CHAPTER XIII

HIS GRACE AND PEGGY

Although it was not necessary for me to rise early at this place of

peace and beauty, the chateau of Capello, yet, long habit was upon me,

and, by sunrise, I was up and dressed and out in the fair, fresh

autumn morning. I made straight for the Italian garden, and was not

surprised to find Francezka there before me.

She was sitting on the bench by the statue of Petrarch. The hoar frost

glittered on the ground, just touched by the shafts of light which

were to grow into the great sun. The air was soft and mild, and

Francezka had no hat upon her dark hair, but sat wrapped in her

crimson mantle.

She was gravely studying the inscription on the statue of Petrarch.

"Life flies apace and tarries not an hour," she said, translating to

me. "Monsieur Gaston Cheverny was mistaken in saying the next line is

here--about Death following Life with huge strides. I am glad it is

not here--it would be too sad."

"Whoever placed the inscription here had looked into the serious face

of Life which always confronts us," I said.

Francezka turned on me two laughing eyes.

"Life turns a face all smiles to me now," she said. "I am glad I am

not complete mistress of myself and my possessions yet. One should sip

and taste of pleasure before drinking a full draft. My father, you

must know, did not have the French idea of marrying me out of hand;

and I mean not to marry until I find a man I can not live without. It

will be time enough then. And as for being timid--only look at my Aunt

Peggy! She does as she likes and has done so all her life; and instead

of being herself afraid, everybody is afraid of her--and she is very

much esteemed by all who know her."

I had seen, for long, that Madame Riano's example was not wasted on

her niece, but Francezka, like most young spirits--or rather, all

young spirits--knew not how to weigh and compare. Madame Riano had

never enjoyed the beauty or the fortune of this young girl, and her

youth was safe from the dangers that lie in the path of beauty and

riches.

"But one thing I am resolved upon," said Francezka. "However happy I

may be--and I am at this moment so happy I can scarcely forbear to

sing--I danced this morning in my bedroom for very joy--I say no

matter how happy I may be, I shall try to do some good in the world.

At least I can make gifts."

"Yes," I answered, "that is the cheapest form of goodness. You give

away what would else be in your way." An ungallant speech, but made

with a purpose.

Francezka looked at me angrily for a moment, then smiled and took my

hand in her two velvet palms.

"Babache, you are like a chestnut bur, sometimes--but I love you--and

I shall always heed what you tell me. Can I do more?"

She then rose and we walked about the garden, and looked down at the

lake, still darkly shaded by the cedars on the brink, although the sun

was now blazing in the east. We spoke not much. Francezka's joy seemed

to have grown quieter, if more intense. In the pauses of our talk, I

found the lake had a voice--a voice like itself, sad. There was some

subterranean outlet which gave a motion and a sound to the water, and

this sound was a mournful one. Francezka stopped and called my

attention to it.

"I remember that moan of the lake," she said--"or I think I remember

it--as Monsieur Gaston Cheverny thought he remembered the inscription

on the statue."

"Yonder comes Gaston, now," I said.

"No," said she, sweeping her glance toward a figure afar off,

descending the steps of the terrace. "It is Monsieur Regnard

Cheverny."

"And here is the other Cheverny," said Gaston's voice behind us.

He did not look particularly happy; the splendors of the chateau of

Capello were in marked contrast to his own modest house, the Manoir

Cheverny, which lay a mile or two away.

Gaston pointed toward it--a low-lying building, of moderate size, with

a carved stone gateway opening into a courtyard, and with a fair-sized

pleasure ground around it. There was both comfort and beauty about it,

but nothing in the least to compare with Capello.

"It is good enough for a bachelor," said Gaston, grimly. "There shall

I end my lonely old age."

I have observed that when a man is deeply in love, he is apt to

threaten the lady of his love with the suggestion of losing him.

To this Francezka replied, demurely:

"I shall be happy to have company; for, perhaps, I shall die a

spinster."

The whole rich and peaceful landscape lay before us--the red-tiled

village, the little stone church, the windmills--all singularly

pleasant to look upon, giving one a sense of the well-being of the

people; and to one who has seen the gardens of the world ravaged by

fire and sword, this means much. Gaston assured us that as soon as

his house was in order, he would have me to stay with him, thereby

abandoning Count Saxe for the time; and Francezka diverted herself

with asking me, if she and Count Saxe were in a burning building

and I could only save one of them, which would it be--and other

pleasantries.

