For the next three years there was not any very hard fightin

Produced by Annie McGuire

[Illustration: HARPER'S

YOUNG PEOPLE

AN ILLUSTRATED WEEKLY.]

* * * * *

VOL. I.--NO. 27. PUBLISHED BY HARPER & BROTHERS, NEW YORK. PRICE FOUR

CENTS.

Tuesday, May 4, 1880. Copyright, 1880, by HARPER & BROTHERS. $1.50 per

Year, in Advance.

* * * * *

[Illustration: "THERE SAT THE OLD ONE-LEGGED SAILOR, JACK

PEABODY."--[SEE NEXT PAGE.]]

ROB'S NAVY.

BY W. O. STODDARD.

The tide was just out on the Staten Island shore, and the water in the

little cove below Mr. Drake's residence was as smooth as a pan of milk

with the cream on.

Nothing in the shape of a ship ought to have tipped over in such water

as that.

So Rob Drake had thought, but every time he shoved his new ship away

from the flat rock at the head of the cove, over she went. First on one

side, then on the other, it did not seem to make much difference which.

She stood up well enough so long as Rob kept hold of her, but as soon as

ever he let go, down she tumbled.

Rob was about twelve years old, and he believed he knew all about ships.

Did he not live on Staten Island, right across the bay from New York?

Did he not go over to the city on the great ferry-boat every now and

then, and see all the shipping at the wharves, and sail past all sorts

of craft on the way there and back?

Some of them, he knew, came from almost all the countries in the world,

and he had seen hundreds of them sail out of the harbor to go home

again.

Of course Rob knew all about ships; but this one, on which he and Larry

McGee had been whittling and working for a week, seemed determined to

float bottom up.

What could be the matter?

"Larry, she's top-heavy."

"No, she ain't. It's ownly a sort of a thrick she's got. All she wants

is practice."

Larry was Mr. Drake's hired man, and knew a little of everything, only

he knew more about a horse than he did about any kind of sailing vessel.

"The boy's right, my hearty. She's more hamper than hull, and she's no

ballast at all."

Rob and Larry looked behind them when they heard that. They had not

heard him come along the sandy beach, they had been so busy, but there

he was: a short, thin old man, with broad shoulders, dressed like a

United States "man-o'-war" sailor, and with a wooden leg that was now

punching its round toe deep into the sand.

"'Dade, sor," said Larry, "it's a good ship she is, av she wouldn't lie

down that way."

"She's a ship, then? I'm glad to know that. It's a good sign for the boy

that he's taken to ships. There's not many boys care for 'em nowadays."

"Why, of course it's a ship," said Rob, as he pulled his craft ashore

and held her up to let the water drip from her wet sails. "Didn't you

know what she was?"

"Old fellows like me don't know much nowadays. You've put in four masts,

and a bowsprit at each end, and I couldn't tell just what she was."

"Oh," said Rob, "that's nothing. I saw a steamer with four masts the

other day."

"There's no accounting for steamers, my boy. And I've heard men call 'em

ships, too, that ought to have known better."

"Don't I know a ship?" proudly exclaimed Rob. "Can't I tell a schooner

from a sloop, and a bark from a brig? I know. It's the masts and rigging

make the difference."

"Well, now," said the old man, "you're a bright boy. What's your name?"

"Robert Fulton Drake."

The old man shook his white head solemnly, and took off his round Scotch

cap. "Drake's a good name. There was a great sailor of that name once.

He was an admiral, too. But Fulton--Robert Fulton--it's awful the

mischief we owe to that man."

"Fulton? He a bad man?" said Rob, with all sorts of wonder in his face.

"No, sir. He was a great man. He invented steamboats."

"So he did--so he did. More's the pity. Ships were ships till Fulton

came. Now they're all great iron pots, and go by steam. No use for

sailors now."

"Steam-ships have to have sailors."

"What for, my boy? Well, yes, they do have a few lubbers on board that

they call sailors. And there are some ships left too--pretty good ones.

But they don't have sailors nowadays like they used to. Robert Fulton

spoiled it all. But I'm glad you like ships. Only you don't know how to

make 'em. Come and see me some day. I'll show you."

"Where do you live?"

"Half a mile the other side of the ferry landing." He went on and gave

Rob pretty full directions how to find his house; and Larry McGee added,

quite respectfully,

"Ye're an owld sailor yersilf, sor?"

"Am I? Well, yes, I was once, before I lost my leg. The ships weren't

all turned into iron pots then."

"Was it there ye lost yer lig?"

"There? Oh, you mean aboard ship? That's where it was, my hearty. Did

you over hear of Mobile Bay?"

"I niver did, sor."

"I did," exclaimed Rob.

"Did you, then? I'm glad of that, my boy. Did you ever hear of a sailor

named Farragut?"

"The great Admiral? Admiral Farragut? Oh yes, indeed. Father's got a

picture of him, up in the rigging of a ship, with a telescope in his

hand. He was a great fighter."

"You're the boy for me. Do you know about that picture? That was the old

ship _Hartford_; and when the Admiral was up in the rigging there, with

the bullets flying round him, I was down on deck, getting my leg shot

off."

Larry McGee took off his hat right away.

"Wuz that so indade, yer honor? Wuz it for that ye got the goold shtar

ye're wearin'?"

"Star? No, indeed. I got a pension, but I didn't get any star."

"But it's a foine one."

So it was, and it was fastened by a strong, wide blue ribbon to the old

man's left breast. It looked like solid gold, and it was curiously

lettered and ornamented.

