

avoiding their own bed-time. They began to bring (probably not without

suggestion) their toys, as offerings to these new gods: and vied with

each other in their generosity.

A shy little boy of about her own age, with brown eyes and a nice

smile, his long hair brushed smooth as silk, his clothes neat and

sweet-smelling, sidled up to Rachel.

‘What’s your name?’ she asked him.

‘Harold.’

She told him hers.

‘How much do you weigh?’ he asked her.

‘I don’t know.’

‘You look rather heavy. May I see if I can lift you?’

‘Yes.’

He clasped his arms round her stomach from behind, leant back, and

staggered a few paces with her. Then he set her down, the friendship

cemented.

Emily stood apart; and for some reason every one unconsciously

respected her reserve. But suddenly something seemed to snap in her

heart. She flung herself face-downwards on the deck--not crying, but

kicking convulsively. It was a huge great stewardess who picked her

up and carried her, still quivering from head to foot, down to a neat,

clean cabin. There, soothing and talking to her without ceasing, she

undressed her, and washed her with warm water, and put her to bed.

Emily’s head felt different to any way it had ever felt before: hardly

as if it were her own. It sang, and went round like a wheel, without so

much as with your leave or by your leave. But her body, on the other

hand, was more than usually sensitive, absorbing the tender, smooth

coolness of the sheets, the softness of the mattress, as a thirsty

horse sucks up water. Her limbs drank in comfort at every pore: it

seemed as if she could never be sated with it. She felt physical peace

soaking slowly through to her marrow: and when at last it got there,

her head became more quiet and orderly too.

All this while she had hardly heard what was said to her: only a

refrain that ran through it all made any impression, ‘_Those wicked men

... men ... nothing but men ... those cruel men._...’

Men! It was perfectly true that for months and months she had seen

nothing but men. To be at last back among other women was heavenly.

When the kind stewardess bent over her to kiss her, she caught tight

hold of her, and buried her face in the warm, soft, yielding flesh, as

if to sink herself in it. Lord! How unlike the firm, muscular bodies of

Jonsen and Otto!

When the stewardess stood up again, Emily feasted her eyes on her, eyes

grown large and warm and mysterious. The woman’s enormous, swelling

bosom fascinated her. Forlornly, she began to pinch her own thin little

chest. Was it conceivable she would herself ever grow breasts like

that--beautiful, mountainous breasts, that had to be cased in a sort of

cornucopia? Or even firm little apples, like Margaret’s?

Thank God she had not been born a boy! She was overtaken with a sudden

revulsion against the whole sex of them. From the tips of her fingers

to the tips of her toes she felt female: one with that exasperating,

idiotic secret communion: initiate of the γυναικεῖον.

Suddenly Emily reached up and caught the stewardess by the head,

pulling it down to her close: began whispering earnestly in her ear.

On the woman’s face the first look of incredulity changed to utter

stupefaction, from stupefaction to determination.

‘My eye!’ she said at last. ‘The cheek of the rascals! The impudence!’

Without another word she slipped out of the cabin. And you may imagine

that the steamer captain, when he heard the trick that had been played

upon him, was as astonished as she.

For a few moments after she had gone Emily lay staring at nothing, a

very curious expression on her face indeed. Then, all of a sudden, she

dropped asleep, breathing sweetly and easily.

But she only slept for about ten minutes: and when she woke the cabin

door was open, and in it stood Rachel and her little boy friend.

‘What do you want?’ said Emily forbiddingly.

‘Harold has brought his alligator,’ said Rachel.

Harold stepped forward, and laid the little creature on Emily’s

coverlet. It was very small: only about six inches long: a yearling:

but an exact miniature of its adult self, with the snub nose and round

Socratic forehead that distinguish it from the crocodile. It moved

jerkily, like a clockwork toy. Harold picked it up by the tail: it

spread its paws in the air, and jerked from side to side, more like

clockwork than ever. Then he set it down again, and it stood there, its

tongueless mouth wide open and its harmless teeth looking like grains

of sand-paper, alternately barking and hissing. Harold let it snap at

his finger--it was plainly hungry in the warmth down there. It darted

its head so fast you could hardly see it move: but its bite was still

so weak as to be painless, even to a child.