Regnard Cheverny had evidently been looking for Mademoiselle Capello,

and presently joined us, and by that time we were called to the

chateau for breakfast. The parish priest, a modest, homely, shabby

little man, named Benart, was already at the chateau, to pay his

respects to the ladies. He remained to breakfast, and I formed a high

opinion of his judgment by the respect he paid to Count Saxe, although

purposely kept in ignorance of my master's rank and condition. The

little priest mentioned that his brother, the Bishop of Louvain, would

soon be coming to visit him, at which Madame Riano snorted like a

war-horse. I suspected that she and the bishop did not deeply love

each other, and Jacques Haret afterward enlightened us on the

subject. I began to wonder where Jacques Haret would bestow himself,

for I suspected that Mademoiselle Capello would not permit her

hospitality to be imposed upon. This was settled by the action of

Gaston Cheverny, who told me before breakfast, when we had a word in

private, that he intended to ask Jacques Haret to the Manoir

Cheverny.

"Otherwise he will remain here to Mademoiselle Capello's annoyance,

and that I wish to spare her," he said to me.

When he had risen from table, Gaston therefore announced that he and

his brother and Jacques Haret would be quartered at the Manoir

Cheverny, but he hoped to see much of the ladies at the chateau of

Capello, and also of Count Saxe and Captain Babache--which we all

suitably acknowledged. Then, meaning to give the ladies time to rest,

Count Saxe and myself accepted Gaston's invitation to accompany him to

his own house. This we did, walking across the park in the bright

autumn morning. Jacques Haret diverted us on the way by his history of

the bloody warfare which had raged for thirty years between the Bishop

of Louvain and Madame Riano.

"The bishop," said Jacques Haret, as we strolled along, "is one of

those ecclesiastics who expect to appear in full canonicals--velvet

robe, jeweled crozier and shining miter--before the judgment seat of

God. Peggy Kirkpatrick thinks the Archangel Michael keeps the family

tree of the Kirkpatricks always in mind. You may imagine how Peggy and

the bishop agree. They were well acquainted in their youth before the

bishop took orders, and Peggy has got a notion in her head that the

bishop was once in love with her, when it is well known that he hated

her like perdition from their childhood. The bishop is as militant as

Peggy, and I believe either one of them would travel twenty leagues

for a bout. You will see that the bishop will shortly appear in these

parts. He can not let his old enemy dwell in peace, and Peggy will

welcome him joyfully. That woman reckons that day a holiday, when she

meets an enemy in fight."

So, with pleasant converse, we reached Gaston Cheverny's house. Over

the gateway was inscribed the arms and motto of the Chevernys, _Un

Loy, Un Foy, Un Roy_.

The old stone house, of a story and a half, was plain, but spacious.

Within it was an abundance of good furniture, linen and plate. Unlike

most bachelors' houses, there was no need to apologize for anything.

At the Manoir Cheverny, therefore, Gaston Cheverny took up his abode,

with his brother and Jacques Haret as guests. Regnard showed no

disposition to live at Castle Haret, alleging that he must furnish it

and equip it from Brussels, which he proceeded to do; but I think he

meant not to leave Gaston alone so close to the chateau of Capello.

Regnard had two servants, and four horses quartered on his brother,

and he bought another horse, giving three hundred good crowns for it.

I never saw the least want of hospitality or affection for Regnard on

Gaston's part. He was as generous a soul as I ever knew.

As for Jacques Haret, he openly said he had only given up his quarters

at the chateau of Capello because he could not wear the clothes of

either Madame Riano or Mademoiselle Capello. He wore, however, both

Gaston and Regnard Cheverny's clothes, until the two brothers

presented him with a complete outfit, as the price for letting their

wardrobes alone.