"I'm proud of that, my man. And I got it that day too."

"How was it?" asked Rob, who had dropped his four-masted ship to listen.

"How was it? I'll tell you, my boy. It was Farragut himself. He was the

best sailor ever trod a plank, and he hated steam and iron pots to the

day of his death. He came to see me and the rest, in hospital, like the

true sailor he was, and he'd a good word all around. I'd been one of the

crew of his own gig, and before he went he put his hand in his pocket,

and seemed to be feeling for something. Belike his hand had been in that

pocket pretty often, those days, for it looked as if he couldn't find a

thing. When it came out, though, it had a piece of gold in it. An old

Spanish doubloon he'd carried for a pocketpiece--"

"That's a gold coin?" asked Rob.

"The biggest there is, except a double-eagle, only there's not many of

'em nowadays. And says he to me, says he: 'Good-bye, Jack Peabody. Most

likely I'll never see you again. Keep that to remember me by. I don't

think you'll forget the old ship, nor Mobile Bay.'"

"Troth an' the owld fellow was right there," said Larry McGee.

"So I took the doubloon, but I was too weak to say much, and when I got

out of hospital I worked that bit of gold into this here star, with the

Admiral's name on it, and the date, and Mobile, and all the other things

I could think of. There's a picture of the old _Hartford_ on the other

side. She was a ship, she was."

Rob and Larry took a long and careful look at the star, and then the old

man stumped away.

"How thim owld sailors does hate the shtamers!" said Larry.

"I don't care, the sailing ships are prettier."

"So they be, but the shtamers goes betther. How'd ye loike to wait for a

wind whin yez wanted to go to the city, instid of shtamin' over in a

ferry-boat?"

Rob talked with his father that evening, and showed him his four-masted

ship with a bowsprit at each end.

"Rob, my boy, your old sailor friend is right. I think I'll take you

over with me in the morning, and we'll walk up South Street, along the

wharves, and I'll show you what he means."

"That's what I'd like."

"Wounded at Mobile Bay, was he? One of Farragut's men? I must hunt him

up. Every American boy ought to touch his hat when he speaks of

Farragut."

Mr. Drake was a little of an enthusiast about ships and sailors, and it

was no wonder Rob took after him.

The next morning, when the great ferry-boat took over its biggest crowd

of passengers, and ever so many teams and loaded wagons, Rob and his

father were standing out in front by the railing, looking hard at every

vessel they came near, and talking about them all.

When they landed in the city, they walked on from the ferry along South

Street, which is lined on one side by warehouses, and on the other by

docks and piers. The docks were all full of vessels, and the great

bowsprits of the larger ships sometimes stuck halfway across the street

to the buildings.

They were both so busy with the shipping that they hardly noticed

anything on the other side of them, but suddenly Rob heard a cracked

voice exclaim:

"Robert Fulton Drake. That was his name. Drake's a good one; but then--

Fulton! I say, boy, look here!"

Rob looked, and so did his father.

There sat the old one-legged sailor, Jack Peabody, on the stone steps of

one of the warehouses, with his bright gold star on his breast, and a

cane in his hand.

Just beyond him, however, on the upper step, stood a beautiful model of

a brig, with a hull about two feet long. She was completely rigged,

sails and all.

"Look at that, sir. She'll float. She isn't top-heavy. No danger of her

tipping over. Made her myself."

"Father," said Rob, "it's the very man. Don't you see the star? Oh, what

a pretty brig!"

There was a card stuck at the brig's mast-head, with "For Sale" written

on it.

Mr. Drake had a good many questions to ask, about Farragut, and

sea-fights, and the "star" itself, before he came to the brig.

The old man's sailor dress was as neat as wax, and he did not look at

all poor, but he said:

"I live with my son, sir. He's no sailor. He's only first mate of one of

these iron pots of steamers they have nowadays. I've my pension too,

sir, but I like to build 'em. Keeps me busy, sir. Ships is going out of

date, sir. It does me good to put folks in mind of 'em. The price is

five dollars, sir."

There were wooden ships of all sorts and sizes lying at their wharves,

as far up and down the street as any one could see, but the old sailor

seemed to forget all about them in his hatred of steam and steamers.

"Rob," said Mr. Drake, "I'll buy that for you. Take it right home. See

if you can make one like it."

"May I swim it?"

"Of course you may, but you mustn't spoil it."

"Boy," said the old man, "put some lead on the bottom of that

double-ender of yours. It'll stand up, if you ballast it well. That'll

be two. When you make another, that'll be three--"

"Oh, I'll make a dozen!"

"Will you? Why, then you'll have a navy. I hope they'll all float. Not

all the ships they build nowadays make out to do that."

Rob hurried home with his brig, and he built his "navy," but it was just

as the old sailor feared, not more than half of them would float.

GRANDPA'S BARN.

BY MARY D. BRINE.

Oh, a jolly old place is grandpa's barn,

Where the doors stand open throughout the day,

And the cooing doves fly in and out,

And the air is sweet with the fragrant hay;

Where the grain lies over the slippery floor,

And the hens are busily looking around,

And the sunbeams flicker, now here, now there,

And the breeze blows through with a merry sound

The swallows twitter and chirp all day,

With fluttering wings, in the old brown eaves,

And the robins sing in the trees which lean

To brush the roof with their rustling leaves.

O for the glad vacation time,

When grandpa's barn will echo the shout

Of merry children, who romp and play

In the new-born freedom of "school let out."

