CHAPTER VIII.

THE SWORD IN ANCIENT EGYPT AND IN MODERN AFRICA.

The present state of our history shows us nothing anterior to Egypt in

the civilisation of Language, of Literature, of Science, Art and Arms.

We must now modify and modernise the antiquated and obsolete saying—‘ex

Oriente lux’—the fancy that illumination came from India, when the

reverse is true. The light of knowledge dawned and dayed not in the

East, but in the South, in the Dark Continent, which is also the High

Continent.[450] Nor can we any longer admit that

Westward the course of empire takes its way.

As Professor Lepsius teaches us, ‘In the oldest times within the memory

of man, we know of only _one_ advanced culture; of only _one_ mode of

writing, and of only one literary development, viz. those of Egypt.’

Karl Vogt, a man who has the courage to say what he thinks, bluntly

states: ‘Our civilisation came not from Asia, but from Africa.’ For our

origin we must return to

The world’s great mistress in the Egyptian vale.

The modern Egyptologist is reforming the false and one-sided theories

based upon the meagre studies of anthropological literature in Greek,

Latin, and Hebrew. Yet in the Nile Valley we are only upon the

threshold of exploration—topographical, linguistic, and scientific. Of

its proto-Egyptians and its primæval workmanship as yet we know little;

and it is truly preposterous to suppose that man began his artistic

life by building pyramids, cutting obelisks, and engraving hieroglyphs.

The ‘Cushite School,’ based upon the Asiatic Ethiopians of Eusebius

the Bishop,[451] and unfortunately represented by Bunsen, Maspero,

Wilkinson, Mariette, Brugsch, and a host of minor names, has determined

that the old Nilotes ‘undoubtedly came from Asia.’ The theory utterly

lacks proof; and the same may be said of the popular assertion, based

upon Biblical grounds—‘The early colonists of Egypt came thither

from Mesopotamia.’ We seem to be reading fable when told (by William

Osburn[452]), ‘The skill of these primitive artists of Egypt was a

portion of that civilisation which its first settlers brought with them

when they located themselves in the Valley of the Nile.’

My conviction is that the ancient Egyptians were Africans, and pure

Africans; that the Nile-dwellers are still negroids whitened by a

large infusion of Syrian, Arabian, and other Asiatic blood; and that

Ethiopia is its old racial home. Æschylus had already robed their black

limbs in white raiment when Herodotus (ii. 104) made them dark-skinned

compared with the Arabs[453] and North Africans. Every traveller finds

his description hold good to the present day. Blumenbach declared

the old Egyptians to be of Berber origin, the race of Psametik, or

the Son of the Sun. Hartmann opined that they were not Asiatics but

Africans, and Dr. Morton modified his first opinion, finding the

cranium to be negroid. I hope to prove their correctness by making a

large collection of mummy skulls.[454] It is certain that the modern

Egyptian’s hair—that great characteristic of race, according to Pruner

Bey—is not silky, as Professor Huxley says, but wiry like that of

his forefathers.[455] Moreover, his type, as distinctly shown by the

Sphinx, is melanochroic-negroid. Lastly, there are other signs, which

need not here be noticed, distinguishing the African—horse as well as

human—from the Arabian.

[Heading: _ANTIQUITY OF EGYPT._]

There is a history of ancient Egypt, into which we have not yet

penetrated. Herodotus (ii. 142) glances at it when he makes the

Ptah-priest at Memphis pretend to an antiquity of 11,340 years,[456]

during which reigned 341 generations of kings and pontiffs.[457] Plato

does the same when he speaks of hymns 10,000 years old, and Mela[458]

when he numbers 330 kings before Amasis, who ruled more than 30,000

years. Mena (Menes), the first man-monarch who founded Memphis (B.C.

4560?) some centuries before the Hebrew Creation, was preceded for

13,000 years by the ‘Dynasty of the Gods’ (god-kings), suggesting a

governmental hierarchy of the fetisheer caste: and this lasted for

ages, till the Soldier upset the Priest and raised himself to the rank

of Pharaoh[459] and king. Traces of the proto-Egyptian dynasties in

which the men of the Pen controlled the men of the Sword long survived;

and in later times the ecclesiastical order again ruled the military.

We know nothing of the hierarchical supremacy but its baldest outline.

When our modest chronologists allow 6000 years to its incept, they

run into the contrary extreme of those who assign to it myriads of

centuries. Rodier[460] is more reasonable; he opines that the cycle of

1,460 years dates in Egypt from B.C. 14,611.

[Illustration: FIG. 151.—1. BRONZE DAGGER; 2. SWORD (14 inches long).]

Again, it will probably be found that ancient Egypt was _not_ ‘the

narrowest strip of land in the world running between a double desert.’

The extent of ‘Kemi’[461] has been arbitrarily confined to the Riverine

Valley as far as the First Cataract, or seven hundred by seven miles

widening out in the Delta-netherland to a base of eighty-one miles. We

may fairly suspect that modern Masr is only a slice from the eastern

half of the antique Mizraim. The Greeks made the frontier of Asia

extend beyond the Suez isthmus and the Nile to the lands of Libya.[462]

This Greater Egypt is still suggested by the system of Bahr bilá má,

large _Fiumare_ now bone-dry, and by the alignment of the oases in

the wilderness west of the River Valley with their giant ruins of

a proto-historic Past. These may date from the days when the basin

of the Bahr el-Ghazal—a lake like the Tanganyika and the Victoria

Nyanza—discharged its annual flood to the North in channels parallel

with the ‘River Ægyptus.’[463] The lacustrine bed would silt up by the

natural process of warping, and the surplus water, no longer able to

discharge northwards, would force itself eastwards to the Nile. The

easier drainage would presently convert the lake into a river-basin and

system, and the lands no longer irrigated would become a waste dotted

like a leopard skin with oases or watered valleys.

An abundance of popular literature has familiarised the public

with the outer aspect of ancient Egypt, but the world is still far

from recognising the message she sent to mankind. We must go back

to ‘the Wonderland on the banks of the mighty Nile’ for the origin

of all things which most interest us. It is the very cradle-land

of language. Her tongue contains all the elements of the so-called

‘Aryan,’[464] Semitic, and Allophyllian or Turanian families, and dates

long before the days of the present distribution. Bunsen’s ‘Egypt’

first noticed this fact at some length, without, however, dwelling

upon its importance. ‘All Semitic pronouns and suffixes,’ says M.

C. Bertin, ‘can be traced back to Egyptian, especially the Egyptian

of the earliest dynasties’; he might have added much about other

mechanical forms. Brugsch tells us (i. 3) that the primitive roots and

the essential elements of the Egyptian grammar point to an intimate

connection of the Indo-Germanic (!) and Semitic languages.[465] The

Allophyllian or Agglutinative Turanian,[466] a _tertium quid_ which is

neither ‘Aryan’ nor ‘Semitic,’ is also traceable in old Coptic.