I think all of us, after our adventures and disappointments and

travels, enjoyed to the full this short season of peace and rest. We

apprehended great influx of company, for which Count Saxe had, at

present, no taste. But the weather suddenly turning very harsh, the

roads became bad, and we saw but few guests. Among them was Count

Bellegarde, the young man who had been Gaston Cheverny's friend at our

first meeting. He was the same handsome, stupid, watery, no-ideaed

fellow as that night in the Temple gardens. His family had put the

notion into his head that he would do well to marry Mademoiselle

Capello. He thought that a sight of his beauty was enough to

accomplish his object. We had much diversion out of him, Jacques Haret

and the two Chevernys slyly putting him up to many follies.

Our days and evenings, however, were in general spent together without

other guests, and naturally there was a bond amongst us. The better we

came to know Madame Riano the more we saw to esteem in her, in spite

of her extraordinary pride and everlasting blowing of the trumpet of

the Kirkpatricks and her general desire to dominate the universe. And

it was easy to see, in Francezka, those same sterling qualities of

integrity, courage and generosity which distinguished Madame Riano,

and with them infinitely more tact and suavity. The rains and the

snows made all of us haunt the firesides of Capello. Every one of us

felt that relaxing of the mind and body which accompanies a period of

rest after action. Softer pleasures appealed to us. Our days slipped

away, I knew not how, and our evenings were given to cards,

conversation and music. Madame Riano was an inveterate card player,

and well-nigh invincible, so we often had cards for diversion.

Mademoiselle Capello played charmingly on the harpsichord and Gaston

Cheverny sang often to her accompaniment, which was not calculated to

please Regnard, though he took it cheerfully. Jacques Haret was the

very soul of entertainment. I have never known a man whose mind was

always so much at ease as Jacques Haret's. The most virtuous person

that ever lived might envy this rogue his cheerful acquiescence in

fate.

About a fortnight after our arrival the news came that the Bishop of

Louvain intended to visit his brother, the little priest, and likewise

proposed to pay his respects to the ladies of the chateau of Capello.

Jacques Haret assured us that the parish priest's larder was not of

the sort to satisfy this particular bishop very long.

Madame Riano marshaled her forces to meet the bishop. The Chevernys

were to be at hand, likewise Jacques Haret, who was a valuable ally on

the present occasion.

Nobody looked forward to the meeting between Madame Riano and the

bishop more than Count Saxe, who declared that he expected to learn

much of the art of war from the two belligerents. His incognito was to

be strictly observed even with the bishop.

On the day named for his Grace's arrival, precisely at six o'clock,

the hour named by the bishop, his chariot all gilding and coats of

arms, and drawn by four horses, drew up before the great entrance of

the chateau. Madame Riano, with the light of battle in her eye,

sustained Francezka, who was to receive the bishop in her quality of

chatelaine for the first time. Count Saxe was in the background, and

behind him stood Jacques Haret and myself. The two Chevernys were also

present, awaiting the bishop on the terrace. When the bishop's coach

came rumbling up, the Chevernys dutifully opened the coach door to

assist his Grace to alight. First stepped out the little parish

priest, the bishop's brother, dressed in a shabby surtout. That silent

little man was a humorist of the first water. He seemed to love his

brother, but not one single absurdity of the bishop's escaped him.

After Father Benart came the bishop, a fine, large, well-built,

handsome man, enveloped in a huge purple velvet mantle. He stepped

gingerly as if afraid of giving his dignity a jolt. The two Chevernys

greeted him respectfully, to which the bishop replied with amiable

condescension. Then came the meeting with his arch enemy, Madame

Riano, which was highly courteous on the bishop's side, but a little

brusque on the part of Madame Riano. The sight of the bishop's coach

and velvet mantle and grand airs seemed to stir the Scotch lady's

blood instantly to the boiling point.

Francezka was all youthful grace and courtesy, and no man not an ogre

could fail to be charmed with her. Then Count Saxe as Count Moritz was

presented to the bishop, and myself later; Jacques Haret had known him

always and assumed a hail-fellow-well-met air with this pompous

ecclesiastic, which was evidently disconcerting to him. But the bishop

was no match for Jacques.

As I am to be judged at the last day, I will swear that the bishop was

no more impressed by Count Saxe than if that immortal man had been the

cat's aunt, as the peasants say; passed him by with a negligent nod,

to which Count Saxe returned a bow so low and with such a sparkling

light of laughter in his eyes that only a wind-blown dullard like this

bishop would have failed to perceive that he was a man of consequence

in disguise. The little priest had seen all along that Count Saxe was

a personage, and treated him always with the greatest deference.