Such scaring of doves from their cozy nests,

Such hunting for eggs in the lofts so high,

Till the frightened hens, with a cackle shrill,

From their hidden treasures are fain to fly.

Oh, the dear old barn, so cool, so wide!

Its doors will open again ere long

To the summer sunshine, the new-mown hay,

And the merry ring of vacation song.

For grandpa's barn is the jolliest place

For frolic and fun on a summer's day;

And e'en old Time, as the years slip by,

Its memory never can steal away.

[Begun in No. 19 of HARPER'S YOUNG PEOPLE, March 9.]

ACROSS THE OCEAN; OR, A BOY'S FIRST VOYAGE.

A True Story.

BY J. O. DAVIDSON.

CHAPTER IX.

ASHORE AT MALTA.

Sailors have a proverb that Valetta Harbor is like a hen-coop--"no

gittin' out when you're in, and no gittin' in when you're out." So

thought Frank, as the steamer glided into a narrow channel between the

two enormous forts of the outer harbor, through the embrasures of which

scores of heavy cannon, high up over the mast-heads of the _Arizona_,

looked grimly down. Other forts, almost equally huge and formidable,

guarded the entrance to the inner harbor, which was so narrow that the

three English iron-clads anchored within almost blocked it up, and it

was a puzzling question how the _Arizona_ was to pass them.

"We're bound to have a smash _now_," muttered Herrick, "unless that

lubber of a pilot's kind 'nuff to fall overboard."

The poor Maltese speedily justified this bitter verdict. Two of the

vessels were passed safely, but as they neared the third the pilot got

flurried, and gave a wrong order. The next moment the _Arizona_ came

smash into the counter of the iron-clad, sweeping away the miniature

flower garden which her captain had arranged along the stern gallery,

overturning several guns, and, as Jack Dewey poetically phrased it,

"playin' thunder and pitchforks generally."

[Illustration: MALTA.

1. THE GRAND HARBOR.

2. AGOZO (MALTESE) BOAT.

3. LANDING-PLACE.

4. THE COLLISION.

5. STREET IN MALTA.]

Instantly the English boatswain's shrill pipe was heard, and a crowd of

sturdy fellows in clean "whites" and bare feet came racing aft, and

cleared away the wreck in a twinkling, not without a few rough-hewn

jokes at "Yankee seamanship," which the _Arizona's_ men repaid with

interest.

"Just as well you've got no navy, if _that's_ how you handle a ship,"

shouted one of the English.

"Better have none at all than one made out o' cracked tea-kettles,"

retorted Herrick, who never lost a chance of having a fling against

steam.

The pilot, who had been shaking in his shoes at the mishap, now began to

hope that it would all end in a laugh; but he was not to escape

scot-free, after all. As the _Arizona_ forged ahead, a rotten egg, flung

through one of the iron-clad's open ports, hit him full on the forehead,

and exploded over his whole face, like a bombshell, making such an

object of him as his own father would scarcely have recognized.

* * * * *

An American steamer does not touch at Valetta every day, and the

_Arizona_ soon had plenty of visitors. Most of the crew being busy,

Frank was "told off" to act as showman, and for the first two days he

had more than enough to do. From sunrise to sunset the decks were

crowded with sight-seers of all ages and conditions--stiff, wooden-faced

soldiers from the garrison; languid ladies, who looked much more at each

other's bonnets than at the ship, and seemed to be always sitting down

and never getting up; jaunty military officers, with uniforms as trim as

their mustaches; huge red-whiskered sailors from the English men-of-war,

who kept patting Frank on the head like a child, to his great

indignation; and native Maltese, who seemed immensely astonished at all

they saw, and chattered over everything like so many parrots. Some of

these last mistook the white-painted iron of the engine for wood, and

were seen trying to chip off pieces of it with their knives as mementos

of the visit.

But when once he was off duty, Austin began to enjoy himself in earnest.

There really seemed to be no end to the curious sights of the place--the

steep, break-neck streets, almost like paved precipices; the tall,

thick-walled, narrow-windowed houses, small fortresses in themselves;

the shaven monks, who looked terribly hot in their heavy black robes;

the slim, dark-eyed Greeks, with their jaunty red caps, and the gaunt,

swarthy Moors scowling from under their huge white turbans; the queer

little Maltese boats, with high prows and sterns, quaintly carved and

painted; the files of donkeys plodding past under big baskets of fruit,

with their bare-footed drivers yelling behind them; the huge forts built

by the Knights of St. John (the former owners of Malta), nine thousand

of whom had held them for eight months against thirty-five thousand

Turks, during the great siege of 1565; and the stately English

iron-clads, which seemed to be always exercising their men, or standing

out to sea to bang at a floating mark with their big guns for hours

together.

But there were other and even more striking sights than these. There was

the old city of Citta Vecchia, with its ruined aqueduct. There was the

Church of St. Paul (the first built on the island), the ceiling of which

is covered with magnificent frescoes, while the floor is one mass of

precious stones, worked into portraits of the great men who lay beneath

it. There was a cave, said to have sheltered St. Paul after his

shipwreck, and containing a fine statue of him. There was the garden of

St. Antonio, which, in the glory of the dazzling Southern sunshine,

seemed the most beautiful of all. There was the armory of the Knights of

St. John, where Frank saw numbers of huge bows, battle-axes, and

two-handed swords; quaint old cannon, made of copper tubes covered with

coils of rope, which usually burst at the fifth shot; and last, but

certainly not least, an enormous helmet, as heavy and almost as big as

a wash-tub, said to have been worn by a gigantic knight of the order,

who, after defending the gate of Fort St. Elmo single-handed against a

whole battalion of Turkish Janizaries, had at length to be blown bodily

away with cannon-balls.

