“The collector who has been in my mind when writing this book has not

very much money to spare, and none to waste. He wants to get full

value when he makes a purchase, and if a bargain comes his way so much

the better.” (Preface) To guide such a collector to know which to

choose and how to distinguish the old from the new, the real from the

sham is the object of the book. After an introductory chapter on

drinking glasses in England to the end of the seventeenth century and

seven chapters on the various kinds of wine glasses the contents are:

Cut glass; Engraved glasses; Curios; Bottles, decanters, flasks and

jugs; Opaque and coloured glass; Frauds, fakes and foreigners; Foreign

glass; Manufacturing and decorative processes; Prices; Bibliography;

Glossary; Index.

* * * * *

“Will be helpful to the amateur since it is very well illustrated and

contains hints on the detection of imitations.”

+ =Booklist= 16:335 Jl ’20

+ =Spec= 122:17 Ja 4 ’19 60w

=PERCIVAL, MACIVER.= Old English furniture and its surroundings. il

*$7.50 Scribner 749

“The period Mr Percival covers in this work is from the restoration of

the monarchy to the regency. This period he has divided into four

sections: The restoration; The end of the 17th century and the early

18th; Early Georgian; Late Georgian. To each section he has given five

chapters: Fittings and ornament decorations; Furniture; Upholstery,

wall and floor coverings; Table appointments; Decorative

adjuncts.”—Springf’d Republican

* * * * *

=Int Studio= 72:164 D ’20 100w

“Mr Percival writes with unusual good sense. Moreover, he is firmly

though not pedantically for unmixed style and speaks with authority.

For the trained decorator, however, the book contains little that is

actually new or in any way suggestive.”

+ =N Y Evening Post= p12 N 27 ’20 150w

“If one can judge at all from some of the imposing Fifth avenue shops,

people do enjoy living in period-houses, fitting up rooms in

period-furniture, buying all manner of things antique. For these

impassioned collectors, at least, Mr Percival’s book is unequivocally

useful, being clearly written and having much practical information.”

+ =Springf’d Republican= p8 D 9 ’20 330w

=PERCY, EUSTACE SUTHERLAND CAMPBELL, lord.= Responsibilities of the

league. *$2 Doran 341.1

(Eng ed 20–5415)

“This is a book written in the interest of civilization. It is true

that there have been civilizations, not altogether contemptible,

without Christianity; and it is arguable that there may be

civilizations hereafter not based on state sovereignty. But the

author’s point is both true and indisputable that the revolution which

threatens both of these institutions may drag all civilization with it

unless a high intelligence commands and canalizes its forces. Lord

Eustace considers the league of nations as the potential champion of

the idea of the state and commonwealth, the possible medium by which

we may come to the spirit of a united Christendom. That, no doubt, is

his ideal: to set it off he offers a penetrating analysis of the past

and makes the profound observation that the treaty of Versailles,

which he does not defend, is the almost complete result of the two

forces of nationalism and democracy.”—Dial

* * * * *

“I do not understand all of it nor agree with all I understand, but I

am fain to mark its superior importance.” Sganarelle

+ =Dial= 68:799 Je ’20 1150w

“His book will provoke much dissent, but it has the supreme merit of

making its readers think on the great problems that face the world.”

+ − =Spec= 124:16 Ja 3 ’20 1400w

“The book fairly bristles with provocative suggestions. The treatment

of the basis and mainsprings of American foreign policy makes an

American gasp with envy at their insight and sympathy.”

+ =Springf’d Republican= p5 Mr 29 ’20 800w

“A solution must answer the conditions of the problem proposed, and

one has the feeling that Lord Eustace’s criticisms of recent policy do

not always take account of that fact. But that is a matter of

controversy. What is not a matter of controversy is the quality of

Lord Eustace Percy’s book—its breadth of outlook, its richness of

information, its penetrating candour, its analytic power, and, above

all, its depth of conviction.”

+ − =The Times [London] Lit Sup= p780 D 25 ’19 650w

=PERCY, WILLIAM ALEXANDER.= In April once. *$1.50 Yale univ. press 811

20–15483

“Mr Percy’s book consists of a poetic drama in one act, about half a

hundred lyrics, and a longish philosophical monologue entitled ‘An

epistle from Corinth.’ The drama—‘In April once’—is a study of a

renaissance youth, Guido, who sacrifices his life out of impetuous

generosity that a leper and a jailer (though a very knightly jailer)

might tempt death.”—Bookm

* * * * *

+ =Booklist= 17:63 N ’20

“In his lyrics, Mr Percy tastes in some degree of the divine madness

of Keats. Rare indeed is Mr Percy’s pure lyric gift: limpidity and

strength of emotion and adequacy of art.” R. M. Weaver

+ =Bookm= 52:65 S ’20 400w

“He is by no means distinguished, and he is somewhat too fond of his

literary good manners, but he has done some shapely, thoroughbred

exercises in elegy and exultation.”

+ − =Nation= 112:86 Ja 19 ’21 80w

“His work proves imitative in many ways.”

+ − =N Y Times= p16 N 7 ’20 50w

“Finer than his ‘Sappho in Levkas,’ with all its promise, is ‘In April

once.’ This volume has all the charm and freshness of the earlier

book, with a deeper and more appealing view of the world.” E: B. Reed

+ =Yale R= n s 10:204 O ’20 150w

=PÉREZ DE AYALA, RAMÓN.= Prometheus: The fall of the house of Limón;

Sunday sunlight. *$3 Dutton

20–12561

“Under the threefold title, ‘Prometheus: The fall of the house of

Limón; Sunday sunlight,’ the E. P. Dutton company publishes three

novelettes of Spanish life by Ramón Pérez de Ayala, which Alice P.

Hubbard has turned into English. ‘Prometheus,’ a modern tale which

parallels or parodies a Greek legend, deals sunnily with a man who,

seeking for perfect offspring, becomes the father of an oaf and

hunchback. ‘Limón’ is a murder tale. ‘Sunday sunlight’ is a tale of

ravishers which recites horrors which recall and surpass ‘Titus

Andronicus.’”—Review

* * * * *

“Those who enjoy artistry, intelligence and pages overflowing with the

evidence of original and unique talent will welcome the book and will

read it more than once.”

+ =N Y Times= 25:15 Jl 18 ’20 830w

“Señor de Ayala is all sprightliness and glow. He has a draughtsman

eye, a colorist eye, an eye reminiscent of Gautier, and he scatters

brilliancies with the prodigality of a man for whom splendor is the

only warmth.”

+ =Review= 3:351 O 20 ’20 220w

=PERKINS, LUCY (FITCH) (MRS DWIGHT HEALD PERKINS).= Italian twins. il

*$1.75 Houghton

20–15958

The Italian twins are Beppo and Beppina, who live in an old palace on

the banks of the Arno. They are kidnapped by two vagabonds with a

monkey and a performing bear and are made to sing and dance and

entertain the country people and villagers. They are taken to Venice

but finally make their escape and after more wandering adventures

reach their home safely.

* * * * *

“Beautiful makeup and sketches.”

+ =Booklist= 17:78 N ’20

+ =Lit D= p94 D 4 ’20 160w

“One is always sorry when Mrs Perkins fails to reach her own high

mark. But this incredible tale of the kidnapping of two little

aristocrats shows no side of real Italian life.” M. H. B. Mussey

− + =Nation= 111:sup672 D 8 ’20 110w

“‘The Italian twins’ is a wholesome stimulating book for children

between eight and thirteen to read and own.” E. R. Burt

+ =Pub W= 98:1201 O 16 ’20 300w

+ =Springf’d Republican= p8 N 18 ’20 200w

=PERKINS, LUCY (FITCH) (MRS DWIGHT HEALD PERKINS).= Scotch twins. il

*$1.50 Houghton

19–18221

Jock and Jean are the hero and heroine of this story, with its scenes

laid in Scotland. The pictures as in other books of the series are

from drawings by the author.

* * * * *

“A good picture of national life and customs with a rather more

dramatic plot than that of former volumes of the series.”

+ =Booklist= 16:176 F ’20

=Boston Transcript= p9 D 20 ’19 300w

“Jock and Jean have, perhaps, the most exciting and amusing adventures

of any of the twins, but, as a small boy critic said, ‘They have an

absent-minded way of using occasional Scottish words and then

relapsing into plain American talk.’”

+ − =Nation= 109:780 D 13 ’19 140w

+ =Outlook= 124:29 Ja 7 ’20 40w

“‘The Scotch twins,’ Jock, the sleepy-head, and Jean, the canny little

polisher and scrubber, are just as lovable as any of their

predecessors. There is a nice little surprise, too, in the last

chapter.”

+ =Pub W= 97:606 F 21 ’20 120w

“Anyone who has never before understood the claims of a clan will find

this and other peculiarities of Scotch life thoroughly explained.”

+ =Springf’d Republican= p12 D 19 ’19 100w

=PERRY, ALLEN MASON=, comp. Electrical aids to greater production. il

*$2 McGraw 621.3

19–10529

“Based upon a series of articles in the Electrical World, of which the

author is engineering editor. The best of practice, as developed by

the war, is presented as a practical handbook, rather than as a

text-book, full of suggestions for the installation, operation, and

maintenance, as well as the problems of layout and control. The eight

chapters cover: General power problems of industrial plants;

Distribution, transformation, switching and protection; Motors,

control, specific applications, troubles and remedies; Illumination,

selection of equipment, economies, and specific applications; Electric

furnaces, welding, etc.; Meters and measurements as applied to

industries; Handling material in industrial plants with electric

tractors; Outdoor substations.”—N Y P L New Tech Bks

* * * * *

=Booklist= 16:159 F ’20

=N Y P L New Tech Bks= p47 Jl ’19 120w

=Pratt= p20 Ja ’20 30w

=PERRY, BLISS.= Study of poetry. *$3.25 Houghton 808.1

20–9853

In attempting “to set forth in decent prose some of the strange

potencies of verse” the author has given but little space to the epic

and drama and has devoted himself more especially to the various forms

of the lyric, which to him seems to hold the future of poetry. “The

folk-epic is gone, the art-epic has been outstripped by prose fiction,

and the drama needs a theatre. But the lyric needs only a poet, who

can compose in any of its myriad forms.... Through it today, as never

before in the history of civilization, the heart of a man can reach

the heart of mankind.” Accordingly the book falls into two parts. Part

I, Poetry in general, treats of poetry in retrospect, of the province

of poetry and the poet, of rhythm and metre, rhyme, stanza and free

verse. Part II, The lyric in particular, contains: The field of lyric

poetry; Relationships and types of the lyric; Race, epoch and

individual; The present status of the lyric. There are also Notes and

illustrations, an appendix, a bibliography and an index.

* * * * *

+ =Booklist= 17:106 D ’20

“While it has a genuine interest for the creator and critical

interpreter of poetry, its specific value is for that very large body

of readers who are between these two groups.” W: S. Braithwaite

+ =Boston Transcript= p6 O 30 ’20 2100w

“The book is avowedly written with the classroom’s needs in view, as

well as those of the inquiring general reader, and the former aim to

some extent vitiates the author’s treatment by imposing too eclectic

an ideal upon him. The book is a résumé of poetics rather than a

personal confession.” Llewellyn Jones

+ − =Freeman= 2:235 N 17 ’20 1500w

“No critic since Matthew Arnold seems to us to have so positively as

Mr Perry the capacity to make us see more clearly and think more

accurately and sensibly about poetry and at the same time make the

seeing and the thinking increase our enthusiasm for the vital things.”

C. F. L.

+ =Grinnell R= 16:308 D ’20 640w

“In the long run his book is not simple enough. He will be useful to a

certain kind of teacher; but he will move few students and he will

enkindle no poets.” Mark Van Doren

− + =Nation= 112:sup241 F 9 ’21 120w

“The fault of the book is that it contains too many long quotations

from other critics. But this very fault, in the present instance,

makes the book a presentation of the best modern critical thought on

the lyric. He will be a bold man who attempts to cover Professor

Perry’s field for many years to come.” C. E. Andrews

+ − =N Y Evening Post= p5 O 23 ’20 1100w

“Professor Perry’s volume is suggestive and stimulating. It will be

useful to the classroom teacher, to the solitary student and to the

average reader, who will gain from it knowledge certain to increase

his enjoyment of verse.” Brander Matthews

+ =N Y Times= p6 S 12 ’20 2000w

“He gives an unusually clear analysis, supported by rich and apt

quotation, of the effects of poetry upon the reader. The value of his

essay lies in its vivid ability to provide us with those moments of

lucid understanding in which poetic experience is restored to us.” L.

R. Morris

+ =Outlook= 126:377 O 27 ’20 400w

“He is first of all a collector, secondly, an assayer, thirdly, and a

little less willingly, an arbiter, and, only incidentally and

reluctantly, a reasoner or controversialist.” O. W. Firkins

+ − =Review= 3:501 N 24 ’20 2000w

=PERRY, LAWRENCE.= For the game’s sake. (Fair play ser.) il *$1.65

Scribner

20–15706

“Half a dozen tales, each having to do with some special form of

athletics, make up Mr Lawrence Perry’s little volume entitled ‘For the

game’s sake.’ The first tells of a football ‘star’ who, being also

‘The spoiled boy,’ broke training and misbehaved himself until the

coach found it necessary to put him off the team. But there was a

sensible and eloquent girl in the case, who brought the culprit to

book in a manner which convinced him of the error of his ways. Another

tale has to do with an international tennis tournament. Baseball of

course is not neglected. Each of the tales presupposes a fairly close

acquaintance on the reader’s part with that particular game with which

it has to do.”—N Y Times

* * * * *

+ =N Y Times= p27 S 26 ’20 230w

“The book stands for clean playing in every sport. Each story works up

thrillingly to a dramatic climax where victory comes by the narrowest

of margins.”

+ =Springf’d Republican= p9a O 31 ’20 200w

=PERRY, STELLA GEORGE (STERN) (MRS GEORGE HOUGH PERRY).= Palmetto.