[Heading: _ORIGINS IN EGYPT._]

What, then, do these facts suggest? Simply that the elements existing

in Egyptian travelled from the banks of the Nile and evolved,

discreted, and differentiated themselves in many centres. The

word-compounding or Iranian scheme found homes in Eastern Europe

(Greece, Italy, and the Slavonic or quasi-Asiatic half); in Asia

Minor—especially Phrygia—in Mesopotamia, in Persia, and finally in

India, where the settlement was comparatively modern. This explains

how a philologist would derive Sanskrit from Lithuania. This saves

us from the ‘Aryan heresy’;[467] this abolishes ‘Indo-European,’ and

worse still ‘Indo-Germanic’—that model specimen of national modesty.

Both are terms which contain a theory and an unproved theory. Again,

the word-developing or Arabian scheme, absurdly termed Semitic (from

Shem!), increased, multiplied, and perfected itself in Northern Africa

and Arabia, while the Turanian, becoming independent and specialised in

Akkadian, overspread Tartary and China.

And this one primæval language of Egypt framed for itself an alphabet

whence are derived all others. This is proved by the fact that each

and all begin, as Plutarch tells us old Coptic did, with the letter

A. Of its age in Nile-land we may judge from the cartouche containing

Khufu’s name, left by some workman on an inner block of the Great

Pyramid.[468] How many generations of articulate-speaking men must have

come and gone before so artificial and artistic a system as the Royal

Signature upon the Shield occurred to the human mind!

But Egypt did still more. She was the fountain-head of knowledge

which overflowed the world. Eastward the great current set through

Babylonia and Chaldæa, Persia and India, Indo-China, China, and Japan,

to Australia and Polynesia. Westward it flooded Africa and Europe. It

may have reached America by two ways. The Oriental line would extend

from China and Japan to the Eastern Pacific coast: the Occidental was

practicable _viâ_ Atlantis, or possibly in the days when Behring’s

Straits did not exist. It found a new Mediterranean in the great

Caribbean Gulf, and new Indies in Mexico and Peru. Indeed, the march of

intellect from Egypt is conterminous with the limits of the habitable

globe.

The invention of an alphabet would necessarily lead to

literature—poetry, history, and criticism. The earliest known

manuscript is the Prisse (d’Avennes) Papyrus, a roll dating from the

days of Pharaoh Tat-ka-ra, last of the Fifth Dynasty (circ. B.C. 3000).

It is a collection of proverbs, maxims, precepts, and commandments, of

which the fifth is, ‘Honour thy father and thy mother, that thy life

may be long’: the style is admirable for its humorous vein, and for its

graphic description of old age—‘Senex bis puer.’ The earliest epic is

the heroic poem of Pentaur, laureate to Ramses II. (B.C. 1333–1300);

it is the prototype of the cyclic songs which, in Cyprus especially,

preceded the _chef-d’œuvre_ of the Homerid chief; and it opens with an

‘Arma Virumque cano.’ The ‘Deadbook’ is the birth of the Drama, and it

may date ages before the dialogues of Job. The ‘Canticles of Solomon’

are in the evocations of Isis and Nephthys.[469] The _critique_ of a

young author’s production by a purist in style might add a sting to

reviewing in the present day.[470] To the Egyptians we must attribute

the invention of maps and plans. They first studied heraldry: every

nome had its distinctive emblem, generally bird or beast; and each

temple and guild its blazon.[471]

Literature would be imperfect without art and science, and accordingly

we find their head-quarters and old home in Egypt. These studies

humanised the people; their code suggests the mildness of modern penal

law; and their reverence for letters, for old age, and for the dignity

of man, makes them an eternal example to the world. The monuments show

their fondness for music and painting. Their knowledge of statuary

is proved by a host of works, especially the wooden Shaykh el-Balad

(village chief) in the Bulak Museum—a marvel of skill, probably dating

from the Fourth Dynasty, B.C. 3700. In architecture they invented the

arch, round and pointed; eight several orders of columns, including

the proto-Doric; Atlantes, Caryatides, and human-shaped consoles. The

‘temple of Jízeh’ near the sphinx is evidently older than the adjoining

pyramids; it is a model of solidity in which the hardest stone is

worked like wood.

[Heading: _EGYPT THE CRADLE-LAND._]

In science they especially cultivated geometry, astronomy, astrology,

and ‘alchemy,’ whose name betrays its origin. Their arithmetic taught

decimals and duodecimals. Their mathematics arose from measuring fields

and calculating the cubes of altars. They knew the precession of the

equinoxes: Rodier (p. 31) considers that they learnt it from observing

the equinoctial point and the rising of Sothis, the Tuth-star, ‘the

axle of the skies,’ in the same zodiacal sign, and that the studies at

Syene date from B.C. 17,932. They knew the motion of the apsides, and

the solar and stellar periods; they invented latitude and longitude;

they denoted by a cross the intersection of the solstices and the

equinoxes, and they published annual calendars. In optics they invented

the lens. They were not ignorant of the motive power of steam, and

possibly the electric fish had taught them the rudiments of electricity.

They were great in the mechanical arts. In medicine they dissected

and vivisected: in agriculture they invented the plough, the harrow,

the toothed sickle, the flail, and the tribulum; in carpentry the

dove-tail; in ceramics the potter’s wheel, and in hydraulics the

water-wheel. In gardening they transplanted full-grown trees. They

made glass, porcelain, and counterfeit pearls and precious stones;

and they used emery powder and the lapidary’s wheel. They spun silk,

and knew the use of mordants for stuffs and dyes for hair. They made

‘babies’ (dolls) and children’s toys of clay, and they moulded masks of

papier-mâché. In some points they were strangely modern. For hunting

they wore dresses of ‘suppressed colour,’ not pink nor ‘rifleman’s

green’: we are just beginning to find out our mistakes. They affected

falconry, and played at the draughts which led to chess; and at

_morra_, the Roman _micare digitis_. They sat on chairs whose shapes

are like ours, not on divans nor on triclinia. In their house furniture

they studiously avoided over-regularity; and Japan is now teaching

England and Germany not to weary man’s eye by monotony.

