Then the master switch went home with a tiny flare of ionized gases--

And silently every panel went dead.

* * * * *

"Oh!" said Edith Ward in a solemn tone.

"Not yet," Barden objected. "This may be success."

"But--?"

"How do you hope to control a radio-controlled drone that is traveling

higher than the velocity of propagation?"

"But how will you ever know?"

"When we--"

He was interrupted by the chatter of the radiation counter. Light

splashed in through the tiny ports in a brilliant flare.

"Well, we won't," said Barden helplessly.

"Won't what?"

"Ever catch up with it! Not where it's gone!"

"So--?"

"So we've solved that problem," he said bitterly. "Your informant was

right. From what the counter says, that was a vicious number. Well, I

guess I am licked, finally. I admit it."

"Somehow," said Edith solemnly, "I know I should feel elated. But I am

not. Fact of the matter is, I am ashamed that there is a portion of my

brain that tells me that I am proven correct. I ... fervently wish it

were not so."

"Thanks," he said. "I wish but one thing."

"What?"

"I'd have preferred to have been aboard that crate!"

"Tom!" she said plaintively. "Not--oblivion."

"No," he said with a wistful smile. "At superspeed, my recording

instruments could record nothing. Perhaps if I'd been aboard I could

have found out what really happened. There is no way."

"But what can we do?"

"Build another one and spend my time trying to find out how to get a

recording from a body that isn't really existent in this space at all."

"That sounds impossible."

"Then there is but one answer," he said, "and that is to go out with it

and hope that by some machination I can control the reaction before it

gets beyond stopping."

"Tom," she said quietly, "you are still convinced that such a thing is

possible?"

"I am," he said. And then he stopped as his face filled with wonder.

"What?" she asked, seeing the change.

"Look," he said, his voice rising in excitement. "We caught radiation.

Right?"

"Right."

"That means that the ship was not exceeding the velocity of light when

it went up!"

"Yes, but--?"

"Then on the instantaneous recorders there must be a complete record of

what every instrument _should have been reading_ but did not due to the

mechanical inertia of these meters! Right?"

"But suppose--"

"Look, Edith. The theory of the drive is based upon the development

of a monopolar magnetic field that incloses space in upon itself like

a blister, twisted off from the skin of a toy balloon. Now that field

would collapse if the fission started, because the fission is initiated

as you claim by magnetostrictive alignment of the planetary orbits

of the field-electrons in the atoms. Obviously the magnetostrictive

effect is more pronounced near to the center of the monopolar

generator. Ergo that would go first, dropping the speed of the ship

to below the velocity of light by a considerable amount. Then as the

fission continued, spreading outward, the various instruments would go

blooey--but not until they'd had ... did you say thirteen microseconds

after initiation the major fission took place?"

"Yes."

"Give it twelve microseconds to drop the ship below the speed of light

and I have still one full microsecond for recordings!"

* * * * *

Edith Ward looked up in admiration. "And you'll bet your life on what

your instruments can see in one millionth of a second?"

"Shucks," he grinned. "Way way back they used microsecond pulses to

range aircraft, and they got to the point where a microsecond of time

could be accurately split into several million parts of its own.

Besides, I made those instruments!"

"Q.E.D." said Edith Ward quietly. "But how are you going to develop

a monopolar magnetic field without the magnetostrictive effect? The

prime consideration is not the field, but the fact that aligning the

planetary orbits means that two things tend to occupy the same place at

the same time. That isn't--they tell me--possible."

"Too bad the reverse isn't true," he said.

"You mean the chance of something occupying two places at the same

time?"

"Uh-huh."

"What then?"

"Then we could develop two monopolar fields of opposing polarity to

inclose the twin-ship proposition. Then the atomic orbits would not be

affected since they would receive the bipolar urge."

"Couldn't you change from one to the other very swiftly?"

"Not without passing through zero on the way. Every time we passed

through zero we'd end up at sub-speed. The ship would really jack

rabbit."

"Oh."

"But," he said thoughtfully, "what happens if the monopolar field is

generated upon a true square wave?"

"A true square wave is impractical."

"You mean because at the moment of transition, the wave front must

assume, simultaneously, all values between zero and maximum?"

"Yes," she said, "and it is impossible to have any item operating under

two values."

"That is an existent item," said Barden with a smile. "Bringing back H.

G. Wells' famous point of whether an instantaneous cube could exist."

"This I do not follow."

"Look, Edith," said Tom patiently. "Any true square wave must have a

wave front in which the rise is instantaneous, and assuming all values

between zero and maximum for the duration of an instant. An instant is

the true zero-time, with a time-quantum of nothing--the indivisible

line that divides two adjoining events. Just as a true line has no

thickness.

"Now," he went on, "generating the monopolar field on a true square

wave would flop us from one field to the other in true no-time. At that

instant, we would be existing in all values from maximum negative to

maximum positive, at the same time at zero--_but not truly assigned a

real value_. Therefore we should not stop.

"However," he went on, "that is an impossibility because the true

instant of no duration is impossible to achieve with any mechanism,

electrical or otherwise. However, the fields set up to make possible

this square wave do permit the full realization of the problem. For a

practical duration, however small, the value of the wave does actually

assume all values from maximum negative to maximum positive!"

She looked at him with puzzlement. "I thought they taught you only this

one science," she said.