*$1.90 (1c) Stokes

20–15507

Palmetto, as a child of thirteen, runs away from the only parents she

has ever known, but whom she instinctively feels are only foster

parents. She finds a refuge in New Orleans with a kindly fisherman who

adopts her and brings her up as his own daughter. Associated with him

is David Cantrelle, a lad of good birth whose family is genuinely

shocked at his choice of occupation. He loves Palmetto from the first,

and when her heart awakens and responds to his, they become engaged.

But his family objects to the match, on account of the mystery of her

birth and she determines to show them she is worth while. So she goes

to New York where she makes a conspicuous success as an actress. One

of her southern admirers follows her there, makes ardent love to her

and almost succeeds in replacing David in her heart. But she learns in

time that her love for David is deeper than any Hartley can command.

The mystery of her birth is eventually cleared up and she finds she

has as good blood in her veins as either David or Hartley.

* * * * *

“The greatest defect in this romance of the bayou region of Louisiana

is that it is somewhat overlong. Individual sentences and paragraphs

are frequently overgrown with too rank a growth of adjectives.”

+ − =N Y Times= p20 D 5 ’20 500w

=PETERSON, SAMUEL.= Democracy and government. *$2 Knopf 321.8

20–104

According to the author’s initial assumption that “a government

carries into effect ideas,” the book naturally falls into two parts:

What persons should have the legal right to determine finally the

ideas to be carried into effect; and in what manner the ideas to be

carried into effect should be selected, and how they should be carried

into effect. Accordingly part 1, The ruling power of the state,

discusses the difference between autocracy, oligarchy and democracy as

one of conditions rather than of law, and defines a democratic

government as a government of the intelligent members of the ruling

race. Part 2, The organization of the government, is an inquiry into

how the ideas to be carried into effect may be selected as reliably

and carried into effect as certainly and efficiently as possible. The

contents under part 2 are: Governmental functions; Legislative

organization; Administrative organization; Judicial organization;

Direct legislation. There is an index.

* * * * *

=Booklist= 16:331 Jl ’20

+ =N Y P L Munic Ref Lib Notes= 7:39 O 20 ’20 60w

=Outlook= 126:558 N 24 ’20 180w

=R of Rs= 61:560 My ’20 50w

=R of Rs= 62:672 D ’20 30w

“A book which, while blazing no new paths, is well designed to assist

the reader in forming a reasonably critical view of the state is

Samuel Peterson’s ‘Democracy and government’ which treats fundamental

political theories with knowledge of their historical importance, yet

with hard-headed sociological insight. The author is always frank,

and, while he has pronounced views of his own, he cannot be called a

doctrinaire.”

+ =Springf’d Republican= p8 Ap 13 ’20 400w

“His criticisms of the present governmental machinery are generally

just, but the remedies suggested might prove to be worse than the

disease. The book shows hard work and earnestness throughout, however,

and should prove a valuable contribution to the literature on the

subject.” A. G. Dehly

+ − =Survey= 44:307 My 29 ’20 200w

=PETRUCCI, RAPHAËL.= Chinese painters; a critical study; tr. by Frances

Seaver; with a biographical note by Lawrence Binyon. il *$2 Brentano’s

759.9

20–7443

“The book comprises a comprehensive and yet compact study of painting

in China. His survey takes us back to the dim ages long before the

appearance of Buddhism in China, and then brings the reader to the

present time.” (Outlook) “It explains briefly the principles of

technique and then, as it sketches the historical evolution of

painting, reveals its dominating philosophical idea, the search for

abstract form. The author was an authority on oriental art. There are

numerous pleasing reproductions, bibliography, index of painters and

periods.” (Booklist)

* * * * *

“Concise and illuminating volume.”

+ =Booklist= 16:336 Jl ’20

“Happily the author writes for the general reader and the lover of art

rather than for the elect; his treatment of a large theme shows the

advantage of one who has a gift for luminous condensation.”

+ =Outlook= 125:541 Jl 21 ’20 170w

“For the uninitiated in these matters, ‘Chinese painters’ is a

necessary education. For him who understands already the beauty of the

masters of China, the book is valuable.”

+ =Springf’d Republican= p6 Ag 26 ’20 280w

=PETTIGREW, RICHARD FRANKLIN.= Course of empire; introd. by Scott

Nearing. il *$4.50 Boni & Liveright 815

20–12790

“The author of this volume held a seat in the United States senate

during the ’90s of the last century. He was active in the senate at a

turning point in the career of the nation, a period when the frontier

was disappearing, when the great oligarchies of capital were

organizing, and when the United States became a colonial power. In

short, his public career is identical with the origin of imperialism

in the United States. The book consists of a compilation of the

speeches of ex-Senator Pettigrew in the senate on these imperialist

policies as they were forming. They fall into three groups—those

dealing with the annexation of the Hawaiian islands; those dealing

with the conquest of the Philippines; and those dealing with the

antagonism of the West to the banking and trust groups of the East.

Accompanying the addresses which reveal a wide variety of information

on the part of the author, are many documents of much historical value

to the reader.”—N Y Call

* * * * *

“These speeches, both concerning Hawaiian affairs and those in the

Philippines, are useful as a matter of record; they will be very

valuable to the future historian, who desires to understand the

obstacles encountered by the nation in its movement toward an expanded

civilization and world power.” E. J. C.

+ =Boston Transcript= p6 O 13 ’20 660w

“The addresses show that the author during his public career had that

capacity which is so rare in the men of a later generation who have

served in Congress. His mind was always open, and he advanced with the

progress of his time.” James Oneal

+ =N Y Call= p10 N 21 ’20 940w

“Although the book comprises a vivid study of the development of

imperial policy in the United States it might better have been

compressed into half the size for the benefit of the general reader.

There are too many and too liberal quotations from Mr Pettigrew’s own

speeches.”

+ − =Springf’d Republican= p6 D 27 ’20 570w

=PHELPS, EDITH M.=, comp. Selected articles on the American merchant

marine. (Debaters’ handbook ser.) *$1.50 Wilson, H. W. 387

20–4721

To this second edition of a handbook published in 1916 nearly one

hundred pages of reprinted matter have been added. This matter is

designed to cover events since the publication of the first edition,

including the assembling of a large merchant fleet and the question of

its disposal, together with arguments for and against government

ownership and operation. The bibliography has been enlarged and

brought down to date, and the introduction and briefs have been

rewritten.

* * * * *

=Ann Am Acad= 90:172 Jl ’20 40w

=Booklist= 16:291 My ’20

“A volume covering intelligently and with reasonable fulness the

history and present status of the commercial fleet of the United

States.”

+ =Springf’d Republican= p10 Ap 30 ’20 280w

=PHELPS, EDITH M.=, ed. University debaters’ annual; constructive and

rebuttal speeches delivered in debates of American colleges and

universities during the college year, 1919–1920. v 6 *$2.25 Wilson, H.

W.

808.5

Seven subjects of timely importance are included in this volume of the

debaters’ annual: Government ownership and operation of coal mines;

The Cummins plan for the control of railroads; Affiliation of teachers

with the American federation of labor; Compulsory arbitration of

railway labor disputes; Compulsory arbitration of labor disputes; The

closed shop; Suppression of propaganda for the overthrow of the United

States government (two debates). Each debate is accompanied by briefs

and a selected bibliography. “The bibliographies have been compiled

mostly by the editor, and are not limited to the material actually

used in the debate, as their main purpose is helpfulness to the

prospective debater.” (Preface) The volume is indexed.

=PHILLPOTTS, EDEN.= As the wind blows. *$1.50 Macmillan 821

20–18071

“Mr Phillpotts sings a good deal about his beloved Dartmoor, but he

tells of other subjects, too—Gallipoli, the grave of Keats, etc.—and

he has one descriptive piece from the jungle called ‘Tiger,’ and a

longish blank verse poem staging Adam and Eve in Paradise.”—The Times

[London] Lit Sup

* * * * *

“Of some of his pieces one has the impression that they were written

as an exercise in verse. But in others a genuine inspiration is

apparent. ‘The neolith’ and ‘Tiger’ contain fine things.”

+ − =Ath= p718 My 28 ’20 70w

“It is the reality of the atmosphere rather than the circumstance that

gives Mr Phillpotts’s verse its individuality; the taste, smell,

contour of locality, rather than the sharp and sudden force of either

crisis or event in human action that gives the unique character to his

rhythmic expression.” W. S. B.

+ =Boston Transcript= p6 Jl 24 ’20 1750w

“He writes in the great English tradition, but brings a note that is

essentially his own at the same time.”

+ =N Y Times= p16 N 7 ’20 290w

“It is always difficult to analyse charm, but in this instance the

effect of the attraction is that we are apt to like poems that have

very palpable faults.”

+ − =Spec= 124:86 Jl 17 ’20 430w

+ =The Times [London] Lit Sup= p443 Jl 8 ’20 60w

=PHILLPOTTS, EDEN.= Evander. *$2 Macmillan

20–4895

“Evander is an apostle of plain living and high thinking in the early

days when the gods of Olympus had not settled their respective rights

in the hierarchy of worship and when marriage was still a rare thing

among humble folk. Festus and Livia were perhaps the first among their

neighbours to wed, under the auspices of Bacchus, while Evander, as

the votary of Apollo, endeavours to convert her to the higher worship

of his god. He succeeds for a time in gaining her allegiance, and she

leaves her husband to follow him, but finds the mental atmosphere too

rarefied for her, and finally returns to her home and husband, Bacchus

being able to show his half-brother the unwisdom of vengeance on

Festus.”—Sat R

* * * * *

“The delicate, bright atmosphere in which this enchanting book is

bathed must be left for the reader to enjoy.” K. M.

+ =Ath= p15 Ja 2 ’20 650w

“The dialogue is full of witty and amiable satire of our own times,

the barb being especially sharp for the ‘intelligentzia’ of all

times.” H. W. Boynton

+ =Bookm= 51:340 My ’20 460w

“It is impossible to overlook the roguish satire upon social affairs

of the present day that Mr Phillpotts has woven into his story. The

very presence and name of Bacchus proves that he has reference to the

immediate present in writing of the far-away past.” E. F. E.

+ =Boston Transcript= p6 F 18 ’20 1600w

+ =Dial= 68:664 My ’20 80w

“The trouble with the book is the same as with all of Mr Phillpotts’s

books—a lack of felicity which is not compensated for, as it is in the

case of his master, Hardy, by a dour grandeur. ‘Evander’ particularly

needed grace and there is none.”

− + =Nation= 110:304 Mr 6 ’20 400w

“The tale would, indeed, be worth reading merely for the grace and

charm of its style, and its flexible, deft, and effective phrasing.”

+ =N Y Times= 25:89 F 15 ’20 900w

“A bit of irony impishly humorous, entirely delightful.”

+ =N Y Times= 25:190 Ap 18 ’20 20w

“The vein is one of mild social satire; the touch is light and easy;

and here also is the charm of imagination and fancy.”

+ =Outlook= 124:430 Mr 10 ’20 80w

“We should like to congratulate the author on his success in a rather

limited style of fiction. We can remember nothing in English at all

equal to it since Dr Garnett’s ‘Twilight of the gods,’ while it has

much in common with Anatole France in the satire of the foibles of the

philosopher which lies at its root. It may be perceived we are giving

Mr Phillpotts high praise.”

+ =Sat R= 129:40 Ja 10 ’20 150w

“A pretty, though often rather cheap, little story.”

+ − |=Spec= 123:822 D 13 ’19 100w

“Mr Phillpotts’s literary cunning makes an agreeable tale out of all

this—picturesque and quietly humorous.”

+ =The Times [London] Lit Sup= p697 N 27 ’19 100w

=PHILLPOTTS, EDEN.= Miser’s money. *$2 Macmillan

20–3882

“The characters [of this novel] are drawn with realism and subtlety.

More especially that of David Mortimer, the hard-bitten old miser,

whose cheese-paring, hatred of women, and cynical disbelief in

everybody and everything are so cleverly defended that they almost

capture the young soul of his nephew Barry Worth, who lives with him

and works his farm. David leaves his money to Barry on condition that

he doesn’t marry, the fact that Barry was ‘tokened’ to a buxom barmaid

having been concealed from him. Barry is true to Marian; the will is

void; and the money divided between the miser’s brother and two

sisters. But the lawyer who handed the will to Barry delivered at the

same time a bulky letter from David to be read in solitude. In that

letter is contained the mystery, the heart of the matter which makes

the novel.”—Sat R

* * * * *

“The characters are interesting and the story moves along pleasantly

and very calmly. There is less humor than in some of the earlier

work.”

+ =Booklist= 16:283 My ’20

“After all, Mr Phillpotts has said his say about human nature on

Dartmoor, and he has little new to offer in type or situation. It is

pleasant and comfortable to meet some more of his people now and

then—and that is all.” H. W. Boynton

+ − =Bookm= 51:339 My ’20 520w

“The story as a whole is an excellent example of Mr Phillpotts’s style

at its best.” E. F. E.

+ =Boston Transcript= p4 Mr 17 ’20 1200w

“The novel is beautifully written. All Mr Phillpotts’s readers know

how fine are his descriptions of his dearly loved Dartmoor, though

there are fewer of them in this his latest novel than in the majority

of his Dartmoor books.”

+ =N Y Times= p116 Mr 14 ’20 1150w

“An excellent example of the author’s quiet, subtle, and humorous

exposition of contrasted character.”

+ =Outlook= 124:657 Ap 14 ’20 100w

“It is as charming a novel, and as telling a picture of family life on

‘Dartymoor’ as we ever read, or as Mr Phillpotts has ever written.

Worthy to rank with the best of his many delightful novels.”

+ =Sat R= 129:333 Ap 3 ’20 440w

“The different veins of his talent, tragic and humorous, are here

fused with happy results. ‘Miser’s money’ shows him at his mellowest

and best as artist and observer.”

+ =Spec= 125:215 Ag 14 ’20 530w

“The plot is simple and rather erratic, but taken as a whole the story

displays that excellence of craftsmanship which long since placed the

author in the forefront of his peculiar field.”