And as they were advanced in literature and politics, the religion

of earth, so they assiduously cultivated religion, the politics of

heaven. The Biblical student has found among the tombs of Nile-land

the absolute truth of what Celsus said—namely, that the Hebrews

borrowed their tenets and practices from Egypt. Their date of the

creation _ex nihilo_ (B.C. 4004–4620) was evidently Manetho’s period

of the succession of Mena, and it is used even in our day. Their

genesitic cosmogony, as Philo Judæus shows, and as Origen expressly

declares, was an adaptation of Nilotic allegories and mysteries which

the vulgar understood factually and literally. Their ‘Adam’ suggests

‘Atum,’ whence ‘Adima,’ the First Man amongst the Hindus. Their App or

Apap (Apophis), whose determinative is a snake transfixed with four

knife-blades,[472] is the great old serpent, the ophid-giant, Sin,

Sathanas. The ‘Flood’[473] is the annual Nilotic inundation modified

by the Izdubar legends of the Interamnian Plain. Noah, Nuh, Nöe, is

suspiciously like Nu or Nuhu,[474] the Sailor of the Waters, the Lord

of the Full Nile. Ham suggests Kam, the black race. The ark is the

Bahr or Ua (Baris, Argo navis) of Nu, the sacred vessel portrayed in

the ruins of Egyptian Elephanta, the boat of Osiris, or Uasur, the

man-formed Sun-god; and the floating cradle of Moses is a mere replica

of Osiris’ ark. In that complicated idolatry of deceased ancestors,

based upon a system of monotheism,[475] or rather the worship of

glorified man, which formed the religion of Egypt, the Sun typified

human life. He rose as the infant Horus; he was the Lord Ka of the

mid-day; as Tum he became old and set; and as Hormakhu (Harmachis) he

shone to the under world below the horizon, Night and Death being the

forerunners of Light and Life.[476]

The preternatural apparatus of both faiths (original and borrowed) is

the same. The four genii of Death—Amset (under Isis), Hapi (Nephthys),

Tuamutef (Neith), and Khebsenauf (Sebk)—became the four archangels. Of

Urim and Thummim, the latter is the plural of Thmei (Themis), the blind

or headless goddess of Truth and Justice.[477] Even such phrases as ‘I

am that I am’[478] are loans from the hierogrammat; Ankh (I am Life)

was rendered Yahveh (Jehovah). This ‘ineffable name’[479] is borrowed

by some, Colenso included, from Semitic heathenism; but Brugsch shows

that Egypt supplied the Mosaic conception of the Creator. There

appears, indeed, direct derivation in the unity of the Deity and in the

duality of Typhon, Set, Satan, the Evil Spirit. Later ages copied the

local Triads of Kemi, in which the third proceeded from the other two.

Both ecclesiastical establishments contained Prophets (_Sem_),[480]

High Priests,[481] Priests, ‘Holy Fathers,’ and Scribes. The Decalogue

is a _résumé_ of the forty-two commandments in the Deadbook (chapter

125). The portable shrines of the great Egyptian gods originated the

Tabernacle, which grew to be the Temple; it corresponds with the Σχήνη

ἱερὰ or movable tent of the Carthaginians. The African practice of

circumcision was probably intended originally as a prophylactic against

syphilis, of which traces have been found in prehistoric bones. The

peculiar Jewish hatred for pork is reasonless unless we explain it by a

superstitious horror of the Typhonian beast. Rationalists tell us that

the meat was religiously forbidden because unwholesome in the tropics,

a _causa non causa_: it is the favourite food in the Brazil, in China,

and in Christian India; even the Maráthás will eat wild hog; nor are

the habits of the animal more filthy than the duck’s. The truth is that

these dietary prohibitions served to make a _differentia_, to disunite

man, to pit race against race and to feed the priest.

But while the Hebrews drew largely upon the wisdom (and the unwisdom)

of Egypt, they ruthlessly cast out the eminently Nilotic ideas of a

Soul, of a Judgment of the Dead, and of a future state of rewards

and punishments—three tenets which, in modern days, form the very

foundation of all faiths. ‘If a man die, shall he live (again)?’

asks Job (xiv. 14), in a chapter showing that life once lost is lost

for ever.[482] And apparently from the days of Moses this was the

peculiarity of ‘Semitic’ thought; it lived in the Present and had

no Future, or rather it spurned the world to come. ‘Moses,’ says

Professor Owen, ‘could not admit the after-life, or teach of reward and

retribution in a future state, without risk of tainting his monotheism

with some trace of the manifold symbolism environing the “divine

son of Amen” (Osiris), who after suffering loss of the mortal life,

which he had assumed for bettering his kind, became, on resigning his

divinity, their judge.’ The Hebrews adopted Soul and Judgment, Heaven

and Hell, many centuries after Moses from their Assyrian kinsmen,[483]

who also supplied them with their present names for the twelve months

and sundry astronomical notions. And their modern descendants by

universally accepting a Resurrection have done that against which Moses

so carefully guarded.

I need hardly say that the mythologies of Greece, Etruria, and Rome

only corrupted Egyptian mysteries and metaphysics. Three instances will

suffice: Charon is a degraded Horus; Minos is Mena, and Rhadamanthus

contains the word Amenti, the right side (of Osiris), the west.

Nor can we be surprised if Egypt is now giving rise to scientific

superstitions. Every reader of ‘Pyramid Literature’ will note the

mysterious influence which Kemi is exercising upon the modern mind.[484]

[Heading: _EGYPTIAN METALLURGY._]

In the preceding chapters I have noted the development of metallurgy by

the ancient Egyptians. They probably began with gold,[485] the easiest

of all ores to find and to work; it was abundant in Upper Egypt, and

about B.C. 1600 they found a California in ‘Kush’ (Æthiopia). They

called it Tum, Khetem, and Nb, which is variously pronounced Nebu,

Neb, and Nub, whence Nubia. It has two hieroglyphic determinatives

[Hieroglyphs], the necklace and the washing-bowl covered with the

straining-cloth. The Kemites called silver ‘white gold,’[486] showing

the movement of invention; and they could draw silver wire three

thousand years ago. Wilkinson (II. chap. viii.) remarks, ‘The position

of the silver-mines is unknown’; but he wrote before the discovery

of Midian, where surface-stones have been picked up containing

three ounces per ton. As their pictures prove, they worked iron,

although little has outlasted the corrosion of Time. They applied the

blow-pipe to the works of the whitesmith. They were well acquainted

with soldering by lead or alloys,[487] as is shown by the Shesh or

Sistrum of Mr. Burton. I may here remark parenthetically that this

_crepitaculum_ used in temple-service gave rise to the Maracá or

Tammaraka, the sacred rattle, a gourd full of pebbles worshipped by

the Brazilian Tupis, who thus acknowledged the mysterious influence

of rhythmic sounds.[488] They were skilful in the damascening[489] or

inlaying of weapons, an invention claimed by those model ‘claimants,’

the Greeks. Their simple process was to cut out the ground, to hammer

in gold and silver, and, finally, to file and polish the surface.[490]

[Heading: _EGYPTIAN WEAPONS._]

