"_The father of that merry may
A thousand towns he made to pay,
And lapp'd the world in fire!_"
He stood before them--a handsome, smiling youth, with a crust of brine
on his blue sea-cloak, and the light of the morning in his hair.
"Salutation, O Graul!" said he, and looked so cordial and well-willing
that the King turned to him from the dead lamp and the hooded women as
one turns to daylight from an evil dream.
"Salutation, O Stranger!" he answered. "You come to a poor man, but
are welcome--you and your shipmates."
"I travel alone," said the youth; "and my business--"
But the King put up his hand. "We ask no man his business until he has
feasted."
"I feast not in a house of mourning; and my business is better spoken
soon than late, seeing that I heal griefs."
"If that be so," answered Graul, "you come to those who are fain
of you." And then and there he told of Gwennolar. "The blessing of
blessings rest on him who can still my child's voice and deliver her
from my people's curse!"
The Stranger listened, and threw back his head. "I said I could heal
griefs. But I cannot cure fate; nor will a wise man ask it. Pain
you must suffer, but I can soothe it; sorrow, but I can help you to
forget; death, but I can brace you for it."
"Can death be welcomed," asked Graul, "save by those who find life
worse?"
"You shall see." He stepped to the mourning women, and took the eldest
by the hand. At first he whispered to her--in a voice so low that
Graul heard nothing, but saw her brow relax, and that she listened
while the blood came slowly back to her cheeks.
"Of what are you telling her?" the King demanded.
"Hush!" said the Stranger, "Go, fetch me a harp."
Graul brought a harp. It was mute and dusty, with a tangle of strings;
but the Stranger set it against his knee, and began to mend it deftly,
talking the while in murmurs as a brook talks in a covert of cresses.
By and by as he fitted a string he would touch and make it hum on a
word--softly at first, and with long intervals--as though all its
music lay dark and tangled in chaos, and he were exploring and picking
out a note here and a note there to fit his song. There was trouble
in his voice, and restlessness, and a low, eager striving, and a hope
which grew as the notes came oftener, and lingered and thrilled on
them. Then his fingers caught the strings together, and pulled the
first chord: it came out of the depths with a great sob--a soul set
free. Other souls behind it rose to his fingers, and he plucked them
forth, faster and faster--some wailing, some laughing fiercely, but
each with the echo of a great pit, the clang of doors, and the mutter
of an army pressing at its heels. And now the mourners leaned forward,
and forgot all except to listen, for he was singing the Creation. He
sang up the stars and set them in procession; he sang forth the sun
from his chamber; he lifted the heads of the mountains and hitched on
their mantles of green forest; he scattered the uplands with sheep,
and the upper air with clouds; he called the west wind, and it came
with a rustle of wings; he broke the rock into water and led it
dancing down the cliffs, and spread it in marshes, and sent it
spouting and hurrying in channels. Flowers trooped to the lip of it,
wild beasts slunk down to drink; armies of corn spread in rank along
it, and men followed with sickles, chanting the hymn of Linus; and
after them, with children at the breast, women stooped to glean or
strode upright bearing baskets of food. Over their heads days and
nights hurried in short flashes, and the seasons overtook them while
they rested, and drowned them in showers of bloom, and overtopped
their bodies with fresh corn: but the children caught up the sickles
and ran on. To some--shining figures in the host--he gave names; and
they shone because they moved in the separate light of divine eyes
watching them, rays breaking the thickets or hovering down from
heights where the gods sat at their ease.
But before this the men had brought their boats to shore, and hurried
to the Mount, drawn by his harping. They pressed around him in a ring;
and at first they were sad, since of what he sang they remembered the
like in Lyonnesse--plough and sickle and flail, nesting birds and
harvest, flakes of ore in the river-beds, dinner in the shade, and the
plain beyond winking in the noon-day heat. They had come too late for
the throes of his music, when the freed spirit trembled for a little
on the threshold, fronting the dawn, but with the fire of the pit
behind it and red on its trailing skirt. The song rolled forward now
like a river, sweeping them past shores where they desired to linger.
But the Stranger fastened his eyes on them, and sang them out to broad
bars and sounding tumbling seas, where the wind piped, and the breeze
came salt, and the spray slapped over the prow, hardening men to
heroes. Then the days of their regret seemed to them good only for
children, and the life they had loathed took a new face; their eyes
opened upon it, and they saw it whole, and loved it for its largeness.
"Beyond! beyond! beyond!"--they stared down on the fingers plucking
the chords, but the voice of the harp sounded far up and along the
horizon.
And with that quite suddenly it came back, and was speaking close at
hand, as a friend telling them a simple tale; a tale which all could
understand, though of a country unknown to them. Thus it ran:
"_In Hellas, in the kingdom of Argos, there lived two brothers,
Cleobis and Biton--young men, well to do, and of great strength of
body, so that each had won a crown in the public games. Now, once,
when the Argives were keeping a festival of the goddess Hera,
their mother had need to be driven to the temple in her chariot,
but the oxen did not return from the field in time. The young men,
therefore, seeing that the hour was late, put the yoke on their
own necks, and drew the car in which their mother sat, and brought
her to the temple, which was forty-five stades away. This they did
in sight of the multitude assembled; and the men commended their
strength, while the women called her blessed to be the mother of
such sons. But she, overjoyed at the deed and its renown, entered
the temple and, standing before the image of Hera, prayed the
goddess to grant her two sons, Cleobis and Biton, the greatest
boon which could fall to man. After she had prayed, and they had
sacrificed and eaten of the feast, the young men sat down in the
temple and fell asleep, and never awoke again, but so made an end
with life. In this wise the blessing of Hera came to them; and
the men of Argos caused statues to be made of them and set up at
Delphi, for a memorial of their piety and its reward_."