+ =Springf’d Republican= p13a Ap 18 ’20 750w

“Mr Phillpotts keeps us almost too near to life. He presents us with

one more faithful and consistent study of Dartmoor people, but of

Dartmoor people principally in their heavier and less significant

moments. The plot, though simple and pastoral, is a very good plot;

but no plot could survive this flood of conversation.”

+ − =The Times [London] Lit Sup= p186 Mr 18 ’30 400w

=PHILLPOTTS, EDEN.=[2] West country pilgrimage. il *$9 Macmillan 914.2

“A by-product of Mr Phillpotts’s researches into the lore of

Devonshire has been put together in a volume entitled ‘A west country

pilgrimage,’ with sixteen illustrations in color by A. T. Benthall.

Here he sketches in a series of sixteen essays the scenes of heath and

river, of village and shore as they meet the eye of the traveller

through or the sojourner in that corner of England.”—Boston Transcript

* * * * *

“The book represents the happiest combining of language, printing, and

art.” Margaret Ashmun

+ =Bookm= 52:344 D ’20 130w

+ =Boston Transcript= p7 O 30 ’20 260w

“Some of the water colors by A. T. Benthall are unusually fine, and

they all display a decided originality of talent. To many, perhaps,

the illustrations will seem preferable to the text, for they achieve

their intended result with less effort.” B. R. Redman

+ − =N Y Times= p9 Ja 9 ’21 140w

“An attractive book for lovers of Devon and Cornwall.”

+ =The Times [London] Lit Sup= p442 Jl 8 ’20 90w

=PICKARD, BERTRAM.= Reasonable revolution. *$1.25 Macmillan 336.2

(Eng ed 19–12869)

“A thin blue volume entitled ‘A reasonable revolution,’ filled with

economic principles and suggestions, has just been brought out by

Macmillan company. It is an ardent and eager defense of the state

bonus for motherhood and national minimum income scheme as evolved by

Dennis Milner, the head of the state bonus league of England. This

book is written by Bertram Pickard, who has been a co-worker with

Milner for some time.” (Springf’d Republican) “Briefly, the scheme is

for a national appropriation of 20 per cent of all incomes, without

consideration of other taxes or burdens on them; the resulting fund to

be pooled and redistributed in such a way as to provide every

individual and family with a national minimum sufficient to sustain

national standards of comfort, health, education and other essentials

of a full and efficient life.” (Survey)

* * * * *

=Ath= p570 Jl 4 ’19 50w

“Mr Pickard is thoroughly conversant with his subject, looks at it

tirelessly from every point of view and appears to answer every

possible question with which a careful student of economics might

attack the scheme.”

+ =Springf’d Republican= p10 Mr 12 ’20 220w

=Survey= 43:194 N 29 ’19 440w

=PILLSBURY, WALTER BOWERS.= Psychology of nationality and

internationalism. *$2.50 (3½c) Appleton 321

20–458

For descriptive note see Annual for 1919.

* * * * *

“The argument is well-reasoned throughout.” C. G. Fenwick

+ =Am Pol Sci R= 14:340 My ’20 90w

“Following upon much political disputation on nationality and

internationality, it is very clarifying to follow this psychologist

through his discussion of the mentality of nations.”

+ =Booklist= 16:190 Mr ’20

“His belief in the integrity of the national state does not take into

account that growing regionalism which challenges the authority of the

state at the same time that it denies the false unity of belligerent

nationalism. And the temperate lucidity of the author’s psychological

exposition does not equate his superficial examination of the

historical groundwork of nationality and internationalism.”

− + =Dial= 68:404 Mr ’20 150w

“The reviewer found the most interesting chapter the one on Hate as a

social force.” Ellsworth Faris

+ =Int J Ethics= 30:339 Ap ’20 330w

Reviewed by Joseph Jastrow

+ =Nation= 112:185 F 2 ’21 450w

+ =Springf’d Republican= p11a My 16 ’20 300w

“Dr Pillsbury’s chapter on Hate as a social force is very apposite and

suggestive. The chapter on The nation and mob consciousness is an

excellent criticism of LeBon’s group psychology. The chapter on

Nationality and the League of nations is the least satisfactory.”

+ − =The Times [London] Lit Sup= p215 Ap 1 ’20 500w

=PINKERTON, MRS KATHRENE SUTHERLAND (GEDNEY), and PINKERTON, ROBERT

EUGENE.= Long traverse. il *$1.50 (2c) Doubleday

20–12811

When Bruce Rochette comes into the northland he comes with a deadly

hatred of the Hudson’s Bay Company and a determination to avenge his

mother’s death which he holds the fur trading company responsible for.

He wins the confidence of the Hudson’s Bay Company’s manager, Herbert

Morley, and then uses every trick and stratagem at his command to

establish a rival post at Fort Mystery. Everything is going well,

until he meets Evelyn Morley, and falls in love with her. Judged by

her absolute standards of right and wrong, his policy of all’s fair in

war condemns him in his own eyes as well as hers. In an endeavor to

straighten matters out, he very nearly loses his self respect, his

girl, his job, and even his life. But finally everything is restored

to him that is necessary for his happiness and Evelyn’s.

* * * * *

“A pleasantly written tale.”

+ =Booklist= 17:35 O ’20

=PINKERTON, MRS KATHRENE SUTHERLAND (GEDNEY), and PINKERTON, ROBERT

EUGENE.= Penitentiary Post. il *$1.50 (2c) Doubleday

20–10313

A story of the Hudson’s Bay Company. Phil Boynton is sent to take

charge of the fort known as Penitentiary Post, a place with an evil

reputation. Behind him at Savant House, he leaves the girl he loves,

knowing that John Wickson, the man who is sending him north, also

loves her and is determined to win her, and half suspecting that

personal motives were back of the appointment. At Penitentiary Post he

finds himself fully occupied with the mystery of the “weeteego,” or

evil spirit, that haunts it. His Indians desert the place in fear and

the fur hunters refuse to come near it. Joyce Plummer, hearing tales

of what he is undergoing, comes alone through the storm to find him,

and Wickson follows. The three, who are forced to make common cause

against hunger, come to an understanding, and the poor, crazed Indian

who had watched his family die of starvation and is taking a weird

revenge on the white man, meets his own fate.

* * * * *

=Booklist= 17:35 O ’20

=PINOCHET, TANCREDO.= Gulf of misunderstanding; or, North and South

America as seen by each other. *$2.50 Boni & Liveright 917.3

20–17985

“This book first appeared serially in El Norte Americano. Mr Pinochet

is a Chilean and the author of seven books on government and kindred

subjects. He came to this country some years ago for the expressed

object of learning to understand the United States that he might tell

his countrymen about us. He has selected an entertaining manner of

setting forth the views of the two Americas. He has made no attempt to

make a story of his book, yet he has introduced two distinct

characters. The first is a Latin-American man, who, being in the

United States, writes letters to his wife at home about whatever

interests him in this country. The woman is an American, a member of

the censor’s department during the war. She reads the letters of the

husband and in her turn writes an accompanying letter, discussing the

same subject.”—Boston Transcript

* * * * *

“The surprising thing about the book is that Mr Pinochet should so

have entered into the United States point of view as to make one

believe, while reading his instructive volume, that a native of this

country had risen in its defense.”

+ =Bookm= 52:368 D ’20 300w

“The book should prove a link in the chain which should finally bind

closer the two continents, so many of whose interests are the same.”

+ =Boston Transcript= p7 N 24 ’20 390w

“Both the imaginary writers are interesting and neither writes a page

that one can go to sleep over.”

+ − =N Y Times= p7 Ja 9 ’21 1750w

“The book has a temporary flavor, being written before the adoption of

the suffrage amendment and more recent events. But it will prove

interesting to anyone who wishes to know how a highly intelligent

‘foreigner’ judges our country from the front it presents to him.”

+ − =Springf’d Republican= p7a D 26 ’20 290w

=PINSKI, DAVID.= Ten plays. *$2 Huebsch 892.4

20–9850

These ten one-act plays have been translated from the Yiddish by Isaac

Goldberg. They depict the various weaknesses and passions of men:

greed, selfishness, war hysteria, lust, war’s devastation, with at the

end a dramatization of the Midrash legend. The titles are: The

phonograph; The god of the newly rich wool merchant; A dollar; The

cripples; The Inventor and the king’s daughter; Diplomacy; Little

heroes; The beautiful nun; Poland—1919; The stranger.

* * * * *

“Plays which are often unpleasantly grim though not sordid. There is

the same keen analysis of human nature as in earlier plays. The method

is symbolic rather than literal, and sometimes the meaning is

blurred.”

+ − =Booklist= 16:338 Jl ’20

“Brilliant but not always clear.”

+ − =Cleveland= p87 S ’20 20w

“There are few of his ‘Ten plays’ which can wholly escape the

murkiness of inferior translation.” K. M.

+ − =Freeman= 1:548 Ag 18 ’20 450w

“Mr Pinski has become an unswerving symbolist. He has deliberately

silenced the voice of nature that sounded so clearly in his earlier

plays. He still cultivates the ironic anecdote in dramatic form but

his mind is more fixed on the bare intention than on the stuff of

life. His peculiar dangers are the fantastic and the obscure, and

these make several of his plays ineffectual.”

+ − =Nation= 110:693 My 22 ’20 250w

“Pinski may lack certain graces, especially graces of lightness and

saving humor. But passion and power he does not lack, whether he

writes in one-act or three. No American dramatist today gives such an

effect of surging vitality. It will be a great pity if he does not

identify himself more closely with American life and write ultimately

for English-speaking audiences direct.” W. P. Eaton

+ =N Y Call= p10 Jl 18 ’20 350w

“The shortest of the ten plays, ‘Cripples,’ is the strongest. Force,

indeed, gnarled and ungainly, is characteristic of Mr Pinski’s drama

at its best. This force, however, is accompanied by a heaviness of

tread and a density of fibre which are prolific of trials for the

sensitive reader.”

− + =Review= 3:133 Ag 11 ’20 320w

“Every play in the volume is readable, most of them are actable. It

would, in fact, be safe to say that they would all be actable if they

were in the hand of the players of the Jewish art theatre, who know as

well as Pinski does how to make the quick transitions—native to the

Jewish mind and heart—from tragedy to comedy, from irony to philippic,

from joy to the depths of sorrow.”

+ =Theatre Arts Magazine= 4:225 Jl ’20 310w

=PITT, FRANCES.= Wild creatures of garden and hedgerow. il *$4 (7c) Dodd

590.4

20–27527

A collection of papers by an English naturalist, who says, “The

following account of some of the commoner birds and beasts around us

is written in the hope of interesting boys and girls, and some of the

older people too if possible, in the wild life of garden, hedgerow,

and field.” (Preface) Contents: Bats; The bank vole; Two common birds

(blackbird and thrush); Shrews; Toads and frogs; The longtailed field

mouse; ‘The little gentleman in the black velvet coat’; Thieves of the

night; Some garden birds; The hedgehog; Three common reptiles; The

short-tailed field vole. The illustrations are from photographs.

* * * * *

“Her first-hand records are set out in an easy unpretentious style,

and on obscure points she makes suggestions as illuminating as they

are modest.” E. B.

+ =Ath= p303 S 3 ’20 720w

+ =Booklist= 17:100 D ’20

“Miss Pitt’s book is beautifully printed and handsomely illustrated

and is especially of value for the reading of young people, many of

whom are glad to make friends with the living things of the world

about them.”

+ =Boston Transcript= p4 D 11 ’20 400w

“Miss Pitt is to be congratulated on a book which takes its place in

the first rank of works on field natural history. It is a personal

record of clever, patient, and sympathetic observation.” J. A. T.

+ =Nature= 106:246 O 21 ’20 1700w

“The author’s work is not inspired or inspiring, but it is clean of

sentimentality and of spurious nature philosophy, pleasant reading,

and informative.”

+ =N Y Evening Post= p29 O 23 ’20 130w

Reviewed by E. L. Pearson

+ =Review= 3:376 O 27 ’20 50w

+ =Spec= 125:710 N 27 ’20 30w

“The photographs of the little creatures in their haunts are most

cleverly taken.”

+ =The Times [London] Lit Sup= p554 Ag 26 ’20 60w

“Even if they sometimes carry a rather too large conclusion, these

histories of birds and beasts and creeping things are full of fine

insight and the right enthusiasm.”

+ − =The Times [London] Lit Sup= p563 S 2 ’20 600w

=PLATT, AGNES.= Practical hints on playwriting. il *$1.50 (5c) Dodd

808.2

20–17152

A book of advice on writing for the professional stage. The author

says “I do most fervently believe that the dry bones of stage

technique can be taught—in fact, all my personal experience goes to

prove this. I have been handling plays now for more years than I care

to remember, and have found in case after case that a little technical

adjustment will turn an unmarketable play into a commercial

proposition.” Among the topics covered are: What the public want;

Things that are essential in a good play; How to choose a plot; How to

select and differentiate the characters; Humour; How to sell a play

when finished; Casting and production. A glossary of stage terms comes

at the end. The author is an English woman writing with London

conditions in mind but most of her discussion is general in nature.

* * * * *

+ =Ath= p384 Mr 19 ’20 50w

“A beginner, provided he were only a beginner with no idea of the

drama, would do well to read this book.”

+ =N Y Evening Post= p10 D 31 ’20 180w

=PLUMB, CHARLES SUMNER.= Types and breeds of farm animals. (Country life

educ. ser.) rev ed il *$3.80 Ginn 636

20–8897

A revision of a work published in 1906. The new edition contains “a

more detailed discussion relative to the great breeds, and

considerable space is devoted to families of importance and to noted

individuals. A large amount of new data has been collected relating to

various phases of production, although it is a hopeless task to bring

such records down to date.... The number of chapters remains the same,

but several obsolete breeds have been omitted and other new and more

important ones have been substituted. Maps and many illustrations have

been added.” (Foreword)

* * * * *

“The book gives probably the best account published of modern farm

animals and there are good illustrations. Another very interesting

feature is the history of the families which the author has diligently

worked out.” E. J. R.