The metallurgic proficiency of Old Egypt would lead to the development

of arms and armour, and enable the soldier to win easier victories

over the ‘vile, impure, and miserable Gentiles’—i.e. all men except

themselves. The god Anhar, or Shu, is ‘Lord of the Scymitar.’ Horus,

as a hawk-headed mummied deity, is seated holding two Swords. Amen-Ra,

Lord of Hab, is a ‘great god Ramenma, “Lord of the Sword.”’ The

‘wearer of the Pshent or double crown’ (the Pharaoh), the image of

Monthu, god of war, was _ex-officio_ ‘His Holiness’ (high-priest) and

Commander-in-Chief, who personally led his warriors to ‘wash their

hearts’ (cool their valours) as the Zulus wash their spears. Like

Horus, he is ‘valiant with the Sword.’[491] When going to war he was

presented with the ‘Falchion of Victory,’ and thus addressed: ‘Take

this weapon, and smite with it the heads of the unclean.’ In paintings

and sculptures he is a large and heroic figure: he draws the bow, he

spears or cuts down the foe, and he drives his war-car over the bodies

of the slain. His soldiers are divided into Calasiri (Krashr[492] or

bowmen) and Hermotybians, the latter unsatisfactorily derived[493] from

ἡμιτύβιον, a strong linen (waist-?) cloth. The two divisions represent

the second of the five castes, ranking below the priestly and above

the agricultural: they held one of the three portions into which the

land was divided. Recruits were taught in the military schools that

originated the Pentathlon and the Pancratium, the Palæstra and the

Gymnasium. They were carefully trained to gymnastics, as the monumental

pictures in the Beni Hasan tombs show; they used Mogdars or Indian

clubs, and they excelled in wrestling, though not in boxing. The royal

statues are those of athletes, with their broad shoulders, thin flanks

and well-developed muscles. The soldier practised single-stick, the

right hand being apparently protected by a basket-guard, and the left

forearm shielded by a splint or splints of wood, strapped on, and

serving for a shield (fig. 152).

The standing army consisted of foot and horse,[494] the latter being

mostly in chariots; and they were divided into corps, regiments,

battalions, and companies. The men were officered by Chiliarchs

(colonels), Hekatontarchs (captains), and Dekarchs (sergeants), as the

Greeks called them. The ‘heavies’ were armed with a long strong spear

and an immense shield provided with a sight-hole. Some carried the

‘Lisán’-club, the battle-axe, and the mace; and almost all had for

side arms pole-axes,[495] Swords, falchions, and daggers. The ‘light

bobs’ were chiefly archers and slingers, also weaponed with ‘Lisáns,’

axes, war-flails, and Swords. The chariot-corps or cavalry, besides

bows and arrows, had clubs and short Swords for close quarters. The

battle-axes show clear derivation from the stone celt, which supplied

the hieroglyphs with the word Natr or Netr (Neter, &c.), meaning god,

gods, or goddess ([Hieroglyphs]).[496] In the Demotic alphabet the axe

was K (_Kelebia_).

[Illustration: FIG. 152.—SINGLE-STICK IN EGYPT.]

[Illustration: FIG. 153.—EGYPTIAN SOLDIER AND SHIELD.]

[Illustration: FIG. 154.—EGYPTIAN SOLDIERS.]

[Illustration: FIG. 155.—EGYPTIAN SOLDIER.]

[Illustration: FIG. 156.—1. EGYPTIANS FIGHTING, FROM PAINTINGS OF

THEBES; 2. EGYPTIAN SOLDIERS, FROM THEBAN BAS-RELIEFS.]

[Illustration: FIG. 157.—BRONZE HATCHETS IN WOODEN HANDLES, BOUND WITH

THONGS. (Heads, 3 and 4½ inches, Hefts, 15½ and 16½ inches.)]

[Illustration: FIG. 158.—POLE-AXES.]

[Illustration: FIG. 159.—KHETEN OR WAR-AXES.]

The action began, at the sound of the trumpet, with an advance of

light-infantry, bowmen, slingers, and javelineers. Then came the charge

by the ponderous phalanx of ten thousand men, one hundred in front by

one hundred deep, and flanked by chariots and cavalry. Thus the close

combat was not the disorderly system of duels that prevailed in the

barbarous Middle Ages of Europe. In storming fortified places they used

the pavoise and testudo, the ram, the scaling-ladder, the bulwark or

movable tower, and the portable bridge. They were also skilful military

miners.

[Heading: _THE EGYPTIAN SWORD._]

The Egyptian phalanx was armed with the large shield, lance, and Sword;

the latter was generally called Seft, [Hieroglyphs], or [Hieroglyphs],

or [Hieroglyphs]; also inverted to Setf, [Hieroglyphs]: it becomes

Sifet in Æthiopia, and in Berber Siwuit. The weapon in the hieroglyphs

is of four different shapes. The first is the boomerang-Sword

[Hieroglyphs], _m_ or _ma_, meaning ‘to destroy’: this M is the root

of the Hebrew and Arabic _Maut_ and the Prakrit-Sanskrit, _Mar_.

The second is the Knife-Sword [Hieroglyphs], _At_ or _Kat_, the

determinative of cutting. These two are joined [Hieroglyphs] in the

root _ma_ (cut, mow). The third is the Khopsh, Khepsh, or Khepshi,

[Hieroglyphs], the sickle-Sword, still used in Abyssinia and throughout

Africa: with a flattened curve it became the Hindu Kubja, the Greek

‘Kopis,’ and the Gurkha ‘Kukkri.’ The second two are combined in the

root Smam, [Hieroglyphs], ‘to smite.’ Other names of the Sword are Ta

or Nai, [Hieroglyphs], and Nai, Na’ui, or Nakhtui, [Hieroglyphs].

The falchion (_ensis falcatus_), called Shopsh, Khepsh, or Khopsh,[497]

is represented as early as the Sixth Dynasty (after B.C. 3000). Hence,

says Meyrick, the Κοπὶς of Argos—Argolis being a very mixed province,

where the base was Pelasgian and the superstructure was Egyptian;

the latter introduced by Danaus, and followed by the Phœnicians, who

founded the town Phœnicia. Quintus Curtius (lib. iii.) says: ‘Copides

vocant gladios leviter curvatos, falcibus similes, quibus appetebant

belluarum manus.’ Apuleius (‘Met.’ lib. xi.) also speaks of ‘copides et

venabula.’[498]

Evidently the Egyptian Sf, Sefi, Seft, or ‘Sword’ generically,[499]

gave rise to the Mesopotamian Sibir, Sibirru, and Sapara; to the Greek

ξίφ-ος; to the Aramæan Saiph, Sipho, and to the Arabic صيف (Sayf-un),

the second syllables being merely terminative; while the Latin _spatha_

and the German Schwerte, and our Swerde and Sword, are the latest

echoes of Sef and Seft. The Germans say rightly, ‘Nichts wandert so

leicht als Waffen und Waffennamen.’