Emily drew a deep breath, fascinated.

‘May I have him for the night?’ she asked.

‘All right,’ said Harold: and he and Rachel were summoned away by some

one without.

Emily was translated into Heaven. So this was an alligator! She was

actually going to sleep with an alligator! She had thought that to any

one who had once been in an earthquake nothing really exciting could

happen again: but then, she had not thought of this.

_There was once a girl called Emily, who slept with an alligator...._

In search of greater warmth, the creature high-stepped warily up the

bed towards her face. About six inches away it paused, and they looked

each other in the eye, those two children.

The eye of an alligator is large, protruding, and of a brilliant

yellow, with a slit pupil like a cat’s. A cat’s eye, to the casual

observer, is expressionless: though with attention one can distinguish

in it many changes of emotion. But the eye of an alligator is

infinitely more stony and brilliant--reptilian.

What possible meaning could Emily find in such an eye? Yet she lay

there, and stared, and stared: and the alligator stared too. If there

had been an observer it might have given him a shiver to see them

so--well, eye to eye like that.

Presently the beast opened his mouth and hissed again gently. Emily

lifted a finger and began to rub the corner of his jaw. The hiss

changed to a sound almost like a purr. A thin, filmy lid first covered

his eye from the front backwards, then the outer lid closed up from

below.

Suddenly he opened his eyes again, and snapped on her finger: then

turned and wormed his way into the neck of her night-gown, and crawled

down inside, cool and rough against her skin, till he found a place

to rest. It is surprising that she could stand it as she did, without

flinching.

* * * * *

Alligators are utterly untamable.

iv

From the deck of the schooner, Jonsen and Otto watched the children

climb onto the steamer: watched their boat return, and the steamer get

under way.

So: it had all gone without a hitch. No one had suspected his story--a

story so simple as to be very nearly the truth.

They were gone.

Jonsen could feel the difference at once: and it seemed almost as if

the schooner could. A schooner, after all, is a place for _men_. He

stretched himself, and took a deep breath, feeling that a cloying,

enervating influence was lifted. José was industriously sweeping up

some of Rachel’s abandoned babies. He swept them into the lee-scuppers.

He drew a bucket of water, and dashed it at them over the deck. The

trap swung open--whew, it was gone, all that truck!

‘Batten down that fore-hatch!’ ordered Jonsen.

The men all seemed lighter of heart than they had been for many months:

as if the weight they were relieved of had been enormous. They sang

as they worked, and two friends playfully pummelled each other in

passing--hard. The lean, masculine schooner shivered and plunged in the

freshening evening breeze. A shower of spray for no particular reason

suddenly burst over the bows, swept aft and dashed full in Jonsen’s

face. He shook his head like a wet dog, and grinned.

Rum appeared: and for the first time since the encounter with the Dutch

steamer all the sailors got bestially drunk, and lay about the deck,

and were sick in the scuppers. José was belching like a bassoon.

It was dark by then. The breeze dropped away again. The gaffs clanked

aimlessly in the calm, with the motion of the sea: the empty sails

flapped with reports like cannon, a hearty applause. Jonsen and Otto

themselves remained sober, but they had not the heart to discipline the

crew.

The steamer had long since disappeared into the dark. The foreboding

which had oppressed Jonsen all the night before was gone. No intuition

told him of Emily’s whispering to the stewardess: of the steamer,

shortly after, meeting with a British gunboat: of the long series

of lights flickering between them. The gunboat, even now, was fast

overhauling him: but no premonition disturbed his peace.

He was tired--as tired as a sailor ever lets himself be. The last

twenty-four hours had been hard. He went below as soon as his watch was

over, and climbed into his bunk.

But he did not, at once, sleep. He lay for a while conning over the

step he had taken. It was really very astute. He had returned the

children, undoubtedly safe and sound: Marpole would be altogether

discredited. Even to have landed them at Santa Lucia, his first

intention, could never have closed the _Clorinda_ episode so

completely, since the world at large would not have heard of it: and it

would have been difficult to produce them, should need arise.

Indeed, it had seemed to be a choice of evils: either he must carry

them about always, as a proof that they were alive, or he must land

them and lose control of them. In the first case, their presence would

certainly connect him with the _Clorinda_ piracy of which he might

otherwise go unsuspected: in the second, he might be convicted of their

murder if he could not produce them.