+ =Nature= 106:659 Ja 20 ’21 210w

=POLLAK, GUSTAV.= International minds and the search for the restful.

$1.50 Nation press 814

19–16675

The collection of essays in this book are gathered from articles

contributed to the Evening Post and the Nation before the war. As the

title indicates, they fall into two groups. The first group bears out

the author’s claim “that intellect recognizes no distinctions of

nationality, race, or religion.” He has selected a representative of

each, from the literatures of Germany, Austria, France and America in

the persons of Goethe, Grillparzer, Sainte-Beuve and Lowell and points

out a certain similarity of attitude toward life and literature, of

perception of the dignity of literary achievement, of keen-eyed

observation and of a self-contained repose. The second group of essays

is devoted to Ernst, Baron von Feuchtersleben, and his book on the

“Hygiene of the soul” which of late years has achieved a new fame. One

of the essays gives a resumé of the book. The titles of the essays

are: Literature and patriotism; Goethe’s universal interests;

Grillparzer’s originality; Sainte-Beuve’s unique position; Lowell:

patriot and cosmopolitan; Permanent literary standards; Feuchtersleben

the philosopher; The hygiene of the soul; Feuchtersleben’s aphorisms;

Feuchtersleben’s influence.

=POLLARD, ALBERT FREDERICK.= Short history of the great war. *$3.25

Harcourt 940.3

20–26545

“Although several histories of the war have already appeared, only a

few of them have been written by men who had an ante-war historical

reputation. Dr Pollard is one of this small group. For many years he

has held the chair of English history in the University of London, and

is the author of numerous historical works, besides having served as

assistant editor of the ‘Dictionary of national biography.’ His record

of the war is chronologically complete, and includes the work of the

peace conference.”—R of Rs

* * * * *

“Simply as an account of military events the volume leaves something

to be desired, in spite however of what the book does not contain—and

one cannot say everything in four hundred pages—the volume is well

worth reading.” A. P. Scott

+ − =Am Hist R= 26:331 Ja ’21 470w

“An excellent feature of Professor Pollard’s evenly balanced and

temperately written narrative is that it corrects several popular

misapprehensions.”

+ =Ath= p431 Mr 26 ’20 260w

=Booklist= 16:309 Je ’20

“An excellent record of the facts, combined with a true representation

of their relative importance. Some of his opinions will not be

generally accepted, and he has a strong prejudice against the present

prime minister. Original views will not, however, detract from the

great and patriotic interest of the book. The style is vigorous and

sometimes eloquent.” G. B. H.

+ =Eng Hist R= 35:477 Jl ’20 190w

“In contrast with some other writers on the subject, he has succeeded

in being more historical than hysterical. Having mastered the sources,

as far as they are available, he presents his conclusions with

admirable impartiality. But his book is conclusive proof that the true

history of the war will not be written in this generation.” Preserved

Smith

+ − =Nation= 110:804 Je 12 ’20 800w

“It is written from the British rather than from the world’s point of

view.” Walter Littlefield

+ − =N Y Times= p6 D 19 ’20 380w

“He has vision, he has perspective, and almost more, he has style. In

reading this book, we are clearly conscious that a discriminating

spirit of power and clearness is ever preserving a proper balance, and

so resisting the temptation of overcoloring and undercoloring.

Professor Pollard has written a capital book, packed with common

sense; it will be hard to surpass it.”

+ =Review= 3:423 N 3 ’20 650w

“His book undoubtedly represents the best that English historical

scholarship can do at this stage by way of outlining the five-years’

struggle.”

+ =R of Rs= 61:670 Je ’20 120w

“Professor Pollard’s lucid narrative and caustic comments are highly

interesting. His very able and stimulating book deserves careful

reading.”

+ =Spec= 124:355 Mr 13 ’20 200w

“Professor Pollard’s is a notable achievement; and he who has been

looking for the one small volume which shall tell him what innumerable

more bulky ones have failed to impart may be confidently recommended

to purchase this short history. We cannot, however, invariably follow

Professor Pollard in his military appreciations.”

+ − =The Times [London] Lit Sup= p133 F 26 ’20 1050w

=POLLEN, JOHN HUNGERFORD.= English Catholics in the reign of Queen

Elizabeth, 1558 to 1580; a study of their politics, civil life and

government. *$7.50 (*21s) Longmans 282

20–7672

“Father Pollen has written a history of the English Catholics under

Elizabeth from the fall of the old church to the advent of the

counter-reformation (1558–1580). He himself gives us the reasons of

his beginning with the reign of Elizabeth; ‘Henry’s revolt is indeed

the proper starting-point for a history of the reformation taken as a

whole; but Elizabeth’s accession is better, if one is primarily

considering the political and civil life of the post-reformation

Catholics. Reform and counter-reform under Henry, Edward and Mary were

transitory. The constructive work of each was immediately undone by

their successor. But the work done by Queen Elizabeth, whether by

Catholic or Protestant, lasted a long time. There have, of course,

been many developments since, but they have proceeded on the lines

then laid down. On the Catholic side the work of reorganization began

almost immediately after the first crash, though it was only in the

middle of the reign that the vitality and permanence of the new

measures became evident.’”—Cath World

* * * * *

“The soundness of his assumptions, the critical value of his

judgments, are certainly for us to consider. An internal history of

Catholic organization such as Father Pollen might write would be

exceptionally valuable, but this book does not contain it.” R. G.

Usher

+ − =Am Hist R= 26:84 O ’20 1250w

+ =Cath World= 111:534 Jl ’20 1050w

“Father Pollen has written an interesting and scholarly work on a

critical period of our island history. The book is written, on the

whole, with tact and discrimination: the author holds the scales more

evenly than most Catholic historians do between the warring creeds and

factions.”

+ − =Sat R= 130:55 Ag 17 ’20 1200w

“His present volume is well documented with printed and unprinted

material. He is somewhat sparing in his references to other scholars

who have laboured in the same field.”

+ − =The Times [London] Lit Sup= p560 S 2 ’20 1400w

=POLLOCK, SIR FREDERICK.= League of nations. *$4 (*10s 6d) Macmillan

341.1

20–14891

“The author’s purpose is to give a practical exposition of the

covenant of the League of nations, ‘with so much introduction as

appears proper for enabling the reader to understand the conditions

under which the League was formed and has to commence its work.’ The

references to authentic documents and to other publications, which are

given at the heads of some of the chapters, are of material assistance

to the reader.”—Ath

* * * * *

=Ath= p462 Ap 2 ’20 130w

“A valuable reference and guide to further reading written for the

layman.”

+ =Booklist= 17:55 N ’20

“The veteran jurist’s exposition of the text of the covenant is

lucidity itself.”

+ =Spec= 124:215 F 14 ’20 180w

+ =The Times [London] Lit Sup= p39 Ja 15 ’20 330w

=POLLOCK, JOHN.=[2] Bolshevik adventure. *$2.50 Dutton 914.7

20–1771

“Mr Pollock was in Russia from 1915 to 1919, and his book pretends to

be nothing more than a calm statement of facts as he saw them.” (Ath)

“We gather that until the revolution of November, the author worked on

the Red cross committee: when the others left the country, however, he

stayed on, though he should have left with them. One day in the summer

of 1918, he was told by a friend that the Red guards were in

possession of his rooms at the hotel. From that date he lived under a

disguise and an assumed name. He got employment as a producer of

plays, and to attain membership in the second food category he joined

the ‘Professional union of workers in theatrical undertakings.’ He

worked in this capacity first at Moscow, and afterwards at Petrograd

until January, 1919, when he decided to risk an attempt at escape into

Finland.” (Sat R)

* * * * *

=Ath= p32 Ja 2 ’20 150w

“‘The entire upper class’ is Mr Pollock’s chief concern throughout his

book. Everything else in Russia is anathema, to be damned in eternity.

Especially the Jews. There are so many Jews in the ‘Bolshevik

adventure’ that in reading the book one has the impression that Mr

Pollock uses Russia as a misnomer for Jewry.” S. K.

− =Ath= p111 Ja 23 ’20 1250w

“The like of his book for misstatement, weakness of thought, and

excited imagination is not to be found even among books on Russia.”

Jacob Zeitlin

− =Nation= 112:20 Ja 5 ’21 240w

“This book should have been written in two parts, the first containing

Chapters I to VI and the second Chapters VII, VIII, and IX. Then the

first part should have been filed with the Minister of propaganda at

London and pigeonholed in an asbestos-lined receptacle. This treatment

would have left us with eighty pages of rather vivid narrative by an

English eye-witness.”

− + =N Y Evening Post= p4 D 31 ’20 780w

“It is a pity that Mr Pollock’s style of writing is not better: some

of the confusion of Russia appears to have crept into the construction

of his sentences. Apart from such minor defects as these, the book is

a magnificent and crushing indictment of the Bolsheviks by one who has

lived under their misrule for nearly sixteen months. No other work on

the subject has conjured up for us such a vivid picture of the

loathsome misery and degradation to which communism can drag a

country.”

+ =Sat R= 129:211 F 28 ’20 550w

“Where Mr Pollock tells his own story he does succeed in adding to the

volume of evidence against them. But the other portions of the book,

written in the early days of the bolshevik régime, are too violent and

too superficial to be convincing.”

− + =The Times [London] Lit Sup= p2 Ja 1 ’20 1050w

=POLLOCK, WALTER.= Hot bulb oil engines and suitable vessels. il *$10

Van Nostrand 621.4

(Eng ed 20–10619)

“The objects of this book are: (1) To popularise the engine, to

explain what it has done and what it is capable of doing; (2) To

enable those interested to appreciate the advantages and disadvantages

of the various designs; (3) To facilitate the study, and add to the

general knowledge of this form of prime mover and its application to

vessels of various types.” (Chapter I) There are 369 illustrations and

an index.

* * * * *

“The photographic reproductions and clear and carefully executed

drawings are calculated to give sufficient detail without introducing

unnecessary complexity.”

+ =Engineer= 129:225 F 27 ’20 380w

+ =N Y P L New Tech Bks= p32 Ap ’20 160w

=POOLE, ERNEST.= Blind. *$2.50 (2c) Macmillan

20–18299

The theme of this novel is stated in Chapter 1: “I am blind—but no

blinder than is the mind of the world, these days. The long thin

splinter of German steel which struck in behind my eyes did no more to

me than the war has done to the vision of humanity.” Larry Hart, who

tells the story, begins with his boyhood, describing the happy home

life that his Aunt Amelia created for himself and his sister Lucy as

well as for her own children in the old Connecticut homestead. After

college he goes to New York as a journalist, lives in the slums with

his friend, Steve McCrea, a doctor, has a part in the budding reform

movements of the nineties, mixes with radicals, interests himself in

strikes, writes plays, is swept into the enthusiasm of the Progressive

movement and in 1914 goes to Berlin as correspondent. Later he goes to

Russia to report the revolution and when America enters the war

enlists, and, as the first chapter foretells, is blinded. In its

closing chapters the book becomes largely a commentary on America’s

part in the war, arriving at no definite point of view or conclusion.

* * * * *

“Little plot, but real people and much earnest seeking after truth.”

+ =Booklist= 17:73 N ’20

“On the whole, it is newspaper correspondence worked into the shape of

a novel. The parts dealing with Russia immediately after the fall of

the Czar are especially interesting.”

+ =Dial= 70:230 F ’21 100w

“The author is more than a seer of social progress; he has the sense

for individuality which a novelist must possess. It suffers not

because it is, in large part, about the war period, but, like its

blind, hard-thinking hero, because of the war. It is like many an

ex-soldier, just perceptibly shell-shocked. As a book it should have

been restrained, cut down, cooled, simplified. But so should the war.”

+ − =N Y Evening Post= p4 O 23 ’20 900w

“‘Blind’ is just one more testimonial to the incompatibility as

bookmates of art and argument, one more example of their mutually

fatal effect upon each other. When ‘the will to convince’ comes in at

the door, artistry flies out the window. Some of the descriptive

writing in ‘Blind’ is excellent.”

− + =N Y Times= p24 O 31 ’20 800w

“It must not be thought that the novel is one of social propaganda

alone. It has fictional vitality because of the variety and realism of

its shifting scenes, the good and bad human qualities of its actors,

its rapid movement, and its precision in description.” R. D. Townsend

+ =Outlook= 126:653 D 8 ’20 270w

“It seems incredible that so soon after a devastating war anyone could

write so sane a book as ‘Blind.’ Best of all, it is a book that

compels thought, without a shred of the sentimentality that so many

novelists feel is a necessity in any successful novel recipe.” E. P.

Wyckoff

+ =Pub W= 98:1191 O 16 ’20 260w

=POOLEY, ANDREW MELVILLE.= Japan’s foreign policies. *$3.50 Dodd 327

(Eng ed 20–12064)

The present volume was originally a part of a larger unpublished work.

The chapters of that work dealing with Japan’s internal affairs were

published in 1917 under the title “Japan at the cross roads” while the

chapters dealing with Japan’s foreign affairs compose the present

book. It records the rapid imperialistic developments in Japan and its

Chinese policy and hints at the possibility of a war between America

and Japan in the making. Contents: Japan and the Anglo-Japanese

alliances; Japan’s real policy in China; The first revolution in

China, 1911–12; The second revolution in China, 1912–13; Japan,

America and Mexico, 1911–14; The twenty-one demands; Japan’s

commercial expansion, 1914–18; Note.

* * * * *

=Booklist= 17:95 D ’20

=Boston Transcript= p4 N 6 ’20 750w

Reviewed by A. P. Danton

+ =N Y Evening Post= p3 D 31 ’20 1000w

Reviewed by W. W. Willoughby

=Review= 3:474 N 17 ’20 1300w

=The Times [London] Lit Sup= p386 Je 17 ’20 90w

“In the present work special knowledge is manifest, but its value is

vitiated from the outset by the violence of the author’s unconcealed

hostility. His book is a sweeping judgment, and, like all sweeping

judgments, unjust. There is evidence of this kind of haste throughout

the book, from the literary as well as from the critical point of

view.”