[Illustration: FIG. 160.—DIFFERENT FORMS OF THE EGYPTIAN KHOPSH

(KOPIS), WITH EDGES INSIDE AND OUTSIDE.]

Another Egyptian name for the sickle-shaped blade is Khrobi,[500] which

suggests the Hebrew Hereb (a weapon, a Sword). We are also sure that

the words are primitive Egyptian: the proof is that the symbol of ‘Má’

(‘destroy’ &c.), the Khopsh or _ensis falcatus_, is the numeral nine;

and the straight flesh-blade (_Kt_) is the pronoun thou, thee: the two

together alluded to the oldest religious practice.[501]

The falchion, shaped in the pattern of Ursæ major (?), was thick-backed

and weighted with bronze; the blade, in later days at least,[502]

was of iron or steel, as shown by the blue colour. Champollion[503]

notices blue Swords with golden hilts in the tomb of Ramses III., and

a ‘weapon Kops’ with the gold, of which the hilt consists, running up

the concave back of the blade. ‘The gold was therefore either sunk into

the iron, or gilded on the back. In other cases the Kops of kings was

entirely of gold, or, like other Swords, entirely of brass (copper?).

In another similar weapon, brass (copper?) and iron were blended in the

blade.’ An iron ‘Kops’ was found in a tomb at Gurnah.

[Illustration: FIG. 161.—1. EGYPTIAN SLING; 2. UNKNOWN WEAPON; 3.

SHEATHED DAGGER; 4. HATCHET; 5. SCORPION, OR WHIP-GOAD.]

[Illustration: FIG. 162.—EGYPTIAN DAGGERS.]

[Illustration: FIG. 163.—EGYPTIAN DAGGER OF BRONZE IN BRITISH MUSEUM.]

[Illustration: FIG. 164.—OFFICER OF LIFE-GUARD TO RAMSES II.,

APPARENTLY ASIATIC.]

[Illustration: FIG. 165.—BRONZE SWORD, FOUND AT AL-KANTARAH, EGYPT.]

The Khopsh, a sickle in type, and originally a throwing weapon as

well as a cutting arm, was always carried by the Pharaoh, who used it

indifferently with the pike (_Taru_), the mace, axe (_Aka_, _Akhu_),

battle-axe, or pole-axe (_Kheten_). Officers and privates, ‘lights’

as well as ‘heavies,’ also wielded it in pictures. Those commanding

infantry-corps are armed with the simple stick like the Roman centurion

and our drill-sergeant of bygone days.

[Illustration: FIG. 166.—1. AXE; 2. SPEAR-HEAD; 3. KHOPSH; 4.

LANCE-HEAD.]

[Illustration: FIG. 167.—BELT AND DAGGER.]

[Illustration: FIG. 168.—EGYPTIAN DAGGERS.]

The fourth or long-straight Sword, which does not appear in the

hieroglyphs, had a two-edged cut-and-thrust leaf-shaped blade from two

and a half to three feet long,[504] with a foining point like that

of the Somal.[505] These large weapons seem to have been used by

foreign mercenaries. The leaf- also becomes a trowel-form, betraying

its origin and derivation, the spear-head. The grip was hollowed away

in the centre, gradually thickening at either end, and was sometimes

inlaid with metal, stones, and precious woods. The pommel of that worn

in the Pharaoh’s girdle is surmounted by one or more hawk-heads, this

bird being the symbol of Ra[506] (the Sun). The handle is also adorned

with small pins and studs of gold, shown through suitable openings in

the front part of the sheath. With this weapon the warrior stabs the

enemy in the throat, as Mithras strikes the bull behind the shoulder.

A modified form was the Sword-dagger, of which two are sometimes

represented with the Pharaoh: it was generally carried in the belt.

This shape of weapon found its way to the Caucasus;[507] and the

Georgian Khanjar, hanging to the girdle in the place of the Sword, is

also a survival.

[Illustration: FIG. 169.—ASSYRIAN DAGGERS, SHEATHS, AND BELTS. (BRITISH

MUSEUM.)]

The Egyptian weapon is of various lengths. The bronze blade of Amunoph

II., found by Wilkinson at Thebes, measures only five and a quarter

inches: others rise to seven and even ten. Mr. Salt’s specimen in the

British Museum covers eleven and a half inches, including the handle;

and others reach one foot, and even sixteen inches. Many of these

blades taper from an inch and a half to two-thirds of an inch near

the point. Dr. John Evans[508] has a Sword, found at ‘Great Kantara’

during the construction of the Suez Canal; the blade is leaf-shaped,

and measures seventeen inches, and the whole length twenty-two inches

and three-eighths (fig. 165). ‘Instead of a hilt-plate, it is drawn

down to a small tang about three-sixteenths of an inch square. This

again expands into an octagonal bar about three-eighths of an inch in

diameter, which has been drawn down to a point, and then turned back

to form a hook, perhaps the earliest mode of hanging to the belt.’ At

the base of the blade are two rivet-holes, and the hilt must have been

formed of two pieces which clasped the tang. Dr. Evans also mentions a

bronze Sword-blade, presumably from Lower Egypt, in the Berlin Museum:

it has an engraved line down each side of the blade; it is more uniform

in width than the Kantara specimen, and the hilt is broken off.

[Illustration: FIG. 170.—DAGGER FROM THE CAUCASUS.]

[Illustration: FIG. 171.—EGYPTIAN CHOPPER-SWORDS.]

[Illustration: FIG. 172.—EGYPTIAN KHOPSH.]

Not a few Egyptian Swords are much thicker at the middle than at the

edges, and many are slightly grooved. The bronze is so well tempered,

either by hammering, by hydraulic pressure, or by phosphorisation (?),

that it has retained spring and pliability after several thousand

years, and is still elastic like the steel of our modern days. I have

already noticed[509] the Passalacqua and the Harris daggers—both from

Thebes. The dagger-handle was generally covered in part with metal like

that of the Sword; and the sewing of the leather-sheath again recalls

the hide-scabbard of the Somal.[510] The Egyptians, as the hieroglyphs

prove, had also single-edged cutting-knives shorter than Swords, and

apparently of steel; they resemble our flesh-knives,[511] and may

correspond with the Greek μάχαιραι (Ang.-Sax. _Meche_), while the

daggers proper represent the ἐγχειρίδια and the parazonia.