[Illustration]

Austin did not forget to visit the Catacombs, which fully bore out

Herrick's description of them. Far and wide the earth was honey-combed

with these gloomy galleries, in which, hundreds of years before, the

Christians of Malta had found refuge, while everything above-ground was

being wasted with fire and sword by the destroying rage of the Saracens.

Crumbling stone crosses, rudely carved names, antique burial-places,

seamed the gloomy walls in every direction, while the skulls and bones

of men, women, and children lay under foot like shells upon the

sea-shore. In the fitful glare of his torch, the long dark robe and

white corpse-like face of the monk who acted as guide might well have

passed for one of the dead about whom he told so many ghastly stories;

and Frank was not sorry to find himself in the bright sunshine once

more. But on looking round him, he saw with amazement that he was now

right on the opposite side of the mountain, several miles from the spot

where he had entered it. And then his monkish guide, by way of a

satisfactory wind-up, proceeded to relate, in his most dismal voice, how

a gay party of English naval officers descended into this gloomy maze to

make a complete exploration of it, and were never seen again.

On the last night of their stay in Malta, the _Arizona's_ officers and

crew went in a body to the opera-house (a fine building of gray stone),

to hear a young American singer in _La Sonnambula_. At first the Maltese

seemed disposed to find fault with her; but all adverse demonstrations

were speedily overwhelmed by the uproarious applause of the English and

American sailors. Even when the heroine made a false step in her

crossing of the bridge, and tumbled bodily on to the floor of the stage,

the gallant blue-jackets applauded as lustily as if this were the best

part of the performance, though Jack Dewey afterward observed that

"'twas a bad sign of any craft to capsize that way in a calm."

Next morning they were off, but not without a "hitch" or two before

starting. At the last moment, the man who had been hurt at Gibraltar had

to be sent ashore invalided, and another hand shipped in his place. Then

two of the firemen were found to be missing, and turned up just in time

to scramble aboard in what the chief engineer called "a strictly unsober

condition." One of them, who seemed to be in a quarrelsome humor, was

beginning to shout and abuse every one, when Captain Gray suddenly

appeared beside him.

"Stop that noise," said he, very quietly, "and go forward at once."

"Pretty tall talk, that," growled the brawler. "_I_ ain't a-goin'

for'ard for nobody. One man's as good as another."

The words were barely out of his mouth, when the "quiet" Captain's

clinched fist flew right _into_ it, with a shock that made his teeth

rattle like dominoes, and sent him sprawling on his back.

"Put that man in irons, Mr. Hawkins, and pass him down 'tween-decks,"

said the Captain, walking aft as if nothing had happened.

"Ay, _he's_ the one to settle 'em," muttered old Herrick, nodding

approvingly. "I tell ye, Frank, my boy, it's as hard to git off any

foolin' on our 'old man', as to git a 'pology out of a middy."

"How's that?" asked Austin, seeing by the twinkle of the old

quartermaster's eye that there was a good story coming.

"Ah, don't ye know that yarn? Well, it's worth hearin', too; I got it

from a Britisher last time I was here. Ye see, there was a young middy

aboard one o' Nelson's ships in the old war, who was always in some

scrape or other; and one day the third officer, Mr. Thorpe, got riled

with him, and called him a confounded young bear.

"'Well,' says the mid, quick as winkin', 'if _I_'m a bear, _you_'re not

fit to carry bones to a bear, anyhow.'

"'What! what!' cries Thorpe--'mutiny, as I live! You whelp, I'll teach

you to talk that way to _me_!' and off he goes to the Cap'n, and reports

him for disrespect to his superior officer.

"Well, the Cap'n calls up Mr. Middy, and tells him this sort o' thing

won't do nohow, and he must either 'pologize or leave the ship. So the

mid takes off his cap with a reg'lar dancin'-school bow, and says, 'Mr.

Thorpe, I said just now that you were not fit to carry bones to a bear;

I was wrong, and willingly apologize, for I now see that you _are_ fit

to carry them.'

"'Sir,' begins the Cap'n, in a voice like a nor'east gale.

"'Oh, Cap'n Mayne,' says Thorpe (who warn't bright 'nuff to see the

joke), 'if the young gentleman sees his error, and takes back his words,

I'm satisfied.'

"'Well,' says the Cap'n, bitin' his lips to keep from laughin', 'if

_you_'re satisfied, _I_ am; but catch me ever trying to get an apology

out of a midshipman again!'"

[TO BE CONTINUED.]

THE STORY OF GEORGE WASHINGTON.

BY EDWARD CARY.

CHAPTER IV.

In the last chapter I told you how Washington kept the British out of

Philadelphia during the winter of 1776 and 1777. The next year the

British came around from New York by water with a large and fine army.

Washington's army was badly trained, and many of them were new men. A

bloody battle was fought below Philadelphia, on the Brandywine Creek,

and the Americans were divided and beaten. The British marched into

Philadelphia, and in spite of all that Washington could do, staid there

that winter, and the Americans went into camp at Valley Forge, some

twenty miles away. It was a terrible winter, and often the soldiers were

"barefoot and otherwise naked," as Washington wrote to Congress, and

food was often very hard to get. Some members of Congress found fault

with Washington for not attacking the enemy. He answered, "I can assure

these gentlemen that it is a much easier and less distressing thing to

draw remonstrances in a comfortable room by a good fireside than to

occupy a cold bleak hill, and sleep under frost and snow without clothes

or blankets." During the winter Mrs. Washington came on from Virginia,

and shared her husband's log-hut.