− + =The Times [London] Lit Sup= p462 Jl 22 ’20 1000w

Reviewed by W. R. Wheeler

=Yale R n s= 10:431 Ja ’21 340w

=POORE, IDA MARGARET (GRAVES) lady.= Rachel Fitzpatrick. *$1.75 (2c)

Lane

20–11899

The heroine is an Irish girl who spends two years with wealthy

relatives in London. The Fitzpatricks belong to the gentry but are

very poor and gladly accept the offer that means two years of

education for Rachel. At the end of the two years she goes to Germany.

The war finds her there alone with her aunt’s German husband, who

takes advantage of the situation to make love to her. She runs away

and after many difficulties reaches Ireland. The course of the war and

the Irish attitude are touched upon and the story ends with Rachel’s

marriage to her sailor lover.

* * * * *

“The authoress’s naive Irish heroine is skilfully and naturally

drawn.”

+ =Ath= p386 Mr 19 ’20 100w

“If there is a fault to be found with this story, it is that enough is

not made of the big scenes in the life of the charming heroine. Yet,

this does not, somehow, detract from the pleasure of the book, which

is charmingly written in a style that is too rapidly passing. A good

part of the pleasure derived from the story is due to its clever

characterizations.”

+ − =N Y Times= 25:27 Jl 25 ’20 550w

+ =Outlook= 125:615 Ag 4 ’20 30w

“A novel which is neither better nor worse than hundreds of others.”

+ − =Sat R= 129:455 My 15 ’20 140w

“What is perhaps the chief merit of quite a readable story is the

pictures of Irish life and character, of which the author has an

intimate knowledge.”

+ =The Times [London] Lit Sup= p189 Mr 18 ’20 150w

=POPENOE, WILSON.= Manual of tropical and subtropical fruits. (Rural

manuals) il *$5 Macmillan 634

20–15789

“The author is an expert, employed as agricultural explorer for the

United States Department of agriculture. On his title page he

announces his design of excluding the banana, the cocoanut, the

pineapple, citrus fruits, the olive and the fig.... He begins with the

avocado, which many people in the regions where it grows often call

the avocado pear. He displays his scientific knowledge by giving first

a botanical description of the avocado, its history and distribution,

its composition and its uses.... The story of the avocado is followed

with similar considerations of the mango, the date, the papaya and its

relatives, the loquat, the guava and its intimates, the litchi, kaki,

pomegranate, breadfruit and a great variety of other fruits of lesser

fame, about which few of us have heard.”—Boston Transcript

* * * * *

=Boston Transcript= p6 N 24 ’20 300w

+ =N Y Evening Post= p27 O 23 ’20 320w

=Springf’d Republican= p7a D 26 ’20 60w

=The Times [London] Lit Sup= p800 D 2 ’20 100w

=PORTER, ELEANOR (HODGMAN) (MRS JOHN LYMAN PORTER) (ELEANOR STUART,

pseud.).= Mary Marie. il *$1.90 (2½c) Houghton

20–8035

Her father had wanted to name her Mary, her mother Marie. Mary Marie

was the compromise. But there had come a time when compromise seemed

no longer possible, followed by separation and divorce. Mary Marie

spends six months of the year with her father, six with her mother,

and she tells about it in her diary. In one house she is Marie. In the

other she tries to be Mary. But after awhile things get so mixed up

she doesn’t know which she is, for she finds her mother trying to make

her into a staid, dignified Mary, while her father seems to be

encouraging the Marie side of her. And then she is the means of

bringing the two together, and the book closes with a postscript that

gives a glimpse of Mary Marie’s grown-up story.

* * * * *

=Booklist= 16:350 Jl ’20

“The book is very readable, and occasionally amusing.”

+ =Boston Transcript= p8 My 29 ’20 420w

+ =N Y Times= 25:26 Jl 4 ’20 600w

“The story falls short of what we expect from Miss Eleanor H. Porter.”

+ − =Spec= sup p782 D 3 ’20 60w

“Beneath the light tone of the narrative may be observed a serious

moral. The frequent misfortunes of divorce, especially where there are

children, are pointedly apparent here. But Mary Marie will be loved

for herself alone, for her quaint observations, for her unspoiled

character, and for her earnest efforts to understand life.”

+ =Springf’d Republican= p11a Jl 11 ’20 600w

=The Times [London] Lit Sup= p637 S30 ’20 30w

=PORTER, HAROLD EVERETT (HOLWORTHY HALL, pseud.).= Egan. *$1.90 (2c)

Dodd

20–15701

When Bronson Egan came back to Plainfield, Ohio, after four years of

service in France, he found his status very different from what it had

previously been. He went away the only son of a wealthy father, and

practically engaged to one of the city’s most attractive girls. He

came back to find his father dead, their business wrecked, and the

girl reengaged to a stay-at-home. With characteristic determination he

set himself to gain back what he had lost. It was not all plain

sailing, however, for he had keen rivals in business as well as love.

But he had staunch friends as well, and the end of the story finds him

re-established in business on a firmer basis than before, and happy in

the love of a girl who is more worthy of him than the fickle Mary.

* * * * *

“The business element is particularly well developed.”

+ =Booklist= 17:73 N ’20

“Aside from occasional lapses, Mr Hall’s style is well adapted to his

material, which is in part new.” C. K. H.

+ − =Boston Transcript= p6 O 16 ’20 530w

“It is the substantial characterization which makes the book finally

so satisfactory. Its fresh and rapid story-telling ought to win for it

a large general audience.”

+ =N Y Evening Post= p22 O 23 ’20 250w

“There is no letup in the interest, and the business element is

especially well handled.”

+ =N Y Times= p27 S 12 ’20 240w

“The present story is worthy of praise especially for the consistency

and humanness of young Egan. Perhaps the financial and business sides

of the book are a little too much to the front, but, as a whole, the

novel keeps the reader’s attention on the alert, and it includes some

exceedingly good character depiction.”

+ =Outlook= 126:202 S 29 ’20 170w

“The novel exists for its narrative, which is neatly conceived and

marks Mr Porter’s further growth in the art of story-telling. It flows

along with agreeable humor, and the reader’s interest is sustained

without recourse to theatricalities.”

+ =Springf’d Republican= p9a O 24 ’20 580w

=PORTER, REBECCA NEWMAN.= Girl from Four Corners. il *$1.75 (2c) Holt

20–6861

A California story with scenes laid on a lonely ranch and in San

Francisco. Margaret Garrison, disappointed in the man she loves,

yields to Frederick Bayne’s sudden wooing and goes to live on his

ranch in Mendocino county. The marriage is unhappy, but with fine

courage she makes the best of it and trains her little daughter,

Freda, to be true to the highest ideals. Most of the story has to do

with the career of this daughter, who after her mother’s death goes to

San Francisco where she passes thru many experiences, some of them

tragic, and finally finds happiness and love.

* * * * *

“The story is entertainingly told, and toward the end a dramatic touch

is thrown in.”

+ =N Y Times= p26 Ag 1 ’20 260w

+ =Springf’d Republican= p11a S 26 ’20 120w

=POST, MELVILLE DAVISSON.= Mystery at the Blue villa. *$1.75 (2c)

Appleton

20–1695

Seventeen dramatic short stories by the author of “Uncle Abner.” The

settings in these stories are selected from many fascinatingly remote,

and also familiar places. In the title story the action takes place at

Port Said, a refuge for human derelicts, “the devil’s halfway house,”

where through cleverly playing upon a guilty man’s fear of the

supernatural, a dying sculptor gets money enough to die in the way it

pleases him. “The great legend,” narrated by a semi-French,

semi-oriental gentleman sitting beside a fire made of bleached bones,

on an undulating, moonlit desert of sand, takes us to the underworld

of Paris. “The miller of Ostend” is a tale of Belgium. “The pacifist”

is a story of the United States and a German spy. Other titles are:

The laughter of Allah; The witch of the Lecca; The new administration;

The Baron Starkheim.

* * * * *

“Though somewhat overdramatic and artificial, the plots are clever and

interesting.”

+ − =Booklist= 16:246 Ap ’20

+ =Dial= 68:537 Ap ’20 40w

“The stories are well told and the people have much more character and

individuality than is usual among inhabitants of mystery tales.”

+ =Ind= 103:322 S 11 ’20 140w

“They have variety and freshness, and, if occasionally overemphasized,

they are never trite.”

+ − =N Y Times= 25:191 Ap 18 ’20 40w

“In the matter of untangling a crime or running a mystery to its lair

Melville Davisson Post can give even the immortal Holmes himself quite

a brush. His latest collection in no way falls short of the Uncle

Abner tales.” E. C. Webb

+ =Pub W= 96:1694 D 27 ’19 240w

“All have the merit of sustaining the reader’s interest up to an

unexpected conclusion.”

+ =The Times [London] Lit Sup= p442 Jl 8 ’20 50w

=POST, MELVILLE DAVISSON.= Sleuth of St James’s square. *$2 (3c)

Appleton

20–18613

A book of mystery stories. There are sixteen in all, and in each of

them Sir Henry Marquis, chief of the Criminal investigation department

of Scotland yard, figures. He is not the Sherlock Holmes type of

detective, for mystery and solution seem to run side by side, instead

of being spread out like a pattern before him. Some of the tales Sir

Henry reads from the diary of an ancestor. The titles are: The thing

on the hearth; The reward; The lost lady; The cambered foot; The man

in the green hat; The wrong sign; The fortune teller; The hole in the

mahogany panel; The end of the road; The last adventure; American

horses; The spread rails; The pumpkin coach; The yellow flower; A

satire of the sea; The house by the loch. Many of the tales journey

far afield from St James’s square for their setting. Some have already

appeared in short story form in popular magazines.

* * * * *

+ =Booklist= 17:160 Ja ’21

“The stories are short, piquant and cleverly maneuvered, though the

mechanism which moves the puppets is sometimes a bit too evident and

there is great lack of originality in the gestures made by them either

when they pause or start up again.” N. H. D.

+ − =Boston Transcript= p6 N 24 ’20 500w

“They are not only unusual in construction; they are very well

written, and with but few exceptions, close with a twist which will

surprise even the skilled and habitual reader.”

+ =N Y Times= p21 D 12 ’20 380w

“The author’s method is unusual and some of the tales are remarkably

good.”

+ =Outlook= 126:600 D 1 ’20 50w

=Springf’d Republican= p7a N 28 ’20 130w

=POSTGATE, R. W.= Bolshevik theory. *$2 Dodd 335

The book is a sincere attempt to state what Bolshevism is and what it

is not—to clear away “the atmosphere of a dog-fight which surrounds

this subject.” (Introd.) The author claims for it that it is neither

pro-bolshevik nor anti-bolshevik. “It is a mere exposition. It is true

that a certain amount of intelligent sympathy is necessary for the

understanding of a point of view. The marks of some such sympathy may

be traced in this book. This is inevitable, for it is merely the

reflection of the author’s belief that bolshevik theories are neither

inhuman ... nor logically ridiculous.... If these assumptions are not

correct, then Bolshevism is not worth considering.” (Introd.) The

contents are: What is Bolshevism? Controversies; The dictatorship of

the proletariat; On dictatorship; The two roads; The pedigree of

Bolshevism; Extracts and comments; Syndicalism, Blanquism and

Bolshevism; Karl Kautsky; Industrial pacifism; The soviet; The future

of the soviet. There are appendices and a bibliographical note.

* * * * *

+ =Ath= p441 O 1 ’20 190w

Reviewed by Jacob Zeitlin

=Nation= 112:20 Ja 5 ’21 210w

“R. W. Postgate has set forth in a clear and concise manner the facts

about Bolshevism.”

+ =N Y Times= p25 Ja 2 ’21 220w

=Sat R= 130:463 D 4 ’20 140w

“His historical allusions are not to be depended upon. Many of the

rest of Mr Postgate’s references to the Bolshevists, past and present,

and to General Denikin and other anti-Bolshevists, are equally

unreliable.”

− =The Times [London] Lit Sup= p430 Jl 8 ’20 1200w

=POTTER, MIRIAM CLARK.= Rhymes of a child’s world. il *$2 Four seas co.

811

A book of little verses for children. It is a collection of poems

about the everyday things, child fancies, and lullabies. There are

three groups of poems: In the house; Outdoors at play; Twilight songs.

The illustrations are by Ruth Fuller Stevens. Many of the poems have

appeared in the Youth’s Companion, St Nicholas and Little Folks.

* * * * *

“Such quaint imagery greatly appeals to the dreamy child. The

illustrations by Ruth Fuller Stevens are especially charming and

nicely adapted to the text.”

+ =N Y Evening Post= p10 S 25 ’20 160w

“Deserves to be noted for its naturalness and fidelity to childish

moods. It has a strong appeal to both old and young.”

+ =Springf’d Republican= p12 O 20 ’20 70w

“Both verse and illustration have the subtle quality of imagination,

even when their theme sounds realistic. These poems are amusing to

children and well worth the attention of their elders.”

+ =Springf’d Republican= p8 N 18 ’20 90w

=POUND, EZRA LOOMIS.= Instigations of Ezra Pound, together with an essay

on the Chinese written character. *$3.50 Boni & Liveright 814

20–8532

“A collection of criticisms and essays, with an essay by Fenollosa on

the Chinese written character, edited by Pound. There are short

sketches of the modern French poets with quotations; a detailed

appreciative criticism of Henry James and his works; another on Remy

de Gourmont; a group including James Joyce, T. S. Eliot Wyndham Lewis,

Lytton Strachey, the new poetry; essay by Jules Laforgue, an amusing

commentary on Genesis, a discussion of Arnaut Daniel and some sharp

raps at Greek translators, including Browning.”—Booklist

* * * * *

+ =Booklist= 16:338 Jl ’20

“An important point, however, about Mr Pound’s critical writings,

which has been generally neglected, is this: they do satisfy two very

conspicuous demands of the American public; the demand for

‘constructive criticism,’ and the demand for ‘first rate school

teaching.’” W. C. Blum

+ =Dial= 69:422 O ’20 900w

=Freeman= 1:334 Je 16 ’20 550w

“The ‘Instigations of Ezra Pound’ have this virtue—they badger and

bully us out of a state of intellectual backwardness.” Padraic Colum

+ =New Repub= 25:52 D 8 ’20 650w

− =N Y Times= 25:293 Je 6 ’20 1300w

“Stimulating and provocative statements provide an intellectual shower

bath.”