Thus quietly the great song ended, and Graul, looking around on his
people, saw on their faces a cheerfulness they had not known since the
day of the flood.
"Sir," said he, "yours is the half of my poor kingdom and yours the
inheritance, if you will abide with us and sing us more of these
songs."
"For that service," answered the Stranger, "I am come; but not for the
reward. Give me only a hide of land somewhere upon your cliffs, and
there will I build a house and sing to all who have need of me."
So he did; and the fable goes on to say that never were known in the
remnant of Lyonesse such seasons as followed, nor ever will be. The
fish crowded to the nets, the cliffs waved with harvest. Heavy were
the nets to haul and laborious was the reaping, but the people forgot
their aches when the hour came to sit at the Stranger's feet and
listen, and drink the wine which he taught them to plant. For his part
he toiled not at all, but descended at daybreak and nightfall to bathe
in the sea, and returned with the brine on his curls and his youth
renewed upon him. He never slept; and they, too, felt little need of
sleep, but drank and sang the night away, refreshed by the sacred
dews, watching for the moon to rise over the rounded cornfields, or
for her feet to touch the sea and shed silver about the boats in the
offing. Out yonder Gwennolar sang and took her toll of life as before;
but the people heeded less, and soon forgot even when their dearest
perished. Other things than sorrow they began to unlearn. They had
been a shamefaced race; the men shy and the women chaste. But the
Stranger knew nothing of shame; nor was it possible to think harm
where he, their leader, so plainly saw none. Naked he led them from
the drinking-bout down the west stairway to the bathing-pool, and
naked they plunged in and splashed around him and laughed as the cool
shock scattered the night's languor and the wine-fumes. What mattered
anything?--what they did, or what they suffered, or what news the
home-coming boats might bring? They were blithe for the moment and
lusty for the day's work, and with night again would come drink and
song of the amorous gods; or if by chance the Singer should choose
another note and tell of Procris or of Philomela, they could weep
softly for others' woes and, so weeping, quite forget their own.
And the fable goes on to say that for three years by these means the
Stranger healed the griefs of the people of Lyonnesse, until one
night when they sat around he told them the story of Ion; and if
the Stranger were indeed Phoebus Apollo himself, shameless was the
telling. But while they listened, wrapped in the story, a cry broke
on the night above the murmur of the beaches--a voice from the cliff
below them, calling "Repent! Repent!"
They leaped to their feet at once, and hurried down the stairway. But
the beach was empty; and though they hunted for an hour, they found no
one. Yet the next night and every night after the same voice called
"Repent! Repent!" They hurled down stones upon it and threatened
it with vengeance; but it was not to be scared. And by and by the
Stranger missed a face from his circle, then another. At length came a
night when he counted but half of his company.
He said no word of the missing ones; but early next morning, when the
folk had set out to their labors in the fields, he took a staff and
walked along the shore toward the Mount. A little beyond Parc-an-als,
where a spring gushes from the face of the cliff, he came upon a man
who stood under it catching the trickle in a stone basin, and halted
a few paces off to watch him. The man's hair and beard were long and
unkempt, his legs bare, and he wore a tattered tunic which reached
below the knees and was caught about his waist with a thong girdle.
For some minutes he did not perceive the Singer; but turned at length,
and the two eyed each other awhile.
Then the Singer advanced smiling, while the other frowned.
"Thou hast followed me," he said.
"I have followed and found thee," the other answered.
"Thy name?"
"Leven," said the man. "I come out of Ireland."
"The Nazarite travels far; but this spot He overlooked on his travels,
and the people had need. I brought them help; but they desert me
now--for thee doubtless?"
The Saint bent his head. The Singer laughed.
"He is strong, but the old gods bear no malice. I go to-night to join
their sleep, but I have loved this folk in a fashion. I pitied their
woes and brought them solace: I taught them to forget--and in the
forgetting maybe they have learned much that thou wilt have to
unteach. Yet deal gently with them. They are children, and too often
you holy men come with bands of iron. Shall we sit and talk awhile
together, for their sakes?"
And the fable says that for a long day St. Leven sat on the sands of
the Porth which now bears his name, and talked with the Singer; and,
that in consequence, to this day the descendants of the people of
Lyonnesse praise God in cheerfuller hymns than the rest of the world
uses--so much so that a company of minstrels visiting them not long
ago were surprised in the midst of a drinking-chorus to find the
audience tittering, and to learn afterward that they had chanted the
most popular local burying-tunes!
Twilight had fallen before the Stranger rose and took his farewell. On
his way back he spied a company approaching along the dusky shore,
and drew aside behind a rock while they passed toward the Saint's
dwelling. He found his own deserted. Of his old friends either none
had come or none had waited; and away on a distant beach rose the
faint chant of St. Patrick's Hymn of the Guardsman:
"_Christ the eye, the ear, the heart,
Christ above, before, behind me;
From the snare, the sword, the dart,
On the Trinity I bind me--
Christi est salus,
Christi est salus,
Salus tua, Domine, sit semper nobiscum!_"