But after the long, hard winter at Valley Forge, the spring of 1778

opened with new hopes. The French government had signed a treaty with

the United States, agreeing to aid them with men and money, and a fleet

of French ships was sent to America. The British finding Philadelphia

hardly worth the hard fighting it had cost, since they could not get far

away from it, or hurt the American army very much while in the city, got

ready to leave it and go back to New York. Washington followed hard

after them, and a heavy battle was fought at Monmouth, in New Jersey,

from which neither side gained a great deal. The British got back into

New York, and Washington took his men up the Hudson, and kept them

there, watching a chance to join in some attack with the French troops

who came to Newport, in the State of Rhode Island.

For the next three years there was not any very hard fighting under

Washington's own command, but his cares were scarcely less. He had to

keep watch of all that was going on, and to have his army ready to

strike at a moment's warning. Waiting and watching were tedious work.

They tried his patience and his firmness. A weaker man would have given

up, but Washington was not any more easily tired than he was frightened.

He held steadily to his task, and tried hard to keep his countrymen,

many of whom were weary of the war, up to their duty.

At one time the cause of liberty was nearly ruined by a traitor. General

Benedict Arnold tried to sell to the British a fort at West Point, on

the Hudson River. If the British could have got that, the States north

and east of New York would have been cut off from the rest, and probably

they would have all been conquered. Happily the plot failed. This was in

1780.

The next year Washington really closed the war by a splendid move. A

large army of the British had been sent to Virginia, under Lord

Cornwallis, in hopes to cut the troops who were farther south off from

connection with the North.

Washington sent a gallant young French General, Lafayette, whom he loved

and trusted greatly, to prevent this. Lafayette had a small force, but

he was quick and brave and shrewd, and he managed to get the British

shut up in Yorktown, near the Chesapeake Bay. There he learned that a

French fleet, under Comte de Grasse, would soon arrive. He sent urgent

word to Washington to come South right away.

Washington straightway marched, with nearly all his army, and most of

the French troops, for Virginia. They arrived on the 14th of September,

1781, just in time. The French fleet sailed up the bay, the American and

French troops came down on the land side, and between them they shut the

British General in the little village of Yorktown, and there they laid

siege to his army.

When they had got pretty close to the town, they had to drive the

British from some redoubts, or walls of earth and stone, behind which

they had planted their cannon. This was done by a party of Americans

under the gallant Lafayette, and a party of French soldiers. They

marched steadily up to the redoubts, and springing over the walls, under

heavy fire, drove the enemy out with their bayonets. It was a brave

assault, and successful, and it was the last hard fighting of the war.

On the 19th of October, Lord Cornwallis, seeing that he could hold out

no longer, surrendered his army prisoners of war. It was a great

victory, and was won with less loss of life than there might have been

if it had been less skillfully fought, for Washington had managed so

quietly and so quickly that he had surrounded Lord Cornwallis with

nearly twice as many troops as the British General had.

After the surrender at Yorktown, Washington returned North, and on his

way stopped at his home at Mount Vernon. He had slept there on his

journey southward, a few weeks before, for the first time in nearly

seven years, and he had found it sadly injured in his absence. During

his second visit, his wife's son, Mr. Custis, died, leaving a son and a

daughter, whom Washington adopted as his own, and tenderly cared for as

long as he lived.

[TO BE CONTINUED.]

MAKING MAPLE SUGAR.

When in the early spring-time the snow and ice have been so softened by

the ever-increasing warmth of the sun's rays as to put an end to

coasting, skating, and other winter sports of the North, a new source of

amusement, equally fascinating to the children, is provided. It is

maple-sugar making, with all the delights of life in the camp, or "sugar

bush," as it is more generally called.

When the heat of the sun is sufficient to melt the snow, it is also

powerful enough to send the sweet sap of the rock and sugar maples

rushing through all the delicate bark veins up toward the branches and

twigs. At night, when the sun has set, and the air is full of a nipping

frost, the sap does not run; so, as it must be collected during the

daytime, the boiling is very often done at night.

As the first sap of the season is the sweetest and most abundant, the

sugar-makers are on the ground and making ready their camps upon the

first indications of "sap weather," as they call it. The sap runs,

according to locality, from the last of February until late in April,

and the sugar season lasts about four weeks in each place.

When the farmer thinks that sap weather is about setting in, he calls

his boys together; they load the big kettles and camp material on the ox

sleds, and start for the "bush," or grove of maple-trees, which is often

many miles from the house. When they reach the maple grove, all hands

find plenty to do. If it is a warm day, the trees must be immediately

tapped, and a couple of boys are started off with a sled-load of iron

spiles, each about six inches long, and a quantity of sap buckets or

short wooden troughs that have been cut out during the long winter

evenings. A slight cut is made through the bark of each tree, or an

auger hole is bored, a spile driven in directly beneath it, and at the

foot of the tree is left a trough so arranged as to catch the sap as it

drips from the end of the spile.

While the trees are being tapped, the men left in camp have been busy

enough building the rude shanties of logs and spruce boughs that are to

shelter them while they remain in the bush, cutting quantities of

fire-wood, and swinging the great kettles into place on the iron bar

that rests on two forked posts solidly fixed in the ground. Sometimes

great shallow pans of iron, set upon rude foundations of stone, are used

instead of the kettles, and the shanty in which the men live is often a

very permanent structure of logs, that can be used for many years.