[Heading: _EGYPTIAN SWORDS._]

The long Sword must have been rare or rather barbaric, for it is seldom

found in the pictures and bas-reliefs. Yet Rosellini figures one which

resembles an Espadon or heavy two-handed weapon of our Middle Ages. An

inscription of Ramses takes as booty from the Maxyes (Cyrenians) of

Libya one hundred and fifteen Swords of five cubits (seven and a half

feet), and one hundred and twenty-four of three cubits long.

[Illustration: FIG. 173.—BRONZE DAGGERS AND SHEATH (1 FOOT LONG). (From

Theban Tomb, Berlin Museum.)]

[Illustration: FIG. 174.—SHAPES OF EGYPTIAN BLADES. (Meyrick.)]

[Illustration: FIG. 175.—SWORD-DAGGERS.]

Meyrick,[512] in his general introduction to the weapons of all

nations (vol. i. Pl. 1), gives two forms of Egyptian blades, or rather

choppers. One (_a_, fig. 174) is a straight bill-shaped cutting-blade

with the tip upturned, and the handle is provided with cords and

tassels. This is in fact the old Turkish Scymitar and its offshoots, of

which I have already spoken; and thus Egypt led to the chopper-types,

which will presently be noticed. The other (_b_) is a curved Scymitar,

with a bevelled end and a double cord at the hilt.[513] The former

seems to be an imitation of the obsidian flake: the latter is a

development of the Khopsh or sickle-Sword.

[Heading: THE SWORD IN AFRICA.]

And here I must temporarily abandon the chronological for the

geographical order, and briefly treat of the Sword in modern Africa.

In the Dark Continent, as in the New World, the weapon has scant

importance. Reviewing the arms of the former ‘Quarter,’ we must

conclude that its favourites are the war-axe (employed in rough work),

and the spear[514] (used in fine work); while the Sword proper is

confined, as a rule, to Moslem Africa.

We have seen that in olden time the Mashaua (Maxyes) of Libya,

bordering upon Egypt, used large Swords. The Adyrmachidæ, or ‘first

Libyans’ of Herodotus (iv. 168), called by Silius Italicus (iii. 219)

‘gens accola Nili,’ were also armed with curved blades.

Denham and Clapperton inform us that the Knights of Malta exported

great numbers of the straight double-edged blades which they affected,

to Benghazi, in North Africa, where they were exchanged for bullocks.

From the Tripolitan they were borne across the Sahará to Bornu, to

Hausaland, and to Kano, where they were remounted for the use of the

negroid Moslem population. Modern travellers note that the trade still

continues at Kano, where some fifty thousand blades were annually

imported across the Mediterranean—the reason is that these negroids

cannot make their own. Hence they are passed on to the Pule (Fulah)

and Fulbe tribes, the Hausas, the Bornuese, and others dwelling in the

north-western interior. The great Mandenga family, miscalled Mandingos,

are also purchasers of European blades, which they mount and sheathe

for themselves. Far to the south-east Mr. Henry M. Stanley (_loc. cit._

i. 454) notes that the ‘King of Kishakka possesses an Arab scimitar,

which is a venerated heirloom of the royal family, and the sword of the

founder of that kingdom’ (?).

Barth (‘Travels’) has left us accurate though scanty details concerning

the weapons of the North-Western and West-Central Africa. ‘Spears and

Swords’ (say the people) ‘are the only manly and becoming weapons.’

The blade, mostly made at Solingen,[515] characterises the free and

noble Amoshágh or Imoshágh; and all travellers remark that it preserves

the old knightly form of crusading days; the low-caste Tawárik carry

only the lance and the regular African Telak or arm-knife. The Forawy

trust almost wholly to their Swords: the Kel-Owy (Khayl, or people, of

the Owi Valley) and the Kel-Geres carry spear, Sword, and dagger. The

Imgád, a degraded tribe of the negroid Berbers, are not allowed to use

either Sword or spear: similarly the bow is confined to the servile

caste among the Somal. The son of the Kazi, near Agades, was armed with

an iron spear, Sword, and dagger (vol. i. 395): a Musghu chief had a

boomerang-Sword (Front. vol. iii.). Few of the Baghirmi can afford

‘Kaskara’ (Swords), and they rarely wear the Kinyá or arm-knife: the

favourite weapon of these races, as well as the Kamuri or Bornavis,

is the Njiga or Golîyo, which has been noticed under the name of

Danisko.[516] It is a short and double-pointed Egyptian hand-bill,

thrown, as well as used for cutting. At Sokoto the traveller found good

iron (iv. 180): at Kano, in Hausaland, he observed a blacksmith making,

with the rudest tools, a leaf-shaped dagger, a long-ribbed, highly

decorated, and very sharp blade. The Tawárik call the smith ‘Enhad’; in

Timbukhtu he becomes the Mu’allim or artist.

The Sword-play of North Africa is that of Arabia and India,

apparently borrowed from the original Sword-dance.[517] In Tangier

it is picturesquely described by a lively Italian writer, Edmondo de

Amicis.[518] ‘There were three swordsmen, and they used the stick

in pairs. It is impossible to do justice to the extravagance and

buffoonery (_goffagini_) of that _school_: I call it so because we

saw the same style in the other cities of Marocco. There were all the

movements of the rope-dance, high leaps without object, contusions,

leg-actions, and blows, announced a whole minute before by an immense

sweep of the arm. Everything was done with a holy phlegm which would

have allowed one of our experts to have distributed, amongst all four,

a volley of blows without the least risk of receiving one.’

The old Egyptian Sword-types spread deep into the Dark Continent, and

preserve their forms to the present day. The Somal’s weapon shows the

straight or spear-blade. The Shotel or Abyssinian Sword (fig. 176) is

a direct descendant from the Khopsh-falchion. Nothing less handy than

this gigantic sickle; the edge is inside, the grip is too small, and

the difficulty of drawing the blade from the scabbard is considerable.

The handle, four inches long, is a rude lump of black wood, and the

tang is carried to the pommel and there clinched. The coarse and ugly

blade has a mid-rib running the whole length, forming a double slope

to the edges; it is one inch broad at the base, and tapers to a point

which can hardly be used. The length along the arc is three feet

thirty-seven inches; the curve, measuring from arc to chord, is two

inches; and the projection beyond the directing line is four inches.