+ =Springf’d Republican= p11a Ag 8 ’20 320w

=POWELL, CHARLES.= Poets in the nursery. *$1.50 Lane 827

20–19194

To this collection of parodies on well-known poets, John Drinkwater

writes an introduction to the effect that although parodies are

usually a defilement of poetry and contemptible, these never outrage

our love of poetry but exercise it in a very friendly intimacy. Mr

Powell, he says, invariably catches his subject’s external manner with

easy precision, the underlying spiritual force never evades him and he

measures himself successfully against the poet’s impulse as well as

against its formal expression. While Mother Goose furnishes the

subjects the poets are: G. K. Chesterton, John Masefield, Ella Wheeler

Wilcox, Alfred Noyes, Rudyard Kipling, Henry Newbolt, William Watson,

Austin Dobson, W. B. Yeats, Thomas Hardy, A. C. Swinburne, W. E.

Henley, D. G. Rossetti, Walt Whitman, Omar Khayyám, Francis Thompson,

Robert Browning, E. B. Browning, E. A. Poe, Alfred Tennyson.

* * * * *

“John Drinkwater’s introduction to ‘The poets in the nursery’ leads us

to expect work of high distinction, and though we find traces of

burlesque now and then, our expectations are realized.”

+ =Springf’d Republican= p6 N 1 ’20 200w

=POWELL, E. ALEXANDER.= New frontiers of freedom, from the Alps to the

Ægean. il *$2.50 (5c) Scribner 914.9

20–7665

The author has traveled by motor car and by sea “from the Alps to the

Ægean, in Italy, Dalmatia, Montenegro, Albania, Macedonia, Turkey,

Rumania, Hungary and Serbia” and gives his impressions of what he saw

in these countries during the year succeeding the armistice while they

and their people were in a state of political flux. “To have seen

millions of human beings transferred from sovereignty to sovereignty

like cattle which have been sold—these are sights the like of which

will probably not be seen again in our times or in those of our

children” and, the author thinks, may serve to illustrate an important

chapter in history. Contents: Across the redeemed lands; The

borderland of Slav and Latin; The cemetery of four empires; Under the

cross and the crescent; Will the sick man of Europe recover? What the

peace-makers have done on the Danube; Making a nation to order. There

are numerous illustrations from photographs.

* * * * *

+ =Booklist= 16:300 Je ’20

“Major Powell gives an excellent description of d’Annunzio. He has

brought the same keenness of observation and ease of style to the

other portraits in this volume, which range from picturesque peasants

to exiled royalties. His treatment of the political situation in the

countries he visited is marked by clarity and fairness.”

+ =N Y Times= 25:12 Jl 4 ’20 500w

“This narrative is spirited and colorful throughout.”

+ =R of Rs= 61:669 Je ’20 80w

“A book as interesting as it is instructive.”

+ =Springf’d Republican= p9a O 31 ’20 250w

=POWELL, LYMAN PIERSON=, ed. Social unrest. 2v $2.50 Review of reviews

co. 308

20–1056

“The two volumes entitled ‘The social unrest’ present the best current

thought of leading authorities as now focussed on the industrial and

social problems of the day. The opinions of President Wilson and

ex-president Taft are set forth side by side with those of Karl Marx,

Morris Hillquit and Sidney Webb. All schools of opinion have here at

least the privilege of utterance. The material has been edited and

coordinated by Dr Lyman P. Powell.”—R of Rs

* * * * *

=Ind= 103:319 S 11 ’20 60w

+ =Outlook= 124:336 F 25 ’20 60w

=R of Rs= 61:223 F ’20 200w

“We fear the editor’s somewhat hesitant attempt to link up these

pieces into something looking like a methodically arranged whole has

not been successful—at least we are unable to tell what the plan of

that arrangement really is. But it is the collection itself that

counts, and this is of great interest.” B. L.

+ − =Survey= 43:782 Mr 20 ’20 280w

=POWER, RHODA.= Under the Bolshevik reign of terror. *$2 McBride 947

20–2711

“A record of domestic experiences in a bourgeois household in Rostov,

on the Don, during the old régime, the revolution, and the Bolshevik

occupation.”—Brooklyn

=Boston Transcript= p8 N 22 ’19 500w

=Brooklyn= 12:71 Ja ’20 30w

“A lively and readable little book.”

+ =Cleveland= p104 S ’19 30w

“An intimate, readable account of Bolshevism is presented in this

volume. The book is free from theorizing and statistics, but it tells

of the practical effect of Bolshevism on people who lived through the

first days of this sinister experiment.”

+ =N Y Times= 24:465 S 14 ’19 240w

“Miss Power has given us a series of vivid sketches. They are

impressionistic and full of power, but they must not be accepted as

descriptive of general conditions.”

+ − =Sat R= 128:204 Ag 30 ’19 120w

“An extremely vivid and interesting account of certain phases of the

Russian revolution from the pen of an eye-witness. One would like to

know how far this family, of the rich bourgeois type, was

representative of its class. If there were many others like it, the

appalling violence and bloodiness of the revolution cease to be matter

of wonder.”

+ =The Times [London] Lit Sup= p224 Ap 24 ’19 700w

=PRATT, JAMES BISSETT.= Religious consciousness; a psychological study.

*$3.50 Macmillan 201

20–10634

“Professor Pratt’s point of view in the present volume is avowedly

scientific. He aims to describe the religious consciousness as it

presents itself for observation to the modern psychologist, that is to

say, without any attempt to press behind phenomena into the realm of

the unknown or the unknowable. An interesting feature of his treatment

is a constant use of the results of recent questionnaires sent out to

ascertain the present state of the religious consciousness among

various classes of Americans. He has studied the forms of

Protestantism in America. Roman Catholicism he has studied in Europe

and at home. Finally, he has made his pilgrimage through India, Burma,

and Ceylon, seeking initiation into the letter and the spirit of

Hinduism, Buddhism, and Mohammedanism in mosque and shrine and temple,

from peasants, teachers, priests, and holy men. The last five chapters

of the book deal with mysticism.”—Nation

* * * * *

“‘The religious consciousness’ is a very good book. Dr Pratt knows his

subject and he knows how to write about it. There is hardly a dull

page in the nearly five hundred of this volume. Perhaps the most

valuable quality of the book is its quiet sanity.” R. R.

+ =Freeman= 2:22 S 15 ’20 360w

“His account of phenomena is remarkably fresh and instructive; and it

differs commendably from some of its predecessors in emphasizing

rather normal than exceptional types of experience.” S. P. Sherman

+ =Nation= 111:506 N 3 ’20 1550w

Reviewed by G. E. Partridge

=N Y Times= p28 D 26 ’20 250w

=PRENTICE, SARTELL.= Padre. *$2 Dutton 940.476

19–13304

“[This book tells the] experiences of a Red cross hospital chaplain of

the Dutch Reformed church, principally in Base hospital 101, at St

Nazaire and in Evacuation hospital 13 where wounded were received

straight from the battlefield. [It is] full of anecdotes revealing the

bravery of individuals, and the gratitude of the French people toward

Americans.”—Cleveland

* * * * *

=Cleveland= p16 F ’20 50w

“There is nothing particularly new in the narrative, although the fact

that it comes first-hand from one who saw and lived the awful scenes

he describes gives it a value of its own which cannot be gainsaid.”

+ =N Y Times= 24:516 O 5 ’19 500w

=PRICE, EDITH BALLINGER.= Silver Shoal light. il *$1.75 Century

20–16502

When Miss Joan Kirtland, who has left town very suddenly after a

disagreement with Mr Robert Sinclair, finds that the Harbor View house

cannot take her in, she is at a loss for a place to spend the night.

Captain ‘Bijah Dawson comes to her aid and suggests that the light

house people may take her in. As Captain ‘Bijah assured her, they are

“cur’ous folks,” Jim and Elspeth Pemberley and their little son Garth,

but their presence in this unusual situation is explained and Joan,

who had meant to stay a night, then a week, remains all summer. Joan,

who had thought she did not like children, is captivated by Garth and

at the end of the summer learns that Mr Sinclair is his Uncle Bob. Jim

Pemberley has aspirations toward the navy and there is a German spy

episode in the story.

* * * * *

+ =Booklist= 17:78 N ’20

=PRICE, EDITH BALLINGER.= Us and the bottle man. il *$1.50 Century

20–14292

The story of three delightful children who play pirates and send out a

message in a sealed bottle that brings a surprising answer and leads

to a pleasantly mysterious correspondence. And then events take a

serious turn. What had been play becomes reality and the “three poore

mariners” become castaways indeed for the length of one dreadful

night. Their rescuer is no less person than the Bottle man himself and

a war-time romance is at the same time brought to a happy culmination.

* * * * *

“Although somewhat adult in point of view, the mystery and adventure

will interest children from ten to twelve.”

+ =Booklist= 17:78 N ’20

=PRICE, JULIUS MENDES.= On the path of adventure. il *$3.50 (5½c) Lane

940.48

20–11661

The author was war-artist correspondent for the Illustrated London

News. The present work is a record of his adventures in the early

months of the war, before the existence of war correspondents had been

“officially admitted.” The book, he says, “does not in any way claim

to be an addition to the formidable array of books on the technical

side of the war. It is, on the contrary, merely a narrative compiled

from the notes in my diary of a period during the early days of the

war when I was ‘out’ to get all the material I could.... As my

wanderings were entirely within the zone of operations, it is obvious

that the incidents I have described were always more or less connected

with the theatre of the war—but they were happenings rather behind the

scenes than on the actual battle-front.” The book is illustrated with

drawings from the author’s sketch book.

* * * * *

=Ath= p1387 D 19 ’19 50w

“One of the few interesting but not sordid personal narratives.”

+ =Booklist= 17:66 N ’20

“Mr Price puts down his remarkable escapades and hairbreadth escapes

as a sportsman and an artist. There is something beautifully

impersonal in the style of his book. This makes of his book something

unique in war annals, a book that is ‘beautifully and completely

something,’ as Henry James might have said.” B. D.

+ =N Y Times= p21 Ag 29 ’20 750w

=Sat R= 129:191 F 21 ’20 750w

+ =The Times [London] Lit Sup= p698 N 27 ’19 50w

=PRICHARD, HESKETH VERNON HESKETH.= Sniping in France, with notes on the

scientific training of scouts, observers, and snipers; with a foreword

by General Lord Horne of Stirkoke. il *$5 Dutton 623.44

(Eng ed 20–12124)

“Major Hesketh-Prichard was of course, as a big game hunter, a natural

sniper. He enjoyed sniping because it employed all his highly

specialised hunter faculties to the full—sight, hearing, and all those

analytical powers which hunters possess. His book is full of good

stories. But what will make the book interesting to the soldier is the

complete way in which Major Hesketh-Prichard manages to justify the

art of sniping, and to show how intolerable it is to be opposed to a

well-organised sniping side unless you can answer in kind. Major

Hesketh-Prichard proves completely that it will always be worth while

from the point of view of _moral_ to maintain an efficient body of

specialist snipers.”—Spec

* * * * *

“Before the war the author was known as a sportsman, traveller, and

athlete. It is his other vocation, that of writer, which helps him not

merely to give us information, but to give it in a form enthralling as

any detective story.”

+ =Ath= p816 Je 18 ’20 180w

“Written in a style that makes it pleasantly acceptable to the general

reader.”

+ =N Y Evening Post= p12 N 27 ’20 220w

“His book is fascinating in its records of romantic individual tales

and of cunning camouflage which are intended for the general reader,

but we trust that the military authorities will not on this account

overlook it. Major Hesketh-Prichard has a contribution to make to

military science.”

+ =Spec= 124:728 My 29 ’20 280w

+ =The Times [London] Lit Sup= p293 My 13 ’20 900w

=PRISONER of Pentonville=, by “Red Band.” *$1.50 Putnam 821

20–8220

Poems written while the author was confined in Pentonville prison in

London, between September, 1917, and May, 1918. They are written in

varying meters and on different themes. Many are addressed to his

wife, one is written on receiving news of his mother’s death, others

recall scenes from boyhood, and one that brings to mind “Reading gaol”

is written the day of an execution. The concluding poems record his

sentiments as release approaches and there is an epilogue written

after regaining liberty. Joseph Fort Newton, formerly of the City

Temple, London, now of the Church of the divine paternity, New York,

writes a foreword.

* * * * *

“The emotional sincerity which constantly contrives to break through a

crust of indifferent and often absurd verse makes this series of

prison meditations a very interesting and moving human document.”

+ − =Ath= p495 Ap 9 ’20 80w

+ =Boston Transcript= p4 My 12 ’20 950w

=PRITCHARD, MYRON THOMAS, and OVINGTON, MARY WHITE=, comps. Upward path;

with an introd. by Robert R. Moton. il *$1.35 Harcourt 810.8

20–16516

The foreword to this collection of readings for colored children says:

“To the present time, there has been no collection of stories and

poems by negro writers, which colored children could read with

interest and pleasure and in which they could find a mirror of the

traditions and aspirations of their race. Realizing this lack, the

compilers have brought together poems, stories, sketches and addresses

which bear eloquent testimony to the richness of the literary product

of our negro writers.” All of the contributors to the volume are

negroes, among them Paul Laurence Dunbar, Booker T. Washington, W. E.

B. DuBois, James Weldon Johnson and others who have made names in

literature. In addition to these there are the less familiar names of

negro educators, social workers, ministers and lawyers, and there is

one explorer, Matthew Henson, who was with Peary at the Pole.

* * * * *

“The selections in it are ably chosen and present a great variety. But

more important is the fact that it must accomplish its intent. For

while giving pleasure, it will foster the love of tradition, and from

the evidences of past accomplishment, an honest racial pride.” M. E.