"That would have been useless," he grinned. "As useless as trying

to teach a Hottentot the full science of electronics without giving

him the rest of physics as a basis. No, little lady, I got the full

curriculum, including a full training in how to think logically! How

else?"

"You win," she said solemnly. "Fudge up your true square wave, and I'll

buy a ticket back home in your crate!"

"Thanks, Edith," he said. "That's a high compliment. But there's more

of us than we-all. I'll have to take a vote."

* * * * *

There was a roar at Barden's explanation. And his head technician stood

up, waving for silence. "There's enough lifecraft aboard," he shouted

over the noise. "Anybody who wants to get out can take 'em. They can

make Terra from here in a couple of months in a lifecraft if they want

to."

That got a roar of approval.

"Lucky I had two ships all fitted out," said Tom. "Also, with all this

spare junk for radio-controlling the other crate we've got a shipload

of spare parts. Probably take about a week flat to tinker it together,

but it is far better to do it out here than to go all the way home to

Terra--that'd take about four weeks."

"I wonder why they didn't think of that square-wave idea," said Edith.

"Lord only knows."

"That's what bothers me," she said.

"Why?"

"Because we are playing with the other man's cards, remember. We're not

leading authorities in this art. You got both the square-wave generator

and the monopolar field out of them. Now why hadn't they tried it

before?"

"On the theory that no beginner ever has a valid idea? No soap. Maybe

they've been too close to the woods to see anything but them trees. Of

course, there's another little angle we've not considered."

"Go on. First it was a political difference between factions for and

against subjugation. Then I came in and threw in my two cents which

sort of hardened the argument a bit. We didn't know whether my stuff

was shoved in to stop production or to save Sol. We know now that your

informant was telling the truth but not the whole truth. We know that

mine was honest but not why he was. Then we came to the possibility

that someone somewhere tossed us a fish because they were afraid to try

it. Why the stopper on that?"

"Possibly they want us to really try it out and not total destruction."

"But--?"

"Look, Edith. Supposing you wanted to have something developed for you

by a consulting laboratory. You've done that yourself at Solar Labs.

Wouldn't you give them whatever information you had available?"

She nodded. "Nice explanation," she said solemnly. "Excepting that if

I were doing it, I'd not call one man and start him experimenting on

one pretext and then call another member of the laboratory and tell him

that the information would lead to disaster."

"In other words, the big problem is motive."

"Precisely. And that's what we're up against. Try to figure out the

hidden motives of extrasolar cultures."

"You believe there are two?"

Tom Barden nodded. "Uh-huh," he said. "And all the talking we can do

from now until we find out won't help because we cannot interpret the

thoughts of an alien culture in our own terms and hope to come out

right!"

* * * * *

And that, of course, was that. It was definitely true. Reviewing all

the evidence during the next ten days, they came up with a startlingly

minute amount of fact. Barden had been given a scientific field

because of a political argument; Edith Ward had been warned that the

information was incomplete and would lead to disaster.

Build upon those slender bricks and they tumble all too quickly.

Barden's story could be construed as an attempt to get consulting

service on a dangerous project without danger to the alien race.

Ward's informant might have been an attempt to give Sol a good chance

to solve it in safety, but in solution there would be no proof--or even

in failure. For there was no way of telling proof from failure at many

light-years of distance unless the failure bloomed the entire system

into a nova.

And regardless of any theoretical argument, it was still a technical

impossibility to construct any spaceship capable of traversing

light-years without some means of super speed. Not without a suitable

crew to do a job when it arrived.

Then, to reverse the argument, supposing that Barden's tale was

correct. The opposing faction might hope to forestall any work by

issuing the warning.

But if Barden's tale were correct, why did the so-called altruists

offer him a science that was dangerous to pursue?

Unless, perhaps, the political argument was conquest versus dominance.

Both factions wanted conquest and dominance. One demanded the

elimination of all races that might offer trouble. The other faction

might argue that a completely dead enemy offers no real reward for

conquest--for of what use is it to become king when the throne is safe

only when all subjects are dead?

Yes, there's Paranoia. The paranoid will either become king of all or

king of none--or none will remain to be king including himself. That

theory is quite hard on rational people.

So went the arguments, and when the ten days were completed, they were

no closer to the truth than they had been before.

Not entirely true, that. For they hoped to drive--somewhere--at a

velocity higher than the speed of light.

* * * * *

With a firm hand, Tom Barden pressed the Start button. The relays

clicked and the pilot lights flared red, and then after the warm-up

period they turned green.

"This is it," he said, grasping the small lever that would start the

automatic sequence.

Silence--almost silence came. From one corner came a small muttering

and the click of beads. A throat was cleared unnecessarily, for it,

like all others, was both dry and clear. A foot shuffled nervously--

"No!" shouted a voice.

Barden looked at Edith Ward. "Still--?" he said.

She nodded and put her hand over his on the lever. "Want me to prove

it?" she said, pushing it home.

There was a tinnily musical note that crept up the scale from somewhere

in the sub-audible, up through the audible scale and into the shrilling

tones that hurt the ear. It was hard to really tell when it passed

above the audible, for the imagination followed it for seconds after

the ear ceased to function.

There was a creak that rang throughout the ship. A tiny cricket-voice

that came once and changed nothing but to increase the feel of

tenseness.

Then--nothing pertinent.

The Catspaw · 第 10 / 14 题