The rough scabbard of untanned hide is shod with a hollow brass knob,

a ferule ruder even than the blade; and a large iron buckle affixed

to the top of the scabbard under the haft, connects with a belt or

waist-strap. Such a weapon never belonged to a race of Swordsmen.[519]

The Africo-Arab tribes of the Upper Nile (e.g. the Bisharín) also

preserve Egyptian forms derived from the Lisán-stick. The Galla Sword

is shorter and simpler than the Egyptian. But the Flissa of Northern

Africa, the Yataghan whose type, by the support of the Duc d’Aumale,

supplied France for years with a bad bayonet, if borrowed from the

Lisán, has assumed a peculiar curve. Colonel A. Lane-Fox looks upon

this Flissa of the Kabyles (= Kabáil, the tribes) as resembling the

‘Kopis-blade straightened, like those represented in the hands of the

Greek warrior on the vase in the Museum at Naples.’[520] Nothing can be

better adapted for close fight than the handy stabbing weapon: stuck

on the end of a musket, and making the barrel top-heavy, nothing can

be worse. But, as the ‘military tailor’ in the British army seeks the

philosopher’s stone in the shape of a suit of uniform that shall be

at once warm and cool, heavy and light, airy and impermeable to wet,

handsome and lasting, cheap and good, so the Frenchman would transform

the bayonet into a _multum in parvo_, a Sword, a saw, _a coupe-choux_,

in fact everything that a bayonet is not and ought not to be. The

absurd Yataghan-bayonet has only lately been banished from the French

army, and retains its place in most Continental forces.

[Illustration: FIG. 176.—ABYSSINIAN SWORD, A LARGE SICKLE.

(Breadth at hilt, 1 inch; tapers to point.)]

[Illustration: FIG. 177.—SMALLER ABYSSINIAN BLADE.]

[Illustration: FIG. 178.—ABYSSINIAN SWORD IN SHEATH.

(Scabbard open to allow passage of blade.)]

[Illustration: FIG. 179.—FLISSA OF KABYLES.]

The Sword amongst the Dankali tribes, who occupy the south-western

shores of the Red Sea, north of the Somal, is evidently of European

origin. The straight, thin blade, with two or more longitudinal

grooves, is about four feet long, and broadens towards the point:

the handle consists of a pommel, of a grip whipped with wire, and of

straight quillons, forming a regular cross-guard. The modern weapons

are made in Germany—I believe, at Solingen, which seems to supply all

Africa north of the Equator.

[Illustration: FIG. 180.—DANKALI SWORD.]

[Illustration: FIG. 181.—CONGO SWORD.]

Our age has at length realised the fact that the heart of Africa is

inhabited by a homogeneous race speaking tongues of the same family.

It is a large and strong-bodied people, often cannibal, and showing no

likeness with the negro of the tobacconist-shops. Scattered amongst

these man-eaters, and possibly the aborigines of the country, are

comparatively dwarfish tribes, evidently the crane-fighting Pygmies of

Homer and Herodotus, now known from their various clans, Aká, Tikitiki,

Doko, Wambilikimo (two-cubiters), and so forth. Both the dwarfs and the

(comparative) giants, of whom the Mpángwe, or Fans, first became known

in Europe, are metal workers, and both work well. They despise arms

and tools that chip and snap, and therefore prefer to ours, with ample

reason, their charcoal-smelted native produce, and they temper it by

many successive heatings and hammerings without water-quenching.[521]

According to Major Serpa Pinto (ii. 128) the Barotse temper their iron

with ox-grease[522] and salt. He notes, however (ii. 356), that the

Ganguellas ‘manufacture steel out of wrought iron, tempered by cold

water, into which the metal is thrown while hot.’

The Gaboon river also produces the Babanga[523] (?), a leaf-shaped

Sword with a square end, made at Batta, and used by the Mpángwe; a

Glaive also leaf-shaped with a long handle, having a point at the butt

end, and Swords with triangular blades more or less broadened at the

apex.

Upon the glorious Congo river[524] I was shown a Sword belonging to the

Mijolos or Mijeres, a tribe inhabiting the upper valley. All declared

it to be of native make, and used during the Sword-dance performed in

presence of the Prince. But it is an evident copy of some weapon of the

fifteenth century; and the knightly model, like that of the Mpángwe

(Fan) crossbow, had drifted into the African interior. The handle and

its pommel were of ivory (in poorer weapons wood is used): the guard

was a thin bar of iron springing from the junction of blade and grip;

forming an open oval-shaped _pas d’âne_ below, and prolonged upwards

and downwards in two quillons or branches, parallel with the hilt and

protecting the hand. The blade, which had a tang for hefting, was

straight, flexible, and double-edged.

[Heading: _AFRICAN SWORDS._]

In the Despotism of Unyoro, on the northern shores of the (Victoria)

Nyanza Lake, Sir Samuel Baker found a knife of the Egyptian leaf-shape,

the _Lingua di Bove_ of the Italians. The blade has a high mid-rib, and

the handle is whipped round with copper wire. It is evidently used,

like the Somal weapon, for stabbing as well as cutting.

[Illustration: FIG. 182.—UNYORO DAGGER-SWORD.]

[Illustration: FIG. 183.—ZANZIBAR SWORDS.]

The Arabs of Zanzibar preserve the old two-handed weapon of Europe,

with a thin, flattish, double-edged blade ending in a bevelled point,

and much resembling the executioner’s Sword prolonged. They bear the

Solingen mark. Zanzibar, however, has two Swords. The shorter weapon

(_a_, fig. 183) is three-grooved and single-edged, the blade measuring

one foot ten inches; the handle and sheath are of copper, embossed or

engraved, and adorned with fine stones. The second (_b_, fig. 183),

which is the usual shape carried by Arab gentlemen, is three feet to

three and a half feet long; the long tang tapers towards the hilt,

and is cased in wood and leather; the pommel is cylindrical, and the

grip wants guard and quillons. Demmin (p. 396) finds it ‘difficult to

understand how this singular weapon could be wielded.’ It serves mostly

for show, and when wanted is used like a quarterstaff with both hands.

But the Zanzibari’s Sword is always clumsy, as dangerous to the wielder

as the old blade of the Gauls and Ancient Britons. Their cousins, the

Bedawin living about Maskat, have conserved with a religious respect,

many ancient weapons won or bought in older days, and possibly dating

from crusading times. These valuable articles travelled far: the

Portuguese found amongst the Moors of Malacca ‘Swords bearing in Latin

the inscription “God help me.”’

The Sword is also known to the blood-stained Despotisms that border the

West Coast of Africa—Ashanti, Dahome, and Benin. Many of the shapes are

borrowed: such are the Maroccan Yataghan, the Turkish or rather Persian

Scymitar, and the Malay Krís (crease). Provided with silver hilts and

scabbard mountings, they are generally wrapped in cloths, showing

only the upper part of the sheath and grip. Some of the forms have

developed till they look almost original, especially the short broad

blades pierced with holes like fish-slicers, and ending in circinal

curves. They suggest the well-known Indian choppers, and probably in

both countries they derive from Egypt. In Ashanti-land and Dahome

they are mostly of iron, some are of brass, and others of gold;[525]

and they are fantastically punched into chevrons and pierced with

open-work. These ‘fish-slicers’ are used in sacrifice and in beheading,

an operation which they perform very badly. Mr. Henry M. Stanley[526]

refers to ‘long-handled cleaver-like weapons’ amongst the savages of

Makongo; and to iron bill-hooks and ‘massive cleaver-looking knives

with polished blades’ in Karagwé.