The bishop was escorted to the red saloon and placed in a large gilt

chair--he was the sort of man to like large gilt chairs. Madame Riano

seated herself on one side of him, and Francezka, beautifully demure

and well behaved, sat on the other side. The rest of us grouped

ourselves around in a half moon. The bishop, after having formally

inquired after Madame Riano's health, with the air of a Christian and

a martyr blessing his enemies, turned to Francezka with the most

entire change of countenance, benignance shining forth effulgent, and

asked after her welfare and travels. To this Francezka responded

properly. Then both of the belligerents, unable to restrain their

martial ardor longer, broke the truce. Here is the conversation that

ensued between the bishop and Madame Riano, the rest of us maintaining

our composure and a strict neutrality.

The bishop: "Madame Riano, I hope, under God, you are well and in good

case."

Madame Riano (flaunting her fan savagely): "Thanks be to God, I am

well, your Grace. Your Grace looks a little peaked. I hope your Grace

has not been ill."

Now his Grace was in the bloom of health, and nothing vexed him so

much as any hint that he was otherwise. So he answered tartly that he

was very well, and then, addressing Gaston Cheverny, his Grace asked a

question which made us all jump in our chairs.

"Monsieur, to touch upon things in which the ladies probably take

little interest--what is the news from Count Saxe in Courland? I hear

that he has turned tail and is running for his life!"

At the bishop's intimation that the subject he wished to discuss was

above the feminine comprehension, thunder sat upon Madame Riano's

brow; but when he plunged into the abyss her countenance cleared as if

by magic, her mouth came wide open. I believe she would not have taken

a thousand crowns for that moment's pleasure.

Count Saxe did not change countenance one whit. The rest of us grew

pale, except Jacques Haret, who turned and winked rapturously at

Madame Riano, wagging her head-dress of feathers in an ecstasy of

delight. As for Gaston Cheverny, he did me then and there the only

disservice of his life. Pointing to me, he said with the most debonair

manner in the world:

"There, your Grace, sits Captain Babache, who commands Count Saxe's

body-guard. It would not become me, nor any one else, to speak of

Count Saxe's affairs in the presence of Captain Babache."

Yes, the rascal said that, and sat there smiling and stroking the lace

upon his wrists, while I yearned to give him a clip over the head

with my strong right arm. And Count Saxe appeared to enjoy my

discomfiture, and actually laughed in my face. However, I summoned

all my composure and replied to that fool of a bishop that Count

Saxe was the undoubted choice of the Diet and the nobility, and still

held the rescript of election. And the Duchess of Courland, Anna

Iwanowna, a brisk and homely widow, wished to marry Count Saxe, and

as he had no mind to put his head in the noose, he had abandoned

his enterprise for the present, to be resumed when convenient.

The bishop, with Count Saxe for his text, launched into a criticism of

all the campaigns of the ancients and the moderns, and the blunders he

committed gave Madame Riano and us the most acute enjoyment. I saw the

little priest's eyes twinkle as the oration proceeded. Nobody

interrupted the bishop, and he closed by pointing out all the mistakes

of the English at Agincourt, where there is no doubt they drubbed the

French handsomely.

It was then time for supper, which was announced by Peter, and we

proceeded to the dining saloon. It was an agreeable supper. The

bishop's harangue had put us all in a mirthful humor, and the wine of

Ximenes was of the sort described in the Scriptures, as making glad

the heart of man. Although the bishop knew nothing about war, he was

an excellent judge of wine, and had due respect for the Ximenes. There

was skirmishing all during supper between his Grace and Madame Riano,

but it was understood that no pitched battle would take place until we

went to cards, the field of the cloth of green having been their

chosen battle-ground for thirty years. Madame Riano was the very

devil at cards, and the bishop was not far behind her.

It being cold in the great red saloon, we sat, for cards, in the

little yellow room, where a huge fire blazed. We were at primero, the

whole party of us. The stakes were small, but the fire and fury with

which the bishop and Madame Riano played against each other was

something remarkable. Charges and counter charges, sarcasm, ridicule

and innuendo were freely bandied between them. Victory perched first

on one banner and then on the other, but I must say the lady got

rather the best of it. I should say that the bishop was the better

strategist; but for determined, head-long valor, Madame Riano

surpassed him.