Late in the afternoon the sleds, each carrying a large cask or hogshead,

are sent around to the maple-trees, all the sap buckets are emptied, and

finally the casks, full of what tastes like sweetened water, are drawn

slowly back to camp. The sap is poured into the big kettles, the fires

lighted, and the "syruping down" begins. The pans or kettles are kept

constantly full from the barrels of sap standing near by, and sometimes

the bubbling liquid boils over. When it does this, a bit of bacon is

thrown in, and the troubled waters subside.

The boiling is continued until the watery sap has been changed into a

rich syrup, when it is drawn off into casks for future use, or into

other iron kettles to be boiled again until it becomes sugar. This

second boiling must be done very carefully, or the syrup will become

burned and spoiled. It is constantly stirred with a long-handled wooden

paddle, and both eggs and milk are often thrown in to purify it. The

scum that rises to the top is carefully removed, and thrown out on the

snow, to the delight of the children, who watch for it to cool and

partially harden. They call it "maple candy" or "taffy," and regard it

as a treat.

When by testing on the snow, or in cold water, the syrup is found to

have boiled long enough, it is run into moulds, where it cools into

cakes of maple sugar, or the kettle is lifted from the fire, and its

contents stirred and beaten as they cool, until they become coarse brown

sugar that can be used in cooking.

A VOYAGE ON AN ICE-BLOCK.

BY DAVID KER.

The breaking up of the ice in Russia is always a fine sight to look at,

even upon a small stream like the Neva at St. Petersburg, which is a

mere brook compared with the great rivers of the South. As soon as the

spring thaw sets in, all the wooden bridges are removed, and nothing

checks the descending ice but the stone piers of the Nikolaievski

Bridge, named after its founder, the Czar Nicholas. Every morning, while

the show lasts, the balustrades of this bridge are lined with a crowd of

eager spectators, looking as intently at the wonderful sight as if they

had never seen it before.

And a wonderful sight it is indeed. Far as the eye can reach, the

smooth, dark surface of the river is one great procession of floating

masses of ice, of all shapes and sizes, moving slowly and steadily

downward.

But the place to see this famous sight at its best is the Volga, which,

with its two thousand miles of length, brings down ice enough to

overwhelm a whole city. At times the force of the current piles it up,

sheet over sheet, into huge mounds, the crashing and grinding of which,

as they dash against each other, make the very air shake. When the river

is "moving," as the Russians call it, he would be a bold man who should

attempt to take a boat across it; for, once caught between two of these

moving islands, the strongest boat on the Volga would be crushed like an

egg-shell.

So, doubtless, think the group of peasants who are standing upon the

river-bank, one bright March morning, a mile or two below the great

manufacturing town of Saratov, watching the endless procession of

ice-blocks sweep past. Strange-looking fellows they are, with their flat

sallow faces and thick yellow beards, their high boots smeared with tar

instead of blacking, their rough caps pulled down over their eyes, and

their heavy sheep-skin frocks with the wool inside. But, queer as they

look, they are a merry set, laughing and joking unceasingly, and

enjoying the spectacle like a party of youths at a circus.

"Come, now, Meesha [Michael], here's an open course; let us have a race

across!"

"All right, Stepka [Stephen]; and as you're a friend of mine, I'll give

you a half-minute start."

And then follows a loud laugh, for a little fun goes a long way in

Russia.

But a sudden shout from one of the men draws everybody's attention, and

he is seen pointing to a huge sheet of ice some distance up the stream.

On its smooth white surface lies a dark, shapeless lump, perfectly

still; and guesses begin to fly from mouth to mouth as to what this can

be.

"A block of wood, I think."

"A dog, more likely."

"Too big--must be a bundle of hay."

A handsome young fellow, lately arrived in that district from the North,

presses to the front, and fixing his keen eyes for a moment upon the

mysterious object, says, emphatically, "Tchelovek!" (a man).

"A man?" echo two or three of his companions. "He must be frozen, then,

for he don't seem to move a bit."

"Feodor [Theodore] has the best eyes among us, though," puts in another.

"If he says a man, why, a man it must be."

"And so it is," shouts one who has run a little way up the bank; "and

he's alive, too, for I saw him move his head just now."

By this time the ice-block had come near enough to let the strange

object upon it be plainly seen. It was the figure of a man in a

sheep-skin frock, doubled up in a crouching posture.

"We must help him, lads," cries Feodor; "it won't do to let a man perish

before our eyes."

"Ah, my boy," answers an old man beside him, shaking his gray head,

"it's easy to say 'help him,' but how are we to do it? Crossing the

Volga when it's moving is not like dipping a spoon in a bowl of milk."

"I'll try it, anyhow," says Feodor, resolutely. "God cares for those who

care for each other. I'll just run and get out my boat."

But as he was starting off to do so, a shout from the rest made him turn

his head, and he saw something that stopped him short.

Just abreast of the spot where they stood three or four small islets, or

rather sand-banks, lay close together in the centre of the stream. The

huge fragment of ice upon which the man was crouching, turned sideways

by the current, had just run upon the end of one of these banks, where

it stuck fast.

"Now's the time," shouted Feodor, springing forward; "not a moment to be

lost. A rope and a pole--quick!"

He was obeyed at once; for these rough fellows seemed to feel

instinctively that _he_ was the man for the occasion, and had a right to

take the command. He twisted one end of the rope around his left arm,

and running a little way up the bank, threw the other end to those who

followed him, grasped the pole in his right hand, and bounded like a

deer on to the nearest ice-block, the in-drawn breath of the excited

lookers-on sounding like a hiss amid the dead silence.