[Illustration: FIG. 184.—GOLD COAST SWORDS.

(Captain Cameron.)]

[Illustration: FIG. 185.—ASHANTI SWORD-KNIFE.]

[Illustration: FIG. 186.—SWORDS OF KING GELELE OF DAHOME.]

[Illustration: FIG. 187.—BEHEADING SWORD.

Cutch; also used in Africa.]

[Illustration: FIG. 188.—WASA (WASSAW) SWORD.

Gold plates on wood, sewn with wire, and then beaten until the

stitches can scarcely be seen.]

[Illustration: FIG. 189.—KING BLAY’S SWORD.

Gold leaf stamped and beaten. Sworn by before going to war, ‘If

I come back, cut my head off.’]

Gezo,[527] the warrior king of Dahome or Ffon-land, who loved variety

in, as well as number of, weapons, manufactured Swords with two blades

like scissors. He also had _in terrorem_ a company of ‘Amazons,’ called

Razor-women, from the ‘Nyek-ple-nen-toh’ blade. This was simply a

European razor on a large scale, with a steel of thirty inches rising

from a plain handle of black wood, and kept open by a spring. It was

used to decapitate prisoner-kings, and the very look of it made the

lieges tremble.

[Illustration: FIG. 190.—CAPTAIN CAMERON’S MANYUEMA SWORDLET, SHEATH,

AND BELT. 1. Copper; 2. Wood; 3. Steel; 4. Wood; 5. Skin.]

My friend Captain Cameron[528] gives interesting details concerning the

Sword in parts of Africa which he first visited, and he has kindly sent

me a specimen of the Manyuema (Maniwema) Swordlet drawn to scale. He

describes the Wahumla tribe as using double-edged blades of iron shaped

like those of the Roman legionary. The chiefs adorn their steel blades

with neat open-work in various patterns, and some carry a fringe of

bells all along the lower side of the sheath. The belt of twisted hide

loops into a rolled fur (often otter-skin), and ends in two bells: it

is slung over the left shoulder. The Rehombo chiefs use similar blades

with broad and crescent-shaped edges; the commoners are armed with

heavy spears, and short knives, also used when feeding.

The people of the central Copper-lands[529] have only long knives

shaped like spear-heads. Stanley (ii. 81) calls them ‘short Swords

scabbarded with wood, to which are hung small brass and iron

bells.’ The Swords used by the chiefs under ‘King Kasongo’ are left

undescribed:[530] these weapons appear to be like those seen by me on

the Congo. These negroes have a kind of sham attack in honour, a custom

well known amongst the Bedawin. ‘When sufficiently bedaubed’ (with

pipeclay or cinnabar) ‘the chief returned the bag to his boy, and,

drawing his Sword, rushed at Kasongo, seemingly intent upon cutting

him down; but just before reaching him, he suddenly fell on his knees,

driving the Sword into the ground and rubbing his forehead in the dust.’

The Poucue (Pokwé) of the Lunda chiefs is not allowed to the people.

This weapon (fig. 191) has also found its way from Egypt into lands far

south of the Equator, and may be traced in the dagger-formed knives of

the Ovampos. It is a large two-edged knife, three spans long by four

inches broad: the sheath is of leather, and the weapon hangs under the

left arm.[531] The Pokwé not a little resembles the short leaf-shaped

iron blades from the Gaboon River, West Africa; and these again suggest

the Swords and the spear-heads of the ‘Bronze Age.’ Stanley (ii. 228)

shows the ‘Baswa knife’ on the Upper Congo exactly resembling the

Pokwé; these weapons ‘vary in size from a butcher’s cleaver to a lady’s

dirk’ (?). He also found ‘splendid long knives, like Persian Kummars’

(Khanjars?) and ‘bill-hook Swords.’

[Illustration: FIG. 191.—POKWÉ OF THE CAZEMBE’S CHIEFS.]

[Illustration: FIG. 192.—GABOON SWORDS, BOTH EVIDENTLY EGYPTIAN.]

[Illustration: FIG. 193.—CLEAVER OF THE HABSHI PEOPLE.]

The Habshi people inhabiting Janjhíra (El Jezírah = the island),

off the West Coast of India, south of Bombay, retain a curious

relic of their African origin. These negroids, who call themselves

Abyssinians, are originally Wásawáhíli from Zanzibar. Their cleaver

is a straightened Khopsh wholly of iron, handle, plain cross-guard

and pommel (fig. 193). The blade is fifteen inches broad, the back

is an inch and a half thick, and the weapon is as heavy as a man can

wield. These ex-pirates, under the Habshi Nawwáb, are still feared,

on account of their great strength[532] and violent temper, by all

their effeminate Indian neighbours. It is well to note that in case of

another ‘Indian Mutiny,’ we can easily raise on the eastern coast of

Africa a negroid force sufficient to put it down.

[Illustration: FIG. 194.—FRANKISH BLADE, WITH MID-GROOVE OUT OF CENTRE.]

Colonel A. Lane-Fox[533] remarks that one of the most peculiar forms

of Sword used in Africa is the corrugated, having an ogee-section.

On each face a portion of the blade is sunk on one side only, and

on the other face the depression is on the reverse side. Thus the

transverse section somewhat resembles the angles of the letter Z. We

can understand the use of this device when adapted to the pile of the

arrow or the javelin. It would give the weapon a rotatory motion on

the principle of the screw-propeller, the action being only reversed

instead of the screw propelling itself by acting upon the surrounding

medium: in this case the air impinges upon the screw flanges and

rotates the arrow, thereby increasing the accuracy of its flight.

But the peculiarity has been preserved where it is wholly useless;

and, curious to say, this ogee-form is persistent in all the Swords

obtained from the Caucasus, while the iron blades of Saxon and Frankish

spears discovered in the graves of England and France have the same

distinctive. Both may have derived it from Egypt: the Caucasians

through Colchis, and Western Europe by means of the Phœnicians. The

illustration is taken from the ‘Pagan Saxondom’ of Mr. J. Y. Akerman,

who was the first to draw attention to the strange resemblance between

the Saxon and Hottentot spears.[534]

Thus we see that whilst Egypt originated the three shapes of

Sword-blades—straight, curved, and half-curved—the rest of Africa

invented positively nothing in hoplology. Negroids and negroes either

borrowed their weapons from Egypt or imported them from beyond the sea.

Intertropical Africa never imagined an alphabet, a plough, or a Sword.

The Book of the Sword · 第 3 / 11 章