We had been playing over an hour, when a sudden wild, loud roaring was

heard in the chimney, the door was burst open, and a swarm of

frightened servants rushed in, crying the house was afire. At once,

each of us, except Madame Riano, laid down his cards, in some

consternation; but the Scotch lady, without so much as taking her eyes

off her hand, remarked coolly:

"'Tis nothing but the chimney catching afire, a common enough thing in

Scotland. But these foolish Brabant people know nothing about

fireplaces, and are frightened at every blaze they see."

It turned out to be truly nothing but the blazing soot in the chimney,

accompanied by a great roaring, with flames coming out of the

chimney's mouth and sparks flying. The roofs being tiled, there was no

real danger, but as Madame Riano said truly, the people in the Low

Countries, knowing nothing of open fireplaces with blazing fires,

were in a state of wild alarm. Nevertheless, we could not sit still

under the circumstances, but proposed to investigate. Francezka went

with us. She was pale, but collected. The bishop was for going with

us, being frightened, if ever I saw a man--he was a Netherlander and

as ignorant of open fireplaces as the rest of his countrymen--but

Madame Riano gibing at him for his pusillanimity, he resumed his cards

with such composure as he could, and Madame Riano proposed they should

play the game out together. We left them, therefore, seated at the

table, Madame Riano quite unconcerned at the commotion, and the

bishop, a little white about the chops, but standing to his game like

a man.

Meanwhile, in our absence from the room, the excited and panic-stricken

servants had, without any authority, opened a vast tank of water,

which was on the top of the house, and a flood began to pour down the

chimney of the little yellow room, where Madame Riano held her

unwilling enemy. Quite unconscious of this, Count Saxe and the rest of

us watched the fire burn itself out harmlessly enough; old Peter

managed to quiet the frantic servants, and we returned to the yellow

room. Then the sight that met our eyes can never be forgotten by any

of us. The burning soot had tumbled down the chimney, and if the bishop

and Madame Riano had left their play long enough there would have been

no damage done to anything.

I do not believe Madame Riano was so absorbed in her game as not to

know what was going on, but I am pretty sure she had in mind the

punishment of the bishop. A strong odor of burning wood pervaded the

room; before the flood came down the chimney there had been many

falling cinders, and these had set the wainscoting smoldering just

behind the bishop's chair. The floor had been flooded, and Madame

Riano, her skirts tucked about her, had drawn up her feet to the seat

of her chair and sat there as cool as any warrior on the eve of

battle. The bishop's feet were in the water. He held his cards

tightly, but his eye roved around and lighted up when he saw us enter,

Count Saxe and Francezka in the lead. Just as we came in the

smoldering wainscoting blazed up brightly. Gaston Cheverny, with his

hat, dipped up water enough to put out the blaze. The bishop started

and turned half round, but was recalled by Madame Riano, saying in a

voice of menace and of mockery:

"Come, your Grace. It is your play. Don't be scared by a trifle like

this. My faith, you would make but a poor figure in Scotland, where we

never stop our game for such trifles as fire and flood."

At that moment Regnard Cheverny earned the bishop's undying good-will.

Taking a jug of water from one of the distracted servants, who was

still running about wildly in the corridor, he emptied it full upon

the card table, on which a spark or two had dropped. The bishop, too,

got a drenching--for which I saw gratitude writ large on his face.

"Madame," he said, to his antagonist, "I, too, have but slight regard

for fire and flood when it interrupts a game, but necessity and my

rheumatics compel me to retire and change my garments." Which he did,

and appeared no more that night.

When the bishop had taken himself and his bedraggled dignity off we

burst involuntarily into laughter, Count Saxe and Francezka leading.

Even the little parish priest joined us. Madame Riano scowled at our

laughter, until Count Saxe, with his usual good judgment, told her we

were laughing at the bishop, at which she screeched with delight.

I was not surprised next morning to find that the bishop was leaving

earlier than he expected. He departed in the same state in which he

arrived, but I was irresistibly reminded of a conquered enemy who has

been accorded the honors of war.

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