Bailey

+ =Bookm= 52:305 Ja ’21 140w

+ =Boston Transcript= p5 N 27 ’20 360w

“A collection of stories and poems by negroes—many of them very good.

Perhaps whites can gain as much from it as can the blacks. The book

would be suitable for junior high schools.”

+ =English J= 9:549 N ’20 60w

=Lit D= p94 D 4 ’20 170w

=PRYDE, ANTHONY.= Marqueray’s duel. *$2 (1½c) McBride

20–7060

Marqueray, to all appearances, was a globe-trotter and a sportsman. In

truth he was a secret spy in the employ of the British foreign office.

His knowledge stands him in good stead against a certain Lord

Marchmont, a millionaire Jew, implicated in illicit transactions in

South America. The latter has allowed a poor innocent Irish girl, in

reality Lady Marchmont, to consider herself duped by him and to be a

“fallen woman,” after he had turned her adrift. Phyllida is found and

rescued by Marqueray and his friend and cousin, Aubrey West. A romance

grows up between Phyllida and Marqueray, who naturally wants to

horsewhip Marchmont and free his beloved entirely from his clutches.

Before this can be done a political election and much intrigue,

involving West, intervene. In the end Marqueray is wounded by a shot

from Marchmont who himself succumbs to his vicious morphia habit. Some

fine touches of friendship and loyalty among men make one of the

features of the story.

* * * * *

“The story drags somewhat in places; but ... the book as a whole may

be read with a fair amount of satisfaction.”

+ − =Ath= p414 My 30 ’19 120w

“Very good work. Readers who liked Stephen McKenna’s ‘Sonia’ will

probably like this.”

+ =Booklist= 16:350 Jl ’20

“It is evidently Mr Pryde’s first novel, and it is far and above the

majority of ‘first novels.’ He writes with a good deal of style, and

his characterization is excellent to the least important actor on his

London stage.” G. M. H.

+ =Boston Transcript= p4 My 19 ’20 540w

“The book is exceedingly well written, with a steady succession of

incidents, always logical and never loosening their hold on the

interest. The book is a long one, but it never becomes tedious.”

+ =N Y Times= 25:329 Je 20 ’20 500w

Reviewed by Isabel Juergens

+ =Pub W= 97:1288 Ap 17 ’20 260w

“A very clever romance.”

+ =Sat R= 128:346 O 11 ’19 100w

“It is decidedly melodramatic, but the melodrama is well done.”

+ =Spec= 123:154 Ag 2 ’19 30w

“The author displays much ability for character portraiture. As a

romanticist he is not so capable.”

+ − =Springf’d Republican= p11a Je 27 ’20 650w

=PRZYBYSZEWSKI, STANISLAW.= Snow. *$1.50 Brown, N. L. 891.85

20–4039

“‘Snow,’ a play in four acts by Stanislaw Przybyszewski, translated

into English by O. F. Theis, is a powerful production. A man and wife

are living happily together. A brother comes in and falls in love with

the wife. A woman friend comes in and the husband falls in love with

her. Result—unfaithfulness and a double suicide.”—Springf’d Republican

* * * * *

“The types are not typical; they are primarily unconvincing. There is

an intense and urgent attempt at drama which, were it only dramatic,

would be Ibsen, even Wagner, in terms of men and not gods. The play is

disappointing to read, because it does not grip; it is scarcely fitted

for theatrical success, because it has insufficient sustained

interest.”

− + =Boston Transcript= p6 Mr 31 ’20 220w

“The beautiful diction and Maeterlinckian charm of the Polish

original, are somewhat lost in translation.”

+ − =Cleveland= p87 S ’20 50w

“‘Snow,’ which bears amusing internal evidence of its translation from

a German original, is a characteristic phantasmagoria of the acutely

hysterical. It is not without moments of sombre effectiveness. But

action and passion are both, humanly speaking, in the void. The

characters are haunted wraiths in an unrealized world who live and

love and die equally without motivation.”

− + =Nation= 110:435 Ap 3 ’20 200w

“The tale is true to life and truthfully presented and commendable for

artistic qualities, but uselessly nerve-racking for all that.”

+ − =Springf’d Republican= p8 Ap 8 ’20 100w

“Limitations of temperament may easily prevent a western reader from

doing justice to characters who seem to him so morbid and neurotic, so

pathologically introspective: nor can he see ‘Snow’ as a play for the

western stage. Yet he must admit that the author shows at times

profound psychological insight and can write occasional passages of

power.”

+ − =Theatre Arts Magazine= 4:259 Jl ’20 230w

=PUMPELLY, RAPHAEL.=[2] Travels and adventures of Raphael Pumpelly; ed.

by O. S. Rice. il *$1.75 Holt

20–22545

The book is an abridged edition of the author’s autobiography, “My

reminiscences,” for young readers. As a mining engineer, geologist,

archaeologist and explorer, the author’s experiences, which transpired

on our western frontier in it’s heroic days, on the mountains of

Corsica, in China, Japan and Siberia, were many and thrilling and

those portions of the original work have been selected that are most

interesting to the young with only so much editing as was required to

make a connected story. Appropriate illustrations have been added.

* * * * *

+ =N Y Evening Post= p11 D 31 ’20 130w

=PURDAY, HERBERT FRANK P.= Diesel engine design. il *$7.50 Van Nostrand

621.43

(Eng ed 20–18166)

“This book is based on about twelve years’ experience of Diesel

engines, mainly from the drawing-office point of view, and is intended

to present an account of the main considerations which control the

design of these engines. The author ventures to hope that, in addition

to designers and draughtsmen, to whom such a book as this is most

naturally addressed, there may be other classes of readers—for

example, Diesel engine users and technical students—to whom the

following pages may be of interest.” (Preface) Contents: First

principles; Thermal efficiency; Exhaust, suction and scavenge; The

principle of similitude; Crank-shafts; Flywheels; Framework; Cylinders

and covers; Running gear; Fuel oil system; Air and exhaust system;

Compressed air system; Valve gear; Index. There are 271 figure

illustrations.

* * * * *

=N Y P L New Tech Bks= p32 Ap ’20 80w

=PUTNAM, GEORGE PALMER=, comp. Tabular views of universal history. il

*$2.50 Putnam 902

19–16001

In this latest edition of the compilation the summary has been brought

down to the peace conference in Paris; like former revisions, under

the editorial supervision of George Haven Putnam. Two new maps are

added showing the forfeited German colonies and Germany under the

peace treaty, and there is a supplementary index covering events

subsequent to August 1, 1914.

=PUTNAM, MRS NINA (WILCOX).=[2] It pays to smile. *$1.90 (2c) Doran

20–19578

Miss Freedom Talbot, of Boston ancestry and birth, is the narrator of

the story, and shares honors with “Peaches” Pegg as the heroine. Her

family fortunes being at a low ebb, she answers an advertisement

inserted by the millionaire Pinto Pegg for a chaperone for his

daughter. This combination of money and breeding Pinto hopes will

result in culture for the daughter. Their course in refinement

includes a trip to Europe and a stay in California, in the process of

which Miss Freedom receives perhaps as broad an education as “Peaches”

does. Romance and mystery enter their lives, but after an exciting

course, true love runs smoothly at last.

* * * * *

“The story is perhaps very improbable, but not unreal.”

+ =N Y Evening Post= p17 D 4 ’20 80w

“Except as a study of the Boston governess and Peaches, showing how

each reacts on the other, there is little to note. When the author

ventures to work out a ‘plot’ she is singularly unconvincing.”

+ − =N Y Times= p27 Ja 9 ’21 650w

+ =Outlook= 126:558 N 24 ’20 50w

“The early chapters describing the Talbot home on Chestnut street,

Boston, are much the best of the book.”

+ − =Springf’d Republican= p7a D 26 ’20 140w

=PYLE, KATHARINE.=[2] Tales of wonder and magic. il *$2 (3c) Little

20–19078

This is the third volume of old-world fairy tales and folk lore

translated, adapted and illustrated by the author. The stories are:

White as snow, red as blood, and black as a raven’s wing—Irish; The

wonderful ring—East Indian; The three sisters—Georgian; The golden

horse, the moon lantern, and the beautiful princess—Swedish; The lady

of the lake—Welsh; The beaver stick—American Indian; The enchanted

waterfall—Japanese; Fair, brown, and trembling—Irish; The demon of the

mountain—Transylvanian gipsy; The Lamia—Hindoo; The three doves—Czech;

Mighty-arm and mighty-mouth—East Indian; The beautiful

Melissa—Louisiana; The castle that stood on golden pillars—Danish; The

twelve months—Czech.

Q

=QUENNELL, MARJORIE, and QUENNELL, CHARLES HENRY BOURNE.= History of

everyday things in England. v 2 il *$4.50 (v 1 and 2 in one volume *$9)

Scribner 914.2

(Eng ed 19–6495)

“The second volume of a history which applies real historical research

to the making of children’s books. As in the first book the authors

have described changes in building, furniture, dress, and games as

‘history in stone, wood, and fabrics.’ It is their desire to present

work as a ‘joyous sort of business’ which shall give boys and girls

the desire to take the pains with their labors which distinguished the

craftsmen. Bibliography. Index.”—Booklist

* * * * *

+ =Ath= p127 Ja 23 ’20 90w

“Charming volume.”

+ =Booklist= 16:247 Ap ’20

“This second part is not nearly so good as its predecessor. Its

authors have been spoilt by success, and the latter pages of the book

in particular show, to put it mildly, signs of haste. The first

chapter, on the sixteenth century, is the best.”

+ − =Sat R= 129:435 My 8 ’20 1150w

“The second part is as original and as fascinating as the first, and

those who read the first will know that no higher praise can be

given.”

+ =Spec= 124:145 Ja 31 ’20 1000w

=QUICKENS, QUARLES, pseud.=[2] English notes. $15 L. M. Thompson, 29

Broadway, N.Y. 817

20–6982

“In 1842, not long after the appearance of Charles Dickens’s

irritating ‘American notes,’ there was published anonymously in Boston

a work bearing for its title an obvious parody—‘English notes for very

extensive circulation by Quarles Quickens.’ This book is now reprinted

by Lewis M. Thompson of New York, with an introductory essay designed

to prove that the person who hid under the pseudonym of ‘Quarles

Quickens’ was Edgar Allan Poe. Joseph Jackson and George H. Sargent

supply an introduction and notes, and the publisher has added two

portraits of Poe.”—Springf’d Republican

* * * * *

“The book is valuable as a curiosity rather than as a masterpiece of

Poe’s style.”

+ =Boston Transcript= p6 Je 23 ’20 260w

“The truth is that the pamphlet is mostly dull, a ponderous parody.

Its merit today is that it has served Mr Jackson for an excellent and

entertaining piece of detective work. In its present form, with this

foreword, ‘English notes’ must have a place on the shelves of every

collector of Dickens or of Poe.”

+ − =Nation= 111:382 O 6 ’20 410w

=N Y Times= p9 Ag 1 ’20 2800w

“Unfortunately, the attribution of the work to Poe is sustained by

neither internal nor external evidence.”

− =Springf’d Republican= p6 Jl 19 ’20 600w

=The Times [London] Lit Sup= p305 My 13 ’20 160w

+ =The Times [London] Lit Sup= p595 S 16 ’20 600w

=QUILLER-COUCH, SIR ARTHUR THOMAS (Q., pseud.).= On the art of reading.

*$2.75 Putnam 028

20–16869

The spirit of the volume can perhaps best be illustrated by two

extracts from the preface: “The real battle for English lies in our

elementary schools, and in the training of our elementary teachers. It

is there that the foundations of a sound national teaching in English

will have to be laid, as it is there that a wrong trend will lead to

incurable issues,” and “that a liberal education is not an appendage

to be purchased by the few; that humanism is, rather, a quality which

can, and should, condition all our teaching; which can, and should, be

impressed as a character upon it all, from a poor child’s first lesson

in reading up to a tutor’s last word to his pupil on the eve of a

tripos.” Contents: Apprehension versus comprehension; Children’s

reading; On reading for examinations; On a school of English; The

value of Greek and Latin in English literature; On reading the Bible;

On selection; On the use of masterpieces; Index.

* * * * *

“We find it as hard to conceive that undergraduates did not enjoy

hearing these lectures on ‘The art of reading’ as that ‘Q’ did not

enjoy delivering them. The elements of an ideal professor were always

in him. To communicate a gusto, a vivid and thrilling delight in

literature for its own sake, as a delectable duchy where no passport,

save the fact of your own enjoyment, is required, is a gift given to

few. ‘Q’ is among them.” J. M. M.

+ =Ath= p234 Ag 20 ’20 2000w

“Especially useful to elementary teachers.”

+ =Booklist= 17:147 Ja ’21

+ =Dial= 70:108 Ja ’21 50w

“As an advocate of books, I know of none so well equipped in

perspective to give advice as Quiller-Couch; as a precepter, I have

met with no one on whom the burden of his task has rested so lightly,

so agreeably, so sympathetically, as on him. Out of the fullness of

his enjoyment he speaks, and it is refreshing to observe how jealously

he tries to rescue the books he loves from the palsied grasp of the

pedagog.” M. J. Moses

+ =N Y Times= p5 Ja 2 ’21 2650w

“Original points of view, apt quotations, and genial play with the

subject characterize the volume.”

+ =Outlook= 126:690 D 15 ’20 60w

=Sat R= 130:219 S 11 ’20 1500w

+ =Spec= 125:472 O 9 ’20 1050w

“The style is too discursive, there is too much quoting, some of the

long sentences puzzle one on first reading. And yet what a professor

of literature! Why do not all universities secure men like this King

Edward VII professor?”

+ − =Springf’d Republican= p8 Ja 6 ’21 570w

“Sir Arthur Quiller-Couch in his lectures shows that he has the

interests of the children and of the young men strongly at heart. His

are not the accustomed utterances of the professor of literature at an

ancient university. They are not in the great style nor, in their

form, are they learned. They abound in irrelevances, with a touch of

facetiousness that is often tiresome, and occasionally they breathe

the unction of the pulpit rather than the gravity of the chair. The

lectures were doubtless more effective in their delivery than in their

printed form.”