Had any artist been there to paint the scene, it would have made a very

striking picture. The sky had darkened suddenly, and a cheerless gloom

brooded over the sullen river with its drifting ice, and the bare sandy

ridges on either side, and the helpless figure stranded upon the islet,

and the daring man winning his perilous way over the treacherous

surface, and the group of anxious watchers on the shore, while the wind

moaned drearily through the leafless trees, like a warning of coming

evil.

But Feodor was not the man to be frightened by any such fancies, and on

he went in gallant style, springing lightly from block to block, while

the ice creaked and groaned beneath his weight, and the water splashed

up all around him. Twice a cry of dismay burst from his comrades, as the

ice upon which he leaped gave way under his feet. Once his way was

barred by a gap too broad to be cleared; but with his pole he drew a

passing fragment within reach, stepped upon it, and went forward again.

But now came a new peril. The stranded mass of ice for which he was

aiming, thus stuck fast in the midst of the stream, formed a kind of

breakwater, behind which the smaller lumps began to accumulate; and

several of these, driven by the current beneath the great sheet, forced

one end of it up, while the other was held fast by the sand-bank. Such a

strain was too great to be long endured. Just as Feodor was almost

within reach of the helpless man, the ice-floe upon which the latter lay

split in two with a deafening crash, and the pent-up masses behind, all

breaking loose at once, came down upon Feodor like an avalanche.

"God help him, he's lost!" muttered an old peasant, clasping his hands.

But Feodor was not to be caught so easily. Quick as lightning he planted

the end of his pole on the nearest block, and with one bound was safe

upon the islet, just as the ice torrent went rushing and roaring past.

The next moment his hand was on the shoulder of the prostrate man.

"Up with you, man!" roared he, shaking him violently; "up with you,

quick!"

But the man never moved. Either cold or fright, or both together, had

plainly rendered him quite helpless.

For an instant Feodor stood perplexed; and then he seemed to have made

up his mind what to do. Planting his feet firmly upon the rough ice, he

gave a powerful thrust with his pole, which pushed the block clear off

the sand-bank; and another shove sent it fairly out into the stream.

"Now, lads," shouted he, to his friends on the bank, who still kept

their hold of the connecting rope, "pull with a will."

The men, seeing at once what he meant to do, pulled at the rope with all

their might, while Feodor guided the floating mass with his pole. More

than once a huge block bore down upon him so swiftly that a fatal

collision appeared certain; but the young hero's skillful hand and eye

carried him through, and five minutes later the rescued man and his

deliverer were both safe on shore.

"Bravo!"[1] cried his companions, crowding eagerly around him.

"Bravo!" echoed a strange voice from behind; and it was then seen that a

handsome sleigh had halted beside the group, in which sat a tall,

soldier-like man in uniform, at sight of whom the peasants doffed their

caps and bowed low.

"What's all this?" asked the new-comer.

The story was soon told, and the stranger's face lighted up with a glow

of hearty admiration as he heard it.

"Well done, my brave fellow!" said he, handing Feodor a bank-bill for

twenty-five rubles ($19). "It's poor enough pay for such a day's work,

after all; but if ever you're in want of money, come to me, and you

shall have it, and welcome."

And away went the sleigh before Feodor could recover from his amazement,

which was not lessened when half a dozen of his comrades, all speaking

at once, informed him that this liberal stranger was no other than the

Governor of Saratov himself.

FOOTNOTES:

[1] The Russian word is "molodetz" (literally "fine fellow"),

answering to our familiar "bully boy."

[Illustration: MIGHTY QUAR.

"I DUNNO, BUT DAR'S A T'RIFFIC DRAFF ROUN' YAR."]

[Illustration: SCENES IN A SUGAR BUSH.--[SEE PAGE 366.]]

MAY'S BIRTHDAY.

Dancing round the May-pole--

Oh, the merry sight!

Little lads' and lassies

'Neath the sunshine bright.

On her throne of daisies,

Blossoms in her hair,

Laughing 'mid her blushes,

Sits the May-Queen fair.

O'er the sunny meadow

Clover blossoms grow;

Through the dainty grasses

Spring's sweet zephyrs blow.

Buttercups and daisies

Lift their pretty heads,

And watch the violets peeping

From their fragrant beds.

Oh, the merry May-time

With its charming hours,

With its skies so tender,

And its dainty flowers!

Dance away, my children,

Round your little Queen;

May's bright birthday honor

With a "dance upon the green."

THE HAPPY CLUB.

A RECIPE FOR HAPPINESS.

Take six little girls about ten years old; add three or four nice little

boys, and mix them with the girls, taking care not to stir them up too

much. Then take--

But perhaps you will understand it better if I tell you just how we did

it.

This is how it began: I have a little friend named Annie, who comes to

see me every Saturday. She tells me "all about everything," and we have

very good times together. One day she told me a story she had read in

HARPER'S YOUNG PEOPLE about a poor little girl who finds a doll in an

ash barrel.

"I think it is a very nice story," said Annie, "and that lady says that

we could all make pretty things for sick children if we wanted to. Oh

dear! I wish I had lots and lots of money!"

"It does not always take much money to make pretty things," I said. "You

can make six elephants for thirty cents."

"True elephants?" asked Annie, opening her blue eyes so wide that I was

afraid of an accident.

"No," I said, "but very tame elephants, made of gray flannel, and with

red saddle-cloths."