But this wonderful idea of his, now that he had carried it out

successfully, solved both difficulties.

It had been a near thing with that little bitch Margaret, though ...

lucky the second boat had picked her up....

The light from the cabin lamp shone into the bunk, illuminating part of

the wall defaced with Emily’s puerile drawings. As they caught his eye

a frown gathered on his forehead: but as well a sudden twinge affected

his heart. He remembered the way she had lain there, ill and helpless.

He suddenly found himself remembering at least forty things about

her--an overwhelming flood of memories.

The pencil she had used was still among the bedding, and his fingers

happened on it. There were still some white spaces not drawn on.

Jonsen could only draw two things: ships, and naked women. He could

draw any type of ship he liked, down to the least detail--any

particular ship he had sailed in, even. In the same way he could

draw voluptuous, buxom women, also down to the least detail: in any

position, and from any point of view: from the front, from the back,

from the side, from above, from below: his fore-shortening faultless.

But set him to draw any third thing--even a woman with her clothes

on--and he could not have produced a scribble that would have been even

recognisable.

He took the pencil: and before long there began to appear between

Emily’s crude uncertain lines round thighs, rounder bellies, high

swelling bosoms, all somewhat in the manner of Rubens.

At the same time his mind was still occupied with reflections on his

own astuteness. Yes, it had been a near thing with Margaret--it would

have been awkward if, when he returned the party, there had been one

missing.

A recollection descended on his mind like a cold douche, something he

had completely forgotten about till then. His heart sank--as well it

might:

‘Hey!’ he called to Otto on the deck above. ‘What was the name of that

boy who broke his neck at Santa? Jim--Sam--what was he called?’

Otto did not answer, except by a long-drawn-out whistle.

_Chapter 10_

Emily grew quite a lot during the passage to England on the steamer:

suddenly shot up, as children will at that age. But she did it without

any gawkiness: instead, an actual increase of grace. Her legs and

arms, though longer, did not lose any of the nicety of their shape;

and her grave face lost none of its attractiveness by being a fraction

nearer your own. The only drawback was that she used to get pains in

the calves of her legs, now, and sometimes in her back: but those of

course did not show. (They were all provided with clothes by a general

collection, so it did not matter that she grew out of her old ones.)

She was a nice child: and being a little less shy than formerly, was

soon the most popular of all of them. Somehow, no one seemed to care

very much for Margaret: old ladies used to shake their heads over her a

good deal. At least, any one could see that Emily had infinitely more

sense.

You would never have believed that Edward after a few days’ washing and

combing would look such a little gentleman.

After a short while Rachel threw Harold over, to be uninterrupted in

her peculiar habits of parthenogenesis, eased now a little by the many

presents of real dolls. But Harold became soon just as firm friends

with Laura, young though she was.

Most of the steamer children had made friends with the seamen, and

loved to follow them about at their romantic occupations--swabbing

decks, and so on. One day, one of these men actually went a short way

up the rigging (what little there was), leaving a glow of admiration on

the deck below. But all this had no glamour for the Thorntons. Edward

and Harry liked best to peer in at the engines: but what Emily liked

best was to walk up and down the deck with her arm round the waist of

Miss Dawson, the beautiful young lady with the muslin dresses: or stand

behind her while she did little water-colour compositions of toppling

waves with wrecks foundering in them, or mounted dried tropical flowers

in wreaths round photographs of her uncles and aunts. One day Miss

Dawson took her down to her cabin and showed her all her clothes, every

single item--it took hours. It was the opening of a new world to Emily.

The captain sent for Emily, and questioned her: but she added nothing

to that first, crucial burst of confidence to the stewardess. She

seemed struck dumb--with terror, or something: at least, he could get

nothing out of her. So he wisely let her alone. She would probably

tell her story in her own time: to her new friend, perhaps. But this

she did not do. She would not talk about the schooner, or the pirates,

or anything concerning them: what she wanted was to listen, to drink

in all she could learn about England, where they were really going at

last--that wonderfully exotic, romantic place.

A high wind in Jamaica · 第 11 / 13 段