+ − =The Times [London] Lit Sup= p557 S 2 ’20 3350w

R

=RADICE, SHEILA (JAMIESON) (MRS ALFRED HUTTON RADICE).= New children;

talks with Dr Maria Montessori. *$1.50 (4c) Stokes 371.4

20–15392

The object of the book is to sketch in broad outline the Montessori

system of teaching, for which and for Dr Montessori’s insight into

child psychology, the author has a profound admiration. She holds that

with a full recognition and adoption of the Montessori methods, the

psycho-analyst’s vocation will be gone. Contents: Dr Montessori in

England; Two Montessori schools; The Montessori apparatus; Dr

Montessori herself; Dr Montessori as a lecturer; The ethical basis;

The psychological basis; What is psychology? The psychology of the

new-born; What is suggestion? What is music? Montessori and Bergson;

Training for citizenship; Training for vision; Liberal education; A

new theory of work; The education of the adolescent; The new children;

The English nursery school; Appendices; Bibliography.

* * * * *

“In spite of a good deal of vague romanticism and loose writing the

book leaves the impression that Dr Montessori herself is an unusually

sane and sensible personality, who regards her own methods as not

necessarily final.”

+ − =Review= 3:480 N 17 ’20 250w

“Her book is quite entertaining. It is also exceedingly combative.

Like many of those who believe in Mme Montessori, she regards any

criticism of the Dottoressa’s methods as almost blasphemous and quite

wanton and unnecessary.”

+ − =Spec= 124:619 My 8 ’20 900w

“The book is fragmentary and, as the author herself admits, ‘somewhat

hastily done.’ Since the range of topics is so wide, the argument is

brief and sketchy, giving glimpses of vistas for possible exploration

rather than settling the discussion.” A. E. Morey

+ − =Survey= 45:136 O 23 ’20 510w

=RADZIWILL, CATHERINE (RZEWUSKA), princess (COUNT PAUL VASSILI,

pseud.).= Secrets of dethroned royalty. il *$3 (6c) Lane 920

20–9932

These secrets pertain to the love affairs of royal personages and the

book is accordingly divided into three parts, Russia, Austria, and

Germany. The author seems possessed of much intimate knowledge and the

book is well illustrated.

* * * * *

=Boston Transcript= p6 Ag 4 ’20 350w

“There is not much, of course, in all this that is new, but some of

the instances are not well known, and now and then the author throws a

light upon familiar incidents that makes them more intelligible to the

American reader.”

+ − =N Y Times= 25:25 Jl 18 ’20 490w

=RAEBURN, HAROLD.= Mountaineering art. il *$3.75 Stokes 796

“In this volume an endeavour has been made to trace and indicate the

broad principles of climbing and mountaineering, from ‘bouldering’ to

the conquest of the highest summits of the earth. The book is the

outcome of more than twenty years’ experience as a climbing leader in

many parts of the Asio-European continent, and on almost every kind of

rock, snow, and ice formation. In preparation for it, almost every

published work on climbing and mountaineering, in English, and in the

principal continental languages, has been consulted.” (Introd.) The

book is in five sections: Mountaineering art; British mountaineering;

Alpine mountaineering; For the lady mountaineer; General principles.

The chapter on dress for women climbers is contributed by Ruth

Raeburn. The work closes with a short list of books, glossary, and

index.

* * * * *

“In general Mr Raeburn’s technical chapters are first-rate. His

remarks on rock, snow and ice work are stamped by the seal of expert

and up-to-date knowledge. Of exploration, bivouacs and camps he writes

with the knowledge that many years of wandering in unexplored ranges

have yielded him. On equipment he has also much to say which is new

and needed saying. The book, as a whole, suffers a little from

redundant chapters.” Arnold Lunn

+ − =Ath= p579 O 29 ’20 1050w

+ =Boston Transcript= p3 D 4 ’20 250w

“It is severely practical and written for use, not for entertainment.

The numerous illustrations have all been chosen with regard to their

instructional rather than their pictorial value. Mr Raeburn writes

with conviction and refreshing candour.”

+ =Spec= 125:819 D 18 ’20 900w

“Apart from the instruction he gives to the novice, Mr Raeburn has

done the mountaineering public a service by composing a work which

sets forth the latest views on the best mode of ‘climbing and

mountaineering.’”

+ =The Times [London] Lit Sup= p529 Ag 19 ’20 820w

=RAGOZIN, ZÉNAÏDE ALEXEÏEVNA=, ed. and tr. Little Russian masterpieces.

4v *$7.70; ea *$1.25 Putnam 891.7

20–18302

A collection of Russian stories brought together with the object of

presenting American readers “with a selection which may not only prove

acceptable in itself, but reveal to them some less familiar aspects of

Russian thought and character.” There is an introduction, repeated in

each of the four volumes, by S. N. Syromiatnikof, who also contributes

biographical notes. There is one volume devoted to the work of Pushkin

and Lermontof. Authors represented in the others are: Lesskof,

Dombrovsky, Dostoyefsky, and Tolstoi; Saltykof-Stchedrin,

Mamin-Sibiriak, Slutchefsky, Niedzwiecki, Uspensky and Helen

Zeisinger; Staniukovitch and Korolenko.

* * * * *

“The stories that she presents are fresh, original, and full of

dramatic incident. It is one of the most interesting collections ever

got together. Her translation reads with exemplary smoothness and

accuracy; she is a mistress of English style.” N. H. D.

+ =Boston Transcript= p5 N 13 ’20 500w

“That there are here many names not familiar to the casual reader of

Russian literature is not among the least attractions of the

collection.”

+ =Springf’d Republican= p9a O 31 ’20 180w

=RAGSDALE, LULAH.= Next-besters. *$1.75 Scribner

20–11498

“Robert Lee Poindexter—‘The boss’—was of the old South, the courtly

and sweet-natured master of the ancient and impoverished plantation of

Cherokee in Mississippi. But Pat and Polly, the Misses Poindexter,

were very modern, up-and-coming young people, who shouldered both hard

work and responsibility and evolved an energetic philosophy, though

Patricia was only twenty and Polly was just eighteen. The story of

their work and responsibility, and of how their philosophy resulted in

action is the story of ‘Next-besters.’”—N Y Times

* * * * *

=Booklist= 17:73 N ’20

“A pretty and amusing little story that is always entertaining, and

not without charm. Assuredly, ‘Next-besters’ is a pleasant piece of

‘light reading’ for a summer day.”

+ =N Y Times= 25:26 Jl 25 ’20 390w

“An excellent story for young people.”

+ =Outlook= 125:541 Jl 21 ’20 40w

=RAINE, WILLIAM MACLEOD.=[2] Big-town round-up. il *$2 (3c) Houghton

20–19181

This is the story of one of those bronzed, big-hearted westerners,

whom fiction so often presents to us riding over the plains of

Arizona. But in this novel, Clay Lindsay is functioning in the very

heart of civilization, in no less a metropolis than New York city, but

the traditional characteristics of the wild-west story are all here.

There is the bad-man, Clay’s natural enemy, personified in Jerry

Durand; there is the beautiful heroine, Beatrice Whitford; and there

is the weak easterner, Clay’s rival in love, Clarendon Bromfield. All

these and various minor characters play their accepted parts in the

drama of romance and gun-play, with the inevitable happy ending for

the deserving.

* * * * *

“Full of exciting situations, profanity and crude humor.”

+ − =Booklist= 17:160 Ja ’21

“They used to put these stories into paper covers with the luridest

scene in red and yellow on the jacket. Now—but it’s Diamond Dick just

the same, sandpapered a little, but otherwise not much changed.”

− =N Y Evening Post= p10 N 27 ’20 190w

“Mr Raine has written many another good story of the West, which he

knows so well, but he will find it hard to beat this one.”

+ =N Y Times= p23 Ja 30 ’21 580w

“The story has ‘punch.’”

+ =Outlook= 126:558 N 24 ’20 30w

=RAINE, WILLIAM MACLEOD.= Oh, you Tex! il *$1.90 (2c) Houghton

20–6711

A story of the Texas Panhandle in the period following the Civil war.

Jack Roberts, a line-rider for Clint Wadley, one of the big cattlemen,

gets into trouble with Wadley’s son Rutherford and gives him a

well-deserved trouncing. This is unfortunate, for Jack has just been

promoted and is in love with Wadley’s daughter Ramona. A few hours

after his dismissal, he enlists with the Texas Rangers. Rutherford

Wadley, who has become involved with a band of cattle rustlers and

outlaws, is shot by one of them. Suspicion falls on a young Mexican

and to save him from a lynching mob, led by the real murderer, Jack

puts up a brilliant bluff and risks his own life. His later adventures

have to do with the pursuit and capture of the Dinsmore gang and the

winning of Ramona.

* * * * *

=Booklist= 16:350 Jl ’20

=Cleveland= p72 Ag ’20 40w

“A fascinating story from beginning to end—in spite of its well-worn

material.”

+ =N Y Times= 25:326 Je 20 ’20 700w

“An exciting, old-fashioned tale of the western cattle country.”

+ =Springf’d Republican= p7a N 21 ’20 100w

=RAINSFORD, W. H.=[2] That girl March. *$1.50 (*8s 6d) (1c) Lane

20–20431

Curiosity draws Philip Gray to Blaisham. Some thirty years before, his

mother, falling in love with the chapel minister, had defied her

family, run away with her lover and been disowned in consequence. And

now, father and mother dead, the son had returned to look on her old

home. He does not reveal his identity and does not learn that his

aunt, Lady Delwyn, has set her lawyers on his track, bent on

reconciliation. In the meantime he meets and falls in love with Edith

March, niece of one of the neighborhood farmers. The reconciliation

with the aunt takes place, but in his new position Philip finds that

his wooing does not proceed smoothly. However he has some of his

mother’s spirit and “that girl March” stands in no awe of Lady Delweyn

and it ends well.

* * * * *

“If this tale is representative of Mr Lane’s selection of first

novels, that selection must be astonishingly excellent, for Mr

Rainsford, or possibly Miss Rainsford, spins an enchanting yarn. The

only fault of the novel is its length. Here and there, it drags a

trifle.”

+ − =Boston Transcript= p7 D 4 ’20 240w

“This book is not cheap or unsuccessful in an ordinary sense. It is

simply 366 pages with the book not there. One constantly apprehends

cleverness, vividness—but gets not one clear visualization in much

description.”

− =N Y Evening Post= p10 N 20 ’20 170w

=N Y Times= p26 Ja 2 ’21 330w

“‘W. H. Rainsford’ adopts a method that irresistibly recalls the

seaside acrobat courting attention by means of ridiculous somersaults

as a prelude to the display of more special powers. These affectations

being suddenly discarded, to reappear only intermittently, it becomes

possible to take a mild—a very mild—interest in the fortunes of Philip

Gray.”

− + =The Times [London] Lit Sup= p583 S 9 ’20 510w

=RAINSFORD, WALTER KERR.= From Upton to the Meuse with the Three hundred

and seventh infantry. il *$2 (4c) Appleton 940.373

20–2288

The volume is a history of the 77th division and of the 307th

regiment. This division Colonel J. R. R. Hannay in the introduction

calls the cosmopolitan division of New York city, “New York’s own.” He

also states that this division consisting of men unused to the sturdy

activity of outdoor life conducted itself as the most perfectly

trained and disciplined army in the world. The sketches and

photographs in the book are of the best, the author being a graduate

from the École des beaux arts, Paris, in 1911. Besides the

introduction by Colonel Hannay, the foreword by General Alexander, and

two poems by the author, the contents are: Camp Upton; With the

British; Lorraine; The chateau du diable; Across the Vesle; Merval;

Sheets and bandages; The forest of Argonne; The dépôt de machines; The

surrounded battalion; Grand Pré; The advance to the Meuse; The home

trail; Appendix.

* * * * *

“Very telling photographs and drawings which suggest a beauty which is

the antithesis of war.”

+ =Booklist= 16:238 Ap ’20

+ =Boston Transcript= p11 Ap 24 ’20 850w

+ =Cath World= 112:116 O ’20 370w

+ =Outlook= 125:223 Je 2 ’20 200w

“Captain Rainsford has succeeded in making his narrative clear,

expressive, and entertaining—thanks in good part to a never failing

sense of humor. We must give credit, too, for his having provided the

maps necessary to follow his narrative—a too unusual provision in

books about the war.”

+ =Review= 2:464 My 1 ’20 460w

=R of Rs= 61:445 Ap ’20 170w

=RAMSAY, ROBERT E.= Effective house organs. il *$3.50 (3c) Appleton 659

20–2516

A book treating of “the principles and practice of editing and

publishing successful house organs.” (Sub-title) Chapter one describes

a house organ as “a small magazine or newspaper published once a

month, sometimes more frequently, sometimes less, and made up wholly

or in part of advertising from the house sending it out.” The treatise

which is profusely illustrated with specimen pages of typical house

organs, falls into three parts. “Part 1 lays down the underlying

principles of editing and publishing house organs of all classes. Part

2 gives you the actual practice among successful house organs in

applying principles previously laid down. Part 3 is made up of

appendices containing valuable reference data on the general subject

of house organs which may be of use to both student and practitioner.”

There is an index.

* * * * *

“A book much needed by the amateur editor in business organizations.”

+ =Booklist= 16:228 Ap ’20

“His style is easy and readable.”

+ =Boston Transcript= p6 Jl 28 ’20 240w

“The book contains many interesting examples of how a sound knowledge

of psychology is valuable in producing a successful house organ.”

+ =N Y Times= 25:296 Je 6 ’20 160w

+ =The Times [London] Lit Sup= p585 S 9 ’20 220w

=RAPEER, LOUIS WIN=, ed. Consolidated rural school. il *$3 Scribner

379.17

20–4557

The book review digest, volume 16, 1920 · 第 27 / 41 章