"Oh, I don't think they are pretty," she said.

Then I told her how I had once bought two elephants, a big one and a

small one, and sent them to a sick little girl. And how, when I had gone

to see her, she had said to me: "Them ollifans is too nice for anything,

and they don't never bite me at all. The big ollifan is the mother, and

she keeps me company; and the little one comes and puts his big nose

under my chin to get warm. Oh, I just love them!"

After that I bought one more elephant, and killed him, and used his skin

for a pattern, and made several other elephants, to be loved by little

children.

"I know what I will do," said Annie; "I will make some kittens. Won't

that be nice?"

I thought it might be very nice, if we could get a good pattern. And as

she wanted to begin immediately, we looked in a box where I keep all

sorts of remnants, and found a piece of red plush, which Annie declared

"would be just the loveliest thing for a kitten."

As I had never seen a red kitten, I was a little doubtful; but since

that time I have seen kittens red and pink and blue, and the children to

whom they are given always fall in love with them at first sight.

But our kittens were not made in one day. We found it so difficult to

cut a pattern that would "look like anything" that we had to send to a

special artist in the city; and during the winter we spent a whole

dollar for patterns of animals.

How we became a club happened in this way:

Annie was so delighted with the idea of making pretty things for other

children that she spoke of it to several little girls, who said that

they would like to make pretty things too. Then they came to see me, and

after talking it over we decided to go to work at once, and to call

ourselves "a club." We were to meet every Saturday, in my sitting-room,

and I was to be president, secretary, treasurer, cutter, and general

manager.

At first it was to be strictly a "ladies' club"; but Louis, Annie's

little brother, said he "wanted to be a club too," and as he is a very

nice boy, we took him in, and also two other boys who applied for

admission. There are ten of us--six girls, three boys, and myself.

Now I will tell you what we do, and how we do it.

The club meets a little before eleven o'clock every Saturday morning.

The members bring their lunches, and all the pennies, toys, pieces,

picture-books, and new "good ideas" they have been able to collect

during the week. We sit around a table in a bright sunny room, with a

large bay-window filled with green plants. On each side of the window

are book-cases, and behind the glass doors of one of these you can see

beautiful dolls, kittens, dogs, elephants, and a variety of other works

of art. These are our "pretty things," which were, most truly, "born to

be admired." A deep locked drawer under the shelves contains the raw

material from which our wonders are made, and in the southeast corner of

it is safely hidden the bank in which our precious pennies are kept.

During the first half hour we work, make plans, and exchange ideas. Then

comes the request, "Please tell us a story; tell us about when you were

a little girl." And as I am a very obedient "manager," I do as I am

told.

At half past twelve we go into the dining-room, where we have "a picnic

in the woods." The big table represents a shady grove, the sideboard is

a hill, a large ivy at one end of the room is a summer-house, and we sit

on rocks and fallen trees. This gives us a little change of air, and, as

everybody knows, change of air gives people a good appetite.

When our picnic is over, we go to work again, and as we are all in

pretty high spirits, we are very funny and witty, if not very wise. We

relate anecdotes, recite short "pieces," sing, guess riddles and

conundrums, we play "our minister's cat," and other games, and, as Louis

says, "we have jolly old times.".

Speaking of picnics reminds me of something that happened at our last

meeting. The Saturday before, I had told my little friends about the

French apple-tarts my grandmother used to make for me--"little pies,"

she called them. And as every member of the club wanted to know how they

were made, I wrote nine short recipes, so that they would be sure to

remember.

This gave me a good idea for "a secret."

When we went to the dining-room last Saturday, the children were

surprised to find the table covered with a red cloth which was evidently

hiding something.

Then I made a little speech: "We will not have a picnic to-day, but we

will eat our lunch quietly on the top of our shady grove. Guess what I

have for you."

"And guess what we have for you," answered nine little voices.

Instead of guessing, I lifted the cloth, while they opened their

lunch-baskets. Then we all stared, and said, "Oh!"--a great big Oh!--for

in a moment the table was all covered with apple-tarts, and in the

middle of the tarts there was a large round apple-pie. You see, I had

made the big pie for the children to eat, and several tarts to be taken

home to their mothers; and _they_ had all tried my recipe, and made

tarts for the children, and some for me. So we had fifty-six tarts and

the pie!

It would take too long to tell you everything about our little club; but

so far it has been a success; and we have learned by experience how much

pleasure can be given to others with a little trouble, and a great deal

of goodwill.

As we shall not be able to do much sewing when the warm weather comes,

we intend to do garden-work, and send plants and flowers to our little

friends who have no gardens of their own. We are already making

delightful plans for flower beds, hanging baskets, and window boxes,

filled with nasturtiums, sweet-peas, and mignonette. And our plans look

so beautiful on paper that I can almost smell the flowers.

And now do you not think that we were right to call our club the "Happy

Club"?

A LETTER FROM A LAND TURTLE.

BY ALLAN FORMAN.

My young master said that he was going to write a letter to YOUNG PEOPLE

about me, but Charley Bates just came in and asked him to go out and

play, and I guess that he has forgotten all about it. My master don't

know as much about me as I do myself, anyhow, and I have never told him

anything, so I don't see how he could write. He has left me on his

table, and I just looked over the edge, and it is 'most a mile high, I

guess, so I won't try to get down. I'll take his pen and tell you some

things about my life and adventures. You need not think that because I

am only a turtle I have had no adventures.

Harper's Young People, May 4, 1880 An Illustrated Weekly · 第 1 / 3 段